Court, BarbaraAntiquariat.de
Die dramatische Technik des Aischylos.
1994réf. 55098Stuttgart u. Leipzig, Teubner, 1994. 330 SS. Gr.-8°, Original-Leinen.
Antiquariat Dennis R. Plummer · Allemagne11,20 €
8 327 résultats
réf. DADAX0664225012New unknown
1966réf. 10025Kassel, Erich Röth (1966). OPp. OU. 39 (1) S. Gr.-8°. Mit mehrzeiliger hs. Widm. v. Chlodwig Plehn (Übersetzer) a. Vortitel. Gut erhalt. OU. mit kleinen Randeinrissen.
20093 tiny scratches along top edge-- very light shelfwear else Fine. ; Mnemosyne Supplements 314; 580 pages; This volume is arguably one of the most important studies of Euripides to appear in the last decade. Not only does it offer incisive examinations of many of Euripides' extant plays and their influence, it also includes seminal examinations of a number of Euripides’ fragmentary plays. This approach represents a novel and exciting development in Euripidean studies, since it is only very recently that the fragmentary plays have begun to appear in reliable and readily accessible editions. The book’s thirty-two contributors constitute an international 'who’s who' of Euripidean studies and Athenian drama, and their contributions will certainly feature in the forefront of scholarly discourse on Euripides and Greek drama for years to come.
2009Minor shelfwear. Light bumps to one corner and along 1 edge. Else fine. ; Mnemosyne Supplements 314; 580 pages; This volume is arguably one of the most important studies of Euripides to appear in the last decade. Not only does it offer incisive examinations of many of Euripides' extant plays and their influence, it also includes seminal examinations of a number of Euripides’ fragmentary plays. This approach represents a novel and exciting development in Euripidean studies, since it is only very recently that the fragmentary plays have begun to appear in reliable and readily accessible editions. The book’s thirty-two contributors constitute an international 'who’s who' of Euripidean studies and Athenian drama, and their contributions will certainly feature in the forefront of scholarly discourse on Euripides and Greek drama for years to come.
1942réf. 006990Adyar Madras India: Kalakshetra 1942. Hardcover light green cloth in original non price-clipped beige dust-jacket. 270pp. Portait frontispiece. Contains the verse-plays "The Kings Wife" and "The Hound of Uladh" the former a drama about the life of Rani Mirabai and the latter a tale based on ancient Celtic mythology. No previous ownership marks. A clean square copy with mild wear to tips Beige dust-jacket complete shows moderate age soiling and toning with spine sunned to goledn brown. A very good copy in a near very good dust-jacket of a very scarce title. First Edition. Cloth. Very Good/Near Very Good. 8vo - over 7¾" - 9¾" tall. Kalakshetra Hardcover
1962170pp., 21cm., Doctoral Dissertation (Inaugural-Dissertation zur Erlangung des Doktorsgrades der Philosophischen Fakultät der Universität zu Köln), softcover, stamp at verso of title page, text is clean and bright, T111735
réf. DADAX0415787432New unknown
1994réf. 55098Stuttgart u. Leipzig, Teubner, 1994. 330 SS. Gr.-8°, Original-Leinen.
réf. DADAX0198121644New unknown
1996réf. 33354Athens: Ohio University Press. Near Fine in Fine dust jacket. 1996. Hardcover. 0821411403 . First printing. Book-plate on front paste-down else fine in a fine dust jacket. . Ohio University Press hardcover books
1987réf. 8735France-Loisirs 1987 257 pages 13x2 6x20 4cm. 1987. relie jaquette. 257 pages.
1962réf. T111735Köln, 1962 170pp., 21cm., Doctoral Dissertation (Inaugural-Dissertation zur Erlangung des Doktorsgrades der Philosophischen Fakultät der Universität zu Köln), softcover, stamp at verso of title page, text is clean and bright, T111735
1953réf. 7791953 - broché - Les Editeurs Français Réunis - 1953 - In-12 (format poche) broché - 204 pages - A PROPOS : Cette œuvre retrace le conflit engagé par les autorités françaises contre un peuple vietnamien luttant pour son indépendance
1967réf. 1040064Janotta's Bühnenvertrieb, 1967. 58 S.; 8°; kart.
2019réf. 500301129Warner Bros 2019 14 8x18x3 4cm. 2019. blu_ray.
réf. 142In 12 carré broché,78 pages, illustrations photographiques hors texte, Edition de la nouvelle revue critique sans date.
2005réf. 49876Paramount, 2005. DVD DVD Digipack
18352 vols., 8vo., First Edition, with engraved portrait frontispiece (mildly age-soiled), some very light and inoffensive age-staining to text, neat pencilled nineteenth-century inscription of half-title of second volume; attractively bound in contemporary half calf, coarse-grain cloth sides ruled in gilt, backs with five raised bands, second and third compartments lettered and ruled in gilt, all other compartments framed and tooled in gilt, gilt edges, marbled endpapers, a very good, bright, crisp copy in wholly unrestored period binding. The UK edition is much scarcer than its US counterpart published in the same year, particularly as two volumes as originally issued. Kean died in 1833.
1961This book was originally published in 1934. Beginning with Aristotle's observation that from the earliest stage Attic Comedy had 'certain definite forms', F. M. Cornford shows that these forms are clearly observable in the plays of Aristophanes and that they derived from a ritual drama common to both tragedy and comedy. Edited with Foreword and additional notes by Theodore H. Gaster. Crisp, tight vintage copy - looks almost unread.Old bookstore stamp on ffep. else fine Book
1931A clean, unmarked book with a tight binding. Full gray cloth boards. Dust jacket has some edge wear and discoloration. Modern Library number 194. 4 7/8"w x 7 1/8"h 372 pages. Rockwell Kent torchbearer design on endpapers and in on cover. Includes The Cid, Cinna, Phaedra, Andromache, Britannicus, and Athaliah.
1959A clean, unmarked book with a tight binding. Full gray cloth boards. Dust jacket has some edge wear and discoloration. Modern Library number 194. 4 7/8"w x 7 1/8"h 372 pages. Rockwell Kent torchbearer design on endpapers and in on cover. Includes The Cid, Cinna, Phaedra, Andromache, Britannicus, and Athaliah.
1662Six plays bound in one volume. Separate pagination. Each with a handsome engraved title page. One engraved t.p. with early color. Wolfgang's woodcut printer's device is on each of the printed title pages, and there is a device on each terminal page. 24 mo. 135 mm. Handsome early French full leather binding tooled in gilt. The spine title shows only the first play - Le Geolier. The plays in this volume are: Le Golier de Soy-mesme, Comedie; Les Illustres Ennemis, Comedie; Berenice, Tragedie; Timocrate, Tragedie; Morte de l'Empereur Commodore, Tragedie [colored t.p.]; and Darius. Tragedie. Early ownership. From the Library of Edwin Wolf II. Thomas Corneille (1625-1709) was a French dramatist and scholar, born in Rouen nineteen years after his famous brother Pierre. After his brother's death, Thomas succeeded his vacant chair in the Academie Francaise. He then turned his attention to philology. In 1704 he lost his sight and was constituted a 'veteran,' a dignity which gave him the privileges of an academician, while exempting him from the duties. He did not allow his blindness to put a stop to his work, however, and in 1708 produced a large Dictionnaire universel geographique et historique in three volumes folio. This was his last major work. His Timocrate boasted of the longest run (80 nights) recorded of any play during the century. SCARCE. SAFE ADD 1
1931pp. xii, 372. 12mo. 185mm. Original full cloth binding. MOD LIB BX 1
1765réf. ALDR0052[Genève], [Cramer] 1765. 8°. 390, 340, 404, 392, 344, 356, 368, 328, 366, 398, 440 u. 334 S. (Titelei in Pag.). Mit Front. (von Watelet nach Pierre) und 34 Kupferstich-Tafeln (nach Gravelot). Marmorierte Kalbslederbde. der Zeit, auf Rücken mit reichen Verz. sowie m. Titel und Bandnr. in Goldpräg. auf 2 mont. Papierschi., Stehkantenvergoldung, marmor. Vorsätzen sowie umseit Rotschnitt. Einbände stärker berieben, Kapitale und Ecken größtenteils schadhaft, Buchdeckel tlw. m. Schabspuren, Leder am Rücken brüchig und z.Tl. unvollständig vorhanden, im Text weitgehend fleckenfreie und schön erhaltene Ausgabe. - Alle Bände mit gest. Adelsexlibris, Bde. 1 u. 2 mit Namenseintrag v. alter Hand ('Ger. Nicolas ... Roterodami 1772'). Brunet II, 281; Graesse II, 267; Ebert 5229; Reynaud Sp. 95; Bengesco II, 141. - Die berühmte, von Voltaire edierte Gesamtausgabe, hier die zweite rechtmäßige Ausgabe mit den gleichen Illustrationen wie die der ein Jahr zuvor ebenda erschienenen Erstausgabe. Enthält sämtliche Bühnenstücke von Pierre Corneille, einige Stücke seines jüngeren Bruders Thomas sowie Bühnenwerke von Jean Racine. Band 1 mit einer gedruckten Widmung von Voltaire an die Mitglieder der 'Académie Francaise'. - "Diese Ausgabe veranstaltete Voltaire bekanntlich zum Besten der Urenkelin von Corneille" (Ebert) / "Belle édition a été longtemps regardée comme la meilleure que l'on eût de ce poete, et les exemples avaient acquis une certaine valeur " (Brunet). / "Belle édition que Voltaire fit imprimer par souscription chez les frères Cramer à Genève, en l'accompagnant de commentaires, afin de doter une descendante du grand Corneille, qu'il avait recueillie. Toute l'Europe y prit part." (Cohen/R. Sp. 255, zur EA).
1885443 p. + Four color lithographed plates by Geoffroy. Foxed. 12mo. 18.5 cm. All edges gold. Beautiful original crimson gold bindings. Morocco leather backs over leather-like cloth boards. The spines tooled in compartments with gold 'player's mask' faces. Corneille was a French dramatist, ranking with Racine as a master of French classical tragedy. Educated by Jesuits, he practiced law briefly in his native Rouen and moved to Paris after the favorable reception of his first play, Melite (1629), a comedy. His first tragedy, Medee (1635), was followed by Le Cid (1637). This masterpiece, based on a Spanish play about the Cid, took Paris by storm; "beautiful as the Cid" became a French proverb. However, Jean Chapelain composed a paper for the newly founded French Academy that attacked the play as plagiaristic and faulty in construction, and thereafter Corneille adhered to classical rules. Among the finest of his score of tragedies that followed are Horace (1640), Cinna (1640), and Polyeucte (1643). The comedy Le Menteur (1643) had great success. Corneille's tragedies exalt the will at the expense of the emotions; his tragic heroes and heroines display almost superhuman strength in subordinating passion to duty. At his best, Corneille was a master of the grand style, powerful and majestic. His last plays (not represented here) are marred by monotonous declamation. Corneille's old age was embittered by the rise of Racine, who replaced him in popular favor [Columbia Encyclopedia].SW3
