4 142 résultats
réf. DADAX0415567793New unknown
réf. DADAX0415756006New unknown
1887- Extrait de la Revue des deux mondes., (Paris) 1887, 15,5x25cm, agrafé. - First edition of these two articles. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale de ces deux articles. Sous couverture muette. Rare.
1920- Lucien Vogel éditeur, Paris Avril 1920, 18x24cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour l'il
1914- Extrait de la Revue des deux mondes, s.l. (Paris) 1914, 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
1879- Extraits de la Revue des deux mondes, s.l. (Paris) 1879, 15,5x25cm, agrafé. - First editions. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Editions originales. Sous couverture muette. Rare.
1882- Extraits de la Revue des deux mondes, s.l. (Paris) 1882, 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
1845- Extrait de la Revue des deux mondes, s.l. (Paris) 1845, 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
1888- Extrait de la Revue des deux mondes, s.l. (Paris) 1888, 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
réf. DADAX0199563306New unknown
réf. DADAX0190658363New unknown
1995réf. x-0750704888Falmer Pr 1995. Paperback. New. 1st edition. 304 pages. 9.25x6.25x1.00 inches. Falmer Pr paperback
1876réf. za1187Paris, Ernest Leroux, éditeur Broché 1876 In-8 (16 x 24,5 cm), broché, 526 paget bords des plats usés, mouillure en début d'ouvrage et quelques brunissures à l'intérieur, état moyen. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1975Mm 225x315 Opera complera in due volumi con copertina rigida, sovraccoperta originale figurata a colori e custodia editoriale. Vol. I, "Antico fondo and medio fondo" di xxx-253 pagine con 16 tavole a colori non comprese nel testo. Vol. II, "Nuovo fondo: series A-D (Nos. 1-830)" di xxix-455 pagine con 16 tavole a colori non comprese nel testo. Testo in lingua inglese - english text. Entrambi i volumi sono in ottime condizioni ovvero mai letti. Spedizione in 24 ore dalla conferma dell'ordine.
1971Spine browned. Tears and chipping to wraps with a bit of loss. Some pages corner creased. ; The Arabic text here presented is of importance for an adequate understanding of Alfarabi's thought and his technical terminology and for a better appreciation between Greek and Arabic philosophy. The grasp of the real significance of Greek terms in their Arabic context is indispensable for the study of the "Second Teacher's" subsequent commentaries on the Stagirite. Arabic Text. ; Recherches De L'Institut De Lettres Orientales De Beyrouth Tome XIII; 263 pages
réf. SONG1647121817Used: Good unknown
1948réf. 9999_05036Le Caire Institut Français d'Archéologie Orientale 1948. 1st Edition . Hardcover. . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ . Quarto. Pp. 276. With plates text figures illustrations Original wrappers. In fine condition. Excellent copy practically unused still entirely unopened. ~ FIRST EDITION. First part. For a complete table of contents and a list of contributors consult Wikipedia under series title. _O-7 Le Caire, Institut Français d'Archéologie Orientale hardcover
1966réf. 9999_02763Le Caire Organisme Général des Imprimeries Gouvernementales 1966. 1st Edition . Hardcover. . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ . Crown quarto. Pp. 203. Plus very large number of plates. With text figures and illustrations. HARDCOVER bound in neat cloth and matching pebbled boards lettering-pieces to cover and spine cut from original wrappers. In fine condition. ~ FIRST EDITION. For a complete table of contents and a list of contributors consult Wikipedia under series title. Provenance: With the ink stamp of renowned Egyptologist Prof. Dr. Herman te Velde from whose library this book comes. _O-7 Le Caire, Organisme Général des Imprimeries Gouvernementales hardcover
réf. DADAX0199580332New unknown
1883réf. 19814Extrait de La Revue des deux mondes | s. l. [Paris] 1883 | 15.50 x 25 cm | agrafé
In-8, demi-percaline chagrinée, 28 p., petite auréole claire en marge de quelques feuillets. Édition originale de ce rapport prononcé en séance le 15 mai 1843, résultat d'une enquête réalisée par une commission de l'Assemblée. A l'occasion d'une demande de crédits exceptionnels, le député de la Côte d'Or fait un historique de la conquête de l'Algérie depuis 1830, présente les doctrines en présence et évalue les progrès de la colonisation sur le terrain. (Manque à Tailliart et à Gay).
réf. DADAX0199586527New unknown
1909Very Good Turkish, Ottoman (1500-1928) Original color map. 21x19,5 cm. In Ottoman script. No scale, no mapmaker info. Slightly dumped on right margin. Little wear on peninsula view. Otherwise a good copy. Folded. [Ottoman map of Aden Bay and Port].
1944Very Good German Paperback. 4to. (30 x 21 cm). In German. 23, [1] p. Zu dem Kitâb al-fusûl wa 'l-ghâyât des Abu 'l-'Alâ' al-Ma'arrî (Abhandlungen der Preussichen Akademie de Wissenschaften Jahrgang 1944).
réf. 39492Turnhout, Brepols, 2016 Paperback, 366 pages., 132 colour ill., 210 x 297 mm.Languages : French, Hebrew. ISBN 9782503545479.
