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1967Small white octavo; 587 p, two b&w maps (folded); 20 cm In Spanish. || Spanish language -- Dialects.
1979Octavo in offwhite glossy paper wraps; 587 p., [5] leaves of plates : maps (some folded) ; 20 cm; bibliographical references (p. [455]-486) and index. Spanish language -- Dialects. Linguistics
1976Library binding. Exterior shows minimal wear. Pages are clean and bright. Ex-Library sticker on spine and FEP. Ex-Library stamps on page block and title page. E Ex-Library
2014réf. B15KS1140Cookie Butcher Antwerp 2014. 1st Edition. SOFTCOVER. Sub titled 'Die ich rief die geister. Werd' ich nun nicht los'. Extra Large 4to. in stiff card covers 74pp on stiff art paper colour plates etc. Text in English throughout __CONDITION : NEW unread and unmarked copy. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Cookie Butcher, Antwerp paperback
1963réf. 72845Marmande, Espernatuj Francaj Eldonoj 1963. 355 S., 22 cm Karton 0
2013Paperback. Text is in Polish. Covers have very minor edge - wear and one or two surface scratches. Crease across lower leading corner of front cover. Marginal wear to spine ends. Binding is sound and pages are bright, tight and clean throughout. Text is clear. AF Used
1932réf. 196517Krakowie, 1932. IV, 195 S. OBr. Umschlag lichtrandig, leicht angestaubt u.a. Rücken eingerissen. Unaufgeschn. Ex. (Prace Komisji Orientalistycznej 15).
1913Hardcover in acceptable condition. No jacket. Ex-university library. From Somerville College, Oxford. Boards and spine are stained, faded and bowed. Leading corners, edges and spine ends are bumped and worn. Minor tears on spine head. Page block and pages are tanned and marked. Labels on pastedowns. Label residue on FEP. Creases throughout pages. A few pages are nicked. Binding is exposed between some pages. Pages 183 to 186 are detached but present. Text remains clear throughout. HCW Used
réf. 6628Paris, Librairie Hachette et Cie, 1860, reliure demi-basane marron, dos à 4 nerfs , titre et caissons dorés, tranches dorées, 11,5x18 cm, 174 pages . Précédé d'une introduction par Pierre Zaccone. 12 planches couleurs protègée par papier de soie, gravures.
1951réf. 706244Poznan, 1951. 299 S. Hlwd. (Prace Komisji Filologicznej 13,3).
1963réf. 816621Wroclaw, (1963). 194 S. OKart. Umschl. angeschmutzt u. m. Sign. St. a. Tit.
1987réf. 151542Tübingen, Niemeyer, 1987. 185 S. OKart. Bibliotheksex. m. Rsign. St. a. Tit. Schnitt farb. markiert. (Germanistische Linguistik 79)
1879réf. 10321879 GERMER BAILLIERE bibliothéque utile; -in16 toile ed.- 1879 -192p.; rare
réf. 95-1H0921606125BRAND NEW. Never read or opened. No remainder mark. Excellent condition. 95-1H0921606125 Renyi Picture Dictionary: West Armenian and English
réf. 5638Ousia - Ousia 226 pages - ISBN 978-2-87060-007-8 - janvier 1983
2006réf. Alibris.0021863Iad Press. 2006. Trade paperback. Fine. No dust jacket as issued. Trade paperback US. Glued binding. 144 p. Contains: Illustrations. Iad Press Picture Dictionaries. Audience: General/trade. Iad Press paperback
2011As New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 158 p. Yusuf Hakiki Baba divani'ndan seçmeler. Prep. By Erdogan Boz. Yusuf-i Hakiki was son of Turkissh sufi, Somuncu Baba.
2009As New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 864 p. Yûsuf Hakîkî Baba dîvânî: Karsilastirmali metin (Sadi Somuncuoglu ve Mevlana Müzesi nüshalari). Yusuf-i Hakiki was son of Turkissh sufi, Somuncu Baba.
2006New New English Original bdg. with original dust wrapper. Mint. Roy. 8vo. (24 x 16 cm). In Turkish. 1286 p. Kutadgu Bilig. Translator: Resit Rahmeti Arat.
2008New English Paperback. Cr. 8vo. (20 x 14 cm). In English. 48 p. Selected parts of Kutadgu Bilig. Translated by Havva Aslan. Edited by Zeynep Üstün. Atrocity is a burning fire, it burns whoever approaches to it.Law is water, if it flows it raises blessings.Do not take others' possessions and do not shed blood; aperson moans due to these two sins in deathbed.
1992réf. 056466Ann Arbor Michigan: Karoma Publishers 1992. Cloth. Good/No Jacket. 8vo - over 7¾" - 9¾" tall. Type: Book Small plain label inside cover. Karoma Publishers hardcover
1900réf. 138009Alaska: early 1900s. Alaskan lexicography An extensive manuscript dictionary of Central Alaskan Yup'ik one of the languages in the Yupik family spoken along the coast of southwestern Alaska and its major river systems including the Kuskokwim. It proves a valuable source of a language that has been under threat since the Alaska Purchase. The entries are mainly weekdays numerals animals family members and tools. Some have their practical use explained like "Kah-nuk-um-yuk" a "respirator used as a plug in the mouth while taking a bath to prevent the inhaling of smoke". Simple phrases are also included such as "Umchi-kee-kee" "Hurry up" "Ketozit-yucht-toon" "what is your native name" "Oh-mee-nak-wa" "Oh my!" "Nut-tmon-iyaka-dot-cheet" "what are you going to do". Two sheets are loosely inserted comprising 13 names and 6 placenames with their Central Alaskan Yup'ik equivalents. Listed is Jim One-Eye as "Nat-Cillingok" and Church Slough a branch of the Kuskokwim River is "Ah-guy-u-lu-yak-al-lak". There is little to indicate a date however under the word "Kah-ko-tuk" the compiler refers to the Eighteenth Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution published in 1899. Additionally the loose sheets are watermarked "Eastern Writing" a brand issued by the American Colortype Company of Chicago in business during the first decades of the 20th century. This dictionary was likely compiled by a Moravian missionary "recognizing the importance of communicating with the people in their own Yup'ik language" Henkelman p. 75. It might also be by the American ethnologist Edward William Nelson 1855-1934 who published the paper "The Eskimo About Bering Strait" in the abovementioned Eighteenth Annual Report. Nelson's seminal work remains the richest source of information on the 19th-century Yupik. The first written record of Central Alaskan Yup'ik was made during Captain Cook's third expedition 1776-80. Following the explorers missionaries recorded the indigenous languages though mainly for disseminating religious literature. The Moravian Protestants were particularly avid translators creating orthographies using the Roman alphabet. Phonemic orthographies were not developed until the mid-twentieth century. Central Alaskan Yup'ik is a polysynthetic language using suffixation as the primary means for word formation. It is part of the Eskaleut language family spoken across the North American continent and northeastern Asia. Eskaleut is divided into two branches Aleut and Eskimoan with the latter subdivided into Yupik and Inuit. Yupik is then comprised of four distinct languages - Central Alaskan Yup'ik Alutiiq Siberian Yupik and Sirenikski now extinct. Indigenous Alaskan languages have been under threat since the Alaska Purchase in 1867 from American assimilation policies. Commercial developments from the 1890s brought large influxes of people and destructive effects of epidemics. In the same period church missions opened schools for indigenous Alaskans opposing native languages in education. Today the languages are "suffering from an accelerated decline in vitality under ever-increasing pressure from English especially since the advent of bilingual education in 1970 and the introduction of television to rural Alaska in the 1980s" Miyaoka p. 5. Octavo 218 x 135 mm. Contemporary greyish-brown cloth 24 ff. lined paper with manuscript annotations largely recto only alphabetized tab index; 2 ff. ruled sheets with manuscript annotations loosely inserted. Spine sunned a little rubbed minor toning. A very good copy. Dirmid R. F. Collis ed. Arctic Languages: An Awakening 1990; James Henkelman "The Development of the Alaska Moravian Church 1885-1985" Transactions of the Moravian Historical Society vol. 24 1986 pp. 71-82; Osahito Miyaoka A Grammar of Central Alaskan Yu'pik 2012. hardcover
2014New New Turkish Original bdg. Dust wrapper. 4to. (24 x 17 cm). In Turkish and facsimile in Ottoman manuscript. 687, [1] p., 1-260 p. transcription in Turkish; 261-687 facsimile of manuscript of Karaman copy. A very heavy volume. 1000 copies were printed. Risâletü'n nushiyye ve divân-i Yûnus Emre. Karaman nüshasi. Prep. by Yusuf Yildirim.
1924Very Good Turkish, Ottoman (1500-1928) Original cloth bdg. Demy 8vo. (22 x 14 cm). In Ottoman script. 188 p., ills. Lithograph. Divân-i Âsik Yunus Emre. [On 'derkenar'] Kenzü'l-miftah ve Serh-i Kaside-i Yunus Emre. Yunus Emre was a sufi poet in 13th century. The information on his life is fragmentary, based on what he writes in his Diwan and on stories told within the Bektashi tradition. He is the author of a Diwan. This Diwan contains 417 poems, all of which bar one are ghazals. He mostly used the Turkic system of versifying, based on the number of syllables and stress position rather than the elaborate rules of Arab-Persian prosody. He used the Old Anatolian Turkish language, which was understood by everyone in its period, with very few Arabic or Persian words, and he contributed greatly to the establishment of a Turkish mystical vocabulary based on classic Sufi terms. The most recurrent themes in Yunus Emre's Diwan are mystic love(âsk), the Friend (dost), and how to be a dervish. Yet he is no recluse and the conditions of everyday life are reflected in his poems. His easily understandable religious and moral advice is couched in a lyrical language that is heartfelt, sincere and often highly passionate. His poetry, set to music, was of central importance in the dissemination of Sufi teachings in Anatolia, and influenced the tekke poetry of the following centuries. The intense religious and humane feeling in his poetry has not lost its appeal today. (Source: A history of Seljuks, Ibrahim Kafesoglu). On derkenar text, there's 'Kenzü'l mifta hby Erzincanî Terzi Baba and annotation of 'qasidah' by Yunus Emre. Erzincanî's verse "Kenzil Fütuh" composed of his Sufi and mystic poems was compiled and transferred into verse by Haci Hafiz Mehmed Rüsdi Efendi and published as "Kenzü'l-miftah". It is very important poetry book on sufism and Islamic mysticism. This book is printed by Raif Yelkenci, (1894-1974) who was a Turkish early antiquarian bookseller and manuscript dealer in Antiquarian Bazaar, Beyazit. He was specialist on Yunus Emre and his poems. Özege 23525. OCLC: 1030936501. TBTK 5023.
Very Good Turkish, Ottoman (1500-1928) Modern cloth bdg. Demy 8vo. (22 x 14 cm). In Ottoman script. 188 p., ills. Lithograph. Divân-i Âsik Yunus Emre. [On 'derkenar'] Kenzü'l-miftah ve Serh-i Kaside-i Yunus Emre. Yunus Emre was a sufi poet in 13th century. The information on his life is fragmentary, based on what he writes in his Diwan and on stories told within the Bektashi tradition. He is the author of a Diwan. This Diwan contains 417 poems, all of which bar one are ghazals. He mostly used the Turkic system of versifying, based on the number of syllables and stress position rather than the elaborate rules of Arab-Persian prosody. He used the Old Anatolian Turkish language, which was understood by everyone in its period, with very few Arabic or Persian words, and he contributed greatly to the establishment of a Turkish mystical vocabulary based on classic Sufi terms. The most recurrent themes in Yunus Emre's Diwan are mystic love(âsk), the Friend (dost), and how to be a dervish. Yet he is no recluse and the conditions of everyday life are reflected in his poems. His easily understandable religious and moral advice is couched in a lyrical language that is heartfelt, sincere and often highly passionate. His poetry, set to music, was of central importance in the dissemination of Sufi teachings in Anatolia, and influenced the tekke poetry of the following centuries. The intense religious and humane feeling in his poetry has not lost its appeal today. (Source: A history of Seljuks, Ibrahim Kafesoglu). On derkenar text, there's 'Kenzü'l mifta hby Erzincanî Terzi Baba and annotation of 'qasidah' by Yunus Emre. Erzincanî's verse "Kenzil Fütuh" composed of his Sufi and mystic poems was compiled and transferred into verse by Haci Hafiz Mehmed Rüsdi Efendi and published as "Kenzü'l-miftah". It is very important poetry book on sufism and Islamic mysticism. Rare. Two undated copies in Özege pre-1885 edition. Özege 23525. OCLC: 1030936501.