3,697 results
1997ref. 1235061997 Editons Glénat - 1997 - In-12, broché, couverture illustrée à rabats - 174 planches en N&B
1998ref. 1235121998 Editons Glénat - 1998 - In-12, broché, couverture illustrée à rabats - 174 planches en N&B
1998ref. 1235131998 Editons Glénat - 1998 - In-12, broché, couverture illustrée à rabats - 174 planches en N&B
1999ref. 1235151999 Editons Glénat - 1999 - In-12, broché, couverture illustrée à rabats - 174 planches en N&B
1999ref. 1235161999 Editons Glénat - 1999 - In-12, broché, couverture illustrée à rabats - 174 planches en N&B
1999ref. 1235171999 Editons Glénat - 1999 - In-12, broché, couverture illustrée à rabats - 174 planches en N&B
2001ref. 1235192001 Editons Glénat - 2001 - In-12, broché, couverture illustrée à rabats - 174 planches en N&B
2001ref. 1235262001 Editons Glénat - 2001 - In-12, broché, couverture illustrée à rabats - 173 planches en N&B
ref. 50928Un feuillet manuscrit de une page par Talma, daté: parti de Paris le samedi 31 mars arrivé à Rouen le soir, mention manuscrite au stylo bille bleu dans le bas de la marge inférieure, par une spécialiste de l'histoire du théâtre français: Relevé de recettes de la main de Talma (Tounée de Rouen, 31 mars 1821?). Feuillet de format: 240mm x 185mm. On joint une gravure d'époque XIXe en coloris: portrait de scène en pied de Talma, rôle de Marigni fils, dans la tragédie: ''Les Templiers '' (feuillet de format: 200mm x 120mm, Paris, chez Martinet Libraire). François-Joseph Talma, Paris 1763 - 1826, comédien français, entre en 1797 à la Comédie-Française, il est nommé 195e sociétaire en 1789. Important document comptable pour l'histoire de la relation de Talma avec la scène rouennaise
1993Foxing/dustsoiling to top of textblock. DJ spine sunned. ; 168 pages; This book opens a neglected chapter in the reception of Athenian drama, especially comedy, and gives center stage to a particularly attractive and entertaining series of vase-paintings which have generally been regarded as marginal curiosities. These are the so-called "phylax vases," nearly all painted in Greek cities of South Italy in the period 400 to 360 B. C. Until now, they have been taken to reflect a sort of local folk-theater, but Taplin argues that most, if not all, reflect Athenian comedy of the sort represented by Aristophanes. His bold thesis brings up questions about the relation of tragedy as well as comedy to vase painting, the cultural climate of the Greek cities in Italy, and the extent to which Athenians were aware of drama as a potential "export." It also enriches appreciation of many key aspects of Aristophanic comedy. The book has assembled 47 photographs of vase-paintings, many printed here for the first time outside specialist publications not readily accessible.
1994Spine is sunned and discolored. Else very light shelfwear. ; Clarendon Paperbacks; 168 pages; This book opens a neglected chapter in the reception of Athenian drama, especially comedy, and gives center stage to a particularly attractive and entertaining series of vase-paintings which have generally been regarded as marginal curiosities. These are the so-called "phylax vases," nearly all painted in Greek cities of South Italy in the period 400 to 360 B. C. Until now, they have been taken to reflect a sort of local folk-theater, but Taplin argues that most, if not all, reflect Athenian comedy of the sort represented by Aristophanes. His bold thesis brings up questions about the relation of tragedy as well as comedy to vase painting, the cultural climate of the Greek cities in Italy, and the extent to which Athenians were aware of drama as a potential "export." It also enriches appreciation of many key aspects of Aristophanic comedy. The book has assembled 47 photographs of vase-paintings, many printed here for the first time outside specialist publications not readily accessible.
ref. 74882Paris, Casterman, 1988. 23 x 28, 91 pp., nombreuses illustrations en couleurs et en N/B, reliure d'édition carton imprimé, bon état.
ref. 0364580569.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
VG/VG Nosignificant faults with book or DJ. First Edition, Octavo. Collection of bizarre letters written to leading international institutions and the perectly sensible replies.
2012ref. 500284944Harlequin 2012 10 8x2 4x17 8cm. 2012. Broché.
1570ref. 19800Venetiis, apud Aldum, 1570, portrait de Aldus Pius Manutius gravé sur bois en médaillon au titre, (au dos de la p. de titre : Armes des Alde marque N°6) ; Editio Aldi Manutii Paulli F. Aldi N. In 8, vélin rigide, dos à faux nerfs dorés décoratifs, pièce rouge (reliure ancienne) ; [24], 45, [1 bl.], [1] f. bl., 352, 94 pp. (signatures : ?-??-??? ; (-((-((( ; A-Y ; a-e 8 ; f. 6).
ref. 28700Editio stereotypa 1819 livre théâtre 14*9 270 pages
ref. 89122aafParis, Charpentier et Cie, 1869, pt. in-8vo, XLVII + 439 p., 499 p. ,qqs. roussuers, cachet sur f. de garde, reliures en demi-cuir d’époque, dos à cinq nerfs, ornés or, plats marbrés.
1753ref. 000310Paris Le Loup & Mérigot 1753
1630ref. PHO-1911Amsterdam, Apud Guiljelmu Blaueu (Willem Janszoon Blaeu), 1630, in-24, 216pp.-4ff., relié plein maroquin époque, dos à nerfs orné d’étoiles, doubles filets aux plats, tranches dorées, titre gravé.
1976Minor Shelfwear. Minor creasing to spine. ; Penguin Classics; 7.0 X 4.3 X 0.9 inches; 400 pages
1897Light edgewear to boards. Some pencil notes to greek text with a bit of inking. Endpapers tanned. ; Extensive English introduction and notes with latin text. ; Clarendon Press Series; 128 pages
1767Ex-university private library, no exterior markings. 1/2 vellum, boards. Spine chipped with a bit of loss to base, binding edgeworn at extremities with some flecking. Fading and browning to boards. Minor moisture stain to rear endpaper and rear inner cover. Former owner's name to titlepage (from 1772) Still Attractive. A beautiful and very large book. ; 252pp, wonderfully illustrated. Contains Adelphi, Phormio, Hecyra. ; Elephant Folio - over 15" - 23" tall; 252 pages
1982Foxing to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). ; This unique book features a reproduction of the Phormio of the Bembinus Manuscript, with each of the 50 pages faced with a description to enable the students to experience the novelty and pleasure of reading a fourth-century manuscript. The text contains an edited version of the play, notes, and vocabulary. ; 4to 11" - 13" tall; 150 pages
1895Fraying and small tears to joints and ends of spine. Some ink marginalia to about 30 pages. Scholar's name to ffep (G. V. Sumner) with other name deleted (J. W. Clarke). Corners have some edgewear. ; Latin Text with English Commentary and Introduction. ; Pitt Press Series; 200 pages