Le Sage, Alain-RenéAntiquariat.de
465 Ergebnisse
1765Best.-Nr. 22319Paris, chez Cailleau, Libraire quai des Augustins 1765. Kl 8°, 329 pages + 7 de tables, , tome deux: 350 p plus 7 de tables , tome tris : 328 pages + 6 de table gebundene Ausgabe, Pappbände der Zeit; Einbände an Ecken und Kanten mit Gebrauchsspuren, innen auf den Vorsätzen etliche Bleistiftbemalungen, sonst Exemplare in gutem Erhaltungszustand
17914 vols., 8vo., on laid paper, text in Spanish; strongly bound in contemporary full calf, backs with flat bands ruled and tooled in gilt, wanting labels, red spinkled edges, boards mildly worn at edges, joints moderately rubbed (but bindings wholly sound), all remarkably crisp, clean copies in wholly unrestored period bindings.
1767Ensemble de deux volumes de format in 12 de: pour le Premier volume Vie de M. Le Sage, en tout XLVIII pp. ; ; (1ère, 2ème et 3ème parties); faux titre, frontispice gravé, titre; 392 pp.; 5 gravures hors texte . Pour le Second volume (4ème, 5ème et 6ème parties); 395 pp.; 4 gravures hors texte. Catalogue détaillé de l'éditeur en fin (dans la pagination). Reliure de l'époque en pleine basane marbréedos lisse, caisons richement ornés et dorés; titres dorés sur pièce de maroquin rouge. Filets sur les coupes. Tranches rouges. Quelques rares traces brunes dans le texte. Exemplaire désirable en très bel état. Voir les photos.
1819Best.-Nr. 23561London: J. Mawman 1819. Three volumes; octavo 22cm.; full contemporary mottled calf black gilt spine labels Vol. III recently rebacked in the same style all edges speckled brown later 19th-century endpapers; frontispieces to each volume that of Vol. II hand-colored; additionally 43 plates throughout including 15 hand-colored added plates from the McLean edition published six months later. Leather a bit dried and extremities rubbed some shallow loss of leather at spine ends of first two volumes Vol. II shows some soiling to four leaves else a Very Good and sound set housed in a recent cloth clam-shell box. J. Mawman unknown books
1826Best.-Nr. 289060Venice: Tasso 1826. unbound. very good. Map. Engraving with hand coloring. 15.75" x 11". In very good condition. Extensive explanatory text in Italian at bottom. The map is from Le Sage's "Atlante Storico Geografico Genealogico Cronologico e Letterario." It is in excellent condition with beautiful hand coloring and crisp lettering. Wide margins as issued. Emmanuel-Augustin-Dieudonné-Joseph comte de Las Cases 1766--1842 was a French atlas-maker aka Le-Sage and author. Tasso unknown books
1836Best.-Nr. Embry 159239J. J. Dubochet London: 1836. First printing thus. Occasional light to moderate foxing bookplate to each front pastedown joints and edges rubbed very good with hinges and joints solid. Illus. by Jean Gigoux and extra illustrated with 24 additional engraved plates by R. Smirke. One-half tan calf over marbled boards spine simple gilt. Translated by Tobias Smollett. J. J. Dubochet, London: 1836. First printing thus. hardcover books
1913Best.-Nr. 5421Paris: Maurice Glomeau 1913. First edition. Limited to only 500 copies. This copy is #432 on Holland paper after 75 copies on Japan paper. Clean and tidy cream soft covers with a vignette illustration to the front cover. A touch of marking only and slight creasing to the spine. The book itself is a good clean copy with darkening to the first few pages. 9 full page colour illustrations by Torent. Complete. A few of the pages remain uncut. Conforms to WorldCat / OCLC: 906746840. A fine copy of this famous picaresque novel. Evelio Torent Marsans 1876-1940 was a Catalan Spanish painter and draftsman associated with the Modernist movement. He lived in France at the beginning of the 20th century where he drew for the press and participated in several exhibitions and salons. 160 iv. pp. 22cm x 14.5cm. . Première édition. Limitée à seulement 500 exemplaires. Cet exemplaire est le n° 432 sur papier Holland après 75 exemplaires sur papier japonais. Couverture souple crème propre et soignée avec une vignette illustrée sur la couverture avant. Quelques marques et légères pliures sur le dos. Le livre lui-même est en bon état propre avec un léger noircissement des premières pages. 9 illustrations en couleur pleine page par Torent. Complet. Quelques pages restent non découpées. Conforme à WorldCat / OCLC : 906746840. Un bel exemplaire de ce célèbre roman picaresque. Evelio Torent Marsans 1876-1940 était un peintre et dessinateur catalan espagnol associé au mouvement moderniste. Il a vécu en France au début du XXe siècle où il a dessiné pour la presse et participé à plusieurs expositions et salons. 160 iv. pp. 22 cm x 145 cm. Maurice Glomeau paperback
1802Best.-Nr. 17325London: Printed for Vernor and Hood Poultry and Cuthell and Martin Holborn. Poor. Hardcover. Tan leather covers are crackled chipped and worn with 4 of the boards detached present and the other 2 with weak hinges. Spines are straight. Pages have very sparse modest foxing and faint toning but clean and in very good condition making them a good candidate for rebinding. Tailpieces and a total of 11 engraved plates present. . . 1802. Printed for Vernor and Hood, Poultry, and Cuthell and Martin, Holborn hardcover
Best.-Nr. 100122600Garnier frères. circa 1890 - Bon état général cependant couverture défraîchie frottée quelques rousseurs sur la tranche. in12. Sans date. Relié. Garnier frères unknown
1764Best.-Nr. 168496London: Printed for T. Osborne and others 1764. A new translation by the Author of Roderick Random . . . In four volumes. Pp. x260last blankiv220viii244 viii232 33 engraved plates including frontispiece Volume I head and tailpiece decorations and a few decorative initials; f'cap. 12mo in sixes; early mottled calf spines decorated in gilt between raised bands with gilt lettered contrasting red & green title and volume labels boards with gilt edges lightly worn heaviest at fore-corners joints starting spines chipped at extremities and slightly rubbed; marbled endpapers with signs of removal of bookseller's sticker from upper pastedowns early ownership inscription or signature on blank preliminary each volume and another earlier signature on verso of upper free endpaper Volume I hinges starting a few leaves faintly creased with a long vertical crease across most of pp. 85-6 in Volume I becoming a closed tear no text loss most plates lightly offset a couple of tiny edge chips or splits a few small marginal damp stains scattered light foxing and soiling; printed for T. Osborne London 1764. Fifth edition. ESTC N4250. First published in French between 1715 and 1735. The plates in this edition are not attributed. Smollett acknowledged the influence of Gil Blas upon his own work. Printed for T. Osborne, and others unknown
1775Best.-Nr. 100110647Pierre mortier 1775. bon état de conservation tranches fânées page titre manquante pour le tome 2 couverture défraîchie tenue correcte. in12. 1775. Broché. Pierre mortier unknown
1791Best.-Nr. 66994Paris: Chez Belin and Valade 1791. 12mo in sixes. 2 volumes: 142 ii 71; 6 iv 141 pp. Engraved frontispiece portrait of the author. Contemporary green morocco boards framed with gilt rules gilt edges and turn-ins gilt title and rules on spine all edges gilt. A lovely copy. Chez Belin and Valade unknown
1830Best.-Nr. M3725Venice: G. Tasso 1830. Excellent. Size : 370x475 mm 14.5x18.75 Inches Coloring: Original Hand Coloring Category: ; Maps Africa Continent G. Tasso unknown
1747Best.-Nr. P1360Paris 1747. Excellent. Notes: The print depicts the important bridge on Neva in St.Petersburg built by the renowned French engineer Peronnet. The bridge allowed the safe passage of tall ships. Image Size : 240x605 mm 9.5x23.75 Inches Platemark Size : Paper Size : 360x675 mm 14.125x26.5 Inches Coloring: Black & White Medium: Copper Engraving Categories: Views Europe Russia; Architectural General; unknown
1832Best.-Nr. M2492Venice 1832. Very Good. Size : 378x630 mm 14.875x24.75 Inches Coloring: Hand Colored Category: Maps World unknown
1835Best.-Nr. M3164Venice 1835. Excellent. Size : 262x228 mm 10.31x8.98 Inches Coloring: Original Hand Coloring Category: Maps South America Countries; unknown
1835Best.-Nr. M1534Venice: Tasso Girolamo 1835. Excellent. Size : 330x481 mm 13x18.875 Inches Coloring: Original Hand Coloring Category: Maps Central America Mexico;; Maps United States South Texas; Maps United States West California Tasso, Girolamo unknown
1804Best.-Nr. LTH8-B-23Burdeos: Pedro Beaume 1804. Leather. Good Only. 7" by 4". None. An uncommon Spanish translation of famous French picaresque novel Gil Blas. Bound in half leather and marbled paper-covered boards with gilt lettering and decoration. Complete in Four Volumes. Four Volumes bound as Two. In Spanish. With the armorial nameplate of Samuel Edward Cook on the front pastedowns. With a Graham of Alnwick bookbinder's label to the front pastedown of Volume I. COPAC suggests that this work was translated by Jose Francisco de Isla. Gil Blas is considered to be the last masterpiece of the picaresque genre. Gil Blas is related to Lesage's play Turcaret. In both works Lesage uses witty valets in the service of thieving masters women of questionable morals cuckolded yet happy husbands gourmands ridiculous poets false savants and dangerously ignorant doctors to make his point. José Francisco de Isla 1703 1781 was a Spanish Jesuit celebrated as a preacher and a humorist and satirist of the stamp of Cervantes. Samuel Edward Widdrington formerly Cook 1787 - 1856 was an English writer on Spain. Having served in the Royal Navy he lived for some years in Spain. He served as High Sheriff of Northumberland in 1854. He was a fellow of the Royal Society and the Royal Geographical Society. Bound in half leather and marbled paper-covered boards with gilt lettering and decoration. There is some wear to the extremities including some rubbing. The front hinge of volume 1 is just starting but still firm. The front inner hinge of volume 1 is strained. The bindings are tight and firm. Internally the pages are generally clean and bright with slight foxing and marks to the first few pages. There are marginal discoloured tidemarks to the first 17 leaves of volume 2 including loss to the half title and title page that do not affect the text. Good Only Pedro Beaume hardcover
Best.-Nr. #[65771]Amsterdam J. Oosterwyk Steenhouwer en Uytwerf 1716 8vo. full leather binding with gold tooled spine and edges faded/worn 123914334 pp. worn edges loosened binding especially towards the end of the book discoloured endpapers two engraved titlepages preceding the two typographical titlepages J. Schijnvoet fec. some decorative initials and tailpieces and 14 engravings. With ownership signatures in pencil difficult to read. l Translated from French two parts with two seperate titlepages. hardcover
1864Best.-Nr. 273709Libreria de garnier hermanos 1864. Bon Etat pour son âge coiffe haut abimée texte propre. in8. 1864. Relié. 600 pages. qq gravures Libreria de garnier hermanos unknown
1890Best.-Nr. 273566Librairie illustrée Marpon et flammarion 1890. Etat Correct; dos recollé partie supérieure bords frottés intérieur taché de rousseurs bonne tenue de la relieure circa 1890. in4. 1890. Relié. abondantes illustrations en noir et blanc in et hors texte livre grand format in 4 Librairie illustrée Marpon et flammarion unknown
1829Best.-Nr. 263508Thomas malvin 1829. Etat Correct couverture fortement défraîchie bords frottés rousseurs inscriptions sur le dernier plat du deuxième volume. in12. 1829. Relié. Thomas malvin unknown
1819Best.-Nr. 23561London: J. Mawman 1819. Three volumes; octavo 22cm.; full contemporary mottled calf black gilt spine labels Vol. III recently rebacked in the same style all edges speckled brown later 19th-century endpapers; frontispieces to each volume that of Vol. II hand-colored; additionally 43 plates throughout including 15 hand-colored added plates from the McLean edition published six months later. Leather a bit dried and extremities rubbed some shallow loss of leather at spine ends of first two volumes Vol. II shows some soiling to four leaves else a Very Good and sound set housed in a recent cloth clam-shell box. J. Mawman unknown
Best.-Nr. 2130-11Paris Ernest Bourdin 1840 oder 1842. kl.-4°. XVI 380 S. Mit 140 Textholzschn. v. Tony Johannot. HLdr. d. Zt. Mit prachtvoller Rückenvergold. Einbanddecke berieb. Tit. fehlt! Durchgeh. gebräunt. Sander 439; Carteret III 388; Vicaire V 245 unknown
