Dodge, Cynthia; Dodge, May HewesMareMagnum
3.240 resultados
1928116 pages. An Italian Countess becomes involved with a troupe of street singers. Includes lots of piano music, lyrics and lines. Please note: This copy is incomplete. Its spine has been taped and it appears that the song on page 116 continued on to a subsequent page which is no longer present. Some markings. Above-average wear. A worthy working copy Book
17184to., on laid paper, some mild age- and damp-marking to several leaves; strongly bound in twentieth century boards, paper label, a bright, crisp copy. Although attributed here to Beaumont and Fletcher, later scholarship increasingly favours authorship by Fletcher and Massinger. The play, one of the finest Restoration comedies, was first performed in 1622 with the first licensed edition following in 1647. We have not been able to trace another eighteenth century edition of this work on its own. Tannenbaum, 501; see CBEL I, 635.
ref. 1333649878.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1976Book has light shelfwear with rubbing to spine ends. Bookplate to front inner cover has been removed leaving a little sticker damage. Dustjacket has edgewear with chipping to extremities. Rubbing to DJ. ; University of London Classical Studies 7; 203 pages; Dearden shows how Aristophanes' plays can be a guide to the form that the theatre took and to the conventions which surrounded it. All aspects of Aristophanes' plays and their production are studied and the role of the various machines, the conventions on actor number, and the costumes and masks worn are discussed in detail.
1976Foxing to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). DJ has a bit of creased iwth 1 small tear (repaired with cellotape). Light edgewear. ; University of London Classical Studies 7; 203 pages; Dearden shows how Aristophanes' plays can be a guide to the form that the theatre took and to the conventions which surrounded it. All aspects of Aristophanes' plays and their production are studied and the role of the various machines, the conventions on actor number, and the costumes and masks worn are discussed in detail.
2006Very light bump to 1 corner. DJ has minor shelfwear. Scholar's small bookplate to ffep (R. E. Fantham). ; A comprehensive survey of Roman theatrical production, this book examines all aspects of Roman performance practice, and provides fresh insights on the comedies of Plautus and Terence. Following an introductory chapter on the experience of Roman comedy from the perspective of Roman actors and the Roman audience, addressing among other things the economic concerns of putting on a play in the Roman republic, subsequent chapters provide detailed studies of troupe size and the implications for role assignment, masks, stage action, music, and improvisation in the plays of Plautus and Terence. Marshall argues that Roman comedy was raw comedy, much more rough-and-ready than its Hellenistic precursors, but still fully conscious of its literary past. The consequences of this lead to fresh conclusions concerning the dramatic structure of Roman comedy, and a clearer understanding of the relationship between the plays-as-text and the role of improvisation during performance. ; 336 pages
ref. 1334487235.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 025951795X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1972164p. illus. chronology index, ame of previous owner Book
1980'Aristophanes is the first creative genius in Western stage comedy.Drawing on his experience as scriptwriter, producer and actor, Kenneth McLeish analyses Aristophanes' art, and the unique performing traditions of Greek Old Comedy.192p.biibliography.index Crisp copy, unmarked except for name of previous owner. Book
1920Light edgewear to spine ends and corners. Very light pencil to a few pages. ; Greek text along with a facing English Translation. Extensive commentary below the text. ; 8vo; 229 pages
191152p. Inked ownership of Robert C. Latimer, 1911. The Latimers were from York, PA. 12mo. Original vellum like spine over paper cover boards. Front board heavily embossed and decorated in gold. Hardbound. John Millington Synge (1871-1909), Irish poet and dramatist, was born near Dublin, of Protestant parents. He was an important figure in the Irish literary renaissance. All of Synge's plays reflect his experiences in the Aran Islands. Intense and poetic in style, his works depict the bleak and tragic lives of Irish peasants and fisherfolk. Very good. LITERATURE BOX 1
ref. 1334494010.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1996ref. 12562Oxford Univ Pr 1996 4x22x17cm. 1996. Reliure Editeur avec jaquette. Ce roman de Mark Twain publié en 1894 entrelace les destins de deux nourrissons échangés dans le Sud d'avant-guerre : l'un né esclave avec un lointain ascendant noir l'autre blanc destiné à être maître. L'œuvre initialement conçue comme une farce sur des jumeaux siamois évolue en une satire cinglante du racisme et de la responsabilité morale mêlant humour noir et réflexion profonde sur la société américaine
ref. 1333379862.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1984ref. 002901Lothian Book World 1984. Limited edition. Hardcover. Fine/issued without dj. 8vo 57 pages white cloth Copy 2509 / 5000. Lothian Book World hardcover
1990Sequel to 'Goatsong'. Eurpolis of Pallene, Athenian comic dramatist, gentlemen farmer, failed husband and now citizen soldier has survived the disastrous Sicilian campaign, only to be accused of treason on his return to Athens. Hilarious fictional autobiography of Eupolis, rival of Aristophanes inAttic Comedy, and acute observer of the vagaries of Athenian politics. Book
1959pp. xxiv, 108. Illustrated with drawings by T. M. Cleland, printed by The Photogravure and Color Company, and hand-colored by Walter Fischer; designed by Mr. Cleland; set in monotype Janson on Curtis Ragston paper. Sm. 4to. 7 1/4 x 10 inches. Bound by Russell-Rutter Company in full maroon cloth, with black leather gold letter spine label, sides embossed in blind design by Mr. Cleland. Original slip case. Number 769 of an edition limited to only 1500 copies, signed by the artist, M. T. Cleland. A Fine Copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W37
1959pp. xvi, 108. Illustrated with lovely colored drawings by T. M. Cleland. Title page and Frontis colored and decorated with stage and portrait. Top edge blue. 4to. Original full blue cloth binding. Front board embossed in detail showing birds, harps, urns, cornucopias and flowers. Very pretty binding. Original slip case. Hardbound. Very nice copy. THESE HERITAGE PRESS BOOKS MAKE GREAT GIFTS. W81
ref. 1334482241.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1988Looks like new, but is printed on age-toned paper. 158 pages.
ref. 3489Jules tallandier 158 pages in8. Sans date. reliure éditeur demi basane dos à nerfs. 158 pages. Il s'agit de l'édition par Jules Tallandier début 1900 de deux pièces majeures de Beaumarchais 'Le Barbier de Séville' (1775) et 'Le Mariage de Figaro' (1784) formant les deux premières parties de sa trilogie centrée sur le valet Figaro. La première est une comédie d'intrigue où le Comte Almaviva aidé de Figaro séduit Rosine tandis que la seconde plus audacieuse et politique critique l'aristocratie à la veille de la Révolution
ref. RO80213988Theatre Comedia - Fischer Willy. Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 50 pages. Texte sur 2 colonnes. Nombreuses photographies en noir et blanc dans et hors texte.. . . . Classification Dewey : 792-Théâtre
1876ref. GITb215Paris Librairie des BIbliophiles 1876. 2vol in-12 XXOV 287pp 2ff n ch 367pp 2ff n ch. Demi chagrin poli chocolat à coins signés, dos lisse élégamment orné en long de filets, feuillages, fleurette et frise dorés, tête dorée, non rogné, couverture conservée, rel époque. Orné de bandeaux et cils de lampes.
1912Good English In contemporary bound with leather spine. Original paper covers saved inside. 16mo. 2 volumes in 1: (190 p.; 159 p). In French. Theatre de Moliere. 2 volumes in one. I. Le malade imaginaire, Les fourberies de Scapin. II. Le medecin malgre lui, La mariage force, Le Sicilien ou la'amour peintre.
