Colin Fabrice Chatal ChristineLivre Rare Book
3561 resultados
2018ref. 500082203FERNAND NATHAN 2018 96 pages 13 9x20 8x1 2cm. 2018. Broché. 96 pages.
ref. 23423Paris, Librairie des Contemporains, 1869. 9 x 14, 63 pp., 1 portrait en frontispice, broché, bon état (couverture défraîchie).
ref. 30755Paris Chez les Libraires Associés 1800 in 8 (20x13) 1 fascicule broché, sous couverture muette de papier marbré ancien, 45 pages. Représentée, pour la première fois, sur le théâtre Montansier, le 27 messidor, an 5. Guillaume-Charles-Antoine Pigault de l'Épinoy, dit Pigault-Lebrun, 1753-1835, romancier et dramaturge français. Nouvelle édition. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
ref. 106.636Paris, Chez M. Charbonnier, 1856. 12 x 18, 292 pp., broché, non coupé, bon état (rousseurs).
1960Nicely printed, title page in red and black. Some browning to spine and edges of wraps. Faint soiling to wraps. ; Ii+116pp. ; 116 pages
ref. 1390436349.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2011ref. 500263915Paramount 2011 13 6x17x2 4cm. 2011. blu_ray.
ref. 500349228Studio Canal 13 8x3 4x17 8cm. Sans date. blu_ray.
2025ref. 500349214Pathe 2025 13 8x17 3x2 4cm. 2025. blu_ray. 2 volume(s).
2025ref. 500329379Pathé 2025 13 8x17 3x2 4cm. 2025. blu_ray. 2 volume(s).
2016ref. 1252942016 Carlotta Films / L'Atelier d'Images - 2016 UNE ÉDITION UNIQUE BLU-RAY + DOUBLE DVD + LIVRE 160 PAGES !#4 DE LA COLLECTION COFFRET ULTRA COLLECTOR> CONTIENTLE FILM (NOUVELLE RESTAURATION HD)LES SUPPLÉMENTS (en HD)*. PRÉFACE DE PHILIPPE ROUYER. UNE ÉPOPÉE PICARESQUE (25 mn)Philippe Rouyer, critique à Positif et historien du cinéma, revient sur les aventures de Jack Crabb, héros tragi-comique témoin du génocide indien.. ARTHUR PENN (LE RÉALISATEUR) : SUR LE TOURNAGE DE "LITTLE BIG MAN" (26 mn)Dans ce documentaire du photographe américain Elliott Erwitt réalisé au cœur du tournage de Little Big Man, le cinéaste Arthur Penn se confie sur sa méthode de travail et celle de son acteur Dustin Hoffman, et revient sur les choix artistiques opérés pour ce film.. LES MULTIPLES FACETTES DE DUSTIN HOFFMAN (14 mn)Dans Little Big Man, Dustin Hoffman réalise l’exploit de jouer un personnage âgé de 17 à 121 ans. Dans ce documentaire signé Elliott Erwitt, le comédien américain évoque son travail sur le tournage du film d’Arthur Penn et livre quelques-uns de ses secrets d’acteur.. BANDES-ANNONCES D’ÉPOQUE (VOSTF & VF) ET 2016* en HD sur la version Blu-ray DiscLE LIVRE DE 160 PAGES"PENSER LA SPONTANÉITÉ" : "LITTLE BIG MAN" D'ARTHUR PENN
ref. c5559Paris, Plon et Cie, 1879 ; 2 fort volumes in-32° brochés, couvertures crème imprimées en noir; (4)pp., XXIIIpp., 341pp., (1)f.; (4)pp., 414pp.Exemplaire entièrement non rogné ( grandes marges externes et inférieures), la partie des marges dépassant de l' ouvrage a jauni, très rares piqûres. Bon exemplaire non coupé.
ref. WOC-60Derniers aventures de l'Illustre Tartarin. Illustrations de Bieler, Montégut, Montenard, Myrbach et Rossi. Paris, Librairie Marpon et Flammarion, E. Flammarion, Successeur, sans date. In-12-18x12cm, relié demi chagrin rouge à coins, dos à nerfs, couvertures en couleurs par Rossi conservée. 248pp.
1819in-8°; 30 volumi in mezza pergamena con angoli e doppio tassello al dorso, tagli in rosso, bella legatura solida. Il primo con ritratto.
2012ref. 1171612012 Editions Ventotène - 2012 - In-8, broché couverture illustrée - 66 pages - Quelques illustrations en N&B - Probable envoi (dédicace) de l'auteur Gérard Angel en deuxième de couverture - Comédie satirique en 5 actes dans laquelle Gérard Collomb, sénateur maire de Lyon, recherche celui ou celle qui pourra lui succéder
ref. 1334886164.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 46213aafBibliotheca Bodmeriana, 1961, gr. in-8°, 13 p. + 161 p., hs. Widmung von Martin Bodmer an Erich Walthert, mit Ex-Libris Walthrt, cartonnage original illustrée. Frisches Exemplar mit WIDMUNG.
1876ref. 20751Paris Jouaust 1876 in-8 demi-chagrin un volume, reliure demi-chagrin brun-foncé grand in-octavo à coins (binding half shagreen in-octavo with corners) (24,8 x 17 cm), Reliure d'Epoque, dos à nerfs (spine with raised bands) décoré or et à froid (gilt and blind stamping decoration), titre frappé or (gilt title) dans un encadrement d'un filet à froid, entre-nerfs à triple filets or en encadrement, filet perlé or en place des nerfs et en tête et en pied avec un filet à froid de part et d'autre des nerfs, manque la coiffe de tête + mors légèrement fendus, plats décorés or (gilt decoration), mors et coins ornés d'un filet or, papier peigné aux plats (cover with painting paper), tête lisse (top edge smooth) dorée (top edge gilt), gouttière long papier (fore-edge great paper) et tranche de queue non rognées (edges no smooth), marque page en tissus jaune, rouge et vert, 16 livraisons reliées en 1 volume, Chaque notice a une pagination indépendante et est accompagnée d'un portrait d'Artiste (légendé) hors-texte en noir gravé à l'eau-forte par Léon GAUCHEREL (10 eaux-fortes hors-texte + une eau-forte in-texte pour "La Maison de Molière", (2 ff. + 15 (la Maison de Molière) + 27 (Regnier) + 27(Got) + 24 (Sophie Croizette) + 27 (Sarah Bernhardt) + 24 (Coquelin) + 19 (Madeleine Brohan) + 20 (Maria Favart) + 27 (Bressant) + 28 (Arnould-Plessy + 20 (Febvre) + 31 (Delaunay) Pages, 1876 Paris, Jouaust, Librairie des bibliophiles Editeur,
1858ref. 14405Michel Lévy Frères Libraires 1858 376-364 pages in8. 1858. reliure éditeur demi chagrin dos à nerfs. 2 volume(s). 376-364 pages. Ce livre est un recueil de comédies en vers écrites par Camille Doucet un auteur du XIXe siècle. L'ouvrage fait partie d'une collection de réimpressions d'œuvres patrimoniales initialement publié en 1858 par Michel Lévy frères
2013To consider comedy in its many incarnations is to raise diverse but related questions: what, for instance, is humour, and how may it be used (or abused) ? When do we laugh, and why? What is it that writers and speakers enjoy - and risk - when they tell a joke, indulge in bathos, talk nonsense, or encourage irony? This Very Short Introduction explores comedy both as a literary genre, and as a range of non-literary phenomena, experiences and events. Matthew Bevis studies the classics ofcomic drama, prose fiction and poetry, alongside forms of pantomime, comic opera, silent cinema, popular music, Broadway shows, music-hall, stand-up and circus acts, rom-coms, sketch shows, sit-coms, caricatures, and cartoons. Taking in scenes from Aristophanes to The Office, from the Roman Saturnalia to Groundhog Day, Bevis also considers comic theory from Aristotle to Freud and beyond, tracing how comic achievements have resisted as well as confirmed theory across the ages. This book takes comedy seriously without taking it solemnly, and offers an engaging study of the comic spirit which lies at the heart of our shared social and cultural life. ; Very Short Introductions; 168 pages
1936ref. 27133BBOxford, Publishers: Clarendon Press, 1936. Aikin-Sneath, Comedy in Germany in the first Half of the eighteenth Century Original Cloth-Volume (gilt Lettering on the Spine). Ex-Library-Copy. Library-Button on the Spine. Library-Stamp [dropped out] cover-inside and verso Title. No Markings in the Text! No Underlinings! No Owner-Notation! Cover only with small Signs of Usage! ('Oxford Studies in modern Languages and Literature').
1982ref. 2080302106804872Seiun shobo 1982. Soft Cover. Fine. Size: B6 size 252 pages Number of books: 1 Seiun shobo paperback
1993Foxing/dustsoiling to top of textblock. DJ spine sunned. ; 168 pages; This book opens a neglected chapter in the reception of Athenian drama, especially comedy, and gives center stage to a particularly attractive and entertaining series of vase-paintings which have generally been regarded as marginal curiosities. These are the so-called "phylax vases," nearly all painted in Greek cities of South Italy in the period 400 to 360 B. C. Until now, they have been taken to reflect a sort of local folk-theater, but Taplin argues that most, if not all, reflect Athenian comedy of the sort represented by Aristophanes. His bold thesis brings up questions about the relation of tragedy as well as comedy to vase painting, the cultural climate of the Greek cities in Italy, and the extent to which Athenians were aware of drama as a potential "export." It also enriches appreciation of many key aspects of Aristophanic comedy. The book has assembled 47 photographs of vase-paintings, many printed here for the first time outside specialist publications not readily accessible.
1994Spine is sunned and discolored. Else very light shelfwear. ; Clarendon Paperbacks; 168 pages; This book opens a neglected chapter in the reception of Athenian drama, especially comedy, and gives center stage to a particularly attractive and entertaining series of vase-paintings which have generally been regarded as marginal curiosities. These are the so-called "phylax vases," nearly all painted in Greek cities of South Italy in the period 400 to 360 B. C. Until now, they have been taken to reflect a sort of local folk-theater, but Taplin argues that most, if not all, reflect Athenian comedy of the sort represented by Aristophanes. His bold thesis brings up questions about the relation of tragedy as well as comedy to vase painting, the cultural climate of the Greek cities in Italy, and the extent to which Athenians were aware of drama as a potential "export." It also enriches appreciation of many key aspects of Aristophanic comedy. The book has assembled 47 photographs of vase-paintings, many printed here for the first time outside specialist publications not readily accessible.
