Kandji, Amadou drameBiblio.com
7 441 résultats
réf. 2343223440.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1909réf. 032550New York City: White Rats Of America / Broadway Publishing Company 1909. 1st Edition 1st Printing. Hardcover. Very Good. Ii 199 Pp About 100 Pages Of Ads At Rear. First Edition. Very Good Rubbing At Top And Bottom Of Spine And At Tips Hinges Tight Unmarked No Fading. Slight Soiling From Handling In Bottom Inch Of Spine. White Rats Of America / Broadway Publishing Company hardcover
1929réf. 18049NY: Horace Liveright. Very Good in Fair dust jacket. 1929. First Edition Thus. 1. Hard Cover. Second printing before publication February 1929. Publisher's full gray blocked cloth gilt and black lettering and decoration on spine and cover top edge black. Illustrated with 24 photographs facsimilies and reproductions. Mary Desti Dempsey 1871-1931 left Chicago for Paris in 1901 with her then year-old son Preston Sturges. In Paris she met and formed a life-long friendship with dancer and choreographer Isadora Duncan. Desti who adopted this name because it sounded like d'Este undertook various enterprises in Europe including a cosmetic business. She frequently accompanied Duncan in her travels and occasionally Duncan lived with her. Duncan was staying with Desti in Nice at the time of her sudden death in an automobile accident on September 14 1927. Following Duncan's death Desti a casual writer of both fiction and non-fiction wrote a Duncan biography The Untold Story: The Life of Isadora Duncan New York: Liveright 1929. Isadora Duncan's autobiography My Life New York: Liveright 1927 recorded events through 1921 prior to the period when she opened a dance school in Moscow. Desti intended to tell the rest of the story. . Spine very lightly sunned unmarked tight square and clean. The unclipped dust jacket now in Mylar is chipped and worn at the edges with some loss at the heel. VERY GOOD/FAIR. . Photographs. 8vo 8" - 9" tall. 281 pp . Horace Liveright hardcover
1990réf. 000351Random House 1990. Guare's award winning play about an African American impostor who manipulates some upscale Manhattanites. Also was made into a movie. Some sunning to spine o/w SIGNED by Guare NEAR FINE COPY bookclub edition but doesn't state it however no price on DJ. Hardcover. Book. Random House Hardcover
1986réf. 29648NY: Bantam. Fine in Fine dust jacket. 1986. 1st Edition. First Printing. Hard Cover. 0553051377 . First Edition First Printing. Quarter bound in publisher's black cloth over gray boards white lettering on spine. Illustrated with B&W photographs. . Both the volume and the unclipped $21.95 dust jacket are in excellent condition; perhaps once read unmarked tight square and clean. FINE/FINE. Photographs. Small 4to 9" - 11" tall. 575 pp . Bantam hardcover
2020réf. 000009Doubleday 2020. FINE COPY FIRST PRINTING SIGNED on front endpaper page. Signed by Author. Hard Cover. Fine/Fine. Doubleday Hardcover
1937réf. 27387NY and London: Harper & Brothers Publishers. Very Good with no dust jacket. 1937. First Printing. Hard Cover. Stated First Edition First Printing First Trade Edition after the Limited Edition. Harper's first edition code "F-M" - June 1937. Quarter bound in publisher's black cloth over blue paper boards paper label on spine blue and black title page. During winter and spring of 1936 Millay worked on Conversation at Midnight which she had been planning for several years. But soon after reaching a hotel on Sanibel Island Florida she saw the building in flames and knew her manuscript had been destroyed. Upon her return to her home at Steepletop she began to call up the material from memory and write it down. Other misfortunes followed. "A sequence of poems that gives daring and provocative expression in dialogue to the thought of our times." Conversation at Midnight is a work of dramatic verse that falls somewhere in the space between a narrative poem and a theatrical drama. The text features the conversations of seven distinguished men who are having after-dinner discussions in a comfortable dining room in New York City. Although the text uses only a minimal amount of descriptive narrative Millay structured Conversations at Midnight to "create the illusion of actual conversation which often abruptly abandons one topic to take up another" and encourages her readers to think of the work as ".dialogue throughout to think of it in terms of a play.". Paper label moderately worn spine mildly sunned top edge of cover very lightly sunned front hinge separated at half title only else fine; unmarked tight square and clean. VERY GOOD. 8vo 8" - 9" tall. xv iii 126 pp . Harper & Brothers Publishers hardcover
1927réf. 25246NY and London: Harper & Brothers. Very Good with no dust jacket. 1927. 1st Edition. Fourth Printing. Hard Cover. First Edition Fourth Printing Harper first edition code "E-B" - May 1927 - on copyright page. Half buckram over blue paper-covered boards paper label on spine fore-edge deckle. Woodcut frontispiece by Cimino. Throughout much of her career Pulitzer Prize-winner Edna St. Vincent Millay 1892-1950 was one of the most successful and respected poets in America. She is noted for both her dramatic works including "Aria da capo" "The Lamp and the Bell" and the libretto composed for an opera "The Kings Henchman" and for such lyric verses as Renascence and the poems found in the collections A Few Figs From Thistles Second April and The Ballad of the Harp-Weaver winner of the Pulitzer Prize in 1923. Like her contemporary Robert Frost Millay was one of the most skillful writers of sonnets in the twentieth century and also like Frost she was able to combine modernist attitudes with traditional forms creating a unique American poetry. But Millays popularity as a poet had at least as much to do with her person: she was known for her riveting readings and performances her progressive political stances frank portrayal of both hetero and homosexuality and above all her embodiment and description of new kinds of female experience and expression. Edna St. Vincent Millay notes her biographer Nancy Milford became the herald of the New Woman. Harry Cimino 1898-1969 was an American wood engraver and illustrator. He studied at the Art Institute of Chicago and at the Art Students League New York. During the 1920's publishers frequently commissioned Cimino to contribute his wood engravings to illustrate such books as "Gifts of Fortune" "Sutter's Gold" "The King's Henchmen" "The Perilous Isle" "Tarboe" "The Harp Weaver" and "Gallion's Reach." He was also extensively employed by the Marchbanks Company to execute some of its most striking calendar designs. Today his wood engravings are included in such major collections as the Smithsonian American Art Museum. . Brief gift inscription on ffep dated June 3rd 1927 endpapers lightly soiled otherwise unmarked tight square and clean. VERY GOOD. Woodcut Frontispiece. Small 8vo 7½" - 8" tall. 132 pp . Harper & Brothers hardcover
réf. BTr86Cambridge University Press 2006. hbk 324pp ISBN: 0521850355 excellent in dj as new Cambridge University Press, 2006, unknown
1981réf. 016375New York: Garland Publishing 1981. Book. Fine. Hardcover. First Edition. xxii 334p. Cloth. A fine copy no d.j. as issued. Size: Folio - over 12" - 15" tall. Garland Publishing Hardcover
1906réf. 1497New York: Macmillan 1906. Limited ed. Original Wraps. Near Fine/near fine. 196 pages. 6 x 9 in. Unbound: paper boards and vellum dust jacket with letters in red ink whole wrapped in paper and in original box. Condition of the book and dust jacket is NEAR FINE: book appears as if unread foxing to paper cover light transfer to vellum dist jacket very light foxing to paper boards rest in excellent condition. This is #70 of 100 printed on Japanese vellum. The box has wear and is missing one corner of the cover. Macmillan paperback
1785réf. 31587London: T. Cadell 1785. First edition. Hardcover. Good . 4 1/2 x 7 1/2 in. Full brown calf. Missing Vols 1 and 6. Condition is GOOD ; hinges have superficial cracking but all bindings are solid. Wear to spine heads spine labels appear to be lacking. Corners and edges worn Vol 2 has some stains ro the front board. Text very bright and clean with almost no foxing. PO's name in a contemporary hand on all title pgs. Drama. RGR. FB T. Cadell hardcover
1824réf. 3640Philadelphia: McCarty and Davis 1824. Hardcover. Good . 472 p. Illustrated frontis with tissue by R. Smirk engraved by George B. Ellis. 5 3/4 x 8 3/4 in. Tan calf binding gilt lettering on spine edges of text block lightly flecked with brown. Condition of the book is GOOD: wear and soiling to covers corners a bit more work pieces of spine missing and worn spine dry and flaky cover boards loose- esp. rear cover edges of text block darkened pages lightly tanned but clean biding loose but fine. McCarty and Davis hardcover
réf. 000525Book. Good. Half-Leather. Contains: 1. Illustrations of Shakespeare's works 1900s to 20s. - browned 2. Tickets to Memorial theatre Anne Hathaway's Cottage and Holy Trinity Church. 3. Creased and damaged programme 31/7 - 28/8 1915 for F.R. Benson. 4. Programme of Kilburn Lane School 1915 inc Henry V. 5. 2 certificates Lily M Amos Dept of Science and Arts 1884. 6. Two programmes F.R. Benson 1912 and 1915. 7. Souvenir of the Sign of the Cross by Mr Wilson Barrett with three photographic postcards added. 8. Walter Calvert Souvenir of Sir Henry Irving. London Henry J Drane postcard and other added ills. 9. Walter Calvert Souvenir of Miss Ellen Terry. London Henry J Drane. 4 postcards added 10. Gavin Macdonald A famous wigmakers famous album 11. Macbeth on the stage. Original half leather binding very damaged missing head and foot of spine front board held only by one cord. Some marks and creases. hardcover
1823réf. 42599London: Printed for. Simpkin and Marshall. and Mr. Lee Lewes 1823. Sole edition 8vo 6 2 76 pp. Final page browned with a small tape repair to the margin of the final two leaves. Modern cloth. London: Printed for... Simpkin and Marshall... and Mr. Lee, Lewes unknown
réf. 19909PARIS. LIBRAIRIE DELAGRAVE. 1919-1920. TWO VOLUMES. EDITION DEFINITIVE. FROM THE OEUVRES COMPLETES. UNIFORMLY BOUND IN QUARTER LEATHER OVER MARBLED BOARDS TEG THREE RAISED BANDS MARBLED END PAPERS. A VERY NICE SET. FRENCH TEXT. PARIS. LIBRAIRIE DELAGRAVE. 1919-1920 hardcover
réf. 19908PARIS. LIBRAIRIE DELAGRAVE. 1924. TWO VOLUMES. EDITION DEFINITIVE. FROM THE OEUVRES COMPLETES. VOL 1: CHATTERTON AND LA MARECHALE D' ANCRE. VOL 2: QUITTE POUR LA PEUR AND LE MORE DE VENISE. UNIFORMLY BOUND IN QUARTER LEATHER OVER MARBLED BOARDS TEG THREE RAISED BANDS MARBLED END PAPERS. A VERY NICE SET. FRENCH TEXT. PARIS. LIBRAIRIE DELAGRAVE. 1924 hardcover
1913réf. 49941Dent 1913. 2 vols. 8vo. original series binding of green ribbed cloth upper boards blocked in blind gilt backs dark tops pictorial endpapers a near fine set. Collects Gorboduc; Arden of Feversham; David and Bethsabe; The Spanish Tragedy; Ralph Roister Doister; Endimion; The Old Wives' Tale; Friar Bacon and Friar Bungay; James the Fourth. Includes a Glossary. First published in EL in 1910. COMPLETE SETS ARE SCARCE IN THIS CONDITION. EL 491 492; Seymour 711.0 712.0. Dent, hardcover
réf. 21022159like new. unknown
2021réf. 2-2343223130Editions L'Harmattan 2021. Paperback. New. 386 pages. French language. 9.45x6.10x0.87 inches. Editions L'Harmattan paperback
2000réf. DADAX041371330XBloomsbury 2000-01-01. First Edition. paperback. New. 5.00x0.57x8.00. Buy with confidence. Excellent Customer Service & Return policy. Bloomsbury paperback
1906réf. 10436Berlin, S.Fischer, 1906 [Wilpert/G2, 28]. Halbpergamenteinbände, 8°, Kopfgoldschnitt, sonst unbeschnitten, Lesebändchen, 450, 294, 435, 335, 193 + 343 S.; -Besitzvermerke auf den Vorsatzblättern, Schnitt und Papier etwas gebräunt und angestaubt.
1947réf. 1043777Trois Collines; Paris, 1947. 208 S.; Abb.; 8°. Fadengehefteter Originalpappband.
2013Light bump to top of spine. Else book is fine. ; From Polypragmon to Curiosus is a study of how Greek and Latin writers describe curious, meddlesome, and exaggerated behaviour. Founded on a detailed investigation of a family of Greek terms, often treated as synonymous with each other, and of the Latin words used to describe them, opening chapters survey how they were used in Greek literature from the 5th and 4th centuries BC, moving onto their Latin usage and relationship to that of Hellenistic and imperial Greek. Other chapters adopt a more thematic approach and consider how words, such as polypramon, periergos, philopragmon, and curiosus, are employed in descriptions of the world of knowledge opened up by empire - in discourses of pious and impious curiosity, in reflections on what constitutes useful and useless learning, and in descriptions of style. The themes which the volume addresses remain alive throughout the literature of the Middle Ages and the Renaissance, most obviously through emblematic figures of human curiosity, such as Dante's Ulisse and Marlowe's Dr Faustus. ; 272 pages
réf. 38316Turnhout, Brepols, 2012 Paperback, VI+232 p., 156 x 234 mm. ISBN 9782503536521.
