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réf. 1390261905.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0666221944.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1390469778.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1935réf. KNY2776191935. Hardcover. Language: Russian. Condition: not graded in detail, please see the photos. Signed / inscribed. Original title: Pikovaya dama. The photos show the actual copy offered. Ships from Ukraine by Nova Post with tracking after receipt of payment (bank transfer or PayPal); delivery time 12–28 business days including customs clearance. Shipping for this book (up to 1 kg): Netherlands €24.70, Belgium €29.60, Germany €19.90, France €29.10, Austria €29.10, Switzerland €46.00; other countries on request. The exact amount is confirmed when we accept your order. The parcel is sent from outside the EU/UK/Switzerland. Import VAT on books (e.g. Netherlands 9 %, Germany 7 %, Belgium 6 %, France 5.5 %, Switzerland 2.6 %, UK 0 %) and a customs handling fee of the carrier may be charged to the buyer on delivery; they are not included in the price. Antiquarian book (1935). Export from Ukraine of books older than 50 years may require a cultural-goods export certificate; we obtain it before shipping, which can add several weeks. Please ask before ordering if you need a firm delivery date. Consumers in the EU have the statutory 14-day right of withdrawal (see the seller terms). If the book does not match the description or is damaged in transit, please contact us right after receipt.
1893réf. 205894Wien, Heinrich Kirsch, 1893. VII, 216 Seiten . 17 cm. Originalbroschur mit Deckel- und Rückentitel
2004réf. 3021Lake Forest 2004. Collector's Edition . Cloth. Fine/No Jacket. 4to - over 9¾" - 12" tall. Glossy board with photo of Doyle Blue backstrip. 56-247pilluscolordepcppl Collector's Edition 280/1000 Signed by Doyle on Ht.Comes in numbered publishers box hardcover
1995réf. 91130St. Petersburg, "Limbus Press", 1995. 415; 383; 375 S. 20,5 cm. Schwarzes OKunstLdr m. SU.
1972Top corners lightly bumped. Else fine. DJ spine a little discolored. Light edgewear with 1 small tear (1 cm). DJ is price-clipped. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
1972Creasing to spine. Chipping to spine ends. Tear to base of spine cover (3 cm). Scholar's bookplate to inner cover (Robert Brown). Scholar's name to ffep (Robert Brown). Else VG. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
1972light foxing to top of textblock. Scholar's name to ffep (Philippa Goold née Forder). Minor shelfwear to DJ. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
1972Spine slightly sunned. Very minor shelfwear. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
193182pp. + 1 planche hors-texte, 26cm., extrait des "Mémoires publiés par l'Académie royale de Belgique, classe des lettres etc., collection in-8o, deuxième série" tome 28, br.orig., non-coupé
2015réf. 54495LEONINE, 2015. DVD DVD
1931réf. T67480Bruxelles, Lamertin 1931 82pp. + 1 planche hors-texte, 26cm., extrait des "Mémoires publiés par l'Académie royale de Belgique, classe des lettres etc., collection in-8o, deuxième série" tome 28, br.orig., non-coupé
2008réf. 13124Frankfurt a. M., Fischer Taschenbuch Verlag, 2008. 8° (18,5-22,5 cm). 1255 S. Illustr. OKartonage
1970réf. 2092902137503109Fuyuki-sha 1970. Soft Cover. Fine. Size: 46 size Number of books: 1 book Fuyuki-sha paperback
réf. 1127084Bern ; Berlin ; Wien : Peter Lang, 2018. 277 S. Originalbroschur
réf. T65379Thielt, Lannoo s.d. 30pp., 21cm., 3e druk
1994réf. 75297(Frankfurt a. M. ), Suhrkamp, (1994). 93 (1) S., 5 Bll. (= Bibliothek Suhrkamp, Bd. 1158). Kl.-8vo. OPp. mit SU.
1992réf. 109878Suhrkamp 1992, 1992. 96 S 20 cm, Broschiert
2001réf. 941441Frankfurt am Main : Suhrkamp, 2001. 144 S. : zahlr. Ill. Originalleinen mit Schutzumschlag.
réf. 1040258Vlg. Kiepenheuer & Witsch; Köln, o.J. 112 S.; 8°; kart.
1968réf. 3410Frankfurt/M.: Suhrkamp 1968. 1.-8. Tsd. 123 S., 8°, OKart., Schutzumschlaag
réf. DADAX0415724597New unknown
