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2010A clean, unmarked book with a tight binding. 256 pages.
1881rif. 032552Boston: Roberts Brothers 1881. First American Edition 1st Printing. Hardcover. Very Good/No Jacket. 63 Pp 2 Pp Ads At Rear. Red Cloth Printed In Black Green And White Endpapers. First American Printing 1981 Date On Title Page. Light Wear Lettering Strong Three Tiny Frays At Ends Of Spine Covers With Tiny Flecks To Color. Ownership Signature Of Andy Francisco 1866-1947; From Estate Of Artist J Bond Francisco's Nephew Jack Okey So Probably A Relative. Per Wikipedia Benoît-Constant Coquelin 1841 - 1909 Known As Coquelin Aîné "Coquelin The Elder" Was A French Actor "One Of The Greatest Theatrical Figures Of The Age." Coquelin Was Born In Boulogne-Sur-Mer Pas-De-Calais. He Was Originally Intended To Follow His Father's Trade Of Baker He Was Once Called "Un Boulanger Manqué" - "A Failed Baker" - By A Hostile Critic But His Love Of Acting Led Him To The Conservatoire Where He Entered Régnier's Class In 1859. He Won The First Prize For Comedy Within A Year And Made His Début On 7 December 1860 At The Comédie-Française As The Comic Valet Gros-René In Molière's Le Dépit Amoureux But His First Great Success Was As Figaro In The Barber Of Seville In The Following Year. It Was An Honour For Coquelin To Be A Part Of The Comédie-Française At Such A Young Age. This Company Had Already Been In Existence For Around 150 Years. He Was Made Sociétaire In 1864. There Were 21 34 Shares And They Were Divided Among The Lead Actors Known As Sociétaires. The Sociétaires Co-Manage Choose Plays And Share Profits. When There Was An Opening Caused By Retirement Resignation Or Death It Was Filled By A Member Of The Pensionnaires. And Just Four Years After Joining The Comédie-Française Coquelin Became One Of The Elite Sociétaires. During The Next Twenty-Two Years He Created The Leading Roles In Forty-Four New Plays At The Comédie Française Including Théodore De Banville's Gringoire 1867 Paul Ferrier's Tabarin 1871 Émile Augier's Paul Forestier 1871 L'étrangère 1876 By The Younger Dumas Charles Lomon's Jean Dacier 1877 Édouard Pailleron's Le Monde Où L'on S'ennuie 1881 Erckmann's And Chatrian's Les Rantzau 1884. In Consequence Of A Dispute With The Authorities Over The Question Of His Right To Make Provincial Tours In France He Resigned In 1886. Three Years Later However The Breach Was Healed; And After A Successful Series Of Tours In Europe And The United States He Rejoined The Comédie-Française As Pensionnaire In 1890. During His Time Away From The Comédie He Wrote His Book Art And The Actor. It Was During This Period That He Took The Part Of Labussière In The Production Of Victorien Sardou's Thermidor Which Was Banned By The Government After Three Performances. In 1892 He Broke Definitively With The Comédie-Française And Toured For Some Time Through The Capitals Of Europe With A Company Of His Own; In New York For Instance He Performed At Abbey's Theatre In 1894 Playing The Lead In Tartuffe His Son Jean Played Orgon And Mascarille In Les Précieuses Ridicules.3 In 1895 He Joined The Renaissance Theatre In Paris And Played There Until He Became Director Of The Théâtre De La Porte Saint-Martin In 1897. Here He Won Successes In Edmond Rostand's Cyrano De Bergerac 1897 Which He Repeated In The Summer Of 1898 At The Lyceum Theatre London Émile Bergerat's Plus Que Reine 1899 Catulle Mendès's Scarron 1905 And Alfred Capus And Lucien Descaves' L'attentat 1906. In 1900 Coquelin Toured In America With Sarah Bernhardt Appeared At Broadway's Garden Theatre In A Production Of Cyrano De Bergerac Bernhardt Played Roxane. He Made His Only Film The Duel Scene From Cyrano De Bergerac With Sound Recording On Phonograph Cylinder. The Film Is Thought To Be The First Ever Made With Both Color And Sound. On Their Return To France He Continued With His Old Colleague To Appear In L'aiglon At The Théâtre Sarah Bernhardt. He Was Rehearsing For The Creation Of The Title Role In Rostand's Chantecler Which He Was To Produce When He Died Suddenly In Paris In 1909. Roberts Brothers hardcover
1881rif. 032553Boston: Roberts Brothers 1881. First American Edition 1st Printing. Hardcover. Good/No Jacket. 63 Pp 2 Pp Ads At Rear. Light Brown Cloth Printed In Black Green And White Endpapers. Wear Lettering Strong Fraying On Top Of Spine And At Tips. Signature Of Hollywood Art Director Jack Okey It's A Wonderful Life Etc. Small Private Price Label On Rear Pastedown. Per Wikipedia Benoît-Constant Coquelin 1841 - 1909 Known As Coquelin Aîné "Coquelin The Elder" Was A French Actor "One Of The Greatest Theatrical Figures Of The Age." Coquelin Was Born In Boulogne-Sur-Mer Pas-De-Calais. He Was Originally Intended To Follow His Father's Trade Of Baker He Was Once Called "Un Boulanger Manqué" - "A Failed Baker" - By A Hostile Critic But His Love Of Acting Led Him To The Conservatoire Where He Entered Régnier's Class In 1859. He Won The First Prize For Comedy Within A Year And Made His Début On 7 December 1860 At The Comédie-Française As The Comic Valet Gros-René In Molière's Le Dépit Amoureux But His First Great Success Was As Figaro In The Barber Of Seville In The Following Year. It Was An Honour For Coquelin To Be A Part Of The Comédie-Française At Such A Young Age. This Company Had Already Been In Existence For Around 150 Years. He Was Made Sociétaire In 1864. There Were 21 34 Shares And They Were Divided Among The Lead Actors Known As Sociétaires. The Sociétaires Co-Manage Choose Plays And Share Profits. When There Was An Opening Caused By Retirement Resignation Or Death It Was Filled By A Member Of The Pensionnaires. And Just Four Years After Joining The Comédie-Française Coquelin Became One Of The Elite Sociétaires. During The Next Twenty-Two Years He Created The Leading Roles In Forty-Four New Plays At The Comédie Française Including Théodore De Banville's Gringoire 1867 Paul Ferrier's Tabarin 1871 Émile Augier's Paul Forestier 1871 L'étrangère 1876 By The Younger Dumas Charles Lomon's Jean Dacier 1877 Édouard Pailleron's Le Monde Où L'on S'ennuie 1881 Erckmann's And Chatrian's Les Rantzau 1884. In Consequence Of A Dispute With The Authorities Over The Question Of His Right To Make Provincial Tours In France He Resigned In 1886. Three Years Later However The Breach Was Healed; And After A Successful Series Of Tours In Europe And The United States He Rejoined The Comédie-Française As Pensionnaire In 1890. During His Time Away From The Comédie He Wrote His Book Art And The Actor. It Was During This Period That He Took The Part Of Labussière In The Production Of Victorien Sardou's Thermidor Which Was Banned By The Government After Three Performances. In 1892 He Broke Definitively With The Comédie-Française And Toured For Some Time Through The Capitals Of Europe With A Company Of His Own; In New York For Instance He Performed At Abbey's Theatre In 1894 Playing The Lead In Tartuffe His Son Jean Played Orgon And Mascarille In Les Précieuses Ridicules.3 In 1895 He Joined The Renaissance Theatre In Paris And Played There Until He Became Director Of The Théâtre De La Porte Saint-Martin In 1897. Here He Won Successes In Edmond Rostand's Cyrano De Bergerac 1897 Which He Repeated In The Summer Of 1898 At The Lyceum Theatre London Émile Bergerat's Plus Que Reine 1899 Catulle Mendès's Scarron 1905 And Alfred Capus And Lucien Descaves' L'attentat 1906. In 1900 Coquelin Toured In America With Sarah Bernhardt Appeared At Broadway's Garden Theatre In A Production Of Cyrano De Bergerac Bernhardt Played Roxane. He Made His Only Film The Duel Scene From Cyrano De Bergerac With Sound Recording On Phonograph Cylinder. The Film Is Thought To Be The First Ever Made With Both Color And Sound. On Their Return To France He Continued With His Old Colleague To Appear In L'aiglon At The Théâtre Sarah Bernhardt. He Was Rehearsing For The Creation Of The Title Role In Rostand's Chantecler Which He Was To Produce When He Died Suddenly In Paris In 1909. Roberts Brothers hardcover
1938rif. KNY10021701Goslitizdat, 1938. Hardcover. Language: Russian. Condition: fair. Defects: dedication, spots (cover). No illustrations. Original title: Rabota aktera nad soboy. The photos show the actual copy offered. Ships from Ukraine by Nova Post with tracking after receipt of payment (bank transfer or PayPal); delivery time 12–28 business days including customs clearance. Shipping for this book (up to 1 kg): Netherlands €24.70, Belgium €29.60, Germany €19.90, France €29.10, Austria €29.10, Switzerland €46.00; other countries on request. The exact amount is confirmed when we accept your order. The parcel is sent from outside the EU/UK/Switzerland. Import VAT on books (e.g. Netherlands 9 %, Germany 7 %, Belgium 6 %, France 5.5 %, Switzerland 2.6 %, UK 0 %) and a customs handling fee of the carrier may be charged to the buyer on delivery; they are not included in the price. Antiquarian book (1938). Export from Ukraine of books older than 50 years may require a cultural-goods export certificate; we obtain it before shipping, which can add several weeks. Please ask before ordering if you need a firm delivery date. Consumers in the EU have the statutory 14-day right of withdrawal (see the seller terms). If the book does not match the description or is damaged in transit, please contact us right after receipt.
1956480p. A Pelican Book. Nice copy. Pelican Books A291. SHAKESPEARE BOX 4
1992Book is fine. DJ has very mild shelfwear. ; This book is a study of the agon, or formal debate, in Euripides' tragedies. In these scenes, two characters confront each other, often before an arbitrator or judge, and make long speeches as if they were opponents in a court of law. Most of Euripides' extant plays contain an agon, often of crucial importance to the central conflict of the play. Lloyd provides interpretations of the more important agones, giving special attention to their dramatic context and function. Concentrating on Euripides' rhetorical skill, brilliance in argument, and interest in philosophy, Lloyd explores the role of formal debate in Euripides. He contrasts the agon in Euripides' work with that of Sophocles, and discusses extensively Euripides' relationship to fifth-century rhetorical theory and practice. ; 160 pages
1915pp. xvi, 82. Top edge gilt. Bookseller's label on rear paste down. Inked ownership of Emilie F. Latimer (from York, PA), March, 1916 on first fly leaf. 185mm. Original full green cloth binding lettered in gold gilt. CLASSICS BX 1
196889 p. Hardcover Very good condition good `
1956rif. 100912Norwich: Roberts Printers 1956. Book. Good. Original Wraps. First Edition. 8vo - over 7¾" - 9¾" tall. 45 p. Designed by Tom Lee Ltd. Minor soiling to covers. Catalogue of the Sixth Biennial Exhibition on the Theatre sponsored by Norfolk County Drama Committee. Roberts Printers Paperback
1997rif. 500266094Plume 1997 127 pages 13 462x1 016x20 32cm. 1997. Broché. 127 pages.
rif. 1355772478.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1982Very minor shelfwear. Scholar's name to ffep (Jenifer Neils). ; University Paperbacks, 766; 50 pages
2000Scholars' bookplate to inner cover. Light bumping to bottom corners. Very minor shelfwear. Dustjacket has minor shelfwear and rubbing. ; Oxford Classical Monographs; 328 pages; The Andromache has long been disparaged despite being a brilliant piece of theater. In this book Dr. Allan draws attention to the neglected artistry of this very impressive and intriguing text. Through careful analysis the Andromache emerges as a play that poses fundamental questions, especially about the polarity of Greek and barbarian, and the morality of the gods. Dr. Allan shows how the play also challenges revenge as a motive for action, and explores the role of women as wives, mothers, and victims of war, be they Greek or Trojan, victorious or defeated. These are among the central concerns that make the Andromache a moving and thought-provoking tragedy, full of suffering, suspense, and moral interest. This book contributes both to an appreciation of the Andromache in its own right, and to a wider understanding of the variety and quality of Euripides' oeuvre.
1961Former owner's name to half-title. Some browning to wraps. 3 stamps to front wrap 'Gratis'; English commentary. ; University of Nebraska Studies: New Series No. 25
1980Light edgewear. ; English commentary. ; Society For Classical Studies American Classical Studies; 8.8 X 6.0 X 0.4 inches; 117 pages
1978rif. 0009384New York: Clarkson Potter 1978 . First American Trade edition. Hardcover. Fine/fine. 4200 prints of sets costume. 4tos 752 800 912 pages maroon cloth in fine publisher's box. N.B. Requires additional shipping fees. The text of the plays is reproduced from the 1904 Globe edition. Authoritatively done by a notable Elizabethan scholar. "The 4200 illustrations make this also an incomparable visual edition of Shakespeare. They show actual scenes of the plays in photographs as well as in paintings by Delacroix Gainsborough Blake and others and pictures of historic figures and famous Shakespearean performers. Additonally these include set and costume designs prints facsimiles of title pages of first editions and other reproductions. Orignally published at $55. Clarkson Potter hardcover
1978rif. DEMO014609INew York: Clarkson Potter 1978. First American Trade edition. Hardcover. Fine/fine. 4200 prints of sets costume. 4tos 752 800 912 pages maroon cloth in fine publisher's box. N.B. Requires additional shipping fees. The text of the plays is reproduced from the 1904 Globe edition. Authoritatively done by a notable Elizabethan scholar. "The 4200 illustrations make this also an incomparable visual edition of Shakespeare. They show actual scenes of the plays in photographs as well as in paintings by Delacroix Gainsborough Blake and others and pictures of historic figures and famous Shakespearean performers. Additonally these include set and costume designs prints facsimiles of title pages of first editions and other reproductions. Orignally published at $55. Clarkson Potter hardcover
1959Spine cover detached and missing. Boards are worn. Pp 117-124 are loose but present. Some pen and pencil notes. Pages tanned. Fair. Working copy only. ; English Commentary and Introduction with Greek Text. ; 252 pages
1923125p. Uncut and unopened. Printed on hand-set type on Van Gelder paper. Bookseller's label. 8vo. Original vellum like spine over paper boards. Original spine paper label. Extremities of binding slightly worn. Remains of original dust jacket. Hardbound. Limited Edition. Number 341 of only 1030 copies. Signed by the author. Nice copy. George Augustus Moore (18521933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist. PRESS/W33
1930rif. 806London: Constable and Company 1930. First Edition First Printing. A comedy about royalists and democrats and featuring a lengthy preface by Shaw explaining the background to the play. He then veers off into a discussion of the current political scene in Britain. 12mo. xxix 78 pages. A Very Good copy with numerous pages unopened in a Very Good dust jacket that has a darkened spine a light pencil note to the front flap one small tape repair to the verso and one minuscule tear to top edge of front panel. Constable and Company unknown
1931118p. Hardcover Very good condition
193078 p. Hardcover Very good conditon small dent in spine
1951"The Epitrepontes of Manander : the fragments translated and the gaps conjecturally filled in by Gilbert Murray" 125p. Vintage copy, clean and unmarked ,slight chipping at foot of spine . Book
2003Some pencil notes. Inscribed by author. 326 pages.
1917rif. 047570New York / London: John Lane Company 1917. 1st Edition 1st Printing. Hardcover. Very Good. 104 Pp. Red Cloth. Gilt First Printing With 1917 Date On Title Page. Lightly Used Cover Gilt Brilliant But Fading To Spine Cloth And Gilt Although Lettring Clear. No Marks. A Hundred Years After This Was Written It Is A Curiosity Of Social Landscape. This Hardcobver First Issue Is Scarce. John Lane Company hardcover