7 634 résultats
1926réf. 1091100Thüringer Verlagsanstalt Dietmar u. Söhne; Langensalza, 1926. 103 S.; 19 cm. Fadengehefteter Orig.-Pappband.
1966réf. 23088Frankfurt/Main ; Berlin : Propyläen, 1966. 1299 S., 22 cm Leinen
1973réf. 1050642Frankfurt (M) : Athenäum-Verlag, 1973. XII, 409 S.; 21 cm. Originalleinen mit Schutzumschlag.
1974réf. 1058492Kronberg (Ts.) : Scriptor-Verlag, 1974. 391 S.; 21 cm; kart.
1902Scholar's bookplate to inner cover (G. P. Goold). Spine sunned and faded with dampstaining to front board. Former owner's name to ffep. ; Greek Text with English Introduction and Commentary. ; 132 pages
1960Light bumping to two corners. Minor edgewear to corners. Fraying to spine ends. Spine is rubbed and a little faded. Former owner's name to ffep. Pencil marginalia and underlining on some pages. ; Greek Text with Latin apparatus and introduction. ; Oxford Classical Texts Oct (Scriptorum Classicorum Bibliotheca Oxoniensis); 376 pages
1964Minor edgewear to corners. Small tears to cloth at base of spine. Former owner's name with 1 line written in pen to ffep. Very light marginalia and underlining on about 6 pages. ; Greek Text with Latin apparatus and introduction. ; Oxford Classical Texts Oct (Scriptorum Classicorum Bibliotheca Oxoniensis); 376 pages
1966Former owner's name to ffep. Else book is fine. DJ spine is browned. Light creasing to edges of wraps. ; Greek Text with Latin apparatus and introduction. ; Oxford Classical Texts Oct (Scriptorum Classicorum Bibliotheca Oxoniensis); 376 pages
1966Scholar's name to inner cover (Brad Inwood). Else book is fine. DJ spine is browned. DJ is price-clipped. Light chipping and small tears to DJ. ; Greek Text with Latin apparatus and introduction. ; Oxford Classical Texts Oct (Scriptorum Classicorum Bibliotheca Oxoniensis); 376 pages
1960Very light shelfwear. Former owner's name stamped to ffep. DJ spine is browned with a few small dampstains, DJ has chipping and a couple of small tears ; Greek Text with Latin apparatus and introduction. ; Oxford Classical Texts Oct (Scriptorum Classicorum Bibliotheca Oxoniensis); 376 pages
1966Lower corners lightly bumped. Scholar's name to ffep (Robert Brown). Pencil notes to a few pages of text. DJ spine is browned. DJ has chipping and some small tears ; Greek Text with Latin apparatus and introduction. ; Oxford Classical Texts Oct (Scriptorum Classicorum Bibliotheca Oxoniensis); 376 pages
1966Former owner's name stamped to ffep (J. D. Fitton). Minor shelfwear. Spine a bit dulled. ; Greek Text with Latin apparatus and introduction. ; Oxford Classical Texts Oct (Scriptorum Classicorum Bibliotheca Oxoniensis); 376 pages
1993Spine slightly sunned. ; 276 pages
1977Dustjacket has a couple of small ink stains and is wavy and water stained. Book is clean and bright. ; This book examines the literary and intellectual relationships between Piers Plowman and The Faerie Queene. It links those two rich and problematical poems by showing their development from a common religious and artistic matrix and by assessing their roles in the evolution of allegory. ; 256 pages
1967Minor creasing to spine. Scholar's bookplate to inner cover (Robert Brown). Light pencilling to a few pages. Rear wrap creased. ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 3; 177 pages
1963Light edgewear. Minor shelfwear. Scholar's bookplate to inner cover (Robert Brown). ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 5; 147 pages
1983Upper corners bumped. DJ has a couple of small tears and chipping. DJ spine very lightly sunned. ; Explores the hitherto neglected topic of the treatment of extras or mutes in Greek Tragedy. The general purpose of the study is to propose and test a rule regarding these person, namely that when orders are given to mutes, they are normally carried out forthwith. Exceptions to this rule are accounted for. ; Publications of the Faculty of Arts of the University of Manchester, No. 26; 73 pages
1983Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. Minor shelfwear to book. ; Explores the hitherto neglected topic of the treatment of extras or mutes in Greek Tragedy. The general purpose of the study is to propose and test a rule regarding these person, namely that when orders are given to mutes, they are normally carried out forthwith. Exceptions to this rule are accounted for. ; Publications of the Faculty of Arts of the University of Manchester, No. 26; 73 pages
1980Foxing to top of textblock and some pages. Former owner's name to ffep. ; 137 pages
1972Spine slightly sunned. Very minor shelfwear. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
1967Book
1992105p. Book
2002Mathuen Student Editions series. Translation by J.Michael Walton. Introduction and notes by Marianne Macdonald " A student edition of this challenging and popular tragedy with notes and commentary. The most controversial of the Greek tragedians, Euripedes is also the most modern in his sympathies, a dramatist who handles the complex emotions of his characters with extraordinary depth and insight. Wronged and discarded by her husband, Medea gradually reveals her revenge in its increasing horror, while the audience is led to understand the incomprehensible; a woman who murders her own children. Since its first production (431 BC), the play has exerted an irresistible attraction for actors and directors alike.This Student Edition contains a full introduction, commentary and questions for study" Book
1938Browning to wraps. Light pencil to a couple of pages. Small pen mark to rear wrap. ; 88 pages
1958Scholar's name stamped to ffep with small label affixed over another name. Minor shelfwear. Endpapers lightly browned. ; Greek Text with Latin apparatus and introduction. ; Oxford Classical Texts Oct (Scriptorum Classicorum Bibliotheca Oxoniensis); Vol. 1