Hanrahan, John (Editor)Biblio.com
7 189 résultats
1937réf. 040400New York: Stage Publishing 1937. 1st Edition . Soft cover. Very Good . Lightly Used Small Label Of Former Owner. Small Tears At Top And Bottom Of Spine But Without Loss. International Postage At Usps Priority Mail Box Rate. Stage Publishing paperback
1984réf. 040589Los Angeles: Korean Cultural Service 1984 1985 1986 1987 1990 1984. 1st Edition . Soft cover. Near Fine. Fourteen Issues Of This High Quality Magazine Mostly Focusing On Arts Published By The Korean Consulate For English Language Distribution. Korean Cultural Service 1984 1985 1986 1987 1990 paperback
1937réf. 039423Los Angeles: Merle Armitage 1937. 1st Edition 1st Printing. Hardcover. Very Good /No Jacket. 132 Pp. First Printing. Red Cloth Gilt; Contents Completely Identical To The Commoner Grey Cloth Stamped In Black With The 1937 Date Except Spine Panel On This Red Binding Is Stamped "Dance Of Martha Graham / Merle Armitage" Without The Date And Cover Lettering On This Red Binding Has Smaller Letters And An Additional 12 Gilt Stars Lacking In The Grey Cloth Binding. The First Book About Martha Graham Printed In An Edition Of 1000 Copies. Near Fine Slight Rubbing And Corners And Slight Fading To Spine Cloth All Gilt Brilliant But A Few Emphasis Marks And Underlines In Ink And Pencil With Previous Owner's Signature Carolyn Hoyt On Front Endpaper. Signed By Armitage On The Copyright Page At Front And Dated In 1946. Merle Armitage hardcover
1928réf. 040030New York: Charles Scribner's Sons 1928. 2nd Edition . Hardcover. Good. Plates. Xvi 409 Pp. Maroon Cloth. Binding Worn Gilt Dulled But Readable. Front Hinge Cracked Between Half Title And Frontispiece. Small Frays At Corners. Signed By Sothern Dated Feb 2 '29; Also Signed By F. Tennyson Neely John R. Daw George L. Ramsay And Beatrice And Isabel Coss. Charles Scribner's Sons hardcover
1972réf. 036293Oakland: The Holmes Book Company 1972. 1st Edition . Hardcover. Fine/Fine. Frontispiece. 111 101 Pp. Green Cloth Gilt. One Of 1000 Copies. Fine In Fine Dj. With The Holmes Book Company One-Sheet Prospectus Laid In Loosely. The Holmes Book Company hardcover
1869réf. 035853New York: Carleton Publisher 1869. 1st Edition 1st Printing. Hardcover. Very Good . Vi 7-240 Pp. Brown Quarter Leather Gilt Leather Tips Over Brown Marbled Paper Covered Boards Light Yellow Endpapers Very Old Label Of J. P. Collins Book Binder Philadelphia. Bookplate Of E. Peter Mauk Jr. First Printing. Light Wear Gilt Bright 2" Semicircular Faint Damp Mark At Right Center Of Fore Edge Of Most Pages Some Marks In Text Including One Page Used As A Blotter For A Short Handwritten Note. Carleton, Publisher hardcover
1921réf. 033908Franklin Ohio: James Knapp Reeve 1921. 1st Edition 1st Printing. Hardcover. Very Good. 200 Pp. Dark Red Cloth Gilt. First English Language Ediitojn. A Classic Of Dramatic Criticism And Basic Instructional Text For Writers. Wear With Light Fraying At Spine Ends Tips And Point At Top Of Front Board. Ownership Information Of Charles Doane Jr. Of Chicago With His Note That He Inscribed It While Reviewing "The Strangers' Banquet" At The Balaban And Katz Chicago Theatre. James Knapp Reeve hardcover
1882réf. 032537Boston: James R. Osgood And Company 1882. 1st Edition . Hardcover. Very Good. Frontispiece Portrait. Xvii 261 Pp. Brown Cloth Gilt. First Edition. Light Wear Gilt Fairly Bright A Little Bubbling Of Cloth A Few Pinpoint Frays At Edges Rear Hinge Cracked Due To Bancroft's Personal Envelope With Thick Enclosures Tipped To Rear Endpaper Pages Clean But A Little Aged. Ownership Signature Of Textile Manufacturer Samuel Bancroft Jr. Of Rockford Mills Delaware Dated 11/22/81 And With His Large And Elaborate Heraldic Bookplate On Front Pastedown. Also With A Seven Page Holograph Letter From Alfred Darbyshire To His Cousin Bancroft Dated September 11 1881 Apparently In Response To Inquiries From Bancroft Providing A Summary Of Everything Darbyshire Knew Of Mrs. Ward Her Family And Background And Her Current Activities. Also Included Is Bancroft's Copy Of An August 26 1879 Cable From Ward To Derbyshire Accepting The Invitation To Speak At A Calvert Benefit; Also A Note From L. Wingfield To Darbyshire "Good Lord! Genevieve's Biography- All Of It It Would Take From Here To New York" Etc. And Offering To Send Darbyshire A Copy Of This Book; Both Typed Out With An Attestation That The Originals Had Been Returned To Darbyshire. In 1880 Bancroft Was Introduced To Pre-Raphaelite English Artwork By His Cousin Architect Alfred Darbyshire. He Fell In Love With The Art And Once Bancroft Stepped Back From Directly Managing The Family Firm In 1889 He Began To Purchase Numerous Pieces Of Artwork. In 1880 He Was Introduced To Pre-Raphaelite English Artwork By His Cousin Architect Alfred Darbyshire. He Fell In Love With The Art And Once Bancroft Stepped Back From Directly Managing The Family Firm In 1889 He Began To Purchase Numerous Pieces Of Artwork. His Collection Began In 1890 With A Work By Dante Gabriel Rossetti Whose Art And Poetry Featured Prominently In Bancroft's Further Collections Over The Next 25 Years. He Maintained Correspondence With Other Artists In The Movement And Offered Financial Support To The Families Of Some Of Them. Bancroft Continued Adding To The Collection For The Remainder Of His Life And Built It Into The Largest Such Collection Of Pre-Raphaelite Works Outside England. Alfred Darbyshire 20 June 1839 - 5 July 1908 Was An English Architect. He Was A Nephew Of George Bradshaw The Compiler Of Railway Guides. Darbyshire Admired The Gothic Revival Style Of Alfred Waterhouse But Also Designed In The Neoclassical Style. Darbyshire Was A Man Of Many Talents Which Centered On The Theatre. As Well As Building Them He Acted In Them And Became Famous For His Extravagant Stage Productions. In 1869 Charles Calvert Actor-Manager Of The Prince's Theatre Manchester Employed Alfred To Redecorate The Theatre. They Became Good Friends And Alfred Assisted Calvert With The Staging Of Some Of His Great 'Revivals' Of Shakespeare's Plays. Page 139/140 Where Ward's Productions With Calvert Is Turned Down At A Corner By Bancroft. In 1872 He Built A Spectacular Set For The Triumphal Entry Of The King Into London In Henry V. The Production Was Carried Through The United States And Into Australia. In New York More Than 100000 People Visited Booth's Theatre To See The Play. As A Landscape Painter He Sketched And Painted In Italy France Belgium And Germany. Alfred Was An Art Critic For The Manchester Guardian And From 1874 To 1905 He Was An Art Critic For The Courier. He Wrote A Number Of Books On Architecture Heraldry And Art And Innumerable Pamphlets And Brochures. James R. Osgood And Company hardcover
1909réf. 032550New York City: White Rats Of America / Broadway Publishing Company 1909. 1st Edition 1st Printing. Hardcover. Very Good. Ii 199 Pp About 100 Pages Of Ads At Rear. First Edition. Very Good Rubbing At Top And Bottom Of Spine And At Tips Hinges Tight Unmarked No Fading. Slight Soiling From Handling In Bottom Inch Of Spine. White Rats Of America / Broadway Publishing Company hardcover
1881réf. 032552Boston: Roberts Brothers 1881. First American Edition 1st Printing. Hardcover. Very Good/No Jacket. 63 Pp 2 Pp Ads At Rear. Red Cloth Printed In Black Green And White Endpapers. First American Printing 1981 Date On Title Page. Light Wear Lettering Strong Three Tiny Frays At Ends Of Spine Covers With Tiny Flecks To Color. Ownership Signature Of Andy Francisco 1866-1947; From Estate Of Artist J Bond Francisco's Nephew Jack Okey So Probably A Relative. Per Wikipedia Benoît-Constant Coquelin 1841 - 1909 Known As Coquelin Aîné "Coquelin The Elder" Was A French Actor "One Of The Greatest Theatrical Figures Of The Age." Coquelin Was Born In Boulogne-Sur-Mer Pas-De-Calais. He Was Originally Intended To Follow His Father's Trade Of Baker He Was Once Called "Un Boulanger Manqué" - "A Failed Baker" - By A Hostile Critic But His Love Of Acting Led Him To The Conservatoire Where He Entered Régnier's Class In 1859. He Won The First Prize For Comedy Within A Year And Made His Début On 7 December 1860 At The Comédie-Française As The Comic Valet Gros-René In Molière's Le Dépit Amoureux But His First Great Success Was As Figaro In The Barber Of Seville In The Following Year. It Was An Honour For Coquelin To Be A Part Of The Comédie-Française At Such A Young Age. This Company Had Already Been In Existence For Around 150 Years. He Was Made Sociétaire In 1864. There Were 21 34 Shares And They Were Divided Among The Lead Actors Known As Sociétaires. The Sociétaires Co-Manage Choose Plays And Share Profits. When There Was An Opening Caused By Retirement Resignation Or Death It Was Filled By A Member Of The Pensionnaires. And Just Four Years After Joining The Comédie-Française Coquelin Became One Of The Elite Sociétaires. During The Next Twenty-Two Years He Created The Leading Roles In Forty-Four New Plays At The Comédie Française Including Théodore De Banville's Gringoire 1867 Paul Ferrier's Tabarin 1871 Émile Augier's Paul Forestier 1871 L'étrangère 1876 By The Younger Dumas Charles Lomon's Jean Dacier 1877 Édouard Pailleron's Le Monde Où L'on S'ennuie 1881 Erckmann's And Chatrian's Les Rantzau 1884. In Consequence Of A Dispute With The Authorities Over The Question Of His Right To Make Provincial Tours In France He Resigned In 1886. Three Years Later However The Breach Was Healed; And After A Successful Series Of Tours In Europe And The United States He Rejoined The Comédie-Française As Pensionnaire In 1890. During His Time Away From The Comédie He Wrote His Book Art And The Actor. It Was During This Period That He Took The Part Of Labussière In The Production Of Victorien Sardou's Thermidor Which Was Banned By The Government After Three Performances. In 1892 He Broke Definitively With The Comédie-Française And Toured For Some Time Through The Capitals Of Europe With A Company Of His Own; In New York For Instance He Performed At Abbey's Theatre In 1894 Playing The Lead In Tartuffe His Son Jean Played Orgon And Mascarille In Les Précieuses Ridicules.3 In 1895 He Joined The Renaissance Theatre In Paris And Played There Until He Became Director Of The Théâtre De La Porte Saint-Martin In 1897. Here He Won Successes In Edmond Rostand's Cyrano De Bergerac 1897 Which He Repeated In The Summer Of 1898 At The Lyceum Theatre London Émile Bergerat's Plus Que Reine 1899 Catulle Mendès's Scarron 1905 And Alfred Capus And Lucien Descaves' L'attentat 1906. In 1900 Coquelin Toured In America With Sarah Bernhardt Appeared At Broadway's Garden Theatre In A Production Of Cyrano De Bergerac Bernhardt Played Roxane. He Made His Only Film The Duel Scene From Cyrano De Bergerac With Sound Recording On Phonograph Cylinder. The Film Is Thought To Be The First Ever Made With Both Color And Sound. On Their Return To France He Continued With His Old Colleague To Appear In L'aiglon At The Théâtre Sarah Bernhardt. He Was Rehearsing For The Creation Of The Title Role In Rostand's Chantecler Which He Was To Produce When He Died Suddenly In Paris In 1909. Roberts Brothers hardcover
1881réf. 032553Boston: Roberts Brothers 1881. First American Edition 1st Printing. Hardcover. Good/No Jacket. 63 Pp 2 Pp Ads At Rear. Light Brown Cloth Printed In Black Green And White Endpapers. Wear Lettering Strong Fraying On Top Of Spine And At Tips. Signature Of Hollywood Art Director Jack Okey It's A Wonderful Life Etc. Small Private Price Label On Rear Pastedown. Per Wikipedia Benoît-Constant Coquelin 1841 - 1909 Known As Coquelin Aîné "Coquelin The Elder" Was A French Actor "One Of The Greatest Theatrical Figures Of The Age." Coquelin Was Born In Boulogne-Sur-Mer Pas-De-Calais. He Was Originally Intended To Follow His Father's Trade Of Baker He Was Once Called "Un Boulanger Manqué" - "A Failed Baker" - By A Hostile Critic But His Love Of Acting Led Him To The Conservatoire Where He Entered Régnier's Class In 1859. He Won The First Prize For Comedy Within A Year And Made His Début On 7 December 1860 At The Comédie-Française As The Comic Valet Gros-René In Molière's Le Dépit Amoureux But His First Great Success Was As Figaro In The Barber Of Seville In The Following Year. It Was An Honour For Coquelin To Be A Part Of The Comédie-Française At Such A Young Age. This Company Had Already Been In Existence For Around 150 Years. He Was Made Sociétaire In 1864. There Were 21 34 Shares And They Were Divided Among The Lead Actors Known As Sociétaires. The Sociétaires Co-Manage Choose Plays And Share Profits. When There Was An Opening Caused By Retirement Resignation Or Death It Was Filled By A Member Of The Pensionnaires. And Just Four Years After Joining The Comédie-Française Coquelin Became One Of The Elite Sociétaires. During The Next Twenty-Two Years He Created The Leading Roles In Forty-Four New Plays At The Comédie Française Including Théodore De Banville's Gringoire 1867 Paul Ferrier's Tabarin 1871 Émile Augier's Paul Forestier 1871 L'étrangère 1876 By The Younger Dumas Charles Lomon's Jean Dacier 1877 Édouard Pailleron's Le Monde Où L'on S'ennuie 1881 Erckmann's And Chatrian's Les Rantzau 1884. In Consequence Of A Dispute With The Authorities Over The Question Of His Right To Make Provincial Tours In France He Resigned In 1886. Three Years Later However The Breach Was Healed; And After A Successful Series Of Tours In Europe And The United States He Rejoined The Comédie-Française As Pensionnaire In 1890. During His Time Away From The Comédie He Wrote His Book Art And The Actor. It Was During This Period That He Took The Part Of Labussière In The Production Of Victorien Sardou's Thermidor Which Was Banned By The Government After Three Performances. In 1892 He Broke Definitively With The Comédie-Française And Toured For Some Time Through The Capitals Of Europe With A Company Of His Own; In New York For Instance He Performed At Abbey's Theatre In 1894 Playing The Lead In Tartuffe His Son Jean Played Orgon And Mascarille In Les Précieuses Ridicules.3 In 1895 He Joined The Renaissance Theatre In Paris And Played There Until He Became Director Of The Théâtre De La Porte Saint-Martin In 1897. Here He Won Successes In Edmond Rostand's Cyrano De Bergerac 1897 Which He Repeated In The Summer Of 1898 At The Lyceum Theatre London Émile Bergerat's Plus Que Reine 1899 Catulle Mendès's Scarron 1905 And Alfred Capus And Lucien Descaves' L'attentat 1906. In 1900 Coquelin Toured In America With Sarah Bernhardt Appeared At Broadway's Garden Theatre In A Production Of Cyrano De Bergerac Bernhardt Played Roxane. He Made His Only Film The Duel Scene From Cyrano De Bergerac With Sound Recording On Phonograph Cylinder. The Film Is Thought To Be The First Ever Made With Both Color And Sound. On Their Return To France He Continued With His Old Colleague To Appear In L'aiglon At The Théâtre Sarah Bernhardt. He Was Rehearsing For The Creation Of The Title Role In Rostand's Chantecler Which He Was To Produce When He Died Suddenly In Paris In 1909. Roberts Brothers hardcover
1929réf. 030802London: Martin Secker 1929. 1st Edition 1st Printing. Hardcover. Near Fine/Near Fine. Dj By G E Calthrop. 111 Pp. Gray Possibly Gray-Green Cloth With Paper Spine Label Printed In Red And Black. Near Fine In Near Fine White Dj No Fading At All Just A Trace Of Rubbing No Chips Or Stains Or Fraying Just A Single One Inch Long Closed Tear At Top Edge Of Rear Panel. Exceptionally Scarce Without Fading To The Pink Spine. This Example Was Preserved As One Of A Group Of Dj's From The 1920'S And 1930'S Which Were All Stored Flat Apart From The Books. Book With Small Ownership Name "M Bell" Possibly The Actress Marie Bell Who Appeared In Coward Productions But No Example Of Her Signature Has Been Compared To This One. Martin Secker hardcover
1976réf. 030030Northridge: California State University / Csun Foundation 1976. 1st Edition . Soft cover. Very Good. Viii 327 Pp. Illustrated Wrappers. Class Text Scholarly And With Good References At End Of Each Chapter. Stated "Preminary Edition". No Example In Institutional Holdings Per Worldcat. Slight Wear Faint Yellow Highler Used For Owner's Name On Front Cover And Over A Few Lines Of Text. California State University / Csun Foundation paperback
1942réf. 027864New York: Harcourt Brace & Co 1942. 1st Edition 1st Printing. Hardcover. Near Fine/Very Good Dust Jacket. Frontispiece And Dust Jacket By Arthur Szyk. 505 Pp. Green Cloth Stamped In Red And Gilt. First Edition Stated. Inscribed By Saroyan To Agent/Publicist/Columnist Robert "Bob" Wachsman With Whom Saroyan Worked At Mgm And Dated April 1942. Book With Slight Browning Otherwise Near Fine. Dj Lightly Used Spine Browning And Beginning To Brown Along Other Edges 1/2" Tear Down Top Of Rear Spine Edge With 1/2" X 3/16" V-Chip 1/8" Tear At Bottom Of Spine 1/2" Tear At Top Rear Flap Fold Not Price-Clipped.Included Is A Loose Heritage Bookshop Receipt For This Book Dated February 25 1970. Harcourt, Brace & Co hardcover
1975réf. 027883New York: Norton 1975. 1st Edition 1st Printing. Soft cover. Near Fine. 77 Pp. Near Fine Example Of The Paperback Issue Of The American First Edition. Signed For Me By Soyinka During His Visit To The Los Angeles Asylum Office In The Late 1990'S. Norton paperback
réf. 028413Altadena: Ralph Culver Bennett. 1st Edition 1st Printing. Soft cover. Near Fine/No Jacket. 82 Pp Labeled Generic Card Binder. .The Author's Own Copy With Label From Rosa Johnson Who Purchased His Estate In 1957". Unrecorded No Copy In Worldcat. Bennett Was Formerly Dean Of The Law Dept. At The State University Of Oregon; See Who's Who In America. Ralph Culver Bennett paperback
1912réf. 028575New York: Hodder & Stoughton 1912 1912. First American Edition 1st Printing. Hardcover. Near Fine/No Jacket. 18 Pp. Light Blue Cloth All Gilt Lettering And Designs On Spine And Front Cover The Colored Covers Are Later Illustrated Endpapers All Plates Tipped On To The Pages As Issued. First American Edition Undated Using English Sheets Printed By T & A Constable At The Cambridge University Press Undated Circa 1912. Very Near Fine No Names Or Marks Or Stains No Fading To Cloth All Gilt Still Brilliant. Decorative Color Custom Collector's Bookplate. Hodder & Stoughton [1912?] hardcover
1921réf. 027354New York / London: G P Putnam's Sons 1921. 1st Edition 1st Printing. Hardcover. Near Fine/Very Good. 226 Pp 2 Pp Catalogue At End. Near Fine Covers With Just A Touch Of Wear Front Hinge Solid But Partly Cracked And With Old Professional Repair. No Names Or Marks. Dj With Wear And Foxing Three Small Chips Not Affecting Letterng Or Design With Neat Clear Tape Reinforcement Internally And Externally. G P Putnam's Sons hardcover
1923réf. 016029NY Doubleday 1923 1923. First Edition stated 1st Printing. Orange Cloth. Very Good /No Jacket. Photographs of Stage Production. X 187 Pp. Orange Cloth Stamped In Black. First Am. Edition First Printing 1923 Date On Title And Copyright Pages Copyright Page Does State "First Edition". Frontispiece Photograph And Three Other Photographs Of The Stage Production. Vg Very Slight Fading To Spine. Front Hinge Broken But Holding Can Be Repaired. Ownership Signature Of Mental Hygienist Clare Moore De Gruchy See: Biography Of Alice B Toklas By Simon. An Early Play About Self-Aware Mechanico-Electric Humanoids Contributing The Word "Robot" To Twentieth Century Consciousness Before Mankind Became Aware Of How Dehumanized Humans Were Than Humanized Robots So Far. NY Doubleday 1923 hardcover
1927réf. 022956Cedar Rapids: The Torch Press 1927. First Edition . Blue Cloth. Very Good. 104 Pp. First Edition 1927 Date On Title Page. Blue Cloth Spine Gilt. Used Gilt Bright But Not Brilliant A Few Tiny Discolorations On Cover Hinges Tight. Inscribed "To Mrs. Pearl B. Mitchell With The Warmest Congratulations And The Author's Compliments. June 20 1930 Herbert F Allen". The Torch Press hardcover
1811réf. 000208Edinburgh: William Miller Albemarle Street 1811. First Edition . Hardcover. Very Good. 9 1/2" Tall. Engravings on Title Pages. Three Quarter Morocco. First Edition. 8Vo. Five Volumes Period Black Morocco Spines And Tips Over Original Marbled Boards. A Very Extensive Collection Arranged By Type Tragedy Etc. About 3200 Pages Altogether . A Nice Clean Solid Set. Vol. 1 And Vol. 2 With Switched Spine Labels And Half-Titles Original Binding Errors. Attractive Bookplates Of W. Fryer With A Finely Engraved Bucolic Scene. International Postage At Considerable Additional Cost. Edinburgh: William Miller, Albemarle Street hardcover
1903réf. 002614London: The Athenian Society 1903. First Edition . Olive Buckram. Near Fine. 9 1/2" Tall. Color and Sepia Plates Throughout. Heavy Olive Buckram Spine Paper Labels With Titles Etc. Top Edge Gilt Page Edges Roughly Cut As Issued. Twenty Volumes. About Three Feet Of Dramas And Commentary A Complete History Of The Drama All Volumes Of The Victorian Edition Of Which This Is #108 Of Only 1000 Copies. This Set In Near Fine Condition Almost As Issued A Few Volumes With Slight Rubbing One With A Short Tear Along Edge. No Marks. Quite Scarce In This Condition. Shipping Extra Via Insured Media Mail In Us International Shipment At Great Additional Cost. The Athenian Society hardcover
1945réf. 019231New York 1943: The Macmillan Company 1945. Second Printing stated . Boards. Very Good/Good DJ. Xxxiv 119 Pp. Green Cloth Lettered In Red. Stated Second Printing Date 1945 On Title Page. Long Introduction Describing Recent Events In China Which Are Also The Subject Of The Fictional Play. Inscribed By George Savage "In Appreciation" To Muriel Brown Perhaps The Muriel Brown Associated With The Goodman School Of Drama Now The Theatre School In Chicago As They Both Worked In The Federal Theatre Project. The Macmillan Company hardcover
1931réf. 006896New York: The Macaulay Company 1931. First Edition . Red Cloth. Very Good. 361 Pp. Red Cloth Lettered In Black. First Edition With 1931 Date On Title Page. Nicely Inscribed "To Motel In Remembrance David Pinski." From The Library Of Author/Director/Producer Lou Brandt And His Wife Both Of Whom Were Active In Yiddish And American Theatre Hollywood Tv And Hollywood Movies And Left Wing Causes. During The Blacklisting Era They Left Hollywood For Spain For Five Years But Returned. Small Light Brown Stain On Front Endpaper Small Water Spot On Top Edge Of Pages A Little Flecking To Red Color Of Cloth. Per Wikipedia David Pinski 1872 -1959 Was A Yiddish Language Writer Probably Best Known As A Playwright. At A Time When Eastern Europe Was Only Beginning To Experience The Industrial Revolution Pinski Was The First To Introduce To Its Stage A Drama About Urban Jewish Workers; A Dramatist Of Ideas He Was Notable Also For Writing About Human Sexuality With A Frankness Previously Unknown To Yiddish Literature. He Was Also Notable Among Early Yiddish Playwrights In Having Stronger Connections To German Language Literary Traditions Than Russian. The Macaulay Company hardcover
1837réf. 023297London: Joseph Thomas 1837. First Edition . Boards. Very Good . Original Designs / Illustrations By Robert Cruikshank. 49 Pp. Marbled Boards. Leather Spine Label Running Entire Length Of Spine With Gilt Title And Rules. Light Wear At Corners With Very Small Losses Of Paper At Tips. Contents Clean Paper A Little Aged No Names Or Marks. Joseph Thomas hardcover
