Comedie en Trois ActesBiblio.com
3 240 résultats
réf. 1334860912.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1959No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards, very slight rubbing to spine and no bumping to corners. 93pp. Starting with Sunday Night at the London Palladium, this lovely condition book covers all the stars and the shows at the end of the 1950s on Associated Television. Very well illustrated in black & white.
réf. 30492Paris, Paul Ollendorff, 1889. In-12, 250 pp plus 1 ff de table. Demi-chagrin bleu-nuit, dos à nerfs,tête dorée, auteur, titre, date en lettres dorées. (Couvertures et dos conservés). Reliure signée V. Champs. Bel exemplaire.
réf. 0282205276.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. RO80019421COINTREAU, Anger. Non daté. In-16. Broché. Etat d'usage, Couv. légèrement passée, Agraffes rouillées, Intérieur frais. Environ 10/15 pages. Quelques dessins en noir et blanc. . . . Classification Dewey : 850-Littératures italienne, roumaine, rhéto-romane
réf. 11669Affiche du film musical, sorti le 27 février 1946. Avec ALIBERT et GORLETT- René GENIN-Hélène GARAUD CHAMPI-AMATO … Francine BESSY. Musique de Vincent SCOTTO. Tiré de l’opérette de Marc CAB René VINCY et ALIBERT. Films Fernand RIVERS format 59,5x79,5 cm. Synopsis : Un éditeur de chansons Marseillais(GORLETT) rencontre la fille d’un forain Mariette (Francine BESSY), qu’un concurrent veut ruiner pour obtenir la main de la jeune femme… Après quelques péripéties, Henri finit par convoler sur un dernier refrain
réf. 106.741Paris, Marcel Chapelon, 1936. 12 x 19, 200 pp., broché, bon état.
1928Of All Things - An album of work of Paul Simmel, one of Germany's most successful cartoonists and caricaturists of the 1920s. 64 pages. Text in German. Dirt marks on covers. Name in ink on title page.
1876Foxing and browning to endpapers. Rear hinge just starting to crack and weaken. Pages lightly browned. Blank leaves interleaved into latin text with some pencil notes to blank pages. Light foxing passim. Top of spine has a few small tears and fraying. Minor edgewear to corners. Possibly rebound in blue boards? ; Latin Text with German notes and introduction. ; 289 pages
1948réf. C100815London 1948. First Edition. Hardback. Very Good. First Edition. Hardback. Dimensions 115mm x 150mm.pp.58. Dates 1948Ã1950. Original publisher's binding in a blue and black textured print lettered gilt 'Autographs.' Pages in pastel pink and blue. Signatures include:Bud Flanagan Frankie Howerd sam Costa Jimmy Edwards Ted Ray photo Jesse O'Shea photo Peter Cavanaugh Josef Locke photo Eric Whiley photo; drag artist Lupin Lane photo; The Five Smith Bros. photo; BBC Radio Comedy production 'Ignorance is Bliss.' 'Thanks for The Memory' cast Photo; 'Together Again;' '4 Men One Song' Reed photo; Local interest: Winter Gardens Margate; Lewisham Hippodrome; Westgate Carnival August 1948 Westgate Pavilion productions of 'By The Way' and 'Oval Rntertainers' a Celia Johnson production signed by Celia Johnson. Dulwich Hamlet School likely the autograph hunter's School on leaving to graduate to secondary school 1949 Ownership signature of one Myrtle Phillips of Forest Hill. Photograph of two young girls in costume on the last page possibly one of the girls is Myrtle at a school production. Very good. Covers rubbed and frayed at edges and spine. hardcover
réf. 509070 Un feuillet imprimé: Autorisation à porter la décoration du lys, avec la signature manuscrite de Kellermann Duc de Valmy, datée 7 septembre 1814 à Paris. (feuillet de format: 235mm x 195mm). François Christophe Kellermann, Strasbourg 1735 - Paris 1820, militaire et homme politique français, Duc de Valmy
1987réf. 11111987 - broché - Editions L'Arche - 1987 - In-12 (18,5 x 11,5 cm) broché - 137 pages - ISBN : 2-85181-066-9 - Traduction de Claude Porcell - Ouvrage sous titré : Une comédie de l'âme allemande
réf. 0365636975.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 106.794Lugdunum, 1944. 14 x 23, 174 pp., broché, non coupé, bon état.
réf. 1390514528.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1390592901.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1929123p. Original cloth backed decorated paper binding, showing a large red balloon rising in front of a people filled windows. Binding edges worn, otherwise a nice copy. Padraic Colum (1881-1972) was an Irish poet, novelist, dramatist, biographer, and collector of folklore. He was one of the leading figures of the Celtic Revival. LIT 8
2005réf. 7852folio 2005 192 pages collection folio. 17x11x1cm. 2005. Poche. 192 pages. Cette biographie concise d'environ 150 pages retrace la vie et l'œuvre d'Honoré de Balzac en mettant en lumière son travail acharné sur trente ans pour créer son monument romanesque ses difficultés financières chroniques son train de vie dispendieux et les ressorts de sa création littéraire
19791st edition. 4to, 87 pages, illustrated by Frank Dickens. Good condition in glazed pictorial boards. Fly title page has been removed. 40520. eng
1996Scholars' name to halftitle (Mark Golden). Very light shelfwear. ; In this volume William S. Anderson sets Plautus, who wrote Rome's earliest surviving poetry, in his rightful place among the Greek and Roman writers of what we know as New Comedy (fourth to second centuries). Anderson begins by defining major innovations that Plautus made on inherited Greek New Comedy (Menander, Philemon, and Diphilus) , transforming it from romantic domestic drama to a celebration of rollicking family anarchy. He shows how Plautus diminished the traditional importance of love and replaced it with a new major theme: 'heroic badness,' especially embodied in the rogue slave (ancestor of the impudent servant, valet, or maid). Anderson then examines the unique verbal texture of Plautus' drama and demonstrates his revolt against realism, his drive to have his characters defy everyday circumstances and pit their intrepid linguistic wit against social order, their Roman extravagant impudence against Greek self-control. Finally, Anderson explores the special form of metatheatre that we admire in Plautus, by which he undermines the assumptions of his Greek models' and replaces them with a new, confident Roman comedy. ; Robson Classical Lectures; 194 pages
1996Faint creasing to spine. Light shelfwear. Scholar's name to half-title (Robert Brown). ; In this volume William S. Anderson sets Plautus, who wrote Rome's earliest surviving poetry, in his rightful place among the Greek and Roman writers of what we know as New Comedy (fourth to second centuries). Anderson begins by defining major innovations that Plautus made on inherited Greek New Comedy (Menander, Philemon, and Diphilus) , transforming it from romantic domestic drama to a celebration of rollicking family anarchy. He shows how Plautus diminished the traditional importance of love and replaced it with a new major theme: 'heroic badness,' especially embodied in the rogue slave (ancestor of the impudent servant, valet, or maid). Anderson then examines the unique verbal texture of Plautus' drama and demonstrates his revolt against realism, his drive to have his characters defy everyday circumstances and pit their intrepid linguistic wit against social order, their Roman extravagant impudence against Greek self-control. Finally, Anderson explores the special form of metatheatre that we admire in Plautus, by which he undermines the assumptions of his Greek models' and replaces them with a new, confident Roman comedy. ; Robson Classical Lectures; 194 pages
1986Ex-library copy with usual stamps, call numbers. Pocket has been removed from ffep causing some damage. Else VG. ; Greeks divided the world into Greece vs. The land of foreigners, into Hellenes vs. Barbarians, seeing their country as a bastion of culture, learning, and military might surrounded by a sea of the uncivilized. Long shows how comedy expressed the Greek feeling of superiority over the barbarians, how it dealt with the so-called barbarian-Hellene antithesis. The result is a contribution to the study of ancient Greek comedy—both the comedy itself and the beliefs, the prejudices, the limitations, and the variety in the society from which the plays emerged. The comedians’ responses to the barbarians ranged from idealization to neutrality to raw racism. Although contemptuous of barbarians, the Hellenes could not keep elements of foreign culture from entering their own. Long’s major contention is that the Greek reaction to Oriental and other foreign influence can be seen in the treatment of barbarians in Greek comedy. ; 240 pages
1986Foxing/dustsoiling to top of textblock. Minor Foxing to DJ. ; Greeks divided the world into Greece vs. The land of foreigners, into Hellenes vs. Barbarians, seeing their country as a bastion of culture, learning, and military might surrounded by a sea of the uncivilized. Long shows how comedy expressed the Greek feeling of superiority over the barbarians, how it dealt with the so-called barbarian-Hellene antithesis. The result is a contribution to the study of ancient Greek comedy—both the comedy itself and the beliefs, the prejudices, the limitations, and the variety in the society from which the plays emerged. The comedians’ responses to the barbarians ranged from idealization to neutrality to raw racism. Although contemptuous of barbarians, the Hellenes could not keep elements of foreign culture from entering their own. Long’s major contention is that the Greek reaction to Oriental and other foreign influence can be seen in the treatment of barbarians in Greek comedy. ; 240 pages
réf. 2953Paris, chez Cailleau, 1788 - in-8, 56 pp. - rel. mod. cart. papier marbré
1901réf. 32643U.K: Hodder & Stoughton 1901. 1901. Large 8bo. blue cloth gilt titles on spine gilt & stamped dec. on front panel. 198pp. b/w illus. tipped in colour plates with title covers. very good foxing to endpapers light foxing throughout. . U.K: Hodder & Stoughton, 1901 hardcover
