500 resultados
2012ref. 39030Naive, 2012. V5295 2 CDs CD
1750ref. 44901Rom, Ansillioni, (1750). 8°. Mit Holzschn.-Titelvignette. 20 S., Brosch. d. Zt.
1813ref. 18181Venedig, Pietro Bernardi, 1813. 12°. Mit einem gest. Titelportrait (v. Felice Zuliani). 106; 231 S., 1 Bl.; 414 S., HLdr.-Bde. m. Rückenverg. u. goldgepr. Rückenschildern.
1825ref. 46076Wien, Schrämbl, 1825. 12°. 215 (1); 215 (1) S., HLwd.-Bde. d. Zt. m. gepr. Rückentiteln.
1757ref. ED12-852Torino (Turin), Stamperia reale, 1757. 9 Lederb?nde der Zeit mit roten R?ckenlederschildchen und rundum Rotschnitt, kl.-8?, 1. Band / Vol. 1; gestochenes Titelblatt, [15 Seiten], CCXIV Seiten, 1 Blatt, 304 Seiten // 2. Band / Vol. 2: gestochenes Titelblatt, Titelblatt, 440 Seiten // 3. Band / Vol. 3: gestochenes Titelblatt, Titelblatt,438 Seiten, 1 Blatt // 4. Band / Vol. 4: gestochenes Titelblatt, Titelblatt, 470 Seiten, 1 Blatt // 5. Band / Vol. 5: gestochenes Titelblatt, 461 Seiten inkl. Titelblatt, 1 Blatt, // 6. Band / Vol. 6: gestochenes Titelblatt, 469 Seiten inkl. Titelblatt, 1 Blatt // 7. Band / Vol. 7: gestochenes Titelblatt, 431 Seiten inkl. Titelblatt // 8. Band / Vol. 8: gestochenes Titelblatt, 446 Seiten inkl. Titelblatt, 1 Blatt, // 9. Band / Vol. 9: gestochenes Titelblatt, 422 Seiten inkl. Titelblatt, 1 Blatt, Die Lederbez?ge der Einb?nde mit kleineren Fehstellen, oder Wurmg?ngen, gestochener Titel des 1. Bandes mit handschriftlichem Vorbesitzernamen, gestochene Titelbl?tter mit alt. Bibliotheksstempel, Exemplar aus der Bibliothek der 1803-1807 aufgel?sten Reichsabtei Ochsenhausen in Oberschwaben (Bibliotheksstempel auf den gestochenen Titelbl?ttern), Einb?nde berieben, Lederbezug des R?ckens teils mit kleineren, beim 4 und 5. Band gr??eren Fehlstellen, Text altersgem?? sauber und gut, Exemplar mit interessanter Provenienz aus der Reichsabtei Ochsenhausen, insgesamt trotz der Gebrauchspuren, stabiles solides Exemplar // a good minus copy, The bindings with clearer traces of age. Copy with interesting provenance from Ochsenhausen Abbey, Germany. The monastery was closed down at the beginning of the 19th century. (library stamp of the monastery, on the title pages); overall, despite the traces of use, stable and solid copy
1813ref. 4245London: R. Zotti etc. 1813. Good. 17 cm; 5 volumes of six; lacks volume 6. Engraved portrait frontispiece. Uniformly bound in tan polished calf ruled in gilt with leather labels on spine titled in gilt. Bindings shelf worn with occasional scuffs spines somewhat darkened and leather label missing from volume 5. Early gift inscription. Bookseller's ticket. The most successful librettist of his day Metastasio collaborated with Pergolesi Alessandro Scarlatti and Leo; Farinelli and Metastasio worked closely together; his plays were set to music by Johann Christian Bach and Luigi Cherubini; and his Clemenza di Tito was borrowed by Mozart. R. Zotti, [etc.] hardcover books
1822ref. 1386073Parigi Paris: Presso Lefevre 1822. Hardcover. Parts I and II bound in a single volume. 12mo 6 iv 410 6 283 1 pages. In Poor condition. Bound in half brown calf with marbled paper boards; gatherings exposed. Both boards spine two blank front endpapers first two printed leaves and blank rear leaf detached; all but spine still present with volume. Text block lightly age toned and moderately foxed throughout. TG Consignment. 1386073. Special Collections - Downstairs. Presso Lefevre hardcover books
1827ref. 117847Cremona: Luigi de Micheli e Bernardo Bellini 1827. Hardbound. Tight bindings with some general wear and foxing to pages but no major flaws;. Quarter leather with marbled paper over boards; gilt lettering and decoration on spine; each work numbered individually; occasional bw engravings;. Text in Classical Italian of the version spoken in the 18th-19th centuries. This grouping contains the original 14 volumes in 7 books two volumes per book. It is a lovely matched set. Luigi de Micheli e Bernardo Bellini hardcover books
1832ref. 1335562Firenze: Tipografia Borghi E Compagni 1832. Volume Unico. Hardcover. Octavo; 1097pp; full contemporary vellum gilt with red morocco label; old hand-soiling and minor warping; narrow inch-long paint drip on title label; "Rome 1840" in ink on front end-paper; scattered mild foxing; contents very good throughout with several full page steel engravings.; Spine is thick; vellum with gilt decoration and title on red accent. NOTE: Shelved in Netdesk office Case #3. 1335562. FP New Rockville Stock. Tipografia Borghi E Compagni hardcover books
1840ref. 81462Paris France: Buttura 1840. Hardcover. Near Fine. First edition. Two volumes. Text in Italian. 64mo. Both volumes near fine with some light soiling to the leather covering the boards. Small owner inscription to the front free endpaper of both volumes. Buttura hardcover books
1795ref. 006156Venezia: Tipografia Pepoliana 1795. Quarter Calf. Marbled boards. Very Good. 16mo. 11.5 by 7.5 cm. A vast compendium of Metastasio's poetic works excepting his lyric opera libretti. Not a few of the works contained herein however were intended to be accompanied by music and many of these are dramatic works short to long-ish and with casts of characters -- essentially one act operas some with many scenes. These works moreover were some of his most popular works in their day. Among the works included are "La Contesa de' Numi" "Il Tempio dell'Eternita" "L'Asilo d'Amore" "Le Grazie Vendicate" "Il Sogno di Scipione" "Il Palladio Conservato" "Il Parnaso Accusato e Difeso" "La Pace fra la Virtu e la Belezza" "Astrea Placata" etc. etc. All the volumes contain the decorative bookplate of Alexander Speirs who was a prominent Scottish politician in the early 19th century. Spine labels with number of volume only missing label for volumes 1 and 12 the latter has a slight remnant of the label. Boards with speckled marbled paper pastedowns. These have some darkening. The bindings otherwise with minor bumping here and there and scattered scuffs. Nonetheless the near-miniature set remains very attractive and also very uncommon. Tipografia Pepoliana unknown books
1795ref. 006157Venezia: Tipografia Pepoliana 1795. Quarter Calf. Marbled boards. Very Good. The collected full-length operas of the foremost librettist of opere serie during the eighteenth century. 16mo. 11.5 by 7.5 cm. While these operas were set to music originally by composers mostly forgotten a few of them were re-used as libretti by others and most notably by Mozart who set music to "La Clemenza di Tito" which has in more recent years become a staple of the major opera houses. All of Metastasio's full length operas are here except for "Siface Re di Numidia" and "L'Impresario delle Isole Canarie". We strongly believe that the set is complete as the operas are arranged generally in chronological order and they are in strict chronological order in the latter half; in other words the two omitted works if they were part of the set would have been in the earlier numbers. There is one opera per volume. Each volume has a copper engraved illustration on its title page. All the volumes contain the decorative bookplate of Alexander Speirs who was a prominent Scottish politician in the early 19th century. Spine labels with number of volume only missing all or part of the labels for volumes 5 11 and 14. Spine leather heavily worn on Vol. 11 by joint where chewed and 12 the latter has a slight remnant of the label. Boards with speckled marbled paper pastedowns. These have some darkening. The bindings otherwise with minor bumping here and there and scattered scuffs. Nonetheless the near-miniature set remains very attractive and also very uncommon. Tipografia Pepoliana unknown books
1780ref. WB15485Parigi Paris: Presso la Vedova Herissant 1780-1782. Full Calf. Very Good. Complete set of 12 volumes. Contemporary mottled calf spines gilt. Bindings rubbed but a sound set overall. Extra shipping charges will apply. Presso la Vedova Herissant unknown books
1787ref. 121171787. METASTASIO PIETRO. Vita del Signor Abate Pietro Metastasio poeta cesareo. Naples: Luigi Migliaccio 1787. 12mo. 4 354 p. Port. trimmed and pasted to free endpaper. Contemporary vellum. Moderate foxing vellum a bit soiled else a very good copy. Biography of Pietro Metastasio 1698-1782. Metastasio the son of a papal soldier and pork-butcher was notably unsuccessful until his hobby of writing poetry came to the attention of the viceroy of Naples. His skill especially at writing drama then led to his quick rise and he was appointed Imperial Poet in 1730. Among his many works the Clemenza di Tito is probably best-known as the basis of Mozart's opera. unknown books
ref. 50493Napoli, Luigi Jaccarino 1845-1852, demi-parchemin, pièces de titre et de tomaisons en cuir, ornementations dorés, plats papier marbré, quelques rousseurs, reliures de l’époque.
ref. 56458aafParis, Ant. Bailleul, an XIII - 1805, in-8vo, 153 p., çà et là qqs lég. rousseurs, cartonnage recouvert de papier marbré, tranches jaspées / Hardbound.
1755ref. 79681755 Parigi: Presso La Vedova Quillau, 1755, [puis] Molini 1769-1783. Collection de 12 vol. in-8: 12 x 19 cm. Édition dédicacée à la marquise de Pompadour illustrée d'un frontispice par Eisen gravé par Sornique, d'une vignette en-tête et d'un titre gravé répété. Les neuf premiers volumes, paru chez la Veuve Quillau en 1755, et édité par Ranieri de' Calsabigi. sont complétés ici par trois volumes par chez Molini à Paris, le supplément de 1769 et les deux derniers en 1783. C'est ailleurs à cette date qu'Herissant donne une édition illustrée en 12 vol. (Cohen, col. 706). Luxueuses reliures uniformes de l'époque en maroquin rouge. Dos à cinq nerfs avec titre et tomaison en capitales dorées et caissons aux petits fers. Trois filets en encadrement des plats. Toutes tranches dorées. Dos légèrement mais uniformément insolé. Fort bel ensemble admirablement décoratif! Pietro Trapassi (1691-1781), ditPietro Metastasio, connu aussi en français sous le nom deMétastase, né à Rome et mort à Vienne, est notamment connu pour sa poésie et son oeuvre de librettiste d'opéra.
ref. M12038Couverture rigide Vienne , 1751 , 4 vols in16 plein veau , dos lisse orné , XVI - 237 - 243 - 261 -144 pp . Langue: Français
ref. 49672Parigi.1773.8 vols.in-12 en veau d'époque.Portrait en frontispice.Pages de titre gravées par Gravelot.Bel ensemble avec dos ornés de lyres,avec pièces de titre et de tomaison.Tranches rouges.Plats soulignés de 3 filets dorés.Plats un peu accidentés.
1760ref. 9769Parigi, Presso La Vedova Quillau, 1760. 9 volumes in-12, plein veau marbré, dos à 5 nerfs ornés de fleurons, encadrement, roulettes et titre dorés, étiquettes de titre et de tomaison bordeaux, triple filet doré encadrant les plats, simple sur les coupes, tranches mouchetées. 3 mors fendus sur 3 cm., nom de possesseur à la plume sur garde : Pierre Boissier.
ref. 186973Florence, Borghi, 1832 fort vol. in-8, [6]-XV-[3]-1097-[2] pp., texte sur deux colonnes, typographie en petit corps, avec 3 (sur 5) planches hors-texte, dont un portrait-frontispice, demi-veau blond, dos à nerfs orné de filets et pointillés dorés, pièce de titre cerise, tranches mouchetées (reliure de l'époque). Dos un peu insolé.
ref. 10499Parigi, G. C. Molini / La Vedova Quillau, 1759-1773. 12 volumes in-8, titres gravés, reliure plein veau, dos ornés, tranches rouges (coiffes supérieures arasées, petits défauts aux reliures, sinon agréable exemplaire).
ref. 20315Londres, R. Bremner, [1770]. In-folio, [4]-127 pp., demi-basane marbrée brune, triples filets à froid sur les plats, étiquette manuscrite au premier plat, dos à nerfs orné de filets à froid (reliure un peu défraîchie mais solide, quelques taches et rousseurs).
1784ref. 65221784 Londra, sans nom d'éditeur (Cazin ?), 1784, 12 vol. in 16, 1 portrait gravé en front. du tome I, rel. d'ép. plein veau marbré, dos lisses ornés de fers dorés, pièce de titre de maroquin vert, encadrements de pointillés sur les plats, tranches dorées, 1 coiffe manque, usure à une autre, travail de ver sur un plat, néanmoins agréable ex.
ref. 200412552Mantova, Co' Tipi Dell' Erede Pazzoni, 1816 ; in-12, cartonnage de l'éditeur. Les 20 volumes. En Italien - gravures de Zuliani -Maina demi-cuir des manques sur les coiffes et sur certains dos, sinon bon état d''ensemble.
