LIVRE D'HEURES - NOAILLES (Cardinal de).Livre Rare Book
135 résultats
1765réf. 0012141765 Paris, Hérissant, 1765. Fort volume petit in-8 (105 X 175 mm) maroquin vert lierre, triple encadrement de filet et fleurons d'angles dorés sur les plats, armes frappées or au centre, dos lisse cloisonné et entièrement orné aux fers dorés, pièce de titre maroquin rouge, coupes et coiffes filetées, roulette dorée intérieure, gardes illustrées de motifs dorés, tranches dorées sur marbrure (Reliure de l'époque) ; (12) ff., 540-345 pages, (2) pages de table. Manque de papier dans l'angle inférieur droit de deux feuillets (pages 37 à 41) avec perte de quelques lettres aux manchettes en latin, taches claires en marge des pages 3 à 6.
1490réf. 2301100018France: Unknown scribe & illuminator 1490. Manuscripts & Paper Collectibles. Very Good. Gorgeous original hand-drawn leaf on parchment probably from a book of hours. 6 x 4 inches attractively framed and matted. Dimensions in glass-fronted frame: 13 1/4 x 19 inches. No date presumed to be circa late 15th - early 16th cent. 16 lines with painted border in gold and blue; 4 illuminated initials the largest covering 4-lines. Unknown scribe & illuminator unknown
2006réf. 3832FBGütersloh, Coron Verlag, 2006. Bände: 4°. 28 x 20,5 cm. Kassette: 32 x 24 x 8,5 cm. 44 Blatt; 315 Seiten. Original-Lederband mit reicher floraler Goldprägung, goldgeprägtem Supralibros und Schleifenverschluss und Original-Leinenband mit aufmontierter farbiger Deckelillustration und goldgeprägtem Rückentitel. Original-Lederkassette mit goldgeprägtem Rückentitel, floralem Buchschmuck und Supralibros. [8 Warenabbildungen]
1510réf. 151129(Paris, um 1510). Blattgröße: 17,5 x 11,5 cm. Schriftspiegel: 16 x 9,5 cm.
1788réf. 64283CBMadrid, Verlag Benito Cano, 1788. 2°. 39,5 x 27 cm. [3] Blatt, 526 Seiten. Ledereinband der Zeit mit floraler Goldprägung, Schließenbeschlägen, leinenem Lesebändchen und gepunztem Goldschnitt. [6 Warenabbildungen]
1954réf. 12920Regensburg, Friedrich Pustet, 1954. 2. Auflage (Editio II (secunda) juxta Novam Typicam) "12° (15-18,5 cm). 16*, 824, [224], (24), 10**; 16*, 824, [216], (24), 11*, 12**; 16*, 900, [252], (24), 11*, 10**; 16*, 780, [216], (24), 6*, 10** SS. " OGanzleder über vier falschen Bünden mit Ganzkopfgoldschnitt und Lesebändchen [2 Warenabbildungen]
1843réf. 14700Guilbert Paris 1843 1 vol. In-8 de 9 ff.n.ch. 92 pp. 1 f.n.ch., plein maroquin havane, doublure de maroquin bleu pétrole ornée d'une dentelle dorée, plats ornés d'un décor à froid, dos à nerfs orné de caissons à froid avec petites fleurs-de-lys dans les angles, coupes filetées, gardes de moire blanche, tranches dorées, étui bordé (reliure de Carayon).
1510réf. 5834Paris probably Thielman Kerver or the Hardouyn workshop C1510
1510réf. 5834Paris: probably Thielman Kerver or the Hardouyn workshop C1510. Single leaf sig. G4 200 × 130 mm printed in textura with full metalcut borders. Text from the Office of the Dead Matins: the end of Psalm 7 with the versicles and Lessons i-iii from Job Parce michi domine Tedet animam meam Manus tue domine fecerunt me and their responsories. The recto has a candelabra border with putto and a captioned sequence from the Destruction of Jerusalem: Vespasian's siege of Jotapata and the sparing of Josephus 'Jaffet' with two French captions. The two roundels are washed in blue and red. The verso is entirely hand-coloured and illuminated in body colour and gold. It has a gold architectural headpiece an outer border of putti and grotesques in acanthus a column of three figure cuts including apparently St Luke with his ox and three cuts from the Story of Joseph in the lower margin. Initials throughout in burnished gold on blue and pink grounds. Small tear and loss at the fore-edge of the recto inner margin of the verso affecting the large side cut on the recto and the central column cut on the verso with some loss of colour. Signature partly shaved. A rare survival: one side was left essentially uncoloured while the other was fully painted so the leaf shows the metalcuts both as printed and as finished. probably Thielman Kerver or the Hardouyn workshop unknown
2008réf. 4051FBLuzern, Faksimile-Verlag, 2008. Faksimile: 16 x 13 cm. Kassette: 21 x 18,5 x 8 cm. 44 Blatt; 307 Seiten. Original-Samteinband mit gewebtem Muster und Rundum-Goldschnitt und Original-Leinenband mit goldgeprägtem Titel in Original-Schmuckkassette mit Lederbezug und dem Replikat zweier byzantinischer Elfenbeintafeln aus dem Aachener Domschatz. [7 Warenabbildungen]
réf. 56522with initial letters in blue mauve and gold the right hand one with a beautifully penned border in the outer margin of trailing roses and other flowers in blue red green and gold together 4 sides 6" x 4½" vellum Flanders or Northern France circa The first leaf contains Psalm 29 'Exaltabo te Domine' 'I will extol Thee O Lord' in the Hebrew and KJV Psalm 30 from verse 3b 'Thou hast kept me alive that I should not go down to the pit' to the end at verse 12 'O Lord my God I will give thanks to thee for ever' the last two letters of 'tibi' being on the second leaf. The second leaf continues with 'Requiem' the antiphon 'Domine abstraxisti ab inferis animam meam' 'Lord thou hast drawn my soul out of hell' and Psalm 39 'Expectans expectavi' 'I waited patiently for the Lord' in the Hebrew and KJV Psalm 40 down to verse 6 '. burnt offering and sin offering hast Thou not required'. These are part of the 'Office for the Dead' namely the Vespers Matins and Lauds of the evening night and early morning preceding a Requiem Mass and Burial Service. They were also included in books of hours for private use on appropriate occasions. hardcover
réf. 05459Venice: Ex Typographia Balleoniana 1754. A Fine Eighteenth Century Italian Book of Hours in its Original Red Morocco Binding With Hand-Painted Gauffered Edges VENETIAN BINDING. BOOK OF HOURS. Officium Beatae Mariae Virginis S. Pii V. Pontificis Maximi. Venetiis Venice: Ex Typographia Balleoniana 1754. Octavo 7 3/4 x 4 5/8 inches; 197 x 117 mm. i-xxxxiv 1-453 3 indices pp. Vignette engraved title-page and seven full page copperplate engravings in the text. Full contemporary red morocco covers elaborately decorated in gilt spine with five raised bands decoratively gilt in compartments decorative gilt board edges marbled liners. The edges are gilt and exquisitely gauffered with small diamond shaped lozenges hand-painted in red. An exquisite example in exceptionally fine and untouched condition with just the smallest amount of light scuffing to the extremities. A remarkable survival from nearly two hundred and seventy years ago. Books of Hours were bestsellers. They were the first text read across Europe by people at every level of literacy. These devotional books containing a daily routine of prayers for the reader to follow reached a huge audience more than any previously written text. Children were taught to read with Books of Hours. Repeated daily the passages found in these books usually in Latin were committed to heart. Prayers on death plague warfare travel and bad weather were all found in Books of Hours. The plates: 1. Office of the Blessed Virgin Mary p. xxiv 2. Office of the Blessed Virgin Mary p. 80 3. Office of the Blessed Virgin Mary p. 150 4. Office of the dead p. 226 5. Seven penitential psalms p. 294 6. Office of the holy cross p. 334 7. Office of the holy spirit p. 342. Venice: Ex Typographia Balleoniana, 1754 unknown
réf. 05459Venice: Ex Typographia Balleoniana 1754. A Fine Eighteenth Century Italian Book of Hours in its Original Red Morocco Binding With Hand-Painted Gauffered Edges VENETIAN BINDING. BOOK OF HOURS. Officium Beatae Mariae Virginis S. Pii V. Pontificis Maximi. Venetiis Venice: Ex Typographia Balleoniana 1754. Octavo 7 3/4 x 4 5/8 inches; 197 x 117 mm. i-xxxxiv 1-453 3 indices pp. Vignette engraved title-page and seven full page copperplate engravings in the text. Full contemporary red morocco covers elaborately decorated in gilt spine with five raised bands decoratively gilt in compartments decorative gilt board edges marbled liners. The edges are gilt and exquisitely gauffered with small diamond shaped lozenges hand-painted in red. An exquisite example in exceptionally fine and untouched condition with just the smallest amount of light scuffing to the extremities. A remarkable survival from nearly two hundred and seventy years ago. Books of Hours were bestsellers. They were the first text read across Europe by people at every level of literacy. These devotional books containing a daily routine of prayers for the reader to follow reached a huge audience more than any previously written text. Children were taught to read with Books of Hours. Repeated daily the passages found in these books usually in Latin were committed to heart. Prayers on death plague warfare travel and bad weather were all found in Books of Hours. The plates: 1. Office of the Blessed Virgin Mary p. xxiv 2. Office of the Blessed Virgin Mary p. 80 3. Office of the Blessed Virgin Mary p. 150 4. Office of the dead p. 226 5. Seven penitential psalms p. 294 6. Office of the holy cross p. 334 7. Office of the holy spirit p. 342. Venice: Ex Typographia Balleoniana, 1754 unknown books
1758réf. 3953Venetiis: Apud Nicolaum Pezzana 1758 1758. 8vo. 180x106mm pp. 8 405 3. Six engraved plates one signed M. Heylbrouck and an engraved vignette to title page. Text in Latin and Italian. Contemporary Italian sheep covers with elaborately tooled gilt borders fan sprays at the inner corners. Centre of the boards have leaf motifs and two gilt oval frames with green morocco onlays bearing initials "G.P" upper cover and "A.P" lower cover. Flat spine decorated in gilt with leaf motifs with three green morocco onlays lettered and decorated in gilt. Edges to boards tooled in gilt. All edges gilt and gauffered with a delicate leaf pattern. Attractive green endpapers. In very good condition with one or two small worn spots. Internally excellent with a little foxing in places. Book label of John Saks loosely inserted along with a slip of paper from Christie's reading "Lot No. 191/1 10 Jun 1981" when a number of Saks's books were sold. Saks the grandson of the founder of the eponymous shop and a vice president of the family firm was a Fellow of the Morgan Library and a member of the Grolier Club. His celebrated library was particularly strong in the private presses of Ashendene Kelmscott and Doves but he also built up a fine collection of eighteenth century Venetian books of which this beautifully bound Book of Hours is a lovely example. Venetiis: Apud Nicolaum Pezzana 1758 hardcover
réf. 5581P II V.Pont.Max.iussu éditum Nuncpluribus quàm hactenus vmquam figures oeneis illustratum Officina plantiniana, 162.Petit in 4 EDITION PLANTINIENNE plein maroquin de couleur rouge foncé de l’époque,à nerfs,caissons dorés,6 filets et écoinçons dorés sur les plats,trace de roulette dorée sur les coupes; titre avec vignette gravée,XXXVI pages,696 pages,2 pages index eorum quae officio B Mariae continentur Impression en rouge et noir,91 superbes gravures sur cuivre ,57 pleine page et 34 dans le texte,67 lettrines gravées sur bois, tranches dorées. Antverpiae ex officina Platiniana Apud Balthazarem Morerum & Viduam Joanus Moreti,& Io Meufium 1622.Reliure de l’époque.Raccommodages principalement charnières et coiffes et coins.
1795réf. 157735Rome: Salvioni 1795. hardcover. fine. Each book is printed throughout in red & black with a fine engraved vignette on the title page and other full-page engravings. 92; 88; 120pp. Thin 12mos. Gloriously bound in contemporary full red straight-grained morocco with heavy floral gilt tooling on the covers and spines; outer dentelles marbled endpapers silk ribbons. The 3 volumes are housed together in a brown calf solander slipcase with blind-stamped decorations. Roma: Per Luigi Perego Salvioni 1795. Fine. Salvioni unknown
1795réf. 157735Rome: Salvioni 1795. hardcover. fine. Each book is printed throughout in red & black with a fine engraved vignette on the title page and other full-page engravings. 92; 88; 120pp. Thin 12mos. Gloriously bound in contemporary full red straight-grained morocco with heavy floral gilt tooling on the covers and spines; outer dentelles marbled endpapers silk ribbons. The 3 volumes are housed together in a brown calf solander slipcase with blind-stamped decorations. Roma: Per Luigi Perego Salvioni 1795. Fine. Salvioni unknown books
1695réf. 68550Paris: Chez L'Auteur 1695. BOOK OF HOURS; SENAULT L. First Edition of this Engraved Work BOOK OF HOURS. SENAULT L. illustrator. Heures Nouvelles Tirées de la Sainte Ecriture. Écrites et gravées par L. Senault. Paris: Chez L Auteur 1695. First edition second state without dedication leaf to the Dauphine Marie Anne Christine Victoire de Baviere who died in 1690 and the breasts of the "impudiques sirenes" on p. 210 are not exposed. The prayer for the Dauphine is on p. 69. Octavo. 2 1-46 48-223 223-260 4 blank pp. Engraved throughout the text in a double rule border with numerous lovely engraved vignettes head- and tailpieces initials by Senault. Early full green morocco. Boards tooled in gilt and with gilt central device. Spine elaborately stamped in gilt. With red morocco spine label lettered in gilt. All edges gilt. Marbled endpapers. With some rubbing to board edges and corners. Previous owner's old ink signature on front free endpaper date 1823. Internally very clean. Housed in a felt-lined green cloth clamshell with morocco spine label. Overall a very nice copy. "Louis Senault followed Pierre Moreau in producing two writing books one dated 1688 and then concentrating on successive editions of a devotional work printed from the same plates. But while Moreau finished by producing printed books with some of the characteristics of handwriting Senault endeavoured to preserve in his engraved books the full flavour of a contemporary manuscript. After the death of his daughter Elizabeth Senault he produced some equally attractive smaller engraved Heures Nouvelles dedicated to the Grand Dauphin" Printing and the Mind of Man British Museum Section. HBS 68550. $1800. Chez L'Auteur unknown
1695réf. 68550Paris: Chez L'Auteur 1695. BOOK OF HOURS; SENAULT L. First Edition of this Engraved Work BOOK OF HOURS. SENAULT L. illustrator. Heures Nouvelles Tirées de la Sainte Ecriture. Écrites et gravées par L. Senault. Paris: Chez L Auteur 1695. First edition second state without dedication leaf to the Dauphine Marie Anne Christine Victoire de Baviere who died in 1690 and the breasts of the "impudiques sirenes" on p. 210 are not exposed. The prayer for the Dauphine is on p. 69. Octavo. 2 1-46 48-223 223-260 4 blank pp. Engraved throughout the text in a double rule border with numerous lovely engraved vignettes head- and tailpieces initials by Senault. Early full green morocco. Boards tooled in gilt and with gilt central device. Spine elaborately stamped in gilt. With red morocco spine label lettered in gilt. All edges gilt. Marbled endpapers. With some rubbing to board edges and corners. Previous owner's old ink signature on front free endpaper date 1823. Internally very clean. Housed in a felt-lined green cloth clamshell with morocco spine label. Overall a very nice copy. "Louis Senault followed Pierre Moreau in producing two writing books one dated 1688 and then concentrating on successive editions of a devotional work printed from the same plates. But while Moreau finished by producing printed books with some of the characteristics of handwriting Senault endeavoured to preserve in his engraved books the full flavour of a contemporary manuscript. After the death of his daughter Elizabeth Senault he produced some equally attractive smaller engraved Heures Nouvelles dedicated to the Grand Dauphin" Printing and the Mind of Man British Museum Section. HBS 68550. $1800. Chez L'Auteur unknown books
1860réf. 93898HB(um 1860). Manuskript: 2 Bll., 276 Seiten, geschrieben auf Pergament, Ganzpergamentband der Zeit, Goldschnitt, 15,5 x 6,5 cm.
1680réf. 136956à Paris, chez l’Auteur, rue de Bussy, Croix blanche au Fauxbourg St Germain 1680 In-12 19,5 x 12 cm. Reliure de l’époque à la fanfare veau vert-amande, dos à nerfs encadrés de fers dorés, plats ornés, tranches dorées, fermoirs en métal doré, 1 ff., 260 pp. erreurs de pagination : page 48 au lieu de 47 qui manque ainsi et page 223 qui apparaît deux fois, texte agrémenté, à la manière des manuscrits calligraphiés pour Versailles, d'une profusion de lettrines, bandeaux, fleurs et animaux, petits paysages et traits de calligraphie pure. La perfection de la gravure le dispute à l'élégance du dessin virtuose. Premier mors légèrement fendillé, intérieur frais. L’ouvrage est protégé par une housse moderne en chamoisine.
2006réf. 12954Luzern, Faksimile Verlag, 2006. "4° (30-35 cm). 289 num. Bll., 2 Bll. (Faksimile); 244 S., 1 Bl. (Kommentarband)." "Samteinband mit zwei vergoldeten Schließen und Ganzkopfgoldschnitt (Faksimile); Samteinband mit montiertem Rückenschild und Lesebändchen" [3 Warenabbildungen]
1677réf. ABC_50187Antwerp 1677. 32mo. Ex officina Plantiniana widow of Balthasar Moretus 19th-century gold-tooled dark blue grained morocco with the title and imprint lettered in gold on the spine a single fillet border on both boards gold-tooled board edges gilt top edge marbled endpapers. Printed in red and black within frame of double ruling with 16 full-page engravings ca. 60 x 34 mm. 64 712 4 pp. Unopened copy of a scarce edition of the celebrated Plantin book of hours illustrated with a series of sixteen finely engraved plates depicting scenes from the Life and Passion of Christ and the Virgin Mary. The illustrations accompany the principal sections of the text including the Office of the Virgin Office of the Dead Penitential Psalms Office of the Cross Office of the Holy Spirit Passion of Christ and the Rosary following the traditional arrangement of the Roman Book of Hours.The present copy comes from the library of the Irish judge Roman Catholic and bibliophile William O'Brien 1832-1899 with his 1899 bequest label. O'Brien assembled one of the finest private collections of antiquarian books in Ireland which he bequeathed to the Jesuit Province for the Milltown Park S.J. Library in Dublin. The library was dispersed at auction in 2017.With the library labels of William O'Brien 1832-1899 and the Milltown Park library in Dublin mounted on the front endpapers. The binding shows minor traces of use. The leaves are lightly foxed lacking the two final blank leaves. Otherwise a partially uncut and unopened copy in very good condition.l USTC 1555579; WorldCat 1439808792; 1398030822; 1415338534; 77908159; 1477586383; not in the STCV. hardcover
1880réf. 16507n.p. France: n.d. ca. 1880 Full dark brown crushed morocco title in gilt on spine front cover with onlaid gilt metal device. Gilt decorated turn-ins plum colored silk doublures and endleaves. All edges gilt multi-colored silk ribbon market. . 7" x 5 5/8." . Text in gothic style letters with elaborate borders initials and miniatures in watercolor and gold in a style reminiscent of the late Middle Ages. A fine and very interesting manuscript featuring very delicate work of a rather varied nature. Pencil presentation inscription in French to a woman named Marie in memory of the presenter's mother who had once owned the book. We know nothing about either the donor or the donee and can only guess whether they had a relation to the producers of this manuscript.
1880réf. 16507n.p. France: n.d. ca. 1880 Full dark brown crushed morocco title in gilt on spine front cover with onlaid gilt metal device. Gilt decorated turn-ins plum colored silk doublures and endleaves. All edges gilt multi-colored silk ribbon market. . 7" x 5 5/8." . Text in gothic style letters with elaborate borders initials and miniatures in watercolor and gold in a style reminiscent of the late Middle Ages. A fine and very interesting manuscript featuring very delicate work of a rather varied nature. Pencil presentation inscription in French to a woman named Marie in memory of the presenter's mother who had once owned the book. We know nothing about either the donor or the donee and can only guess whether they had a relation to the producers of this manuscript. books
