Calderón de la Barca, Pedro and othersMareMagnum
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réf. 1390027384.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Bonita · États-Unis51,69 $US≈ 46,27 €
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1828258p. 18cm. Hardcover Good condition, in worn leather, front cover detached
1807réf. FLEN0036Edinburgh; Printed for Mundell, Doig, & Stevenson; - and J. Murray and T. Ostell, London 1807. Front.-Portr., IV, 176, VI, (8) 347; VIII, VIII, 453; VII, 465; VII, 466; VI, 422 S., Halbfranzbände d.Zt. mit RüSch., marmorierte Deckelbezüge, Ecken gering berieben. Innen stellenweise leicht stockfl., im Ganzen dekorativ und wohlerhalten. Spiegel mit gest. Exlibris für G.H. Ryan, 1900. / front portrait, IV, 176, VI, (8) 347; VIII, VIII, 453; VII, 465; VII, 466; VI, 422 S., contemporary half calf w. raised bands w. titlepiece, marbled coverings, corners slightly rubbed. Slight foxing inside, altogether decorative & in good condition. Doublure w. engraved exlibris for G.H. Ryan, 1900. Das gestochene Front.-Porträt zeigt den Autor in seinem 48. (= letzten) Lebensjahr. / The engraved front portrait depicts the author at the age of 48 (the last year of his life).
1951réf. 2092902141504429Musashishobo 1951. Soft Cover. Fine. Size: A5 size Musashishobo paperback
1996(New - will be sent to you direct from the publisher in Greece) 'Mourselas represents some of the best work being done by a new wave of Greek dramatists who have emerged in the past ten years. This collection includes five episodes featuring two tragicomical vagabonds who try to come to terms in their own way with the confusing realities of contemporary life. 127p. Book
1949réf. DEMO016441INew York: Random House 1949. First edition. Hardcover. Good/good. 8vo 622 pages linen; darkened dj with nicks Wilson A40. A retrospective collection including what was likely her last penned words. "Here are the selected writings and naturally I wanted more but I do and can say that all that are here are those that I wanted the most thanks and thanks again - G.S." Random House hardcover
1988réf. KNY3214331988. Hardcover. Language: Russian. Condition: good. Defects: rubbing (cover). No illustrations. Original title: Izbrannye proizvedeniya. 2 toma. The photos show the actual copy offered. Ships from Ukraine by Nova Post with tracking after receipt of payment (bank transfer or PayPal); delivery time 12–28 business days including customs clearance. Shipping for this book (up to 1.5 kg): Netherlands €25.50, Belgium €30.70, Germany €21.50, France €30.20, Austria €30.20, Switzerland €46.80; other countries on request. The exact amount is confirmed when we accept your order. The parcel is sent from outside the EU/UK/Switzerland. Import VAT on books (e.g. Netherlands 9 %, Germany 7 %, Belgium 6 %, France 5.5 %, Switzerland 2.6 %, UK 0 %) and a customs handling fee of the carrier may be charged to the buyer on delivery; they are not included in the price. Consumers in the EU have the statutory 14-day right of withdrawal (see the seller terms). If the book does not match the description or is damaged in transit, please contact us right after receipt.
1927Boards stained, backstrip crudely repaired with cellotape, contents sound and tight. Corners edgeworn. With the bookplate of G. P. Goold. Endpapers browned. Reading copy only; Xxxvi, 182pp. ; 182 pages
1927Endpapers browned. Small tears to spine ends. Spotting to boards. Minor spine slant. ; Xxxvi, 182pp. ; 182 pages
réf. 1390027384.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004Gift inscription from author to 'Michael' on ffep. Very light shelfwear to book. Dustjacket has minor shelfwear and rubbing. ; A. J. Littlewood approaches Seneca's tragedies as Neronian literature rather than as reworkings of Attic drama, and emphasizes their place in the Roman world and in the Latin literary corpus. The Greek tragic myths are for Seneca mediated by non-dramatic Augustan literature. In literary terms Phaedra's desire, Hippolytus' innocence, and Hercules' ambivalent heroism look back through allusion to Roman elegy, pastoral, and epic respectively. Ethically, the artificiality of Senecan tragedy, the consciousness that its own dramatic worlds, events, and people are literary constructs, responds to the contemporary Stoical dismissal of the public world as mere theatre. ; Oxford Classical Monographs; 344 pages; Signed by Author
1911[viii] + 164pp., 26cm., gedrukt op luxe-papier, exemplaar van Prosper Arents (met zijn handgeschreven handtekening en ingekleefd ex-libris), goede staat, T89771
1911réf. T89771Bussum/ Antwerpen, Van Dishoeck/ Gebr. Janssens 1911 [viii] + 164pp., 26cm., gedrukt op luxe-papier, exemplaar van Prosper Arents (met zijn handgeschreven handtekening en ingekleefd ex-libris), goede staat, T89771
réf. 14742, Bussum,Van Dishoeck, 1911,, gebonden in linnen , 200 x 255mm. 164pp.
1983Very light shelfwear else fine. ; Contents: Virtus and pietas in Seneca's Hercules furens / Gilbert Lawall --The tragic mode of Seneca's Troades / Marcus Wilson --Nihil iam iura naturae valent: incest and fratricide in Seneca's Phoenissae/ Elaine Fantham --An analysis of Seneca's Medea / Helen Fyfe --Poetic technique and rhetorical amplification: Seneca Medea 579-669/ John Henderson --Vindicat omnes natura sibi: a reading of Seneca's Phaedra/ P. J. Davis --The Oedipus of Seneca: an Imperial Tragedy/ D. Henry and B. Walker --The sinful nature of the protagonist of Seneca's Oedipus / Joe Park Poe --Revenge or resignation: Seneca's Agamemnon/ Jo-Ann Shelton --Secreti loquimur: An interpretation of Seneca's Thyestes/ William M. Calder --Hic epulis locus: the Tragic worlds of Seneca's Agamemnon and Thyestes/ A. J. Boyle --Dissonant sympathy: Song, Orpheus and the Golden Age in Seneca's Tragedies/ Charles Segal. ; Ramus Monographs; 262 pages
1987Spine discolored and sunned. Else fine. ; American Philological Association American Classical Studies Series; 120 pages
19851 Corner very lightly bumped. Book has very minor shelfwear. ; Beiträge Zur Klassischen Philologie; 468 pages
1985Top of spine lightly foxed. Very minor shelfwear. ; Beiträge Zur Klassischen Philologie; 468 pages
2014Very light pencilling to a couple of pages by R. E. Fantham else book is fine. Card of Dr. Martin Hose taped to ffep. ; 9.3 X 6.4 X 0.9 inches; 296 pages
1982Foxing to textblock. Scholar's bookplate to inner cover (G. P. Goold). Minor sunning to DJ spine. ; A fresh Latin text of Seneca's Troades and an English version, with an extensive introduction and critical commentary.. Argues that Troades was not intended for stage production, the author also discusses the atmosphere of Rome at the time the play was written, when both political and poetic life were felt to be in decline. ; 430 pages
1982Signed by R. E. Fantham to half-title. Pencil corrections written to ffep by R. E. Fantham. DJ flap taped down to rear board. Minor shelfwear to book. Dustjacket has light edgewear with a few small tears. Cellotape applied to rear panel of DJ. ; A fresh Latin text of Seneca's Troades and an English version, with an extensive introduction and critical commentary.. Argues that Troades was not intended for stage production, the author also discusses the atmosphere of Rome at the time the play was written, when both political and poetic life were felt to be in decline. ; 430 pages; Signed by Author
1974réf. 86215Stuttgart, Verlag Freies Geistesleben, 1974. 139 S. 8° Oktav, Softcover/Paperback
1976Scholar's bookplate to inner cover (G. P. Goold). Light foxing to top of textblock. Sticker to ffep: "with the author's compliments". DJ spine sunned. DJ has a couple of small tears. ; Cambridge Classical Texts and Commentaries; 1.42 x 8.74 x 5.79 Inches; 417 pages; In this edition Professor Tarrant provides a much needed critical text. Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition. Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition. His commentary is the fullest yet published on a Senecan play and attempts both to interpret the text and to define the originality of Senecan drama by placing it in its proper literary context. Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition. His commentary is the fullest yet published on a Senecan play and attempts both to interpret the text and to define the originality of Senecan drama by placing it in its proper literary context, it contains material illustrating Seneca's relationship to earlier Greek and Roman drama, Augustan poetry (Ovid's in particular) , and the rhetoric of declamation. This edition will be welcomed by classical scholars and students of Latin poetry, and may also prove valuable to those interested in Seneca's influence on later European drama.
1976Former owner's name to ffep in pencil. DJ spine sunned. DJ has light edgewear with minor chipping. ; Cambridge Classical Texts and Commentaries 18; 1.42 x 8.74 x 5.79 Inches; 417 pages; In this edition Professor Tarrant provides a much needed critical text. Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition. Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition. His commentary is the fullest yet published on a Senecan play and attempts both to interpret the text and to define the originality of Senecan drama by placing it in its proper literary context. Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition. His commentary is the fullest yet published on a Senecan play and attempts both to interpret the text and to define the originality of Senecan drama by placing it in its proper literary context, it contains material illustrating Seneca's relationship to earlier Greek and Roman drama, Augustan poetry (Ovid's in particular) , and the rhetoric of declamation. This edition will be welcomed by classical scholars and students of Latin poetry, and may also prove valuable to those interested in Seneca's influence on later European drama.
1966Remainder mark to bottom of textblock. Black marker 'x' to barcode. ; Penguin Classics; 7.6 X 5.0 X 0.7 inches; 320 pages
1966Scholars' bookplate to front cover (Elaine Fantham). Creasing to spine ; Penguin Classics; 7.6 X 5.0 X 0.7 inches; 320 pages
