McCullough, ColleenAntiquariat.de
7 485 résultats
1977réf. 16151Gütersloh: C. Bertelsmann Verlag, 1977. 575 Seiten , 22 cm, Pappeinband mit Schutzumschlag
1977réf. 16502Gütersloh: C. Bertelsmann Verlag, 1977. 575 Seiten , 22 cm, Pappeinband mit Schutzumschlag
1977réf. 16540Gütersloh: C. Bertelsmann Verlag, 1977. 575 Seiten , 22 cm, Pappeinband mit Schutzumschlag
1921réf. DLIT0105Wien, Anton Schroll (1920 u. 1921). 8°. 4 Bll., 517(1), 4 Bll., 622(2) u. 4 Bll., 684(2) S.. OLeinenbde. m. schwarzgepr. Rü.- u. Deckeltitel, braungepr. Deckelrahmen sowie farb. Kopfschnitt. Einbde. etw. angeschmutzt u. stockfl., Ecken bestoßen, Einbd. v. Bd.14 gelockert, ein Spiegel m. Rasurspur. WG² 45; Hagen, Handb. d. Editionen S.34/35: Bände 11,12 u. 14 apart von insgesamt 15 (in 17) erschienenen Bänden der grundlegenden krititischen Gesamtausgabe.
1974réf. 22828Köln : Kiepenheuer & Witsch, 1974. 303 S. 8°. Orig. engl. Broschur.
1938réf. 049475New York City Ny: Contemporary Play Publications 1938. 1st Edition 1st Printing. Hardcover. Near Fine/Good. 133 Pp. Red Cloth Gilt. First Edition. Near Fine Gilt Bright. Dust Jacket Worn Small Chips And Tears. Inscribed By The Author To Social Artist William Gropper And His Wife. Emjo Basshe Born Emmanuel Iode Abarbanel Basshe Or Emanuel Joseph Jochelman 1898 -1939 Was A Lithuanian-Born Jewish American Playwright Of Spanish Descent A Recipient Of A 1931 Guggenheim Fellowship And One Of The Initial Members In 1935 Of The Communist Party-Founded League Of American Writers. He Immigrated To The United States In 1912 Graduating From Columbia University In 1919. He Began His Theatrical Career With The Provincetown Playhouse And In 1920 Went To Massachusetts Working With Boston's Peabody Playhouse Then Chelsea Arts Theatre And Cambridge's Castle Square Players All During 1920-22. Returning To Provincetown Playhouse He Remained Until The Premiere In 1925 Of His Play Adam Solitaire Directed By Stanley Howlett And Featuring 19-Year-Old John Huston. Basshe Then Moved To Pennsylvania Becoming Director Of The Stage Repertory Of Philadelphia Where His Three Short Plays The Bitter Fantasy The Star And Soil Were Presented. Again Returning To New York Basshe Co-Founded With Four Others The New Playwrights Theatre Initially Finding A Temporary Home At The 52Nd Street Theatre Where It Premiered On March 9 1927 His New Play Earth Directed By Russell Wright And Hemsley Winfield. On November 29 1927 Basshe's New Play Centuries Set Among Jewish Residents Of A New York City Tenement House Had Its Premiere. Directed By The Author The Production Had A Cast Of 27 Including Future Film Star Franchot Tone And Lasted For 39 Performances. Continuing As A Director Basshe Next Helmed The Playhouse's Production Of Upton Sinclair's Prison-Based Drama Singing Jailbirds Which Featured Future Character Star Lionel Stander As One Of The Prisoners. Premiering On December 6 1928 The Play Lasted 79 Performances. Provincetown Playhouse Dissolved In April 1929 And Basshe Pursued His Career As A Broadway Director At Other Venues Co-Supervising North Carolina Playwright Paul Green's Musical Drama Roll Sweet Chariot Set According To Its Description In "A Negro Village Somewhere In The South". The Production Premiered At The Cort Theatre On October 2 1934 And Lasted 7 Performances. Another Green Play Directed By Basshe Turpentine Opened June 26 1936 And Closed In August Following 62 Performances. On May 13 A Month Before The Premiere Of Turpentine Basshe's Anti-War Satire The Snickering Horses With A Cast Of 34 Was Staged At Daly's 63Rd Street Theatre As The Concluding Presentation Of Works Progress Administration's Federal Theatre Project Experimental Theatre Three-Performance Cycle Of Three One-Act Plays With The Other Two Being George Bernard Shaw's Great Catherine: Whom Glory Still Adores And Condensed Into One Act By Alfred Saxe Molière's The Miser. In January 1939 Basshe Staged A Production Of Three One-Act Plays: Paul Vincent Carroll's The Coggerers Later Renamed The Conspirators Jean Giraudoux's Mr. Banks Of Birmingham And Josephinna Niggli's The Red Velvet Goat Which Opened At The Hudson Theatre On January 20 1939 And Closed The Following Day. The Sf Encuclopedia Says That In General His Plays Can Be Understood As Agitprop And Seem To Have Been Particular Successful At The Heart Of The Great Depression Before The New Deal Began To Rescue America From The Effects Of Unmonitored Capitalism. Of Sf Interest Is Doomsday Circus: A Dramatic Chronicle 1938 Seemingly Unproduced During His Lifetime An Expressionist Hortatory Burlesque With Some Similarities To Elmer Rice's The Adding Machine In Which The Coming Near Future Ownership Of The World By A Single Multi-Tentacled Corporation Is Rendered As A Circus. Contemporary Play Publications hardcover
1938réf. 049474New York City Ny: Contemporary Play Publications 1938. 1st Edition 1st Printing. Hardcover. Near Fine/Fair. 133 Pp. Red Cloth Gilt. First Edition. Near Fine Gilt Bright. Emphasis Marks In Blue Pencil Throughout Also Notes "Dubbed" Next To Many Characters' Descriptions Indicating Perhaps A Radio Performance. Inscribed By Basshe "To Mollie Hand In Hand We Go On". Dust Jacket Torn And Chipped Bottom Of Spine Laid In Loosely. Emjo Basshe Born Emmanuel Iode Abarbanel Basshe Or Emanuel Joseph Jochelman 1898 -1939 Was A Lithuanian-Born Jewish American Playwright Of Spanish Descent A Recipient Of A 1931 Guggenheim Fellowship And One Of The Initial Members In 1935 Of The Communist Party-Founded League Of American Writers. He Immigrated To The United States In 1912 Graduating From Columbia University In 1919. He Began His Theatrical Career With The Provincetown Playhouse And In 1920 Went To Massachusetts Working With Boston's Peabody Playhouse Then Chelsea Arts Theatre And Cambridge's Castle Square Players All During 1920-22. Returning To Provincetown Playhouse He Remained Until The Premiere In 1925 Of His Play Adam Solitaire Directed By Stanley Howlett And Featuring 19-Year-Old John Huston. Basshe Then Moved To Pennsylvania Becoming Director Of The Stage Repertory Of Philadelphia Where His Three Short Plays The Bitter Fantasy The Star And Soil Were Presented. Again Returning To New York Basshe Co-Founded With Four Others The New Playwrights Theatre Initially Finding A Temporary Home At The 52Nd Street Theatre Where It Premiered On March 9 1927 His New Play Earth Directed By Russell Wright And Hemsley Winfield. On November 29 1927 Basshe's New Play Centuries Set Among Jewish Residents Of A New York City Tenement House Had Its Premiere. Directed By The Author The Production Had A Cast Of 27 Including Future Film Star Franchot Tone And Lasted For 39 Performances. Continuing As A Director Basshe Next Helmed The Playhouse's Production Of Upton Sinclair's Prison-Based Drama Singing Jailbirds Which Featured Future Character Star Lionel Stander As One Of The Prisoners. Premiering On December 6 1928 The Play Lasted 79 Performances. Provincetown Playhouse Dissolved In April 1929 And Basshe Pursued His Career As A Broadway Director At Other Venues Co-Supervising North Carolina Playwright Paul Green's Musical Drama Roll Sweet Chariot Set According To Its Description In "A Negro Village Somewhere In The South". The Production Premiered At The Cort Theatre On October 2 1934 And Lasted 7 Performances. Another Green Play Directed By Basshe Turpentine Opened June 26 1936 And Closed In August Following 62 Performances. On May 13 A Month Before The Premiere Of Turpentine Basshe's Anti-War Satire The Snickering Horses With A Cast Of 34 Was Staged At Daly's 63Rd Street Theatre As The Concluding Presentation Of Works Progress Administration's Federal Theatre Project Experimental Theatre Three-Performance Cycle Of Three One-Act Plays With The Other Two Being George Bernard Shaw's Great Catherine: Whom Glory Still Adores And Condensed Into One Act By Alfred Saxe Molière's The Miser. In January 1939 Basshe Staged A Production Of Three One-Act Plays: Paul Vincent Carroll's The Coggerers Later Renamed The Conspirators Jean Giraudoux's Mr. Banks Of Birmingham And Josephinna Niggli's The Red Velvet Goat Which Opened At The Hudson Theatre On January 20 1939 And Closed The Following Day. The Sf Encuclopedia Says That In General His Plays Can Be Understood As Agitprop And Seem To Have Been Particular Successful At The Heart Of The Great Depression Before The New Deal Began To Rescue America From The Effects Of Unmonitored Capitalism. Of Sf Interest Is Doomsday Circus: A Dramatic Chronicle 1938 Seemingly Un-Produced During His Lifetime An Expressionist Hortatory Burlesque With Some Similarities To Elmer Rice's The Adding Machine In Which The Coming Near Future Ownership Of The World By A Single Multi-Tentacled Corporation Is Rendered As A Circus. Contemporary Play Publications hardcover
réf. 1390419932.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 139025755X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1804réf. 030887Georg Joachim Göschen, Leipzig 1804. Hardcover Sehr gut
1926159p.,frontis. One of 380 copies, printed on hand made paper. Hardcover Very good condition; spine faded; gift inscription
1967réf. 007466München - Wien, Langen Müller, 1967. Orig.-Broschur, 528 Seiten, 8°. Aus der Motivreihe "Theater der Jahrhunderte". Enthält die vollständigen Dramentexte von Molina, Moliere, Da Ponte, Grabbe, Horvath, Frisch und Anouilh. Sehr gut erhaltenes Taschenbuch. Mit einem Vorwort von Margret Dietrich.
1923réf. 96973Berlin-Steglitz, Officina Serpentis, 1923. 235 S., 1 Bl., mit 14 Illustr. im Text. 4to, 26,5 cm. OHLn. mit Goldprägung.
1834réf. 23399Paris, Pierre Marteau (d. i. Leipzig, Wigand), 1834. VIII SS., 1 Bl., 336 SS. 8°, weinroter Halb-Maroquinband der Zeit mit goldgeprägtem Rückentitel und Romantikervergoldung. (Typographischer Orig.-Umschlag beigebunden) - tls. gering berieben.
réf. 0656570725.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1931[70] p. illus. Hardcover Very good condition good
réf. 0483548715.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1390250563.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 139025979X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1390662233.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 48520N° 9 - Janvier 1979 - revue illustrée - format Journal
réf. 25300Brussel, Manteau, 1943 Gebrocheerd, papieromslag met flapjes, 155 x 210mm., 151pp.
réf. 49394Paris Amyot, Editeur 1860 in 8 (22,5x15) 1 volume reliure demi chagrin violine de l'époque, dos lisse orné de fleurons dorés, XIV [1] 339 pages, quelques rares rousseurs éparses. Friedrich von Schiller, 1759-1805. Envoi autographe signé par le traducteur. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1799réf. 20175Leipzig, Göschen 1799. Pappeinband der Zeit mit marmor. Buntpapierbezug. 278 S., 1 (w.) Bl., 205 S. sowie 1 gest. Frontispiz. 12°. Einband teils stärker berieben und beschabt. Stellenweise mäßig stockfl.
1787réf. DLIT1388Leipzig, G. J. Göschen 1787. Gest. Porträt-Frontispiz (E. Verelst), 438 S., HLdrBd. d. Zt. mit golgepr. RüSchild, Kanten berieben, Titelbl. mit altem Namenszug. Zweite Einzelausgabe, im Jahr der Erstausgabe. Die Druckfehler der Erstausgabe wurden korrigiert. - Goedeke V,180,8; Marcuse 68.
