3.998 resultados
1898ref. 1986Paris, Perrin, 1898 ; in-8, demi-velin ivoire, dos lisse, fleuron décoratif et titre rouge, plat conservé (reliure de l'époque), XI pages (dédicace, préface), 436 pages.
1937Hardcover, xix, 248 pages, xlviii illustrations (includes facsims. ) . 8vo, 26 cm. Includes Hebrew manuscripts. SUBJECT(S) : Manuscripts, Oriental -- Catalogs. Manuscrits orientaux -- Pennsylvanie -- Philadelphie -- Catalogues. Named Corp: Free Library of Philadelphia -- Catalogues. Bibliography on pages 221-224. Includes some Hebrew manuscripts. Water stain throughout book. Staining to inner and outer covers. Wear to cover binding. Otherwise, good condition. (BIB-15-1)
1938Original Publishers Cloth. 8vo. 181 pages. Port. 23 cm. In German. Title translates to English as, "Festschrift for Leo Baeck on the 25th Anniversary of his work at the School of Jewish Studies." "Baeck (1873-1956) was a German rabbi, religious thinker and leader of Progressive Judaism." (EJ) CONTENTS: "Chazor in den Briefen von Tell el-Amarna," Eugen Täubler; "Zu Motivproblemen in der Bibel," Moses Sister; "Die Stilmittel im Deuteronomium," Gustav Ormann; "Der Minhag der Bibel im Spiegelbild des Talmuds," Alexander Guttmann; "Die Uberlieferung von Hillel," Ismar Elbogen; "Zur Analyse des Mischnatraktates Middot," Arthur Spanier; "Bibel und klassisches Altertum im englischen Hochmittelalter," Hans Liebeschütz; "Der Dekalog in Josef Albos dogmatischem System," Max Wiener; "Vom ontologischen Gottesbeweis," Hans Friedländer; "Schaffen und Schöpfung als rechtliche Kategorien," Friedrich Caro; "Zur Erklärung einiger jüdischer Namen," Jechiel Fischer; "Zur Herkunft des altsemitischen Alphabets," Ernst Grumach; "Zur Frage der Bildung des arabischen Elativs," Franz Rosenthal. SUBJECT(S): Judaism. Semitic philology. Baeck, Leo, 1873-1956. Includes bibliographical references. Very good condition. (FEST-1-23)
1938Original Publishers Cloth. 8vo. 181 pages. Port. 23 cm. In German. Title translates to English as, Festschrift for Leo Baeck on the 25th Anniversary of his work at the School of Jewish Studies. Baeck (18731956) was a German rabbi, religious thinker and leader of Progressive Judaism. (EJ) CONTENTS: Chazor in den Briefen von Tell el-Amarna, Eugen Täubler; Zu Motivproblemen in der Bibel, Moses Sister; Die Stilmittel im Deuteronomium, Gustav Ormann; Der Minhag der Bibel im Spiegelbild des Talmuds, Alexander Guttmann; Die Uberlieferung von Hillel, Ismar Elbogen; Zur Analyse des Mischnatraktates Middot, Arthur Spanier; Bibel und klassisches Altertum im englischen Hochmittelalter, Hans Liebeschütz; Der Dekalog in Josef Albos dogmatischem System, Max Wiener; Vom ontologischen Gottesbeweis, Hans Friedländer; Schaffen und Schöpfung als rechtliche Kategorien, Friedrich Caro; Zur Erklärung einiger jüdischer Namen, Jechiel Fischer; Zur Herkunft des altsemitischen Alphabets, Ernst Grumach; Zur Frage der Bildung des arabischen Elativs, Franz Rosenthal. SUBJECT(S) : Judaism. Semitic philology. Baeck, Leo, 1873-1956. Includes bibliographical references. Spine sunned and lightly worn. Very good condition. (FEST-1-23)
1938Original Publishers Cloth. 8vo. 181 pages. Port. 23 cm. In German. Title translates to English as, Festschrift for Leo Baeck on the 25th Anniversary of his work at the School of Jewish Studies. Baeck (18731956) was a German rabbi, religious thinker and leader of Progressive Judaism. (EJ) CONTENTS: Chazor in den Briefen von Tell el-Amarna, Eugen Täubler; Zu Motivproblemen in der Bibel, Moses Sister; Die Stilmittel im Deuteronomium, Gustav Ormann; Der Minhag der Bibel im Spiegelbild des Talmuds, Alexander Guttmann; Die Uberlieferung von Hillel, Ismar Elbogen; Zur Analyse des Mischnatraktates Middot, Arthur Spanier; Bibel und klassisches Altertum im englischen Hochmittelalter, Hans Liebeschütz; Der Dekalog in Josef Albos dogmatischem System, Max Wiener; Vom ontologischen Gottesbeweis, Hans Friedländer; Schaffen und Schöpfung als rechtliche Kategorien, Friedrich Caro; Zur Erklärung einiger jüdischer Namen, Jechiel Fischer; Zur Herkunft des altsemitischen Alphabets, Ernst Grumach; Zur Frage der Bildung des arabischen Elativs, Franz Rosenthal. SUBJECT(S) : Judaism. Semitic philology. Baeck, Leo, 1873-1956. Includes bibliographical references. Spine sunned and lightly worn. Very good condition. (FEST1-23)
1809ref. 23408Imprimerie Impériale | Paris 1809-1829 | 71 x 54 cm | une feuille
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2017New New English Original bdg. Dust wrapper. Folio. (33 x 25 cm). In English. 461 p., color ills. Sacred covers of Islam's holy shrines with samples from Topkapi Palace. Contents: 1- The Hajj, 2- Royal families and the pilgrimage, 3- Covers sent to Mecca and Medina, 4- Surra processions and ceremonies, 5- Technical features, Catalogue. 3 kg. This is the expanded second edition of the 1996 title in Arabic Estar'ül Haremeyn-i Serifeyn.
2020New Turkish Paperback. 4to. In Arabic and Turkish. 256 p. Osmanli Arsiv Belgelerinde Müslüman Ülkeler Tarihi Serisi No. 6. (From the Series of the History of Muslim Countries in the Ottoman Archival Documents No. 6). Kuwait based on the Ottoman documents. "Kuwait in Ottoman Documents Selected documents from the Ottoman Archives in Istanbul 1850-1900" falls within the scope of the scholarly efforts IRCICA is deploying to facilitate the access of researchers to Ottoman documents. It is the first work of its kind to contain a large number of Ottoman documents on Kuwait. The Ottoman Archives in Istanbul contain a large collection of documents related to Kuwait. However, they cannot be limited to one volume. The documents adorning the pages of this book were chosen from among thousands if not tens of thousands of documents reserved in the Ottoman Archives in Istanbul. They are selections dating back to a specific period of time and not the whole Ottoman presence in the region: they cover an important part of the history of Kuwait during the second half of the 19th century. They were chosen by Prof. Dr. Fazil Bayat considering what could be most important for researchers dealing with the history of Kuwait during that period. They shed light on major events that occurred in the Kuwait region and the relations between the Ottoman Empire and its rulers, Al Sabah family, in that period. The information they contain has been examined meticulously and with absolute accuracy. A specific method was followed in presenting the documents. The original text of each document is presented side by side with its summary in Arabic. Furthermore, the author examined and analysed each document, outlined it in a simplified form, and added clarifications whenever necessary to facilitate comprehension. As such, the book will be a useful reference to facilitate the task of researchers concerned.
2014New Turkish Paperback. 4to. (28 x 20 cm). In Turkish. 2 volumes set: ([xi], 612 p., [xi], 559 p.). Merâsidü'l-ittiâ' alâ esmâi'l-emnike ve'l-bikâ'. Yâkût el-Hamavî'nin Mu'cemü'l-Büldân adli eserinin muhtasari. 2 volumes set. Translated by H. Ibrahim Gök.
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1887- Extrait de la Revue des deux mondes., (Paris) 1887, 15,5x25cm, agrafé. - First edition of these two articles. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale de ces deux articles. Sous couverture muette. Rare.
1920- Lucien Vogel éditeur, Paris Avril 1920, 18x24cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour l'il
1914- Extrait de la Revue des deux mondes, s.l. (Paris) 1914, 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
1879- Extraits de la Revue des deux mondes, s.l. (Paris) 1879, 15,5x25cm, agrafé. - First editions. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Editions originales. Sous couverture muette. Rare.
1882- Extraits de la Revue des deux mondes, s.l. (Paris) 1882, 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
1845- Extrait de la Revue des deux mondes, s.l. (Paris) 1845, 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
1888- Extrait de la Revue des deux mondes, s.l. (Paris) 1888, 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
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1995ref. x-0750704888Falmer Pr 1995. Paperback. New. 1st edition. 304 pages. 9.25x6.25x1.00 inches. Falmer Pr paperback
1876ref. za1187Paris, Ernest Leroux, éditeur Broché 1876 In-8 (16 x 24,5 cm), broché, 526 paget bords des plats usés, mouillure en début d'ouvrage et quelques brunissures à l'intérieur, état moyen. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.