Pinter, HaroldBiblio.com
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2000rif. 41Norwalk Connecticut: The Easton Press 2000. Small Quarto 9 x 6 1/8 inches; 228 x 155 mm 92 pages bound in grayish-green leather with gold-stamped boards all edges gilt and ribbon page marker. SIGNED by Harold Pinter on the front end paper. Pinter's tragicomedy about a professor who brings his wife home to meet his working-class family. The play opened at the Aldwych Theatre in London on June 3 1965 and was performed by the Royal Shakespeare Company Peter Hall director. It opened on Broadway in 1967 and won four Tony Awards and the New York Drama Critics Award. An Easton Press "Collector's Edition." Laid in is an Easton Press "certificate of authenticity" as well as a note about the play and author. CONDITION: A Fine copy. The Easton Press hardcover
1914rif. biblio26Fine copy of first German edition of Frank Wedekind's drama Samson or Shame and Jealousy a reworking of the Samson and Delilah story produced on the eve of World War I. Light bumping and wear to lower right corners of boards. The binding is intact and sturdy; boards are firmly attached. Inside is clean and bright. No tears. Georg Muller hardcover
1920rif. 21356München, Georg Müller, 1920. 8°, 96 Seiten, Titel im Zweifarbendruck (schwarz/rot). Orig.Pappband mit Kopffarbschnitt.
1995Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Previous owner's name or sticker in front section of the book. Contents include: Oral formulaic theory and the ethnography of speaking, Serbian tradition of magical charms, Homeric hymn to demter, Old English Andreas, Native American traditions, South Slavic traditions into texts, Anglo-Saxon texts, Register, Stategies for reading: traditional rules, metonymy, word-power, etc.
1952rif. 11662Self Published. Near Fine with no dust jacket; Minor smudging of memograph ink on light . blue front cover. 1952. Softcover. The book appears to be a memographed copy of the original production script from 1952. Lyrics are hand-written as opposed to type-set. This is possibly Charles Faulkner Bryan's best known work. The authors used as their title character well known shape note composer and publisher William F. Walker. "Singin' Billy" was the nickname of William Walker. Book is in excellent condition. ; 8.5 by 11 inches; 186 pages . Self Published paperback
1957rif. EDzz0428[Ost-]-Bln., Rütten & Loening o.J. [1957]. gr.8°. 628 S. OHLn. Rü. etw. berieben; Einbd. stellenw. fingerfl. u. an den Ecken z. Tl. bestoßen; papierbedingt leicht gebräunt. Enthält u.a. die Erstdrucke "Der aufhaltsame Aufstieg des Arturo Ui", "Vier Psalmen", "Flüchtlingsgespräche" (Kap. 1), "Die Geschäfte des Herrn Julius Cäsar" (3.Buch), ferner Beiträge v. L. Feuchtwanger, E. Fischer, W. Benjamin, A. Zweig, H. Eisler, A. Se
rif. 2204420 Fitzroy Square London N1. 17 October 1962. Both 1p 4to and in good condition lightly aged and folded once. Both letters addressed to Hodes at Beit Rosenberg Keron Heyesod Street Herzlia-on-Sea Israel. The subject of the letters is Centre 42 the touring arts group Wesker formed to bring culture to the masses on his release from prison following a sentence for civil disobedience with the Committee of 100 in opposition to nuclear weapons. The group moved to the Roundhouse in London in 1964. The first letter begins: 'Emersed as I have been in the festivals I have only just got around to answering your letter and I find in it that you ask me to send some material to a friend in Ramat Chem. I am afraid it is too late to send him material now as he has probably returned. I am sorry about this but I hope that the enclosed material will give some indication of the scope of the festivals.' The first three festivals have been 'mounted with varying success but the project as a whole has gained a great deal of public attention though not always sympathy. There is something inherent in the English personality that considers culture outside the commercial framework to be an enfringement of a basic democratic principle.' He concludes: 'Plenty of Israeli theatres appear to have wanted my plays – none of them have yet done so. sic God knows why.' The second letter is on Centre 42's stylish letterhead in grey and red and begins with reference to a meeting between the two men in Israel and 'Megged's book' a copy of which he has received from the publisher Gollancz. 'Concerning Centre 42 I have sent all the information about us to Dov Vardi and I understand he is going to write about us'. Wesker is sending 'a set of literature' to Hodes adding: 'However it strikes me as very strange that anyone in Israel should be interested in this sort of movement since as far as I understand the Histadruth spends over a million pounds on the Arts and cultural activity in Israel and this is what we dream of happening here in England. … We even quote Israel as an example of the situation we should like to see.' 20 Fitzroy Square, London, N1. 17 October 1962. unknown
rif. 2204527 Bishop's Road London N6. 24 November 1964. 1p 4to. In fair condition aged and lightly creased. Folded twice. The letter begins: 'Dear Bernard You probably know that I have just returned from Cuba and it was an exciting trip. Unfortunately one of the most depressing things was their very bad theatre; this is particularly because it is new and has no tradition but also to a great extent due to their intolerable isolation.' Although there is little that they can do Wesker promised to 'send as many plays and books' as he can. 'They really don't have hard currency to purchase more than a handful of international works' so Wesker has promised 'to write to a few writers and publishers asking whether they would contribute copies of their work which I would send together with the Leyland buses on a ship to Cuba'. Kops cannot imagine 'how hungry they are to be in contact'. He asks for copies of Kops's plays and of his book 'The Whole World is a Wedding'. He would buy the books but this 'would work out very expensive' so he is 'asking lots of writers to share the burden'. He ends with best wishes to 'Erica and the children'. 27 Bishop's Road, London, N6. 24 November 1964. unknown
1929rif. SB-07285Halle, Werkbund-Druckerei und Verlag Würzburg, 1929. 85 S., 3 Bl. Braune Original-Broschur im Format 22 x 15 cm.
rif. 1390354636.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1910pp. xvi, 183. 12mo. 200mm. Publisher's full cloth binding in green lettered in gilt and decorated in blind. Spine lettered in gilt. Top edge gilt. Corners bumped. Spine moderately soiled. Ex-Libris label from Florence Loeb Fleisher. Binding tight and contents clean. Hardbound. Very Good. NW70
1990rif. 000351Random House 1990. Guare's award winning play about an African American impostor who manipulates some upscale Manhattanites. Also was made into a movie. Some sunning to spine o/w SIGNED by Guare NEAR FINE COPY bookclub edition but doesn't state it however no price on DJ. Hardcover. Book. Random House Hardcover
2004rif. 54491Warner Home, 2004. 2530595 5 DVD, Box DVD-Box
1951A clean, unmarked book with a tight binding. 419 pages. Full teal blue cloth boards. Slight edge wear and small tears to dust jacket. Attractive small format: 4 3/4"w x 7 1/2"h. Modern Library #276. Rockwell Kent torch bearer design on endpapers and embossed on cover.
1951A clean, unmarked book with a tight binding. 419 pages. Full teal blue cloth boards. Slight edge wear and small tears to dust jacket. Attractive small format: 4 3/4"w x 7 1/2"h. Modern Library #276. Rockwell Kent torch bearer design on endpapers and embossed on cover.
1961rif. 15210New York: Grove Press Inc. Very Good with no dust jacket. 1961. 1. Hard Cover. Publisher's full black boards gilt and grey lettering on spine. Introduction by Eric Bentley. Cover worn and spotted head and heel frayed few marked pages bottom papers soiled else fine. VERY GOOD. . B&W musical score. 8vo 8" - 9" tall. xlix 587 pp . Grove Press, Inc. hardcover
1961rif. 11083Oxford University Press, London 1961 (The World's Classics, 199). XI, 595 Seiten. Kl.-8°. Blaues Leinen. Geringe Gebrsp. Gutes Exemplar.
1931A clean, unmarked book with a tight binding. Full gray cloth boards. Dust jacket has some edge wear and discoloration. Modern Library number 194. 4 7/8"w x 7 1/8"h 372 pages. Rockwell Kent torchbearer design on endpapers and in on cover. Includes The Cid, Cinna, Phaedra, Andromache, Britannicus, and Athaliah.
1959A clean, unmarked book with a tight binding. Full gray cloth boards. Dust jacket has some edge wear and discoloration. Modern Library number 194. 4 7/8"w x 7 1/8"h 372 pages. Rockwell Kent torchbearer design on endpapers and in on cover. Includes The Cid, Cinna, Phaedra, Andromache, Britannicus, and Athaliah.
1931pp. xii, 372. 12mo. 185mm. Original full cloth binding. MOD LIB BX 1
1939A clean, unmarked book with a tight binding. Full red cloth boards. Beautiful dust jacket shows edge wear and small tears. Contents: Waiting for Lefty, Awake and Sing!, Till the Day I Die, Paradise Lost, Golden Boy, Rocket to the Mood.
1959463p. Hardcover Very good condition
1946rif. KOS01205133Drama culture 1946. Soft Cover. Fine. KOS01205133 Drama culture paperback
2000rif. 42502Darmstadt : Wiss. Buchges., [Abt. Verl.] 2000. XIII, 462 S. : 17 Abb. auf 8 Taf. ; 24 cm kart., Softcover/Paperback, Exemplar in gutem Erhaltungszustand, Neupreis in Euro: 39,90
1969rif. 16671Niedernhausen/Ts. : Falken-Verlag, c 1969. 132 S. : Ill. 8°. Nachaufl. Ill. OBroschur. (Falken-Bücherei ; 247)
