649 résultats
2012réf. 39030Naive, 2012. V5295 2 CDs CD
1750réf. 44901Rom, Ansillioni, (1750). 8°. Mit Holzschn.-Titelvignette. 20 S., Brosch. d. Zt.
1813réf. 18181Venedig, Pietro Bernardi, 1813. 12°. Mit einem gest. Titelportrait (v. Felice Zuliani). 106; 231 S., 1 Bl.; 414 S., HLdr.-Bde. m. Rückenverg. u. goldgepr. Rückenschildern.
1825réf. 46076Wien, Schrämbl, 1825. 12°. 215 (1); 215 (1) S., HLwd.-Bde. d. Zt. m. gepr. Rückentiteln.
1757réf. ED12-852Torino (Turin), Stamperia reale, 1757. 9 Lederb?nde der Zeit mit roten R?ckenlederschildchen und rundum Rotschnitt, kl.-8?, 1. Band / Vol. 1; gestochenes Titelblatt, [15 Seiten], CCXIV Seiten, 1 Blatt, 304 Seiten // 2. Band / Vol. 2: gestochenes Titelblatt, Titelblatt, 440 Seiten // 3. Band / Vol. 3: gestochenes Titelblatt, Titelblatt,438 Seiten, 1 Blatt // 4. Band / Vol. 4: gestochenes Titelblatt, Titelblatt, 470 Seiten, 1 Blatt // 5. Band / Vol. 5: gestochenes Titelblatt, 461 Seiten inkl. Titelblatt, 1 Blatt, // 6. Band / Vol. 6: gestochenes Titelblatt, 469 Seiten inkl. Titelblatt, 1 Blatt // 7. Band / Vol. 7: gestochenes Titelblatt, 431 Seiten inkl. Titelblatt // 8. Band / Vol. 8: gestochenes Titelblatt, 446 Seiten inkl. Titelblatt, 1 Blatt, // 9. Band / Vol. 9: gestochenes Titelblatt, 422 Seiten inkl. Titelblatt, 1 Blatt, Die Lederbez?ge der Einb?nde mit kleineren Fehstellen, oder Wurmg?ngen, gestochener Titel des 1. Bandes mit handschriftlichem Vorbesitzernamen, gestochene Titelbl?tter mit alt. Bibliotheksstempel, Exemplar aus der Bibliothek der 1803-1807 aufgel?sten Reichsabtei Ochsenhausen in Oberschwaben (Bibliotheksstempel auf den gestochenen Titelbl?ttern), Einb?nde berieben, Lederbezug des R?ckens teils mit kleineren, beim 4 und 5. Band gr??eren Fehlstellen, Text altersgem?? sauber und gut, Exemplar mit interessanter Provenienz aus der Reichsabtei Ochsenhausen, insgesamt trotz der Gebrauchspuren, stabiles solides Exemplar // a good minus copy, The bindings with clearer traces of age. Copy with interesting provenance from Ochsenhausen Abbey, Germany. The monastery was closed down at the beginning of the 19th century. (library stamp of the monastery, on the title pages); overall, despite the traces of use, stable and solid copy
1787réf. 121171787. METASTASIO PIETRO. Vita del Signor Abate Pietro Metastasio poeta cesareo. Naples: Luigi Migliaccio 1787. 12mo. 4 354 p. Port. trimmed and pasted to free endpaper. Contemporary vellum. Moderate foxing vellum a bit soiled else a very good copy. Biography of Pietro Metastasio 1698-1782. Metastasio the son of a papal soldier and pork-butcher was notably unsuccessful until his hobby of writing poetry came to the attention of the viceroy of Naples. His skill especially at writing drama then led to his quick rise and he was appointed Imperial Poet in 1730. Among his many works the Clemenza di Tito is probably best-known as the basis of Mozart's opera. unknown books
1813réf. 4245London: R. Zotti etc. 1813. Good. 17 cm; 5 volumes of six; lacks volume 6. Engraved portrait frontispiece. Uniformly bound in tan polished calf ruled in gilt with leather labels on spine titled in gilt. Bindings shelf worn with occasional scuffs spines somewhat darkened and leather label missing from volume 5. Early gift inscription. Bookseller's ticket. The most successful librettist of his day Metastasio collaborated with Pergolesi Alessandro Scarlatti and Leo; Farinelli and Metastasio worked closely together; his plays were set to music by Johann Christian Bach and Luigi Cherubini; and his Clemenza di Tito was borrowed by Mozart. R. Zotti, [etc.] hardcover books
1822réf. 1386073Parigi Paris: Presso Lefevre 1822. Hardcover. Parts I and II bound in a single volume. 12mo 6 iv 410 6 283 1 pages. In Poor condition. Bound in half brown calf with marbled paper boards; gatherings exposed. Both boards spine two blank front endpapers first two printed leaves and blank rear leaf detached; all but spine still present with volume. Text block lightly age toned and moderately foxed throughout. TG Consignment. 1386073. Special Collections - Downstairs. Presso Lefevre hardcover books
1827réf. 117847Cremona: Luigi de Micheli e Bernardo Bellini 1827. Hardbound. Tight bindings with some general wear and foxing to pages but no major flaws;. Quarter leather with marbled paper over boards; gilt lettering and decoration on spine; each work numbered individually; occasional bw engravings;. Text in Classical Italian of the version spoken in the 18th-19th centuries. This grouping contains the original 14 volumes in 7 books two volumes per book. It is a lovely matched set. Luigi de Micheli e Bernardo Bellini hardcover books
1832réf. 1335562Firenze: Tipografia Borghi E Compagni 1832. Volume Unico. Hardcover. Octavo; 1097pp; full contemporary vellum gilt with red morocco label; old hand-soiling and minor warping; narrow inch-long paint drip on title label; "Rome 1840" in ink on front end-paper; scattered mild foxing; contents very good throughout with several full page steel engravings.; Spine is thick; vellum with gilt decoration and title on red accent. NOTE: Shelved in Netdesk office Case #3. 1335562. FP New Rockville Stock. Tipografia Borghi E Compagni hardcover books
1840réf. 81462Paris France: Buttura 1840. Hardcover. Near Fine. First edition. Two volumes. Text in Italian. 64mo. Both volumes near fine with some light soiling to the leather covering the boards. Small owner inscription to the front free endpaper of both volumes. Buttura hardcover books
1795réf. 006156Venezia: Tipografia Pepoliana 1795. Quarter Calf. Marbled boards. Very Good. 16mo. 11.5 by 7.5 cm. A vast compendium of Metastasio's poetic works excepting his lyric opera libretti. Not a few of the works contained herein however were intended to be accompanied by music and many of these are dramatic works short to long-ish and with casts of characters -- essentially one act operas some with many scenes. These works moreover were some of his most popular works in their day. Among the works included are "La Contesa de' Numi" "Il Tempio dell'Eternita" "L'Asilo d'Amore" "Le Grazie Vendicate" "Il Sogno di Scipione" "Il Palladio Conservato" "Il Parnaso Accusato e Difeso" "La Pace fra la Virtu e la Belezza" "Astrea Placata" etc. etc. All the volumes contain the decorative bookplate of Alexander Speirs who was a prominent Scottish politician in the early 19th century. Spine labels with number of volume only missing label for volumes 1 and 12 the latter has a slight remnant of the label. Boards with speckled marbled paper pastedowns. These have some darkening. The bindings otherwise with minor bumping here and there and scattered scuffs. Nonetheless the near-miniature set remains very attractive and also very uncommon. Tipografia Pepoliana unknown books
1795réf. 006157Venezia: Tipografia Pepoliana 1795. Quarter Calf. Marbled boards. Very Good. The collected full-length operas of the foremost librettist of opere serie during the eighteenth century. 16mo. 11.5 by 7.5 cm. While these operas were set to music originally by composers mostly forgotten a few of them were re-used as libretti by others and most notably by Mozart who set music to "La Clemenza di Tito" which has in more recent years become a staple of the major opera houses. All of Metastasio's full length operas are here except for "Siface Re di Numidia" and "L'Impresario delle Isole Canarie". We strongly believe that the set is complete as the operas are arranged generally in chronological order and they are in strict chronological order in the latter half; in other words the two omitted works if they were part of the set would have been in the earlier numbers. There is one opera per volume. Each volume has a copper engraved illustration on its title page. All the volumes contain the decorative bookplate of Alexander Speirs who was a prominent Scottish politician in the early 19th century. Spine labels with number of volume only missing all or part of the labels for volumes 5 11 and 14. Spine leather heavily worn on Vol. 11 by joint where chewed and 12 the latter has a slight remnant of the label. Boards with speckled marbled paper pastedowns. These have some darkening. The bindings otherwise with minor bumping here and there and scattered scuffs. Nonetheless the near-miniature set remains very attractive and also very uncommon. Tipografia Pepoliana unknown books
1822réf. 57789Livorno, Glauco Masi, 1822. 8vo. Bound in a splendid full call binding with gilt title-label, richly gilt spine and elaborately gild boards with broad gilt floral borders and gilt, crowned initials to centre (""J. P.""). Edges of boards and all edges gilt. Small damp stain to the lower blank margin and to the top of the first 10 leaves, otherwise internally very nice and clean. With gift-inscription for James Pennethorne from D. Gregory (presumably hos uncle). With lithographed frontispiece portrait of the author. X, 264"" 259 pp.
1817réf. 4557BB2 Bde. London, Schulze e Dean u. Trovansi Presso R. Zotti, 1817. Klein-8°. (1) Bl., (4) 328 S.; (1) Bl., (4) S., S. 13-326. Lederbde. d. Zt. mit reicher Rückenvergoldung, Stehkantenvergoldung u. goldgepr. Rückenschildern (Gelenke berieben, Ecken leicht bestossen).
1830réf. 514751 vol. in-18 reliure de l'époque plein maroquin marron à grain long, dos lisse orné en long, coupes et chasses dorées, toutes tranches dorées, Biblioteca Poetica Italiana, scelta e publicata da A. Buttura, Presso Aimé-André, Librajo, Parigi [ Paris ], 1830, xii-287 pp. ; 303 pp. ; 319 pp.
1837réf. 693381 vol. in-18 reliure de l'époque plein chagrin vert bronze, dos lisse, plats richement ornés et estampés à froid, coupes ornées, P. Rolandi, Londra, 1837, 322 pp. et 1 f.
réf. 49672Parigi.1773.8 vols.in-12 en veau d'époque.Portrait en frontispice.Pages de titre gravées par Gravelot.Bel ensemble avec dos ornés de lyres,avec pièces de titre et de tomaison.Tranches rouges.Plats soulignés de 3 filets dorés.Plats un peu accidentés.
réf. M12038Couverture rigide Vienne , 1751 , 4 vols in16 plein veau , dos lisse orné , XVI - 237 - 243 - 261 -144 pp . Langue: Français
1809réf. 33069BBLosana (Lausanne), 1809. 8°. X, 129 S., Broschur der Zeit.
réf. 22556Livorno, Masi, 1822, 2 volumes in 12 brochés, X-264 et 259pp. ; portrait en frontispice du tome I ; des rousseurs, petites mouillures marginales ; couvertures de parution imprimées (fanées avec petits manques).
réf. 27509Avignone, Seguin, 1808, 6 volumes petit in 12 reliés demi-basane aubergine, dos lisses ornés de doubles filets dorés et d'une roulette dorée en pied, 236, 226, 224, 184, 176 et 176pp. ; qq. rares rousseurs ; petits frottis ; les pages de titres des Tomes III et IV ont été interverties.
1773réf. 91180Parigi, Presso Pietro Durand 1773 8 volumes. In-16. Reliures de l’époque plein veau havane, dos lisses ornés d'un riche décor de dentelles, de petits fers et de roulettes dorés, pièces de titre cuir grenat, plats encadrés d’un triple filets dorés, coupes ornées de roulettes dorées environ 450 pp. par volumes, frontispice, platspages de titre gravées. Reliures frottées, des coiffes usées. intérieur assez frais. Bon ensemble.
réf. 186973Florence, Borghi, 1832 fort vol. in-8, [6]-XV-[3]-1097-[2] pp., texte sur deux colonnes, typographie en petit corps, avec 3 (sur 5) planches hors-texte, dont un portrait-frontispice, demi-veau blond, dos à nerfs orné de filets et pointillés dorés, pièce de titre cerise, tranches mouchetées (reliure de l'époque). Dos un peu insolé.
1760réf. 9769Parigi, Presso La Vedova Quillau, 1760. 9 volumes in-12, plein veau marbré, dos à 5 nerfs ornés de fleurons, encadrement, roulettes et titre dorés, étiquettes de titre et de tomaison bordeaux, triple filet doré encadrant les plats, simple sur les coupes, tranches mouchetées. 3 mors fendus sur 3 cm., nom de possesseur à la plume sur garde : Pierre Boissier.
