8327 risultati
1961Spine sunned. Scholar's bookplate to inner cover (G. P. Goold). ; Latin text with English commentary and introduction. Unchanged reprint of 1900 edition. ; 384 pages
1959Book has minor shelfwear and rubbing. Former institution stamps on ffep and back cover. ; Latin text with English commentary and introduction. ; 215 pages
1959Spine a bit sunned. Creasing to upper corner of first few pages. ; Latin text with English commentary and introduction. ; 215 pages
1965pp. lix, 215. Play in Latin and very marked with a student's manuscript notes. Notes and introduction in English. 170mm. Original full red cloth binding. Hardbound. Very good. CLASSICS BX 1
1956165p., illus. Hardcover Very good condition good
198185pp. 24 cm. Hardcover Very good condition good
1901Scholar's bookplate to inner cover (G. P. Goold). Fraying to spine ends. Spine a bit dulled. Lower corners bumped. Endpapers heavily foxed. ; Greek Text with English Introduction and Commentary, and translation. ; 318 pages
1980Dustjacket spine is sunned. DJ is price-clipped. ; Examines Sophocles' handling of the chorus in his seven extant tragedies. ; 312 pages
1980Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. Dustjacket spine is sunned. ; Examines Sophocles' handling of the chorus in his seven extant tragedies. ; 312 pages
1980Gift inscription on ffep to W. S. Barrett from author: "W. S. B. From R. W. B. B. With best wishes-- Feb. 28th, 1980"; 312 pages; Examines Sophocles' handling of the chorus in his seven extant tragedies. ; Signed by Author
2008Unwrapped in Plastic. ; Mnemosyne, Supplements. Monographs on Greek and Roman Language and Literature; 0.6 x 9.7 x 6.4 Inches; 146 pages; Dance of Words argues for a fundamental difference in the modes of expression of actor and chorus. The chorus views the action from the perspective of dancers and singers, while the actors' understanding is shaped by the responsibility they have to make things happen. While this responsibility fashions the actors' considerations of cause and effect, linear movement through time and space, and a sense of history, the chorus' sensibilities arise out of the rhythms of its song and movements. Its mode of expression is a particular way of communicating and elaborating on man's place in the larger order, and its view of the action is bounded by the way that song and dance mirror that order.
1965Spine is lightly faded. Former owner's signature on inner cover. ; 517 pages; Main theme of this book is an inquiry into the nature of the cultural and religious conflicts in the dark age of ancient Greece, out of which the historically known society emerged. Tackles a problem of immense importance to anthropology and literature: the origins of Greek drama.
1965Light fading to section of back board. DJ has edgewear and chipping. 3 cm tear to top of back panel of DJ. ; 517 pages; Main theme of this book is an inquiry into the nature of the cultural and religious conflicts in the dark age of ancient Greece, out of which the historically known society emerged. Tackles a problem of immense importance to anthropology and literature: the origins of Greek drama.
1911Backstrip is torn halfway along joint but holding. Scratches to front boards. Corners bumped. Minor discoloration to rear board. Chipping to head of spine. Internally VG. ; Greek text with translation and commentary. ; 369 pages
1911Backstrip is torn along most of rear joint but holding. Spine a bit sunned. Chipping to spine ends. Endpapers browned. Internally VG. ; Greek text with translation and commentary. ; 369 pages
1966Spine slightly sunned. 1 corner lightly bumped. Scholar's bookplate to inner cover (Fred Schreiber). ; Lxxxviii, 369 pp. Greek text with translation and commentary. Unchanged Reprint of 1911 ed. ; 369 pages
1950rif. 27354New York: Harcourt Brace and Company. Fine with no dust jacket. 1950. First American Edition. Second Printing. Hard Cover. Publisher's full blue cloth gilt lettering on spine. The Cocktail Party was written while Eliot was a visiting scholar at the Institute for Advanced Study at Princeton in 1948. It was first performed at the Edinburgh Festival in 1949. In 1950 the play had successful runs in London and New York where it received the 1950 Tony Award for Best Play. Page 35-36 a cancel "One-Eyed Riley" of final leaf ".successful to be successful" on page 94. Gilt on spine mildly faded otherwise the volume is in virtually perfect condition unmarked unread tight square and clean. FINE. 8vo 8" - 9" tall. 190 2 pp . Harcourt, Brace and Company hardcover
1953rif. 039363Bonn: Johannes Borgmeyer 1953. First Edition. Paperback. Good/No d/j as Published. 16mo - over 5¾" - 6¾" tall. Type: Book 203pp.Top right corner of front and top left of rear cover clipped.slight loss.Some darkening to spine and covers .English text. Johannes Borgmeyer paperback
1950rif. 003626London: Faber & Faber 1950. First Edition First State with misprint on page 29. Very good-- sunned and soiled edges light edgewear in very good-- dust jacket sunned spine and top edges chipped spine edges light edgewear otherwise now in Brodart for improved appearance and protection. Along with the book is the program for the first performance at the EDINBURGH INTERNATIONAL FESTIVAL OF MUSIC AND DRAMA 22 August - 10 September 1949 which predates the publication of the book. It contains the cast list including Alec Guinness and Cathleen Nesbitt. It is in remarkably good condition for such an impermanent item--light edgewear a couple of pinholes at the top and bottom of the spine original tape at side. See scans. We have it in an attractive plastic sleeve for shelving. . 1st Edition. Hard Cover. Faber & Faber hardcover
1950192 p. Hardcover Very good condition
1971rif. 20076Indianapolis, The Bobbs-Merill Company, 1971. (Edited with an introduction by Robin Skelton) 382 S. (24,5 cm) Leinen mit Umschlag / gebundene Ausgabe
2007rif. A1550241264F9Columbia University Press 2007. First Edition 1st printing . Hardcover. Very Good-/No Jacket as Issued. 4to - over 9¾" - 12" tall. 1721 Total Pages. Index. Original cloth covered boards with gilt lettering. First Edition 1st Printing with complete number line. Pages are clean unmarked. Binding is tight and secure. Slight bumping to head/heel of spine slight rubbing to corners/extremities. Nice set. Thanks for looking. Columbia University Press hardcover
rif. 134471896 HARPER AND BROTHERS FRANKLIN SQUARE NEW YORK. 4 VOLUMES WITH GREY BOARDS AND CREAM SPINES. VOLUME 1: MUCH ADO ABOUT NOTHING AS YOU LIKE IT THE COMEDY OF ERRORS AND THE TEMPEST. VOLUME 2: MIDSUMMER-NIGHT`S DREAM TWELFTH NIGHT TAMING OF THE SHREW AND TWO GENTLEMEN OF VERONA. VOLUME 3: MERCHANT OF VENICE ALL`S WELL THAT ENDS WELL AND LOVE`S LABOUR`S LOST. VOLUME 4: MEASURE FOR MEASURE MERRY WIVES OF WINDSOR AND WINTER`S TALE. BLACK & WHITE PLATES WITH TISSUES. SERRATED PAGE EDGES. EXTRA POSTAGE WILL BE REQUIRED. 1896 HARPER AND BROTHERS, FRANKLIN SQUARE, NEW YORK hardcover
1910Small tears to first 3 pages. Pages tanned. Corners a little edgeworn. Spine ends are a little frayed and chipped. ; Latin text with English introduction and notes. ; P. Terenti Afri Comoediae; 340 pages
1846Former owners name to titlepage. Book has been rebound in 1/4 green cloth spine (spine a bit sunned) with cream colored boards. Some chipping to edges of a few pages. Some foxing. Else VG and attractive copy; Latin text with English introduction and notes and commentary. Xxiii, 554 pp; 554 pages