Prosper MERIMEEBiblio.com
2 793 résultats
1881réf. 9615Paris: Calmann-Lévy 1881. Fine. Calmann-Lévy Paris 1881 12 x 19 cm broché New edition. A repaired tear at head of spine some foxing. Calmann-Lévy unknown
1841réf. 60113Paris: Magen et Comon 1841. Fine. Magen et Comon Paris 1841 13.50 x 22.50 cm broché First edition very sought-after according to Clouzot. A little light spotting two ink stains on title and half-title page. Rare copy in its original wrappers. Magen et Comon unknown
1926réf. 152714to. All orig. wrappers. Uncut. No 79 of 150 "sur vélin de Rives teinté" a total of 176. With 6 full page etchings and 36 charming illustrations in the text etched in colours and an extra suite of the textetchings in black 36 incl. a black title. unknown
1842réf. 50703Paris: Charpentier 1842. Fine. Charpentier Paris 1842 - relié New edition with some parts in first edition as revised and corrected. Half green shagreen binding smooth spine decorated with double gilt compartments embellished at angles with gilt typographical motifs green watered silk boards with some rubbing marbled endpapers and pastedowns speckled edges. Charpentier hardcover
1874réf. 50720Paris: Michel Lévy frères 1874. Fine. Michel Lévy frères Paris 1874 13.50 x 22 cm 2 volumes reliés Sixth edition with some parts in first edition as entirely revised. Half brown calf bindings smooth spines ornamented with gilt dots brown morocco title-labels and author's name gilt friezes at head and foot marbled paper boards marbled endpapers and pastedowns speckled edges elegant contemporary bindings. The text is preceded by a study on Mérimée by Hippolyte Taine. Handsome copy free from any foxing and perfectly established. Michel Lévy frères hardcover
1875réf. 48955Paris: Michel Lévy frères 1875. Fine. Michel Lévy frères Paris 1875 12 x 19.50 cm relié First edition. Bradel binding in full cherry red cloth with flaps smooth spine date and place gilt at foot brown shagreen title-label marbled endpapers and pastedowns contemporary binding. Handsome copy almost entirely free of foxing. Michel Lévy frères hardcover
1881réf. 49147Paris: Calmann Lévy 1881. Fine. Calmann Lévy Paris 1881 14 x 22.50 cm 2 volumes reliés First edition. Bound in half straw yellow shagreen spines with five raised bands set with black fillets decorated with double black compartments at whose centers the gilt cipher of the great bibliophile Roger de Cormenin is repeated four times navy blue morocco title and volume labels light scratches of no consequence at head of joints marbled paper boards marbled endpapers and pastedowns top edges gilt near-contemporary bindings. Work illustrated with two portraits of Prosper Mérimée by A. Leveille as frontispieces to the volumes. Provenance: from the library of Roger de Cormenin son of Louis de Cormenin who was the confidant and secretary of Théophile Gautier and also the intimate friend of Gustave Flaubert. A handsome copy. Calmann Lévy hardcover
1943réf. 46413Paris: Le Vasseur et Cie 1943. Fine. Le Vasseur et Cie Paris 1943 23.30 x 28.70 cm en feuilles sous chemise et étui Edition with illustrations by Jean Traynier printed in 425 copies ours one of the 325 numbered on Arches vellum unnumbered includes a manuscript justification by the illustrator: ""Exemplaire d'artiste réservé pour Monsieur . avec la sympathie de l'illustrateur."" ""Artist's copy reserved for Mister . with the illustrator's regards."" It is also enhanced with an autograph dedication page by Jean Traynier and 20 original watercolors by the artist in the text margins. Spine of the chemise slightly faded. Beautiful illustrated adaptation of Jean Traynier's etchings superbly heightened with watercolors by the artist. Le Vasseur et Cie hardcover
réf. 22114Editions Littéraires de France 1946. In/4 25 x 19 cm broché sous étui cartonné couverture illustrée d'une vignette illustrations couleurs de P. Rousseau 133 pages. Monod 8041. unknown
1828réf. 42970Paris: Brissot-Thivars 1828. Fine. Brissot-Thivars Paris 1828 12.50 x 20 cm relié First edition of the author's third work printed by Honoré de Balzac. Black paper boards smooth spine tan sheep title-label with two small angular lacks one joint slightly cracked then reglued at head red edges modest contemporary binding. Handsome interior condition. Brissot-Thivars hardcover
1898réf. 41633Paris: La Revue de Paris 1898. Fine. La Revue de Paris Paris 1898 &1910 16.50 x 25 cm 2 volumes reliés First edition for each volume. Full brown morocco bindings smooth spines double framed in gilt headpieces lined in gilt boards elaborately framed in gilt beige morocco pastedowns framed in gilt brown moiré silk free endpapers following free endpapers in mould made paper all edges gilt original soft covers preserved superb contemporary bindings signed by M. Lortic. The first volume contains two original ink drawings by Prosper Mérimée: the first captioned and signed in the lower right corner depicting the Duke of Brunswick the second a tree and a wooded landscape with a handwritten inscription in Russian ""Grâce à Dieu"" and ""Gloire à Dieu gloire à vous"". A very fine set magnificently bound by M. Lortic. La Revue de Paris paperback
réf. 16609Paris Emile Testard 1889 . : dessins : Edouard Toudouze. Relie demi veau rouge a 5 nerfs et a l'impression dore sur le dos pages de gardes decorees page de titre originale en noir / rouge et au vignette 190 x 285mm. 323pp. dessins magnifiques en b/n. Collection Artistique Emile Testard. Bel exemplaire. Paris, Emile Testard, 1889** unknown
1941réf. 016354New York: Limited Editions Club 1941. Hardcover. Spine a little darkened much less than usual. About Fine in a complete Very Good slipcase with a split at the bottom edge. Jean Charlot. Quarto 8-3/8" x 11" bound in bright and colorful hand-blocked gypsy silk cloth. Illustrated with 37 beautiful ORIGINAL LITHOGRAPHS in color drawn on the plates by Jean Charlot. Of a total edition of 1500 copies SIGNED by the artist on the colophon page this is one of only 15 Presentation Copies with the publisher's blindstamp attesting to such on the colophon page where instead of a number the initials "G.M." are handwritten. Acquired directly from the publisher's files and most likely the publisher George Macy's very own copy. Perhaps the most stunning and underrated of the early books from the press. Limited Editions Club hardcover
1874réf. 23787Paris: Alphonse Lemerre 1874. Fine. Alphonse Lemerre Paris 1874 15.50 x 24 cm broché First edition published anonymously purporting to contain letters written to Prosper Mérimée by ""his unknown correspondent"" one of the rare copies on Holland paper of which no mention is made. Split spine with small losses copy partly unbound small corner losses to boards some foxing. Alphonse Lemerre hardcover
1954réf. 24149Paris: Les Belles Lettres 1954. Fine. Les Belles Lettres Paris 1954 13.50 x 20.50 cm broché First edition with no mention of deluxe copies. Photographic frontispiece depicting Duranty writer and natural son of Prosper Mérimée. Les Belles Lettres unknown
1839réf. 20759Paris: Imp. royal 1839. Fine. Imp. royal Paris 1839 20.50 x 27 cm relié First edition. Half caramel sheep binding smooth spine decorated with gilt and blind fillets showing some rubbing. Work written in collaboration with Albert Lenoir and Charles Lenormant. Rare work dealing with Gallic Roman Greek and Christian monuments and illustrated with in-text engraved figures. Imp. royal unknown
1872réf. 22732Bruxelles Brussels: Lib. de la Place de la Monnaie 1872. Fine. Lib. de la Place de la Monnaie Bruxelles Brussels 1872 14.50 x 23.50 cm relié Second edition the first having been printed in only 3 copies this one of 100 copies on vergé paper the only printing with 9 on China and 20 on Hollande. Contemporary Bradel binding in half indigo paper over marbled paper boards spine with double gilt fillets head of spine slightly rubbed. Small wormholes to endpapers otherwise internally good. Rare. Lib. de la Place de la Monnaie hardcover
1857réf. 21612Paris: Imprimerie Impériale 1857. Fine. Imprimerie Impériale Paris 1857 22.50 x 28.50 cm broché First edition. Three tiny marginal lacks to covers occasional light foxing. Work illustrated with 98 figures in the text. Rare. Imprimerie Impériale unknown
1938réf. 12291Tournai: V. Farré 1938. Fine. V. Farré Tournai 1938 16 x 24 cm broché The first edition published in a small number of copies. Two lacks at head and foot of spine spine and front board slightly and marginally sunned otherwise handsome copy. Rare. V. Farré unknown
1857réf. 9910Paris: Imprimerie Impériale 1857. Fine. Imprimerie Impériale Paris 1857 22.50 x 28 cm broché First edition. Work illustrated with figures and 7 engraved plates some light foxing one joint reattached marginal lack to front board. It should be noted that at the end of the volume are the 'Instructions sur la musique' by Bottée de Toulmon. From the collection 'Instructions du comité historique des arts et des monuments'. Imprimerie Impériale unknown
1941réf. 010401New York: Limited Editions Club 1941. Hardcover. Bookplate on the front pastedown. Spine a little darkened as usual. Near Fine in a Very Good slipcase with mild staining. Jean Charlot. Quarto 8-3/8" x 11" bound in bright and colorful hand-blocked gypsy silk cloth. Illustrated with 37 beautiful lithographs in color drawn on the plates by Jean Charlot. Copy #1205 of 1500 SIGNED and numbered by the artist. Perhaps the most stunning and underrated of the early books from the press. Limited Editions Club hardcover
1913réf. A61575Paris: A. Ferroud 1913. First Edition Thus. Hardback. No Dustjacket. Hardcover Hardcover. Fine. First Edition Thus. Hardback. No Dustjacket. 8vo in fine half blue leather binding with blue marbled baords lettered gilt at the spine with 5 raised bands and gilt compartment. pp 222. French text. Illustrations by Omer Bouchery1200 copies only this no. 754 of 1000 on velin d' Arches initialled by Frances Ferroud publiser. Faint rubbing otherwise about fine. Tres bon etat. A. Ferroud, hardcover
1887réf. C63823Paris: Librairie Des Bibliophiles 1887. First Edition Thus. Hardback. Very Good. First Edition Thus. Hardback. 8vo. pp x11 296. Illustrated by Aranda de Beaumont Bramtot Le Blant Merson Myrbach Sinibaldi etc. Bound in chocolate brown leather with marbled boards original printed wraps sy foxed bound in. Appears to be one of a small number of copies possibly 150 'Tioage a Petit Nombre.' The gilt printed name E Lazarus appears at the foot of the spine possibly a former owner possibly Emma Lazrus who wrote about Florence Nigtingale. The books has the bookplate of Lytton Strachey 1"" by 3/4 "" with the words Lytton Strachey in a plaque or cartouche with folded edges surrounded by net-like cross hatching in a dark sepia tone. Carrington wrote of this bookplate in her diary March 20 1931 rather prophetically:- 'As I stuck the book plates in with Lytton I suddenly thought of Sothebys and the book plates in some books I had looked at when Lytton was bidding for a book and I thought: These books will one day be looked at by those gloomy faced booksellers and buyers. And suddenly a premonition of a day when these labels will no longer be in this library came over me. I longed to ask Lytton not to stick in any more.' He died 10 months later she shot herself shortly after. Very good indeed. Librairie Des Bibliophiles paperback
1916réf. 1019F62London: Hutchinson & Co 1916. First edition. Hardback. Very Good. 11.5" by 9.5". Rene Bull. A limited edition work signed by the illustrator this is a wonderful and scarce first edition of Rene Bull's illustrated edition of Prosper Merimee's 'Carmen'. With colour plates. A scarce signed limited edition work the first edition of this work to be translated into English by A. E. Johnson and to be illustrated by Rene Bull. No. 66 of 100 limited edition copies signed by the illustrator. Illustrated with a colour frontispiece and fifteen fine colour plates each with descriptive tissue guard together with seventy-four black and white illustrations in the text. Collated complete. 1919 inscription to a front blank. A beautifully illustrated edition of Mérimée's 'Carmen' the novella that inspired Georges Bizet's opera. In the publisher's original paper vellum with gilt detailing. Significant handling marks to binding with is age toned. Shelf wear to back strip tail. Front hinge strained but firmly held. Inscription to a front blank. Internally firmly bound. Pages bright and generally clean with the odd light handling mark or spot. Significant loss to one tissue guard. Very Good Hutchinson & Co hardcover
1910réf. 72491London Uten år. Ca. 1910. 4to. “Falskt” helpergamentbind. Gulldekor på ryggen og deklene. Helt gullsnitt. 203 s. Med 16 helsides farveplansjer utenom pagineringen. Rikt illustrert i svart/hvitt i teksten.4to. Faux vellum binding. Gilt decoratons on spine and covers. All edges gilt. With 16 full page colour plates apart form pagination. Richly illustrated in black and white in text. Hutchinson & Co. Engelsk. “Edition de luxe. Limited to 100 copies signed by the artist”. Dette eksemplaret er signert men ikke nummereret.“Edition de luxe. Limited to 100 copies signed by the artist”. This copy is signed but not numbered. hardcover
