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1925réf. T65365Brussel, Gudrun 1925 22pp., 22cm., stempeltje op titelblad, onopengesneden
1983réf. 18840Hildesheim : Georg Olms Verlag, 1983. 106 S. 8°, Obrosch.
1850réf. 58049[Ca. 1850]. 5 x 4,5 cm. Feinkartonpassepartout.
1989réf. 83345Frankfurt a. M. Suhrkamp, (1989). 161 S. (= Bibliothek Suhrkamp, Bd. 870). 19 cm. OPp. mit SU.
1983réf. 1208952Hildesheim ; New York : Olms Verlag, 1983. 11 S., 29, 24 Bl. [zweiseitig bedr.] ; 21 cm; kart.
1983Gutes Ex. - Handschriften-Faksimile. - The author of Mercurius Rusticans is not known, but from the internal evidence of the play, which is set in the University of Oxford and deals with the escapades of students from that University, it seems certain that the author was a member of Oxford University. The date of the play may likewise be arrived at within approximate limits from internal evidence. A terminus ante quem is provided by the English lines on the play on the last page of the MS. by "Mr Sellar of C.C.C." (i.e., of Corpus Christi College). Joseph Foster's Alumni Oxonienses: The Members of the University of Oxford 1 SOP-1714 (Oxford, 1891-T) lists only four people of this name at Corpus Christi College, Oxford: John Sellar (1568-1581), his son John Sellar (1608-1614), Henry Sellar (1611-1618), and George Sellar (1577-1587). This would suggest a terminal date of not later than 1618, if the third of the above were the author of the English lines. Another bit of evidence is the allusion to Simon Forman, the Astrologer and Doctor, in Act V, scene 1 (1339) . The fact that Forman was a figure of public note from the time when he started to practice necromancy in 1588 until his death in 1611 would suggest a date later than say about 1587 for the play, and thus rule out the first and last of the Sellars listed above as the author of the English verses listed on the last page of the MS. Furthermore, the name "Dulcinea" mentioned by Nichades in Act III, scene 5 (868) was probably inspired by the Dulcinea of Don Quixote, of which the first part was published in 1605 and translated into English in 1612. Finally, in Act III, scene 1, there is a discussion about the evils of tobacco. The controversy about the use of tobacco, which was not introduced to England until 1586, reached its peak with the Counter-blaste to Tobacco (1604) by King James. The inference from the internal evidence would then suggest a date of between 1610 and 1618 . The Latin of Mercurius Rusticans is racy and colloquial. The "low" characters, such as Dawson and Cullie, speak in a free and easy Plautine manner. The students scatter classical tags, learned quotations, and academic jargon throughout their speeches. The author makes frequent use of medieval Latin words, words derived from Greek, words of his own coinage, and interjections in English. There are also many rare and unusual words from the ante- and post-classical periods. The syntax of the play is likewise relaxed and easy, and this, combined with the vocabulary, successfully reinforces the carefree and informal atmosphere. The play opens with the entrance of an allegorical figure, the Genius of the University, who says that the theme of the play will be one of light-hearted merriment and that the play will be presented in a free fashion, with scant regard for the laws of comedy (1-32). … (Seite 5) ISBN 9783487072074
1924Prima edizione in 16° br. fig. pp. 242, usuali tracce d'uso alle cop.ne interno ben tenuto
1947réf. 138755Wien, Continental Edition. Verlag A. Sexl. 1947. 256 Seiten u. 2 Bll. OKart.-Einband. (Einband teilsw randgebräunt u. berieben). 21x14 cm
réf. 41706Douzième année - Tome XII, n° 5 - 1912 - Hanoi. Imprimerie d'Extrême-Orient - "Hommage de l'auteur" (avec signature) en page de garde - in-4 - Broché
1930réf. 47971Leipzig, Insel-Verlag, o. J. (1930). Kl.-8°. 78 S., 1 Bl., OKart. m. Deckelschild.
1971réf. 72291München, Manesse 1971 Copyright. 565 Seiten, 16cm Leinen 0
1960réf. 8924Seghers 1960 326 pages in8. 1960. broché. première édition. 326 pages. Paru en 1960 chez Seghers 'Un intrus' de Charles Beaumont raconte les réactions d'une petite ville sudiste américaine face à la déségrégation des écoles publiques échauffée par un sombre inconnu qui répand des opinions racistes. Le roman aborde les thèmes du populisme de la manipulation des masses et des préjugés raciaux durant cette période charnière des années 1950-1960
1945Les Editions de la Nouvelle France 1945, In-8 broché de 244 pages. Illustrations de Rémy HETREAU. Exemplaire de service de presse, exemplaire au tampon de Pierre POUJADE, pére du POUJADISME.
1945réf. 9996705Les Editions de la Les Editions de la Nouvelle France 1945, In-8 broché de 244 pages. Illustrations de Rémy HETREAU. Exemplaire de service de presse, exemplaire au tampon de Pierre POUJADE, pére du POUJADISME.
réf. 786Sans date - broché - Editions Alsatia, Paris - Collection Signe de piste, dirigée par Jacques Michel - 1939 - In-12 (19,5 x 14 cm) broché sous jaquette illustrée - 186 pages - Illustrations en noir et blanc de Pierre Joubert - Tome 2 de la série Le Prince Eric
192748pp., 17cm., stempeltje op titelblad
1927réf. T65276Gent, Van Rysselberghe en Rombaut 1927 48pp., 17cm., stempeltje op titelblad
1941réf. 13343-yd7027Berlin-Lichterfelde: Widukind-Verlag Alexander Boß 1941. 100 Seiten und 2 Blatt Verlagsanzeigen. Orig. englische Broschur (etwas berieben und bestoßen, sonst gutes und sauberes Exemplar). 8°. broschiert/ Taschenbuch
1922réf. 22869Frankfurt am Main, Frankfurter Verlagsanstalt, 1922. 2. Auflage. 4. Tausend. 2 n.n. Bll., 479 SS., 4 Tafeln mit Porträts. 8°, Orig.-Halbleinwand, gepr. Rückentitel, Vorderdeckel schwarz geprägt.
1911pp.109-144 geïllustreerd + buitentekstplaten (zw/w), 29cm., geïllustreerde omslag, luttele roestvlekjes, mooie staat, [bevat voornamelijk: MESNIL Jac., De mysteriespelen en de plastieke kunsten (III) (pp.109-118 met 4 ills.) & DE BOER Julius, Jan Toorop (vervolg en slot) (pp.119-126 met 15 ills.) & DE ROOS S.H., Het grafische werk van Georg Rueter (pp.127-139 met 15 ills.)], S76219
1917pp.101-140 geïllustreerd + buitentekstplaten (zw/w), 29cm., geïllustreerde omslag, luttele roestvlekjes, onopengesneden, mooie staat, [bevat voornamelijk: ORBAAN J.A.F., Ons aandeel in de "Vedute di Roma" (pp.101-122 met 5 ills.) & VAN DER SLUYS Corn., Aanteekeningen over tooneeluitbeelding (pp.123-130 met 2 ills.], S76176
1916pp.105-140 geïllustreerd + buitentekstplaten (zw/w), 29cm., geïllustreerde omslag, onopengesneden, mooie staat, [bevat voornamelijk: VAN TUSSENBROEK Otto, F. Hart Nibbrig (pp.105-120 met 10 ills.) & POUPEYE Camille, De schilderkunst en de tooneelvertooningen op het einde der middeleeuwen (pp.121-130, wordt vervolgd)], S76182
1916pp.141-176 geïllustreerd + buitentekstplaten (zw/w), 29cm., geïllustreerde omslag, luttele roestvlekjes, onopengesneden, mooie staat, [bevat voornamelijk: MARIUS G.H., Isaäc Israëls (pp.141-162 met 13 ills.) & POUPEYE C., De schilderkunst en de tooneelvertooningen op het einde der middeleeuwen (slot) (pp.163-173)], S76183
1911pp.145-184 geïllustreerd + buitentekstplaten (zw/w), 29cm., geïllustreerde omslag, luttele roestvlekjes, mooie staat, [bevat voornamelijk: MESNIL Jac., De mysteriespelen en de plastieke kunsten (slot) (pp.145-156 met 5 ills.) & BRUNT Aty, James Ensor (pp.157-167 met 9 ills.) & ELLENS H., Oud en nieuw vlechtwerk in Nederland (pp.168-178 met 11 ills.)], S76220
1910pp.185-236 geïllustreerd + buitentekstplaten (zw/w), 29cm., geïllustreerde omslag, luttele roestvlekjes, mooie staat, [bevat voornamelijk: MESNIL Jacques: De mysteriespelen en de plastieke kunsten (pp.185-197 met 6 ills.) & HEINS A., Oude kisten en koffers (vervolg en slot) (pp.198-224 met 70 ills.)], S76348