7425 risultati
1721In-8°; pp. 143, un fregio xilografico al frontespizio; legatura in piena pergamena con titolo manoscritto al dorso. Commedia del letterato e storico senese Girolamo Gigli, 1660-1722, noto anche per la traduzione del Tartuffe di Moliere, che intitolò Don Pilone; con questa commedia Gigli si inserisce quindi nel filone della tradizione del teatro francese, adattandolo però sia nel linguaggio parodistico che nella definizione e caricatura dei personaggi più da commedia dell’arte, al pubblico italiano. siena accademie commedia theatre teatro drama comedy settecento donne women
1922rif. 12841S. Fischer, Berlin 1922. Mit einem Porträt von Max Liebermann. Halbpergament mit Rückenvergoldung. Bezugspapier der Einbanddeckel teils etwas berieben, 2 mit kleiner Fehlstelle. 1 Band etwas gebräunt. 1 Band oberes Kapital etwas bestoßen. Teils gering stockfleckig.
1653in-8°. pp.88. legatura in piena pergamena coeva. Alcune pagine brunite, le prime caarte con gore di umifdità..
1928rif. 46201Gilde freiheitlicher Bücherfreunde, Bln. (1928). Mit 1 Tafel. 110 S. Schwarze Orig.-Leinwand mit rotem Titelaufdruck und Kopfrotschnitt. Leicht fleckig. Nr.u.St.a.Vors. St.a.Tit. Gutes Exemplar.
1921rif. 51808Berlin, Erich Reiss, [1921]. [81] unpag. unbeschnittene Büttenbll. Mit 10 handsignierten Original-Lithographien und einem lithogr. Titelbl. von Otto Baumberger. Folio. OPp. im Schuber, beide mit grünem Kleisterpapier bezogen.
1910rif. 042330New York: The Macmillan Company 1910. 1st Edition 1st Printing. Hardcover. Near Fine. Xii 272 Pp. First Edition. Light Brown Cloth Printed In Black With Title "Theft" And Authorjack London" In Box At Top Of Spine "The Macmillan Company" In Three Lines At Bottom Of Spine.; The Primary Binding Is In Maroon And White Cloth Variants Identified In Sisson/Martins In Gray Cloth And Olive Cloth But This Is An Unreported Variant In Light Brown Cloth; All Of The Plain Cloth Bindings Are Probably Remainder Bindings. One Of 900 Copies Only Of The First Printing With Broken Type On Pp 47 And 65. Near Fine Clean Hinges Tight Lettering Strong No Fraying No Marks Slight Dust And Discoloration To Cloth. The Macmillan Company hardcover
rif. 8403Péking, Henri Vetch, MCMXXXV. 1 volume in-4, XXI-184-(22) pp., illustré de 115 planches hors texte en couleurs et de figures dans le texte, bibliographie et index. Edition limitée à 320 exemplaires dont 300 sur papier Croxley de luxe (exemplaire numéro 96). Bel exemplaire, broché, couverture illustrée avec image contrecollée, bords des plats effrangés mais intérieur très propre, très bon exemplaire.
1996rif. x-0750704632Falmer Pr 1996. Hardcover. New. 1st edition. 205 pages. 9.75x6.50x1.00 inches. Falmer Pr hardcover
rif. 10318Kelly and Walsh, Limited, Shanghai, MCMXXX. 1 volume in-4, XXXI-177 pp., featuring one hundred and fifteen full page plates in colour, rebound in modern red leather, a very good copy. Some discrete stamps from Kansas Library ans signature from Arlington.
rif. 5024Péking, Henri Vetch, MCMXXXV. 1 volume in-4, XXI-184-(22) pp., illustré de 115 planches hors texte en couleurs et de figures dans le texte, bibliographie et index. Edition limitée à 320 exemplaires dont 300 sur papier Croxley de luxe (exemplaire justifié sans numéro). Bel exemplaire, reliure moderne plein cuir tabac, couverture illustrée conservée avec image contrecollée, quelques menus défauts sur les 2 derniers feuillets.
1802rif. ALDR0443Zürich, bei Orell, Geßner, Füßli und Compagnie 1798-1802. Gest. Frontisp. (H. Lips sculp.), XIV, 1 nn. Bl., 565 S.; Titelbl., 584 S.; Titelbl., 548 S.; Titelbl. 584 S.; Titelbl., 534 S.; Titelbl., 542 S.; Titelbl., 579 S., Titelbl., 666 S. mit gestochenen Titelblattvignetten (H. Lips sculp.) Halblederbände d. Zeit, mit je zwei Rückenschildchen und Rückenzierlinien in Goldprägung, Einbanddeckel mit Kiebitzpapier überzogen, Vorsätze aus zweifärbig bedrucktem Buntpapier, Ecken und Kanten bestoßen, Einbanddeckel fleckig, berieben und beschabt, Rückenleder meist abgerieben und etwas rissig, hinteres fliegendes Vorsatzblatt des dritten Bandes fehlt. Seiten überwiegend nur mäßig vergilbt, teilw. gering gebräunt, sonst wenig fleckig. Mit eingeklebtem, sorgfältig beschriftetem Kärtchen am vorderen Vorsatz d. ersten Bandes (? stand in Beethovens Bibliothek und wurde von ihm viel und oft gelesen. Auch in Goethe?s Bücherei war diese Ausgabe vorhanden.), e. alten Kastensignatur auf d. Rückseite d. Porträttafel und einzelnen Buntstiftanstreichungen im Text. ADB 6,346f. Blinn. Shakespeare - deutsch 28,C 80* - erster bis achter Band der zwölfbändigen zweiten Ausgabe von Eschenburgs Übersetzung der dramatischen Werke W. Shakespeares. Der Literaturhistoriker J. J. Eschenburg (1743-1820), leistete Bedeutendes für die Literaturwissenschaft und verfasste u. a. einige, mehrfach aufgelegte Lehrbücher zu diesem Thema. "Das größte Verdienst erwarb er sich durch seine Uebersetzung der Shakespeare?schen dramatischen Dichtungen (?Shakespeare?s Theatralische Werke übersetzt?. Zürich 1775-1784. 13 Bde. Zweite Auflage 1798-1806. 12 Bde.) E. hat das Verdienst, die erste vollständige Uebersetzung geliefert zu haben, und...(war) überhaupt der erste Deutsche..., welcher sich an diese große Aufgabe wagte,...Treue in der Uebersetzung und Gründlichkeit in den kritischen Bemerkungen (haben) ihn zum Bahnbrecher für alle späteren Uebersetzer Shakespeare?s gemacht..." (ADB). Das Frontispiz zeigt ein Porträtmedaillon des Dichters mit der Namensunterschrift William Shakspere(!), Porträt u. Titelblattvignetten wurden vom Schweizer Kupferstecher Johann Heinrich Lips (1758-1817) gestochen (Vgl. Thieme-B. 23,279)
1835rif. 3706Paris Hippolyte Souverain 1835 in-8 reliure signée Paris, Hippolyte Souverain, 1835 (impr. de Casimir). 22,5 x 14 cm (R), in-8, 2ff. (faux-titre, titre) - 229 pp. - 1 f. (table) - frontispice par Edouard May gravé à l'eau-forte et tiré sur Chine, reliure de plein maroquin rouge carmin, dos à 5 nerfs, auteur, titre et date dorés, caissons à froid, filets à froid sur les nerfs, doubles filets à froid en encadrement sur les plats, doubles filets dorés sur les coupes, dentelle intérieure, doré sur témoins (reliure signée de Pétrus Ruban et datée 1903).
1921rif. 021493New York: Samuel French 1921 First printing of the first edition publisher's original binding 157pp. with 3pp. ads. Signed and inscribed by Durant on the FFEP: to Mrs. Jesse Lasky wife of the co-founder of Paramount Studios Jesse Lasky includes a typed letter signed by Durant to Mrs. Lasky dated in year of publication. Some toning to spine light rubbing/wear to spine ends and corners and a bookplate on front paste-down else book in fine condition. Samuel French hardcover
1819in-8°; 30 volumi in mezza pergamena con angoli e doppio tassello al dorso, tagli in rosso, bella legatura solida. Il primo con ritratto.
1710In 8°; Serie di 6 opere, un legno al frontestpizio, molte note manoscritte nel testo. Legatura in piena pelle con tassello, titolo e fregi in oro al dorso. Tagli in rosso.
1948rif. 62147Los Angeles, Pazifische Presse, in Zusammenarbeit mit Mary S. Rosenberg, New York, 1948. 4 Bl., 108 S. Gr.-8vo. Schwarzes OHLdr. mit goldgeprägtem Deckeltitel u. weinroten Deckelbezügen.
rif. 18882Paris, Librairie José Corti, 1948. In-+12, 149 pp., broché, couverture originale imprimée (petits manques et déchirures à la couverture, dos insolé).
1793in-8°. pp. XXIV 64. Marca editoriale al fronte. Tre finissime tavole di Boizot incise all’acquaforte da Baquoy, Le Roy, Patas. Su carta azzurrina. L’autore dichiaratamente di ispira al ben noto poema omonimo di Gessner. Rilegatura originale in pelle, con impreziosimenti in oro ai piatti e al dorso, tagli in oro. Precede il testo una poesia autografa dell’autore.
1958rif. 3114Paris Gallimard 1958 in-8 broché Paris, Gallimard, 1958. 21 x 14,5 cm, 2 forts volumes in-8, 447 - 422 pp., brochés.
rif. 4200Armand colin, 1889, 91, 92, ,93,96,, 99, gr. in-8vo, ca 350 p. par volume , reliure percaline rouge, richement decorée , toutes tranches dorees, six tomes dans un etat extraordinaire, angles superbes (biseautés) on peux juste regreter des rousseurs interieures , rare de trouver un ensemble dans un etat pareil , photos sur demande , possibilité de division du lot
rif. 19889Paris, Librairie Charpentier et Fasquelle, 1910. In-8, 244 pp., basane havane de René Lalique, premier plat gaufré d'un coq et du titre, dos long (quelques épidermures, petites déchirures et taches à la couverture).
1916rif. 22028Paris, Librairie Hachette, 1916 ; cartonnage rouge-orangé double in-8 du type "à un éléphant", dos type F, dit "au phare", deuxième plat de type "R", toutes tranches dorées ; [8], 368 pp. et six hors-texte en noir et blanc.
1922rif. 047776London Uk: Selwyn & Blount / Chapel River Press 1922. 1st Edition 1st Printing. Hardcover. Very Good/Good. 87 Pp. Light Grey Boards With Spine And Front Cover Paper Labels Lettered In Brown. First Printing. Quite Scarce; Fraying At Ends Of Spine Boards Beginning To Split Along Spine Gutters. Paternal Inscription Dated 1931 With Recipient's Elaborate Pasadena Blindstamp On Verso And Recto Respectively Of The Front Free Endpaper. Quite Scarce. In The Illustrated Dust Jacket Which Is Worn And Torn Darkened And Slightly Soiled From Handling Small Losses At Corners No Loss Of Lettering Or Design. Torahiko Kori 1890-1924 Left Tokyo University Without Graduating To Join The Editorial Staff Of Shirakaba A Literary Magazine In 1909. Early In His Short Literary Career Kori Torahiko Became An Enfant Terrible Of The Shirakaba School A Group Of Writers And Artists Whose Works Reflected The Liberal Democratic And Humanistic Spirit Of The Taisho Era 1912-1926. At The Age Of Twenty Kori Began Editing And Publishing With Yanagi Muneyoshi Soetsu Founder Of The Mingei Movement And Around 1923 Became A Frequent Contributor To The Major Literary Magazines Of The Day. In 1909 Kori Torahiko Won First Prize In The Contest Held By Taiyo Sun Magazine With His Play Titled "The Matsuyama Family" Which Brought Him Into Prominence As A Promising Dramatist. His Fame Was Established When The Imperial Theatre Staged His Play Dojoji 1912. The Following Year He Left For Europe. At London Kori Met Esther Sainsbury The Poetess And They Remained Friends Till His Death. He Wrote Plays In London; His First Drama To Be Staged There Was "Kanawa" Iron Ring 1917. Another Of His Plays "Toils Of Yoshitomo" Ran For Three Weeks At The Little Theatre London. Other Plays Similarly Staged Were "Saul And David" And "Absalom." "The Toils Of Yoshitomo" Was Translated Into Several European Languages Including German French And Italian. He Was One Of The Few Japanese Writers Who Worked Abroad. Despite His Close Association With The Shirakaba School Kori In His Taste For Romantic And Decadent Literature Was At Odds With The Prevailing Shirakaba Partiality For Realist Literature Particularly That Of Tolstoy. In His Mature Prose Style Kori Also Turned Away From The Shirakaba Writers' Tendency To Sinewy Colloquialism And Airy Realism In Favour Of A More Flowery Convoluted Prose Style À La D'Annunzio Or Walter Pater. An Unattributed Evaluation States " In Japan One Lone Voice Persisted In Hailing The Greatness Of Kori Long After His Early Death. Mishima Yukio Saw In Kori'S Plays The Essence Of Tragedy. Mishima Rated Kori As The Natural Successor To Such Classic Japanese Tragedians As Zeami Chikamatsu And Mori Ogai. Mishima'S Modern Noh Plays Was Written In Implicit Homage To Kori And Stands Today As A Continuation Of Many Of The Themes That Kori Reworked So Successfully In His Dramas. Shiga Naoya Concluded His Reminiscence Of Kori With His Regret That He Had Let Kori Go To England. "Kori Should Have Stayed And Worked In Japan. If He Had He Might Not Have Died So Young.' Kori'S Early Death Was Undeniably Tragic But Given His Long History Of Sickness And The Fact That He Received The Best Medical Treatment Available At The Time His Premature Death Would Have Been Unavoidable Whether He Had Been In Japan Or Europe. Had Kori Never Left Japan He Might Now Be Known As A Renowned Writer Of The Shirakaba School But Because He Left For Europe And Britain We Have The Toils Of Yoshimoto Arguably The Greatest Dramatic Achievement By A Japanese Playwright ". Selwyn & Blount / Chapel River Press hardcover
rif. elala2431London: 1856-57. MORTON John Maddison 1811-1891. How Stout Youre Getting! A Farce In One Act. 8vo. pp. 23. London: Thomas Hailes Lacy nd. Nicolls V 495. MORTON John Maddison. Betsy Baker! Or Too Attentive By Half. A Farce. In One Act. 8vo. pp. 19. etched frontis. London: Thomas Hailes Lacy nd. Nicolls V 495. MORTON John Maddison. The Two Bonnycastles. A Farce. In One Act. 8vo. pp. 21. London: Thomas Hailes Lacy nd. Nicolls V 495. YATES Edmund 1831-1894 & N.H.HARRINGTON. A Night At Notting Hill And Original Apropos Sketch. In One Act. 8vo. pp. 14. London: Thomas Hailes Lacy nd. Nicolls V 404. MADDOX J.M. A Fast Train! High Pressure!! Express!!! A Short Trip. 8vo. pp. 20. London: Thomas Hailes Lacy nd. Nicolls V 472. MORTON John Maddison. A Thumping Legacy. A Farce. In One Act. 8vo. pp. 18. London: Thomas Hailes Lacy nd. Nicolls IV 362. .OXENFORD John. Family Failing A Farce In One Act. 8vo. pp. 30. London: Thomas Hailes Lacy nd. Nicolls V 509. MORTON John Maddison. John Dobbs. A Farce In One Act. 8vo. pp. 22. etched frontis. by T.H.Jones. London: Thomas Hailes Lacy nd. Nicolls V 363. TWENTY MINUTES With A Tiger. A Farce In One Act Adapted From The French. 8vo. pp. 24. London: Thomas Hailes Lacy nd. Nicolls V 760. MORTON John Maddison. Whitebait At Greenwich. A Farce. In One Act. 8vo. pp. 21. London: Thomas Hailes Lacy nd. Nicolls V 495. TAYLOR Tom 1817-1880. Blighted Being. A Farce In One Act. Adapted From The French Vaudeville Une Existence Décolorée. 8vo. pp. 24. London: Thomas Hailes Lacy nd. Nicolls V 592. TAYLOR Tom. Still Waters Run Deep An Original Comedy In Three Acts. 8vo. pp. 58. London: Thomas Hailes Lacy nd. Nicolls V 592. MORTON John Maddison. Grimshaw Bagshaw And Bradshaw. A Farce In One Act. 8vo. pp. 21. London: Thomas Hailes Lacy nd. Nicolls V 495. OXENFORD John. Twice Killed A Farce In One Act. 8vo. pp. 24. etched frontis. by Findlay. London: Thomas Hailes Lacy nd. Nicolls IV 367. BROUGH Robert Barnabas 1828-1860. Medea; Or The Best Of Mothers With A Brute Of A Husband. A Burlesque In One Act. 8vo. pp. 33 1. London: Thomas Hailes Lacy nd. Nicolls V 278. DANVERS H. A Comic Scene Inculcating And Entitled A Conjugal Lesson. In One Act. 8vo. pp. 18. London: Thomas Hailes Lacy nd. Nicolls V 336. LILLIE Hubert. As Like To Peas. A Farce In One Act. 8vo. pp. 28. London: Thomas Hailes Lacy nd. Nicolls V 459. TAMING A TIGER A Farce In One Act Adapted From The French. For Private Representation. 8vo. pp. 20. London: Thomas Hailes Lacy nd. Nicolls V 760. MORTON John Maddison. Slasher And Crasher! An original Farce. In One Act. 8vo. pp. 21. etched frontis. London: Thomas Hailes Lacy nd. Nicolls IV 363. MORTON John Maddison. Done On Both Sides A Farce In One Act. 8vo. pp. 36. etched frontis. London: Thomas Hailes Lacy nd. Nicolls IV 363. HORNE Lenox. Two Heads Are Better Than One. A Farce In One Act. 8vo. pp. 16. London: Thomas Hailes Lacy nd. Nicolls V 426. BUCKSTONE John Baldwin 1802-1879. A Kiss In The Dark. A Farce. In One Act. 8vo. pp. 17. London: Thomas Hailes Lacy nd. Nicolls IV 275. JERROLD William Blanchard 1826-1864. Cool As A Cucumber. A Farce In One Act. 8vo. pp. 26. London: Thomas Hailes Lacy nd. Nicolls V 436. BROUGH William 1826-1870. Trying It On. A Farce In One Act. 8vo. pp. 22. London: Thomas Hailes Lacy nd. Nicolls V 278. bound in 19th century half calf gilt back covers detached head of spine chipped scattered foxing. Manuscript list on front free-endpaper of Pieces acted Winter Season/56 Spring Season/57 & scattered notes. All presumably were published by Thomas Hailes Lacy in 1856-57 London: [1856-57] unknown
1782rif. 0005107London: Printed for the Author and sold by S. Hooper 1782. First edition. Hardcover. Fine. Engraved frontispiece. 12mo; xvi 192 pages modern quarter sheep extra gilt spine marbled boards. Rare. First issue without the "Additional Subscribers" Eddy & Fleeman Preliminary handlist of books to which Dr. Samuel Johnson subscribed 48. After a military career Parker prospered as a theatrical performer and raconteur treading the boards throughout the British Isles. "His wit humour and knowledge of the world rendered him at one time an indispensable appendage to convivial gatherings of a kind - DNB." Dr. Johnson Sir Joshua Reynolds and others befriended him and both are listed here in the Subscriber's List. He was a prominent Freemason. Included here is his Dissertation on Masonry dedicated to George Montagu. ESTC T128727. Engraved frontispiece. Printed for the Author, and sold by S. Hooper hardcover
