3.792 resultados
1809ref. 26327Imprimerie Impériale | Paris 1809-1829 | 53.50 x 71 cm | une feuille
1809ref. 26341Imprimerie Impériale | Paris 1809-1829 | 71 x 53.50 cm | une feuille
1809ref. 26394Imprimerie Impériale | Paris 1809-1829 | 53.50 x 71 cm | une feuille
1809ref. 26330Imprimerie Impériale | Paris 1809-1829 | 53.50 x 71 cm | une feuille
1809ref. 26342Imprimerie Impériale | Paris 1809-1829 | 53.50 x 71 cm | une feuille
1809ref. 26393Imprimerie Impériale | Paris 1809-1829 | 71 x 53.50 cm | une feuille
ref. 23168Paris A la Librairie d'Education et de Jurisprudence d'Alexis Eymery 1812 in 12 (19x13) 1 volume reliure demi basane bleue de l'époque, dos lisse orné de faux-nerfs dorés, carte gravée dépliante (de la France) en frontispice, X et 535 pages, avec 4 gravures hors-texte, petites rousseurs éparses. Description de tout ce que la France offre de curieux et d'interressant, sous le rapport de l'histoire naturelle, comme Grottes, Cascades, Sources, Montagnes, Rochers, Torrens, Vues pittoresques, etc. Seconde édition, revue et corrigée. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1809ref. 25363Imprimerie Impériale | Paris 1809-1829 | 70 x 53.50 cm | une feuille
1809ref. 25354Imprimerie Impériale | Paris 1809-1829 | 71 x 53.50 cm | une feuille
1809ref. 26332Imprimerie Impériale | Paris 1809-1829 | 53.50 x 71 cm | une feuille
1809ref. 23466Imprimerie Impériale | Paris 1809-1829 | 70 x 51.50 cm | une feuille
1809ref. 25361Imprimerie Impériale | Paris 1809-1829 | 53.50 x 70 cm | une feuille
ref. 12383Wien. Wappler. 1802. In-8 (20x12). XVI-280 pages. Demi- basane havane de l'époque, dos lisse orné de filets dorés, pièce de titre, coins vélin.
1809ref. 26542Imprimerie Impériale | Paris 1809-1829 | 71 x 54 cm | une feuille
1955arabe In-8 broché, XXVII-46-218 pp.; broché de l'éditeur. Texte arabe avec une introduction, un glossaire, une table de fréquence et un index.
1809- Imprimerie Impériale, Paris 1809-1829, 70x51,5cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant
1809- Imprimerie Impériale, Paris 1809-1829, 54x71cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant le
1809- Imprimerie Impériale, Paris 1809-1829, 70x51,5cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant
1951Very Good Turkish Paperback. Large roy. 8vo. (25 x 18,5 cm). In Turkish. [8], 96, [2] p., bibliography. Modern harp gücünde at kudretinin degeri. Horses in the modern wars. Selected contents from Turkish: Preface.; Value of the horses in the Turkish / Turkic and Ottoman culture.; Horse capacities and stocks of the armies in World War II.; Turkish horse breeding.; Horse literature.; Various uses of the horses in the army [.]. Mimeograph printing. First Edition. Rare. Not in OCLC.; Not in ISAM.; Not in Kazancigil & Solok.; MK 1175.
2008Unwrapped in Plastic. ; Handbook of Oriental Studies/handbuch Der Orientalistik; Vol. 95; 0.6 x 9.6 x 6.4 Inches; 304 pages; The present work supplements the original volume of The Arabic Manuscript Tradition (AMT) , both its glossary of technical terms and bibliography. It includes new entries of technical terms, additional definitions of, and/or citations for, the entries already found in AMT, and recent publications on various aspects of Arabic manuscript studies arranged by subject. Among additional features there are illustrations of various Arabic letterforms and an alphabetical index of all works cited in both AMT and its supplement.
1920Very Good Arabic Original sheet music. Folio. (32 x 25 cm). In Arabic and French. 4, [1] p. Illustrated cover. Stamp on cover by 'Hanna George'. Second page has personal stamp of Messih (Publisher). [SHEET MUSIC] Mohamad Labis Seifou pour piano par Mathilde Abdel Messih.= Mohammad Labis Saife bagmat al-hejaz mousiki waz' Matilde Abdalmesih. No. 35. Printed in Egypt.
1986Very Good Arabic Paperback. 4to. (27 x 19 cm). In Arabic. 32 p., color and b/w ills. [ARABIC MICKEY MOUSE] Miki: Mars 13, 1299 = 1986. [i.e. Mickey Mouse]. Early Arabic Edition of 'Mickey Mouse' by Walt Disney printed in Cairo. " [.] Translations of comic books from Europe and the US have had a significant impact on the development of the Arab comic. As early as the 1950s, the Adventures of Tintin were being published in children's magazines in Arabic, and the Egyptian children's magazine Miky translated the stories of Mickey Mouse and his friends. As time went on, Mickey Mouse developed his own Egyptian identity: The famous mouse celebrated religious and national holidays, wore traditional Egyptian clothing and ate typical Arab food. Miky was a familiar figure in all Arabic-speaking countries...". (Source: Qantara. Arab Comics From Micky Mouse to Handala).
2015New New Turkish Original bdg. Dust wrapper. 4to. (30 x 22 cm). In Turkish and facsimile in Arabic. 2 volumes set: (670 p.; 530 p.). Kamus-i cografya-yi Afganistan.= Afganistan cografya ansiklopedisi. Insanî, fizikî, siyasî, ekonomik ve kültürel cografya üzerine kapsamli arastirma. 2 volumes set. Prep. and translated by Ali Ergun - Seyed Ali Moujani. Encyclopedia of geography of Afghanistan. A very heavy set. ASIA Geography Reference Afghanistan Arabic Ottoman culture Islamic world Tribes Historic geography Culture Travel Folklore Reference Economy.
1981ref. 49262Les éditions de la méditerranée & Les éditions kitâba, 1981. Coffret 17x25 cm, contenant 7 emboitages avec chacun un livre, petites epidermures sur le dos des livres (à peine visible). Le titre de chaque ouvrage est en francais sur la 1ere de couverture et en arabe sur la derniere. Très bon état.
1803ref. 29761Didot | Paris 1803 | 40.50 x 54 cm | une feuille