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1904pp. 136, cm 20x14, bross., mancanze al dorso
rif. 2h11842G. Pagani Firenze 1820-22. 494/543/540/513 S. mit 4 gestochenen Frontispizen und Titeln Halbleinen Schnitt fleckig/stockfleckig/etwas berieben. unknown
rif. 38916PARIS AIME-ANDRE 1830. THEE VOLUMES. A CABINET EDITION 48mo. 10 by 7 cm. ATTRACTIVELY BOUND IN HALF LEATHER MARBLED BOARDS FRONTIS. ARMORIAL BOOKPLATE. ITALIAN TEXT. SLIGHT FOXING BUT CLEAN AND TIGHTLY BOUND. SCARCE. PARIS, AIME-ANDRE 1830 hardcover
rif. DADAX1437419151New unknown
1817rif. 4557BB1817. 2 Bde. London Schulze e Dean u. Trovansi Presso R. Zotti 1817. Klein-8°. 1 Bl. 4 328 S.; 1 Bl. 4 S. S. 13-326. Lederbde. d. Zt. mit reicher Rückenvergoldung Stehkantenvergoldung u. goldgepr. Rückenschildern Gelenke berieben Ecken leicht bestossen. Mit 3 Namenszügen auf den fl. Vorsätzen. Bd. 2: Es fehlen die Seiten 1-12. Mit stärkerem Wurmfrass über die ersten 20 Seiten. Durchgehend leicht gebräunt. unknown
1822rif. 57789Livorno Glauco Masi 1822. 8vo. Bound in a splendid full call binding with gilt title-label richly gilt spine and elaborately gild boards with broad gilt floral borders and gilt crowned initials to centre "J. P.". Edges of boards and all edges gilt. Small damp stain to the lower blank margin and to the top of the first 10 leaves otherwise internally very nice and clean. With gift-inscription for James Pennethorne from D. Gregory presumably hos uncle. With lithographed frontispiece portrait of the author. X 264; 259 pp. A magnificent copy which has belonged to the famous English architect and planner James Pennethorne famous for his parks and buildings in central London."For a period of thirty years in the mid-nineteenth century James Pennethorne was more intimately involved with the planning and building of London than any other major architect. A pupil of John Nash he took over his teacher's practice and became government architect for the first half of Victoria's reign. He was responsible for the planning of new streets the laying out of parks and the design of important public buildings such as the Public Record Office the west wing of Somerset House and the Duchy of Cornwall office. It is therefore almost impossible for Londoners to avoid coming into contact with some aspect of his work." Cambridge Studies in the History of Architecture. hardcover
1734rif. 019334Venice Venezia 1734 1737: Giuseppe Bettinelli 1734. First Edition . Full Vellum. Very Good. Frontispiece. Four Volumes 1734 Stated Second Edition Of The First Volume First Editions Of Volumes 2 Through 4. Vol. 1: Half Title Frontispiece Title 12 1 504 And Is The Stated Second Edition Dated 1734; The First Edition Was Issued In 1733. Vol Ii: Title 1 1 480 Dated 1734. Vol. Iii: Title 1 1 520 With "La Betulia Liberata" 1734 Same Publisher At Rear Title 1 72. Vol. Iv:Title 1 2 With Nine Separately Paginated Plays The Last Being Really A Dialogue 11737. Original Vellum. Metastasio Was A Renowned Child Prodigy Whose Plays Became Incorporated Into Much 18Th Century Music. Light Usuage To Vellum. Contents Fine Except A Damage In 1" Corner Of First Three Pages Not Affecting Text And Related Damp Mark No Damp Staining At Lower Foredge Corner Of Pages In Margins And Not Affecting Text. Original Signatures Of Joachim Steetz Dated 1747. Very Scarce Worldcat Locating Only One Copy. New Sturdy Slipcase By Heritage Bindery Pasadena. Giuseppe Bettinelli hardcover
1818rif. C9120In Milano: Si Trova In Parigi Appresso L Teofilo Barrois 1818. Hardcover Hardcover. Good. 95; 111; 114pp. Small 8vo. Three uniformly printed Italian dramas seemingly excerpted from the publisher's series Teatro Italiano o Scelta delle Migliori Opere di Goldoni Metastasio Alfieri et al the title page of volume II of which has been accidentally bound in. Contemporary calf with spine decorated gilt and red spine label lettered gilt 'Italian Plays'. Slightly rubbed with front exterior joing cracking but binding still sound and no loose pages. Few light pencil annotations. Otherwise very goood. Si Trova In Parigi Appresso L Teofilo Barrois hardcover
1806rif. C85094Avignone : Presso Li Fratelli Seguin. 1806. First Or Early Ed. Hardback Hardcover. Very Good. First Or Early Ed 12mo. 8 cms by 13. pp vols 1-6 in order:Ê xii 232; 224; 223; 184; 175; 175. Green marbled cloth on boards; marbled fore edge and bottom edge; pale brown morocco title labels lettered and ruled in gilt. Rubbing to heads of spine with a little loss to the vol. comprising vols. 1 and 2; title labels rubbed; inscription on ffep of vols 3 & 4 and 5 & 6 dated 1849 date of binding. Very occasional scattered light foxing. A few short marginal annotations in pencil to vol. 1. Internally very tight. A bright pleasing set. VG. Uncommon. Metastasio an Italian poet and librettist is considered the most important writer of opera seria libretti.British Library has 2nd. ed. of 1819. Presso Li Fratelli Seguin. hardcover
1838rif. 21239961838. Rome: 'A la Stamparia ar Curso n. 336'. 1838. 8vo. In the publisher's printed self-wrappers title within typographic border woodcut angel within typographic border to rear cover upper cover lettered 'Treato Palaccorda Carnoval 1838'; slight foxing to title; small marginal paperflaws to 2 ff. variable marginal spotting to last 5 ff.; else very well preserved. First edition extremely rare of this lively programme in Romanesco or Roman dialect issued for the 3 February 1838 Carnival performance of La Didona an adaptation in Romanesco of Metastasio's 1724 Didone abbandonata. The opera is thought to have been translated into Romanesco by the poet and abbot Alessandro Barbosi. This anonymously authored programme advertising the opera as being in the 'Roman language of Trastevere' trans. was to be distributed at the box office 'dar buteghino de la cummedia' at Rome's Teatro della Pallacorda on the night of the opera staged back-to-back with a prequel by Luigi Randanini Un teatro drento na casa ciove er provemio de la commedia also in Romanesco. Our programme which encourages viewers to attend both showings if they can provides an engaging and colloquial summary of the context of the play glowing reviews of the set design and a blow-by-blow account of the plot. 'So you want me to give you the long and short of it without going on and on He the man who wrote Didone abbandonata did everything to inspire anyone who goes to see it. Sound good The clothes are just like the ones they wore a thousand years ago. The scenery is all made of medium-thick Frabbiano i.e. Fabbriano paper made of white rags all painted on the spot . by a painter so gifted that even the sun appears as it would in real life' p. 8 trans. and the prop weapons gleam like silver. The summary is deliberately kept light in tone and brief so that it can be 'better understood by those who - poor things! - are not especially literate and cannot read a story as old as this one detail by detail' p. 9 trans. The Avviso is not only a significant resource with regard to nineteenth-century Roman dialect but also provides insights into the use of plays and operas in Romanesco as a means of 'making the classical repertoire known to a wider audience. The Avviso is a true translation. It is neither a pure intellectual exercise in and of itself nor an adaptation a parody or worse an irreverent remake. With the exception of a few adjustments designed to justify space-time collocations inevitably connoted by the dialect the fidelity to the original text is absolute and the care is such that the work's dramatic impact is in no way taken away altered or diminished' Barboni p. 118.The Teatro Pallacorda famous for staging plays and operas in Romaneseco was renamed Teatro Metastasio in 1841 closed during the First World War and was demolished in 1936; it was formerly a tennis court thought to be the site at which Caravaggio murdered Ranuccio Tomassoni in 1606 prompting his flight from Rome. The libretto of Barbosi's Didona would not be published until 1851 without the author's name and with commentary by Filippo Tacconi. No copies traced in the US or the UK; not on Library Hub. OPAC SBN attributing authorship to Gaspare Randanini finds a single copy at the Biblioteca comunale Mozzi-Borgetti in Macerata. Ludovisi traces another at the Biblioteca Nazionale Centrale di Roma. See Biancini 'Didone o Didona: un successo nel tempo' in Acquaro and Ferari eds I Fenici: L'Oriente in Occidente 2004; Ludovisi 'L'Avviso strasordinario e il Bollettone: studio linguistico con un'ipotesi attributiva' in Vox Romanica 82 2023 pp. 75-101. hardcover
1808rif. 926F23Avignone: Fratelli Seguin 1808 . Leather. Very Good. 5.5" by 3.5". None. A charming six volume edition of the works of Italian poet and celebrated librettist Pietro Metastasio. In the original Italian.A six volume 'Edizione Portatile' or portable edition of the works of the poet who was the most celebrated librettist in Europe during the eighteenth century for the opera seria; his librettos were set more than eight hundred times.Metastasio authored over twenty-eight operas and thirty-four other stage works.Retaining the original half titles and in attractive calf bindings. In full calf binding with extensive gilt detailing to back strips. Minor losses of leather to spine label perimeters. Light rubbing to back strips. Front hinge of volume I strained and VI strained but firmly held. Internally firmly bound. Pages generally clean and bright. Very Good Fratelli Seguin hardcover
1823rif. 807R1Prato: Dalla Tipografia di Luigi Vannini 1823. Vellum. Very Good. 6.5" by 4". None. A delightful vellum-bound complete collection of the writings of Metastasio in the original Italian language illustrated with engraved plates. Peitro Metastasio was an Italian poet and librettist active during the eighteenth century widely considered the most important writer of opera seria libretti. His writings inluded 'Ezio' 'Demetrio' 'L'Olimpiade' 'Catone in Utica' 'La clemenza di Tito' 'Il trionfo di Clelia' and 'Didone abbandonata' with composders including Domenico Sarro Francesco Feo and Leonardo Vinci.Volume I is illustrated with a frontispiece portrait of the author and four engraved plates. Volume II is illustrated with eight plates volume III with eight volume IV with five volume V with four volume VI with three and volume VII with two.Fourteen volumes bound as seven. In the original Italian language.Bound in lovely full vellum with gilt spines and calf spine labels. In a full vellum binding. Externally generally smart; some slight rubbing more noticeable to the spine label of vol XIII and to the head of volume VII. Otherwise minor wear to the heads and tails of the spines; boards have the odd mark. Very Good Dalla Tipografia di Luigi Vannini hardcover
rif. 6617583Cambridge University Press CUP . Papeback. New. pp. 446 Cambridge University Press CUP unknown
rif. 6617603Cambridge University Press CUP . Papeback. New. pp. 460 Cambridge University Press CUP unknown
rif. 6617577Cambridge University Press CUP . Papeback. New. pp. 458 Cambridge University Press CUP unknown
rif. 003056London: Printed for G. Kearsly at No. 1 in Ludgate Street and W. Griffin in Catherine Street n.d. 1763. Soft cover. Good. Octavo. 47 ipp. A new edition. The title-page is engraved; at lower right "P. 1s." Disbound. ESTC T9986. 0 London: Printed for G. Kearsly, at No. 1, in Ludgate Street, and W. Griffin, in Catherine Street, n.d. [1763?]. paperback
1814rif. 37125Firenze: Vittorio Alauzet 1814. Vittorio Alauzet unknown
1748rif. 32536Roma: si vendono nella Libraria di S.Gregorio Roisecco in Piazza Navona 1748. si vendono nella Libraria di S.Gregorio Roisecco in Piazza Navona unknown
1845rif. 50493Napoli : Luigi Jaccarino 1845-1852. METASTASIO Pietro.Opere drammatiche. 6 Volumes. Napoli Luigi Jaccarino1845-1852 389 - 450 - 467 - 170 - 942 777 pages illustré de 23 lithographies à deux teintes demi-parchemin pièces de titre et de tomaisons en cuir ornementations dorés plats papier marbré quelques rousseurs reliures de l’époque. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Luigi Jaccarino unknown
1755rif. 2003290001Parigi Vedova Quillan 1755. First Edition. Hardcover. Very Good. 9 volumes. Bound in handsome contemporary calf. Gilt spine compartments with a floral motif. Gilt spine labels on red and green morocco. Very good bindings and covers with only minor shelf wear. All edges red. Marbled end sheets. Pages are generally clean and unmarked. Engraved title pages. Small stain at the margin of tome VI effecting two pages. Pietro Trapassi 1698-1782 better known as Metastasio was regarded as one of the greatest poets of the 18th century; his libretti were set to music by numerous prominent composers. Dauze page 770. BrunetIII-1676. A tenth volume not included here was published later in 1769. Contents: Vol. I: 1f. frontispiece with portrait of the poet engraved by D. Sornique after C. Eisen 1f. decorative title i-v dedication with vignette vi blank vii-xiv letter from the author 2f. part-title xix-cciv "Dissertazione" 319 i blank pp. Contains Artaserse; Adriano in Siria; and Demetrio. Frontispiece with portrait of the poet engraved by D. Sornique after C. Eisen. Verse dedication to the Signora Marchese di Pompadour by Ranieri de' Calsabigi with engraved vignette and a "Dissertazione" on the dramatic poems by Calsabigi.; Vol. II: 1f. decorative title 464 pp. Contains Olimpiade; Issipile; Ezio; La Danza; Il Sogno di Scipione; Il Natal di Giove; and Didone Abbandonata.; Vol. III: 1f. decorative title 463 i blank pp. Contains La Clemenza di Tito; Catone in Utica; and Demofoonte. ; Vol. IV: 1f. decorative title 463 i blank pp. Contains Alessandro; Achille in Sciro; Ciro Riconosciuto; Temistocle; L'Isola Disabitata; and Lie Cinesi Componimento Drammatico che Introduce ad un Ballo.; Vol. V: 1f. decorative title 463 i blank pp. Contains Zenobia; Ipermestra; Antigono; Semiramide; Il Re Pastore; and L'Asilo d'Amore.; Vol. VI: 1f. decorative title 459 i blank pp. Contains L'Eroe Cinese; Attilio Regolo; Adriano in Siria; Didone Abbandonata; Il Tempio dell' Eternita; and La Contesa de' Numi.; Vol. VII: 1f. decorative title 459 i blank pp. Contains Alessandro; Semiramide; Le Grazie Vendicate; Il Palladio Conservato; Il Parnaso; Astrea Placata; La Pace fra la Virtu e la Bellezza; Il Vero Omaggio; L'Amor Prigioniero; Il Ciclope; and a Cantate.; Vol. VIII: 1f. decorative title 460 pp. Contains Gioas Re di Giuda; Betulla Liberata; Sant' Elena al Calvario; Giuseppe Riconosciuto; La Morte d'Abel; La Passione di Gesù Cristo; Per la Festivita del SSmo. Natale; Isacco Figura del Redentore; Canzonette; Sonetti; Epitalami; and La Strada della Gloria. Sogno.; Vol. IX: 1f. decorative title 468 2f. Censor's approbation "Privilege du Roi" and Register. Contains La Galatea; L'Endimione; Gli Orti Esperidi; Il Convito degli Dei; L'Angelica Serenata; La Morte di Catone; L'Origine delle Leggi; Il Ratto d'Europa; Ode per il Santissimo Natale; and Giustino. With a Distribuzione dell' Edizione and a Tavola delle Arie. Indices. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Parigi, Vedova Quillan hardcover
2010rif. DADAX1166199185Kessinger Publishing 2010-09-10. paperback. New. 6.00x0.90x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010rif. DADAX116606963XKessinger Publishing 2010-09-10. paperback. New. 6.00x1.29x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010rif. DADAX1165935694Kessinger Publishing 2010-09-10. paperback. New. 7.50x0.84x9.25. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
