8 359 résultats
réf. 0428082254.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0364413662.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1390577880.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000471p. SOFTCOVER. Paperback Very good condition
réf. 86853(Simbach a. Inn, Miniaturbuchverlag, 2019). 647 S. 16mo. 38 x 53 mm. Orig.-CabraLeder in OPp.-Schuber.
1895192p. + Frontis. Decorated title page. Front endpapers stained from old newspaper clippings. 24mo. Original full green cloth binding. Front board ornately decorated in gold. Hardbound. Nice copy. Scarce little edition. **PRICE JUST REDUCED! SHAKESPEARE BOX 4
1988réf. 1154089München : Saur, 1988. X, 490 S. Originalhardcover.
réf. 500344939Viviane Hamy Sans date. Dans un château perdu au cœur des terres normandes au milieu du XIXe siècle un garde-chasse voit son monde bouleversé par la mort du vieux baron de L'Aubépine et l'arrivée de son fils comme nouveau maître. L'atmosphère est lourde marquée par l'inquiétude l'oubli et des personnages féminins aux destins fragiles ou égarés
réf. 134026Paris. FESTIVAL. (No year). Original disc and cover. (Partially a little used) 25x26 cm
1881réf. 26397New York: Henry Holt and Company. Good with No dust jacket as issued. 1881. 1st Edition. First Printing. Hard Cover. Publisher's full tan cloth black and gilt lettering and decoration on cover and spine a.e.g. red brown endpapers. . Volume shows moderate wear mostly around corners and spine including two-inch tear in cloth binding ar head of spine boards lightly soiled front hinge starting former owner's name written on first blank page; else fine; tight square and otherwise unmarked. A large heavy book six pounds - additional shipping charges may apply. GOOD. Small 4to 9" - 11" tall. xiii 660 pp . Henry Holt and Company hardcover
1997Very light shelfwear ; Building upon the groundbreaking work of Milman Parry and Albert Lord, "Out of Line" presents a new theory of Homeric composition, focusing upon patterns that extend beyond the boundary of the line and the clause. Matthew Clark takes enjambment as a starting point, analyzing the techniques used by the poet to complete a line that begins with a runover. Clark proceeds to propose two levels of analysis, a "deep-structure" level, which describes the associations of words and ideas before they take metrical form, and a "surface-structure" level, which describes the words as they are employed on any particular occasion. "Out of Line" combines formulaic and metrical analysis, expanding the study of Homeric meter both in practice, by taking into account larger compositional structures such as entire scenes, and in theory, by using the results to test models of formulaic composition. This book is important for students and scholars of Homer, epic, and oral literature. ; 0.83 x 9.29 x 6.19 Inches; 264 pages
1775Five volumes. Title pages in red and black. Foxed. Handsome engraved illustrations after the designs of the renowned artist Bernard Picart (1673-1733). 12 mo. Worn contemporary full leather bindings. Marbled edges and endpapers. Edited by Claude Brossette (1671-1743) and Charles Hugues Lefebvre de Saint-Marc (1698-1769). Boileau-Despreaux was an extraordinarily influential French literary critic and poet. He was the spokesman of classicism. He drew his principles from his contemporaries (especially his friends - Racine, Moliere, and La Fontaine). His critical precepts are all included here. Revered in the 18th century as a literary lawgiver, he was later detested by the romantics. Boileau's own poetic reputation rests on his satires, especially Le Lutrin, on the clerical world; Satires III and VI, on life in Paris; and Satire X, on women. He was a zealous polemicist, notably embroiled in quarrels with Desmarets de Saint-Sorlin and Perrault. Understanding of Boileau is an essential ingredient in the analysis of the literature of the eighteenth and early nineteenth centuries. **PRICE JUST REDUCED! FR3
1858réf. 63899Stuttgart, Hoffmann, 1858. X, 169, 174, 179 S. Schrift: Fraktur / Altdeutsche Schrift. gebundene Ausgabe, Hardcover/Pappeinband, Seiten alters- und papierbedingt gebräunt, sonst guter Zustand
1862réf. 67075Stuttgart, Krais & Hoffmann, 1862. X, 169, 174, 179 S. Schrift: Fraktur / Altdeutsche Schrift. gebundene Ausgabe, Halblederband, Seiten alters- und papierbedingt gebräunt, sonst guter Zustand
1898réf. 10536Bremen Verlag von M. Heinsius Nachfolger, 1898. XVI S. + 537 S. 8° Oktav Ln.
1996Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears, now wrapped in clear protective cover. 618 pages with maps at back (Dublin city center et al. ) Previous owner's name or sticker in front section of the book. Book is an alphabetical listing of Irish authors and works with encapulated histories and bibliographies. Over 2000 entries, book surveys the Irish literary landscape across some sixteen centuries, describing its features and landmarks from the 4th century to the 1990's: fiction, poetry and drama. Authors such as Cu Chulainn , James Joyce, Adamman, Abbot of Iona, Roddy doyle, Brian Friel, Seamus Heaney, Edna O'Brien, works such as Tain bu Cauilnge, to Swift's Gulliver's Travels, Edgeworth's Castle Rackrent, O Cadhain's Cre na Cille, Anville's the Book of Evidence; etc.
19571088 p. plus numerous illustrations. Double column. Thick 8vo. Original full cloth binding. 3rd Ed. XLib. **PRICE JUST REDUCED! REF1
1996Light creasing to wraps. Minor shelfwear. ; Oxford Readings Classical Studies; 360 pages; Aristophanes is the only author of Greek Attic comedy whose work survives in any form beyond fragments. His eleven surviving comedies reflect the spirit of Athens in the golden age and its unique freedom of speech. This anthology brings together all the most important contributions to the study of Aristophanes; it addresses a range of subjects from the classic question of Aristophanes' relationship to contemporary politics to more modern issues such as performance context, the interaction between fifth century comedy and tragedy, and gender
1996Light creasing to wraps. Minor shelfwear. Scholar's name to ffep (Robert Brown). Gift plate to ffep. Ex-library copy with usual stamps, and pocket. Else VG. ; Oxford Readings Classical Studies; 360 pages; Aristophanes is the only author of Greek Attic comedy whose work survives in any form beyond fragments. His eleven surviving comedies reflect the spirit of Athens in the golden age and its unique freedom of speech. This anthology brings together all the most important contributions to the study of Aristophanes; it addresses a range of subjects from the classic question of Aristophanes' relationship to contemporary politics to more modern issues such as performance context, the interaction between fifth century comedy and tragedy, and gender
1996Gift inscription from Segal to G. P. Goold and Philippa Goold on ffep in pen. Foxing/dustsoiling to top of textblock. Very minor shelfwear to DJ. ; Oxford Readings Classical Studies; 360 pages; Aristophanes is the only author of Greek Attic comedy whose work survives in any form beyond fragments. His eleven surviving comedies reflect the spirit of Athens in the golden age and its unique freedom of speech. This anthology brings together all the most important contributions to the study of Aristophanes; it addresses a range of subjects from the classic question of Aristophanes' relationship to contemporary politics to more modern issues such as performance context, the interaction between fifth century comedy and tragedy, and gender
1984réf. 15805Oxford University Press España S.A 1984 352 pages 12 7x2 286x19 304cm. 1984. Broché. 352 pages.
1990réf. 500249926Oxford University Press España S.A 1990 261 pages 12 7x1 778x19 304cm. 1990. Broché. 261 pages.
1984réf. 15643Oxford University Press España S.A 1984 216 pages 19 05x4 064x12 954cm. 1984. Broché. 216 pages.
réf. 0666221944.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1897Light edgewear to boards. Some pencil notes to greek text with a bit of inking. Endpapers tanned. ; Extensive English introduction and notes with latin text. ; Clarendon Press Series; 128 pages
