Testud Sylvie Balasko Josiane Kurys Diane Breitman ZabouLivre Rare Book
Arrête ton cinéma ! [Blu-ray] (NEUF SOUS BLISTER)
ref. 500318150Bac Films Distribution 13 76x18 03x1 48cm. Sans date. blu_ray.
Démons et Merveilles · Joinville, Francia9,00 €
3561 resultados
1973A bit of creasing to wraps. Edgewear to spine ends with slight colour loss. Old price sticker to rear wrap. ; 7.7 X 5.0 X 0.7 inches; 256 pages
19641 corner very lightly bumped. Very light pencil marginalia to about 2 pages. Very light shelfwear. ; Unveränderter photomechanischer nachdruck der ausgabe von 1927.; 223 pages
1958Inner hinges reinforced with clear tape (now browned). Some browning to wraps. Scholar's bookplate to inner cover (G. P. Goold). ; Unveränderter photomechanischer nachdruck der ausgabe von 1927.; 223 pages
1970Light pencil underlining to a few pages of greek text. Scholar's name to ffep (Martin Cropp). DJ spine slightly browned. DJ has chipping and small tears to spine ends and corners. ; English Introduction and Extensive Commentary with Greek Text. ; 356 pages
1964Bumping to lower cornrers and to lower edge of front board. Light soiling to rear endpaper. Text is clean. ; English Introduction and Extensive Commentary with Greek Text. ; 356 pages
1964Many pencil notes to greek text and rear endpapers. Else minor shelfwear to book. DJ spine browned. DJ has chipping and a few tears ; English Introduction and Extensive Commentary with Greek Text. ; 356 pages
1964Very light shelfwear to book. DJ has light rubbing and edgewear. DJ spine a bit browned. ; English Introduction and Extensive Commentary with Greek Text. ; 356 pages
1970Light shelfwear to book. Scholar's bookplate to inner cover (Robert Brown). Scholar's name to ffep (Robert Brown). DJ has chipping and a few tears (2-3 cm). ; English Introduction and Extensive Commentary with Greek Text. ; 356 pages
1964Light shelfwear to book. Scholar's bookplate to inner cover (G. P. Goold). DJ has light rubbing and edgewear. DJ spine a bit browned. ; English Introduction and Extensive Commentary with Greek Text. ; 356 pages
1985Scholars' name to halftitle (Mark Golden). Light shelfwear. ; The Comedies of Aristophanes: Vol. 5; 196 pages
1964Sticker damage to rear wrap over barcode. Else VG. ; Penguin Classics; 7.0 X 4.3 X 0.5 inches; 224 pages
1978Scholar's name to ffep. Pages tanned. Light bump to base of spine. DJ is price-clipped. DJ has chipping and a couple of small tears. ; English Introduction and Extensive Commentary with Greek Text. ; 356 pages
1971Scholar's bookplate to inner cover (Robert Brown). Very light shelfwear. DJ has chipping and a few small tears with tiny loss to head of spine. ; English Introduction and Extensive Commentary with Greek Text. ; 356 pages
1971Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. DJ has edgewear with a couple of small tears. ; English Introduction and Extensive Commentary with Greek Text. ; 356 pages
1972Top corners lightly bumped. Else fine. DJ spine a little discolored. Light edgewear with 1 small tear (1 cm). DJ is price-clipped. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
1972Creasing to spine. Chipping to spine ends. Tear to base of spine cover (3 cm). Scholar's bookplate to inner cover (Robert Brown). Scholar's name to ffep (Robert Brown). Else VG. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
1972light foxing to top of textblock. Scholar's name to ffep (Philippa Goold née Forder). Minor shelfwear to DJ. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
1972Spine slightly sunned. Very minor shelfwear. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
ref. 4791Paris, 1838 - gd in 8°, 695 pp - 1ère et dernière pages découpées sans atteinte au texte, quelques mouillures - rel toilée verte
ref. c3683Paris, Librairie des Bibliophiles, 1879 ; 1 volume in-12° broché, couverture beige imprimée en noir, (4)pp., ( dont titre en noir et rouge), XXII, 83pp. et 1 frontispice à l'eau-forte.Environ 10 feuillets jaunis au centre de l' ouvrage, infime manque de papier angulaire au 2 ème plat de la couverture.
ref. 105.750Paris, Société d'Editions Littéraires et Artistiques, 1903. 14 x 20, 140 pp., broché, bon état (couverture légèrement défraîchie).
ref. 500318150Bac Films Distribution 13 76x18 03x1 48cm. Sans date. blu_ray.
1932ref. KOS04400146Azusa Kobo 1932. Soft Cover. Fine. KOS04400146 Azusa Kobo paperback
ref. 0428997791.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1889ref. 102046Century Magazine. Very Good with no dust jacket. 1889. Magazine. ; 11 pages . Century Magazine unknown
