Drame, HarounaBiblio.com
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rif. 25207539like new. unknown
1777rif. 8836Amsterdam: Libraires Associes 1777. Hardcover. Good . 3 1/4 x 6 3/4 in. Full brown calf with 5 raised bands and gilt decoration and lettering on spine. Condition is GOOD ; Vol 1 - edge wear and mild rubbing. Spine leather gone. Vol 4 - ditto. Vol 5 - front cover starting upper end of spine gone. Vol ditto with lower section of spine gone. Vol 8 - ditto on all points. Vol 9 - edge wear waer and slight cracking along hinges. spine chipped and rubbed. Binding tight text very clean with some minor foxing/browning missing front marbled enpaper. Vol 10 - same outer condition though with front hinge visibly cracked and parts of spine missing binding tight text clean with minor foxing/browning. Vol 11 - outer condition also worn and rubbed with front cover holding on by stitched binding spine peeling off from front to back but present. Interior binding solid and good minor browning/foxing to text. Drama. Stax. Amsterdam: Libraires Associes hardcover
rif. 2204527 Bishop's Road London N6. 24 November 1964. 1p 4to. In fair condition aged and lightly creased. Folded twice. The letter begins: 'Dear Bernard You probably know that I have just returned from Cuba and it was an exciting trip. Unfortunately one of the most depressing things was their very bad theatre; this is particularly because it is new and has no tradition but also to a great extent due to their intolerable isolation.' Although there is little that they can do Wesker promised to 'send as many plays and books' as he can. 'They really don't have hard currency to purchase more than a handful of international works' so Wesker has promised 'to write to a few writers and publishers asking whether they would contribute copies of their work which I would send together with the Leyland buses on a ship to Cuba'. Kops cannot imagine 'how hungry they are to be in contact'. He asks for copies of Kops's plays and of his book 'The Whole World is a Wedding'. He would buy the books but this 'would work out very expensive' so he is 'asking lots of writers to share the burden'. He ends with best wishes to 'Erica and the children'. 27 Bishop's Road, London, N6. 24 November 1964. unknown
1972rif. 058611Chicago Il: Cowles Book Company / Henry Regnery 1972. 1st Edition 1st Printing. Hardcover. Very Good/Near Fine. 283 Pp. Brown Clotjh. First Printing. Light Wear Gilt Brihgt Dust Jacket Flaps Pasted To Front Endpapers An D Rear Panel Pasted To Rear Free Endpaper. Dist Jacket From Another Copy Price Clipped Near Fine. Cowles Book Company / Henry Regnery hardcover
rif. 1604979224.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1922rif. 66865Klecken (Kreis Harburg), Ugrino, Abteilung Verlag, 1922. 100 S. Gr.-8vo (ca. 24 x 16 cm). OLn.
1815rif. 77909Karlsruhe, Braun'sche Hofbuchhandlung, 1815. 47 S. 19,5 cm. Bedruckte Broschur der Zeit.
1737rif. 026427London: J Watts 1737. First Edition . Hardcover. Very Good. 7 7/8" Tall. Frontispiece. Title; Dedication; Preface; Prologue; 61 Pp; Epilogue; 4 Pp Advertisements At End. Newly Rebacked To Style In Full Red Morocco With Original Morocco Boards Ornately Gilt With Gilt Crowns And Gilt Tooling At Center And Elaborate Gilt Borders On Both Boards. Original Marbled Endpapers With Old Heraldic Bookplate Of Joseph S Shepard. J Watts hardcover
rif. 2924097592.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1881rif. 032552Boston: Roberts Brothers 1881. First American Edition 1st Printing. Hardcover. Very Good/No Jacket. 63 Pp 2 Pp Ads At Rear. Red Cloth Printed In Black Green And White Endpapers. First American Printing 1981 Date On Title Page. Light Wear Lettering Strong Three Tiny Frays At Ends Of Spine Covers With Tiny Flecks To Color. Ownership Signature Of Andy Francisco 1866-1947; From Estate Of Artist J Bond Francisco's Nephew Jack Okey So Probably A Relative. Per Wikipedia Benoît-Constant Coquelin 1841 - 1909 Known As Coquelin Aîné "Coquelin The Elder" Was A French Actor "One Of The Greatest Theatrical Figures Of The Age." Coquelin Was Born In Boulogne-Sur-Mer Pas-De-Calais. He Was Originally Intended To Follow His Father's Trade Of Baker He Was Once Called "Un Boulanger Manqué" - "A Failed Baker" - By A Hostile Critic But His Love Of Acting Led Him To The Conservatoire Where He Entered Régnier's Class In 1859. He Won The First Prize For Comedy Within A Year And Made His Début On 7 December 1860 At The Comédie-Française As The Comic Valet Gros-René In Molière's Le Dépit Amoureux But His First Great Success Was As Figaro In The Barber Of Seville In The Following Year. It Was An Honour For Coquelin To Be A Part Of The Comédie-Française At Such A Young Age. This Company Had Already Been In Existence For Around 150 Years. He Was Made Sociétaire In 1864. There Were 21 34 Shares And They Were Divided Among The Lead Actors Known As Sociétaires. The Sociétaires Co-Manage Choose Plays And Share Profits. When There Was An Opening Caused By Retirement Resignation Or Death It Was Filled By A Member Of The Pensionnaires. And Just Four Years After Joining The Comédie-Française Coquelin Became One Of The Elite Sociétaires. During The Next Twenty-Two Years He Created The Leading Roles In Forty-Four New Plays At The Comédie Française Including Théodore De Banville's Gringoire 1867 Paul Ferrier's Tabarin 1871 Émile Augier's Paul Forestier 1871 L'étrangère 1876 By The Younger Dumas Charles Lomon's Jean Dacier 1877 Édouard Pailleron's Le Monde Où L'on S'ennuie 1881 Erckmann's And Chatrian's Les Rantzau 1884. In Consequence Of A Dispute With The Authorities Over The Question Of His Right To Make Provincial Tours In France He Resigned In 1886. Three Years Later However The Breach Was Healed; And After A Successful Series Of Tours In Europe And The United States He Rejoined The Comédie-Française As Pensionnaire In 1890. During His Time Away From The Comédie He Wrote His Book Art And The Actor. It Was During This Period That He Took The Part Of Labussière In The Production Of Victorien Sardou's Thermidor Which Was Banned By The Government After Three Performances. In 1892 He Broke Definitively With The Comédie-Française And Toured For Some Time Through The Capitals Of Europe With A Company Of His Own; In New York For Instance He Performed At Abbey's Theatre In 1894 Playing The Lead In Tartuffe His Son Jean Played Orgon And Mascarille In Les Précieuses Ridicules.3 In 1895 He Joined The Renaissance Theatre In Paris And Played There Until He Became Director Of The Théâtre De La Porte Saint-Martin In 1897. Here He Won Successes In Edmond Rostand's Cyrano De Bergerac 1897 Which He Repeated In The Summer Of 1898 At The Lyceum Theatre London Émile Bergerat's Plus Que Reine 1899 Catulle Mendès's Scarron 1905 And Alfred Capus And Lucien Descaves' L'attentat 1906. In 1900 Coquelin Toured In America With Sarah Bernhardt Appeared At Broadway's Garden Theatre In A Production Of Cyrano De Bergerac Bernhardt Played Roxane. He Made His Only Film The Duel Scene From Cyrano De Bergerac With Sound Recording On Phonograph Cylinder. The Film Is Thought To Be The First Ever Made With Both Color And Sound. On Their Return To France He Continued With His Old Colleague To Appear In L'aiglon At The Théâtre Sarah Bernhardt. He Was Rehearsing For The Creation Of The Title Role In Rostand's Chantecler Which He Was To Produce When He Died Suddenly In Paris In 1909. Roberts Brothers hardcover
1881rif. 032553Boston: Roberts Brothers 1881. First American Edition 1st Printing. Hardcover. Good/No Jacket. 63 Pp 2 Pp Ads At Rear. Light Brown Cloth Printed In Black Green And White Endpapers. Wear Lettering Strong Fraying On Top Of Spine And At Tips. Signature Of Hollywood Art Director Jack Okey It's A Wonderful Life Etc. Small Private Price Label On Rear Pastedown. Per Wikipedia Benoît-Constant Coquelin 1841 - 1909 Known As Coquelin Aîné "Coquelin The Elder" Was A French Actor "One Of The Greatest Theatrical Figures Of The Age." Coquelin Was Born In Boulogne-Sur-Mer Pas-De-Calais. He Was Originally Intended To Follow His Father's Trade Of Baker He Was Once Called "Un Boulanger Manqué" - "A Failed Baker" - By A Hostile Critic But His Love Of Acting Led Him To The Conservatoire Where He Entered Régnier's Class In 1859. He Won The First Prize For Comedy Within A Year And Made His Début On 7 December 1860 At The Comédie-Française As The Comic Valet Gros-René In Molière's Le Dépit Amoureux But His First Great Success Was As Figaro In The Barber Of Seville In The Following Year. It Was An Honour For Coquelin To Be A Part Of The Comédie-Française At Such A Young Age. This Company Had Already Been In Existence For Around 150 Years. He Was Made Sociétaire In 1864. There Were 21 34 Shares And They Were Divided Among The Lead Actors Known As Sociétaires. The Sociétaires Co-Manage Choose Plays And Share Profits. When There Was An Opening Caused By Retirement Resignation Or Death It Was Filled By A Member Of The Pensionnaires. And Just Four Years After Joining The Comédie-Française Coquelin Became One Of The Elite Sociétaires. During The Next Twenty-Two Years He Created The Leading Roles In Forty-Four New Plays At The Comédie Française Including Théodore De Banville's Gringoire 1867 Paul Ferrier's Tabarin 1871 Émile Augier's Paul Forestier 1871 L'étrangère 1876 By The Younger Dumas Charles Lomon's Jean Dacier 1877 Édouard Pailleron's Le Monde Où L'on S'ennuie 1881 Erckmann's And Chatrian's Les Rantzau 1884. In Consequence Of A Dispute With The Authorities Over The Question Of His Right To Make Provincial Tours In France He Resigned In 1886. Three Years Later However The Breach Was Healed; And After A Successful Series Of Tours In Europe And The United States He Rejoined The Comédie-Française As Pensionnaire In 1890. During His Time Away From The Comédie He Wrote His Book Art And The Actor. It Was During This Period That He Took The Part Of Labussière In The Production Of Victorien Sardou's Thermidor Which Was Banned By The Government After Three Performances. In 1892 He Broke Definitively With The Comédie-Française And Toured For Some Time Through The Capitals Of Europe With A Company Of His Own; In New York For Instance He Performed At Abbey's Theatre In 1894 Playing The Lead In Tartuffe His Son Jean Played Orgon And Mascarille In Les Précieuses Ridicules.3 In 1895 He Joined The Renaissance Theatre In Paris And Played There Until He Became Director Of The Théâtre De La Porte Saint-Martin In 1897. Here He Won Successes In Edmond Rostand's Cyrano De Bergerac 1897 Which He Repeated In The Summer Of 1898 At The Lyceum Theatre London Émile Bergerat's Plus Que Reine 1899 Catulle Mendès's Scarron 1905 And Alfred Capus And Lucien Descaves' L'attentat 1906. In 1900 Coquelin Toured In America With Sarah Bernhardt Appeared At Broadway's Garden Theatre In A Production Of Cyrano De Bergerac Bernhardt Played Roxane. He Made His Only Film The Duel Scene From Cyrano De Bergerac With Sound Recording On Phonograph Cylinder. The Film Is Thought To Be The First Ever Made With Both Color And Sound. On Their Return To France He Continued With His Old Colleague To Appear In L'aiglon At The Théâtre Sarah Bernhardt. He Was Rehearsing For The Creation Of The Title Role In Rostand's Chantecler Which He Was To Produce When He Died Suddenly In Paris In 1909. Roberts Brothers hardcover
1926rif. 18832CBLondon, Nonesuch Press, (1926). Kl.-8°. 50 pages / Seiten. With 10 illustrations by George Grosz. Mit 10 Illustrationen von George Grosz, die extra für diese Ausgabe geschaffen wurden. Original cardboard with marbled boards. Die Versandkosten für Kunstwerke und mehrbändige Werke können von den Standard-Versandkosten abweichen. The binding is slightly used, the front and endpapers are browned. Partly uncut. Teils unaufgeschnitten.
rif. ria9783563799291_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Réimpression inchangée de l'édition originale de 1885. La maison d'édition Antigonos est spécialisée dans la publication de réimpressions de livres historiques. Nous veillons à ce que ces ouvrages soient mis à la disposition du public d hardcover
rif. ria9783563797945_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Réimpression inchangée de l'édition originale de 1873. La maison d'édition Antigonos est spécialisée dans la publication de réimpressions de livres historiques. Nous veillons à ce que ces ouvrages soient mis à la disposition du public d hardcover
rif. ria9783563798959_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Réimpression inchangée de l'édition originale de 1883. La maison d'édition Antigonos est spécialisée dans la publication de réimpressions de livres historiques. Nous veillons à ce que ces ouvrages soient mis à la disposition du public d hardcover
rif. ria9783563797761_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Réimpression inchangée de l'édition originale de 1870. La maison d'édition Antigonos est spécialisée dans la publication de réimpressions de livres historiques. Nous veillons à ce que ces ouvrages soient mis à la disposition du public d hardcover
rif. ria9783563798461_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Réimpression inchangée de l'édition originale de 1879. La maison d'édition Antigonos est spécialisée dans la publication de réimpressions de livres historiques. Nous veillons à ce que ces ouvrages soient mis à la disposition du public d hardcover
1865Marbled boards with brown spine and gilt lettering. Former classics scholar's name on ffep (W. S. Barrett). Light tanning to endpapers. ; Latin and Greek text. ; 240 pages
1880rif. 17747Stuttgart: Gotta';sche Buchhandlung, Gebrüder Kröner Verlagsbuchhandlung, 1880. ca. 10.000 Seiten , 18 cm Pappeinband
1905Features: Frontis photo portrait and write-up of Mr. David Reid, ex-member, and expert shot; Company Notes; Prince Charlie - a romantic drama enacted by members of the L.S.R.V., with six photos; The Assault-at-Arms; Notes by the C.O.; Photos of the L.S.R.V. Football Club, H Company team and G Company team; Metro. Volunteer Sergeants' Tactical Association - visit to Portsmouth - March 23rd to 25th; Correspondence; and more. Average wear. Staples disintegrated. Book
1973130 pages. Bilingual English/French. Are you Canadian? Like Hockey? Buy this book. It will give you goosebumps. Relives the drama, action and excitement of the most unforgettable moment in Canadian sport. Here, with more than 250 colour photographs, game statistics, team pictures and player (faux) autographs, is the official history of the series of the century - Team Canada versus the U.S.S.R. National Team in 1972. Book clean, bright and unmarked with light wear. Moderate wear to dust jacket with some wrinkling to top edge of back panel. This nice clean copy will make an excellent gift for your special hockey fan. Book
194950 pages. Many reproductions of black and white photos. Printed upon glossy stock. Features: Centenary of Diocese - the Anglican Diocese of Rupert's Land was created in 1849; Thelewey-Aza-Yeth - Guy H. Blanchet searches the headwaters of the Thelon River; Committee's Punch Bowl - the little lake at the top of Athabaska Pass, which Simpson named after the Company's London Board, 125 years ago; Frail American Elizabeth Taylor braves the rigours of wilderness travel 60 years ago, just to see how she can take it; Woodland table manners; New York to Nome and Back - in 1920, eight fliers of the United States Air Service flew from New York to Nome and return - photo-illustrated article; Mistassinia Calendar - a year in the life of a Mistassini Indian - photo-illustrated article; HBC and Vancouver's Island - behind the establishment of Vancouver Island as a Crown Colony lay a tense international drama, and a great story of loyalty; Letters Outward 1679-94 - a review of the 11th volume of the Hudson's Bay Record Society; Expeditions to the Arctic - 3rd of 3 instalments listing the various expeditions to the Canadian Arctic from the year 1004 A.D., this part covering the years 1860-1918; Nice colour ad for Hudson's Bay Point blankets on back cover. Clean and unmarked with moderate wear. A sound vintage copy. Book
1835in-8°; pp, 42. Prima edizione in italiano. Legatura in piena pelle con cornice dorata ai piatti. Manferrari 1, p. 68.
1926Publishers cloth. 8vo. 270; 219 pages. 23 cm. First edition. In Yiddish. Fishl Bimkos Selected Writings, Book 1 and Book 2; privately printed for the author during the time he was working in sweatshops and publishing plays in the "Freie arbeiter shtime". Bukh Tsvey, Hele Blikh (Light Glances) , includes the playlet A Zumer Nakht (pages 207-219) . Fishel Bimko (18901965) , Yiddish dramatist and novelist. Born in Kielce, Poland, Bimko's first realistic narrative, Di Aveyre (The Transgression) , was published in 1912 and his first play, Oyfn Breg Vaysel (On the Shores of the Vistula) , was staged in Lodz in 1914. Thereafter his plays were produced in the Yiddish theaters of Europe and America. Especially popular were Ganovim (Thieves, 1921) , a realistic play depicting the Polish-Jewish underworld, and East Side (1938) , a naturalistic drama of Jewish life in New York, where Bimko settled in 1921. His selected dramas were published in seven volumes in 1936, and his selected narratives in three volumes in 1941 and 1947. (EJ 2007) Subjects: Yiddish Fiction. Yiddish Drama. Cloth lightly soiled, backstrip lightly aged; otherwise fresh and clean. Good condition. (YID-16-4)
1948rif. 1243701948 Les Heures Claires - 1948 - 2 volumes in-4, reliure demi-cuir vert à coins, dos à 4 nerfs sautés et titres dorés, couverture d'origine conservée - 238 + 235 pages - Illustrations en couleur de Fontanarosa in et hors texte - Édition limitée et numérotée n°220 sur vélin pur fil des papeteries de Rives
