7 564 résultats
réf. 78073aafLondon, Hodder & Stoughton 1901, in-4to, VII + 197 p., fully illustr with beautiful drawings in colours and bl./ wh., orig. clothbound with gilt illustr. Spinesunned with some stains, top of spine ends slghtly damaged.
1998réf. 018890Paris: Academie Experimentale des Theatres and Le Concours du Centre de Livre 1998. This is a very good softcover copy with almost no wear. Would be fine but for a small black dot on the top page-edge near the spine. Otherwise completely clean. The spine is not creased binding firm. Text in FRENCH. Illustrated in black & white with photographs. Edited by Georges Banu with assistance from Olivier Besson Linda Lewkowicz and Daniele Stern. 12" high X 8" wide 255 pages. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Third Edition. Soft Cover. Very Good. Academie Experimentale des Theatres and Le Concours du Centre de Livre Paperback
1865réf. 284154Leipzig, Dürr, 1865. XVI, 443 Seiten. Originalhalblederband mit reicher Rückentitelvergoldung 23 cm
1983réf. 18774Frankfurt am Main, Berlin, München: Verlag Moritz Dieserweg, 1983. 1. Aufl. 64 Seiten , 21 cm kart.,
192735pp., 20cm., stempeltje op titelblad, T65346
réf. DADAX0794600751New unknown
196889 p. Hardcover Very good condition good `
1968Illustrated guide to Greek literature as performaned for an audience ce - all forms : lyric,choral,dramatic- from Homer to Roman times. 144p. illus bibliography.index Book
1978"The plays of Aeschylus,Euripides and Sophocles in their original setting." A survey of Athenian dramatic festivals, theatres, acting and the plays performed. 143p. illus. plates, bibligraphy .index Book
1971Minor shelfwear to book. ; Ancient Culture and Society; 143 pages
1971Minor shelfwear to book. Creasing to spine. ; Ancient Culture and Society; 143 pages
1944réf. 058006New York 1945: Ballet Russe De Monte Carlo 1944. First Edition . Illustrated Wrappers. Very Good. B/W Photographs and Color Plates. Large size program inscribed by Frederic Franklin over a full page photograph in mid-step; Nathalie Krassovska over a full page photograph while en point; Leon Danielian over a full-page photograph in mid-leap; Ruthanna Boris Yurek Lazowski Dorothy Etheridge Maria Tallchief Mary Ellen Moylan over their own full page individual photographs; Michel Katcharoff; Nicholas Magallanes; and on a page with Ballanchine at center and Nijinska Fokine Schwezoff and Agnes Demille at corners by George Balanchine as "G. Balanchine". Ballet Russe De Monte Carlo unknown
1926réf. 1238341926 Sociétés d'Editions Littéraires et Artistiques, Librairie Paul Ollendorf, Paris - Collection "Oeuvres complètes de H. de Balzac", série "Scène de la vie de province" - 1926 - In-8, reliure demi-chagrin, dos lisse avec pièce de titre sur fond brun - 454 pages - Illustrations en N&B hors-texte
1957réf. 5631HATIER 1957 269 pages 12 8x2 6x19 4cm. 1957. broché. 269 pages. Le Père Goriot publié en 1835 est un roman d'Honoré de Balzac qui suit le jeune noble ambitieux Eugène de Rastignac dans sa quête de réussite à Paris. Il y côtoie le père Goriot un homme ruiné par son amour sacrificiel pour ses deux filles ingrates et le mystérieux Vautrin dans une peinture acerbe d'une société bourgeoise où l'argent règne en maître
réf. 13568Séquences, 1993 - In-8 carré, élégante couverture ocre en papier fort titrée en noir et ornée d'une gravure ( pêcheurs) 95 pages, page 47 débute l'étude de Michel-Alain Boyer . Excellent état.
1971réf. 10269New York: Benjamin Blom 1971. Hardcover. Very Good. Leon Bakst. Reprint of the limited edition folio with black and white illustrations; 4to red cloth no dj; vg spot on front board white smudge on rear; bottom edge of rear board and bottom corners bumped; spine ends bumped; eps and pages toning. 18pp 54 plates. Benjamin Blom hardcover
2012Very light chip to edge of front wrap else fine. ; Institute of Classical Studies Bulletin Supplement 113; 250 pages; Electra is a unique, complex, and fascinating Greek tragic heroine, who became a source of inspiration for countless playwrights, artists, musicians and filmmakers. The daughter of Agamemnon and Clytemnestra she famously supported her brother’s quest to avenge their father’s murder even at the cost of matricide. Her passion for justice and her desire for vengeance have echoed down the centuries to the modern era. Enshrined as the mourner of Greek tragedy par excellence Electra has enjoyed a long and rich reception history. Electra, ancient and modern, examines the treatment of Electra by all three ancient tragedians, Aeschylus, Sophocles and Euripides, and their dialogue with the mythical tradition that preceded them. The focus then shifts forward in time to case studies of her reception in the eighteenth, nineteenth and twentieth centuries. Gradually Electra’s dark desires re-emerge over the course of these three centuries until her passionate cries for vengeance are heard once again. Through its detailed analysis of Electra, this book also provides a helpful introduction to the study of Classical Reception, its ambitions and methods.
2012Institute of Classical Studies Bulletin Supplement 113; 250 pages; Electra is a unique, complex, and fascinating Greek tragic heroine, who became a source of inspiration for countless playwrights, artists, musicians and filmmakers. The daughter of Agamemnon and Clytemnestra she famously supported her brother’s quest to avenge their father’s murder even at the cost of matricide. Her passion for justice and her desire for vengeance have echoed down the centuries to the modern era. Enshrined as the mourner of Greek tragedy par excellence Electra has enjoyed a long and rich reception history. Electra, ancient and modern, examines the treatment of Electra by all three ancient tragedians, Aeschylus, Sophocles and Euripides, and their dialogue with the mythical tradition that preceded them. The focus then shifts forward in time to case studies of her reception in the eighteenth, nineteenth and twentieth centuries. Gradually Electra’s dark desires re-emerge over the course of these three centuries until her passionate cries for vengeance are heard once again. Through its detailed analysis of Electra, this book also provides a helpful introduction to the study of Classical Reception, its ambitions and methods.
1921139 p. Hardcover Very good condition good Torches by Kenneth Raisbeck; Cooks and Cardinals by Norman C. Lindau; A Flitch of Bacon by Eleanor Holmes Hinkley; The Playroom by Doris F. Halman.
1925121 p. Hardcover Very good condition; personal label on spine The Strongest Man by Elizabeth Higgins Sullivan: The Slump by Frederick Lansing Day: The Mourner by James Mahoney: Brotherhood by William H. Wells.
192499 p. Hardcover Very good condition good The Florist Shop by Winifred Hawkridge; The Bank Account by Howard Brock; The Rescue by Rita Creighton Smith; America Passes By by Kenneth Andrews.
1982Light bumping to bottom corners else Fine. ; Early English Text Society No. 283; 394 pages; Once owned by the Catholic and Royalist bibliophile Sir Kenelm Digby (1603–1665) , this manuscript was among those Digby gave to Oxford University's Bodleian Library in 1634. Hence Bodleian Library MS Digby 133 lends its name to an eclectic group of religious plays that makes up one of two important late medieval dramatic anthologies (the other is the Macro Plays).
1968réf. 11799ABNew York, Benjamin Blom 1968. Reprint d. Ausg. NY 1933. 4°. XIV, 320 S. OLwd. Minimal ber. u. fl. Sehr guter Zustand. 33
1977Light shelfwear to book. DJ has a few tears and chipping. DJ is price-clipped. ; The aside is a familiar device in European drama, but little has been written about it in connection with the drama in which it orgiinated and developed. In this book it is suggested that it originated in Greek tragedy; asides and some related phenomena in tragedy are collected, and some false notions concerning their number and character are dispelled. The second part of the book deals with New Comedy and is able to eploit many recent discoveries of comic papyri. ; Oxford Classical & Philosophical Monographs; 230 pages
1977Light shelfwear to book. DJ spine slightly sunned. ; The aside is a familiar device in European drama, but little has been written about it in connection with the drama in which it orgiinated and developed. In this book it is suggested that it originated in Greek tragedy; asides and some related phenomena in tragedy are collected, and some false notions concerning their number and character are dispelled. The second part of the book deals with New Comedy and is able to eploit many recent discoveries of comic papyri. ; Oxford Classical & Philosophical Monographs; 230 pages