2.793 Ergebnisse
Best.-Nr. 51759Le Divan.1941-1964.17 vols.br,non coupés. Parfait.A l'état de parution.Complet du dernier volume intitulé -supplément,index et tables.Collection annotée et établie par Maurice Parturier.
1902Best.-Nr. 664Paris Conquet L.; Carteret & cie 1902 In-4(290x206mm.), cartonnage bradel de toile, fleuron doré sur le dos, non rogné, couverture illustrée. (Reliure de l'époque).
1833Best.-Nr. 38060Reliure demi-maroquin long grain bleu nuit à petits coins. Dos lisse avec mosaïques dorées en long.Tête dorée. Reliure signée THIERRY. Intérieur très frais.
1828Best.-Nr. 86036Paris: Brissot-Thivars 1828. Fine. Brissot-Thivars Paris 1828 21.20 x 12.70 cm relié First edition from Balzac's printing house. Between 1826 and 1828 Balzac purchased a printing house and partnered with a typographer but the enterprise went bankrupt in 1828. Books printed for Balzac show a concern for typography and fine book production. Bound in half burgundy long-grain morocco with corners ca. 1840. Spine with raised bands decorated with 5 tools blind and gilt fillets head and tail rolls. Double fillet border on boards and corners. Some scattered browning. Louis Gillet bookplate. Very fine copy. La jacquerie and La famille de Carjaval are two dramatic and historical pieces that evoke Schiller's theatre. These dramatic scenes were intended to be read rather than performed. In La Jacquerie Mérimée reverses the vision of this peasant revolt through the prism of new romantic historiography and the peasants are no longer perceived as bloodthirsty barbarians but as victims of absolutism. With economy of means and a clear concise style Mérimée brings this feudal epic to life before our eyes. Brissot-Thivars hardcover
1833Best.-Nr. 70286Paris: H. Fournier jeune 1833. Fine. H. Fournier jeune Paris 1833 13 x 20 cm relié First edition. Half-shagreen binding of the late 19th century. Smooth spine decorated with repeated romantic tooling title and date in gilt. Top edge gilt. Spine uniformly sunned. Light scattered foxing. Bookplate with crowned cipher Alfred and Blanche de Curzon. Alfred de Curzon was a French painter deceased in 1895. This collection contains important short stories by the author including Mateo Falcone L'enlèvement de la Redoute Vision de Charles XI Le vase étrusque. H. Fournier jeune unknown
2018Best.-Nr. x-1138554154Taylor & Francis 2018. Hardcover. New. 683 pages. 8.50x5.43x1.18 inches. Taylor & Francis hardcover
Best.-Nr. 7783"P., Chez Levrault, Rue de la Harpe, n° 81; et rue des juifs, n° 33, à Strasbourg, 1827. Petit in 8 cartonnage lithographié de l’éditeur, frontispice lithographié, XII-257 pp."
1841Best.-Nr. 935Paris, Magen et Comon, 1841 ; grand in-8 de [2] ff., 463 pp., demi-maroquin rouge à grain long à coins, filet doré, dos lisse orné en long de motifs dorés avec petite pièce de maroquin olive au centre, tête dorée, non rogné (Semet & Plumelle).
1889Best.-Nr. 1731Sous étui bordé cuir. Reliure plein maroquin marron. Dos lisse au titre doré dans un écusson et marqueterie d'une hallebarde et blason de France. Premier plat orné en marqueterie de cuirs de couleurs d'une épée traversant les pages d'une Bible, d'un poignard et d'un chapelet avec un encadrement d'un quadruple filet doré. Tête dorée. Couverture conservée. Reliure signée VERMOREL. Intérieur très propre.
1946Best.-Nr. 240502011Chez Jean Porson 1946. First THUS. Loose Leaf Portfolio . Clean & Unmarked. Text in French. Limited. Includes two loose leaf suites of lithographs. The first are two sets of color 13 full page prints and 25 partial page prints amid text and is housed in folded wraps with a glassine jacket.The second is composed of 51 1 black prints with one full page color print and one partial. All housed in the rear in a folded pocket with the 1 black print being the cover print. Limited. This is #43 of a total of 275 copies. Number 43 is in the subset from numbers 31-50 twenty copies on Rives paper same as 1-30 but without the original watercolor. Both suites housed in loose boards. Scattered yet sparse faint foxing throughout. Pockets fraying as well as board hinges. Loose boards then rest in a slipcase with rubbed edges and scuffed corners. See photos. Very scarce in this complete of a package. Chez Jean Porson unknown
2021Best.-Nr. SBBI-mon0000155597Independently published 2021. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Independently published paperback
1903Best.-Nr. 39060Paris: Librairie de la Collection des Dix / A. Romagnol 1903. A FOLIO PROOF COPY ON IMPERIAL JAPANESE PAPER of this quirky and brutal livre d'artiste. Illustrated with etchings by Chessa after Merson for the illustrations and Cossard for the manuscript text. From a total edition of 500 copies this is ONE OF ONLY TEN COPIES PRINTED IN FOLIO FOR THE PUBLISHER THE ONLY COPIES WITH THE PLATES PRIINTED BEFORE STEELFACING aciérage. These ten copies were printed on different papers and this copy is printed throughout on Imperial Japanese paper. These ten copies are mentioned in the prospectus but not in the justification surely because they were never offered for sale. LAID IN IS AN AUTOGRAPH LETTER BY MERSON SIGNED IN INK. Folio. Loose as issued in original wraps. Wraps a bit worn and spotted internally FINE AND BRIGHT with the illustrations extremely sharp and in perfect condition. Perhaps the unique surviving unbound proof copy on Japanese paper. Ray 300 Ray didn't know about the proof copies. Librairie de la Collection des Dix / A. Romagnol paperback
1931Best.-Nr. 1250.[1931]New York Wm. Farquhar Payson 1931. Original drawing approx. 12 3/4 x 8 1/2 inches matted framed and glazed executed in charcoal bistre watercolor and india ink. The drawing formed the basis for the dust jacket art with minor alterations for the first edition of the work which was dedicated by the artist to his wife.Albert Sterner was born on London in 1863 and spent his youth in London and in Germany. He studied art on the Continent coming to New York in the early part of the century where his first public exhibition was held at Keppel's East 16th Street gallery. He is famous for having illustrated Stone & Kimball's ten-volume edition of Poe and other books. His drawings and prints have also been exhibited in the Toronto Museum the V&A the British Museum Pinacothek Munich Kunstgewerbe Schule Dresden and in this country at the NYPL Yale and Harvard University.Accompanying the drawing is a copy of the published book along with the difficult to find dust jacket. ORIGINAL ARTWORK FOR THE DUST JACKET New York Wm. Farquhar Payson books
1904Best.-Nr. 1452Paris: Librairie L. Conquet L.Carteret et Cie 1904. Limited Edition. Near fine. Daniel Vierge. Large 8vo 10 1/2 x 7 inches 270 x 177 mm; viii 298 pp. adv. 4; rubricated title page. 63 wood engravings by Noël et Paillard from drawings by Daniel Vierge. Handsome red pebbled morocco binding by Bretault in gilt on front dentelle with raised bands and gilt titling; turn-ins with elaborate gilt scrolls marbled endpapers t.e.g. rest uncut. Hinges professionally repaired scratch at bottom of rear cover. Original illustrated paper wrappers and strip bound in as well as the subscription advertisement with first spread. Paper evenly toned with very occasional foxing; binding square and tight. Copy 83 of 100 grand luxe copies on Japon ancien as stated on the limitation page. BNF30930179. An elegant large paper edition on lush Japon paper of Prosper Mérimée's short novel Colomba which first appeared on 1 July 1840 in the Revue des Deux Mondes. Through the lens of historical fiction the novella examines the Corsican vendetta. The story has been adapted on a number of occasions for the screen including the 1950 film "Vendetta" directed by Mel Ferrer. Librairie L. Conquet, L.Carteret et Cie unknown
1942Best.-Nr. 39112Paris: La Tradition Paul Durupt 1942. THE PUBLISHER'S COPY. A wonderful livre d'artiste published during the Occupation with 24 ORIGINAL ETCHINGS with drypoint by Jean Traynier an important printmaker and book artist. From an edition of 540 copies printed on very fine Arches wove paper THIS IS THE UNIQUE PUBLISHER'S COPY BELONGING TO PAUL DURUPT the founder and director of La Tradition. With a remarque suite of the 24 etchings in the first state on wove paper; a remarque suite of the 24 etchings in the second state on wove paper; a remarque suite of the 24 etchings in the second state on Japanese paper; NINE ORIGINAL DRAWINGS each matted and SIGNED BY TRAYNIER; a mounted ORIGINAL DRAWING inscribed to Durupt and SIGNED BY TRAYNIER; a handcolored proof etching inscribed to Durupt and SIGNED BY TRAYNIER; a proof etching SIGNED BY TRAYNIER; THIRTEEN AUTOGRAPH LETTERS FROM TRAYNIER TO DURUPT relating to the production of the book all of which are SIGNED BY TRAYNIER and one of which features a small sketch; and a carte-de-visite from intellectual JACQUES GUIGNARD 1912-1980 with a long inscription thanking Durupt for sending him a copy of this book. 4to. Original wraps with board chemise and slipcase. FINE AND BRIGHT with the additional material in a separate chemise. UNIQUE AND IMPORTANT. La Tradition (Paul Durupt) paperback
1874Best.-Nr. feb1187441874. Used. For more details please contact me unknown
1900Best.-Nr. CLL-657Sans lieu, 1900 In-8, demi-maroquin citron, dos à nerfs orné de chiffres dorés, pièce de titre de maroquin bleu, tête dorée, non rogné (reliure de l'époque).
1848Best.-Nr. 183101848 Paris, Charpentier, 1848, in-8 de (4)-486 pp., rel. à la Bradel, signée HONNELAÏTRE, dans le goût de l'époque romantique, demi-maroquin vert sombre à grains longs à coins, dos orné d'un décor de lambrequins dorés dans la hauteur, date en pied, couvert. impr. cons., entièrement non rogné et sans rousseurs, très bel ex.
Best.-Nr. 14049Paris, Alphonse Lemerre, 1874. Grand in-8, 84 pp, demi-maroquin brun à coins, dos lisse orné, filets dorés sur les plats, tête dorée, couvertures conservée. Bel exemplaire dans une reliure signée Lortic.
1825Best.-Nr. 71273Paris Sautelet et Cie 1825 1 vol. relié in-8, demi-chagrin noir, dos à nerfs, caissons ornés d'un fleuron doré, IX + 337 pp. (+ feuillet de table). Edition orignale rare du premier livre de Mérimée, parue sans nom d'auteur. Le faux-titre porte la mention "Théâtre de Clara Gazul" au lieu de "Collection des théâtres étrangers" qu'on rencontre plus souvent. Sans le portrait de Clara Gazul qui ne figure que dans une cinquantaine d'exemplaires. Bon exemplaire en reliure légèrement postérieure avec ex-libris gravé.
1825Best.-Nr. 71273Paris Sautelet et Cie 1825 1 vol. relié in-8, demi-chagrin noir, dos à nerfs, caissons ornés d'un fleuron doré, IX + 337 pp. (+ feuillet de table). Edition orignale rare du premier livre de Mérimée, parue sans nom d'auteur. Le faux-titre porte la mention "Théâtre de Clara Gazul" au lieu de "Collection des théâtres étrangers" qu'on rencontre plus souvent. Sans le portrait de Clara Gazul qui ne figure que dans une cinquantaine d'exemplaires. Bon exemplaire en reliure légèrement postérieure avec ex-libris gravé.
1840Best.-Nr. 37763Reliure postérieure demi-chagrin noir. Dos lisse avecpièces de titre en maroquin noir. Complet des11 planches lithographiées hors-texte.
18372 vol., 425 + 463 pp demi-veau fauve de l'époque, dos ornés de fers rocaille à froid et soulignés en noir, pièces de titre et de tomaison olive 1837, 1837, in-8, 2 vol, 425 + 463 pp, demi-veau fauve de l'époque, dos ornés de fers rocaille à froid et soulignés en noir, pièces de titre et de tomaison olive, Édition originale de ces remarques portant sur l'histoire, les sites, les monuments, l'histoire naturelle et les moeurs des régions visitées. L'ouvrage servit à Mérimée pour écrire Colomba. Exemplaire de belle provenance, remarquable par sa jolie reliure ornée de manière assez inhabituelle. Bibliothèque de La Chapelle, avec ex-libris gravé aux Armes de Moustier
1833Best.-Nr. 8701Paris, H. Fournier jeune, 1833. In-8 de [4]-4-440 pages, plein veau rouge, dos lisse orné de filets et fleurons dorés, large roulette dorée de style empire encadrant les plats, coupes décorées, tranches dorées, chasse de gouttière plutôt large. Hormis quelques rousseurs et un ancien accroc au second plat, très bel exemplaire.
1872Best.-Nr. 22732Bruxelles Brussels: Lib. de la Place de la Monnaie 1872. Fine. Lib. de la Place de la Monnaie Bruxelles Brussels 1872 14.50 x 23.50 cm relié Second edition the first having been printed in only 3 copies this one of 100 copies on vergé paper the only printing with 9 on China and 20 on Hollande. Contemporary Bradel binding in half indigo paper over marbled paper boards spine with double gilt fillets head of spine slightly rubbed. Small wormholes to endpapers otherwise internally good. Rare. Lib. de la Place de la Monnaie hardcover
