3.793 resultados
1873- C. F. Winter'sche Verlagshandlung, Leipzig & Heidelberg 1873, 18,5x26,5cm, relié. - Edition originale. Nach dem von Dr. Kersten während der v. d. Decken'schen Ost-Afrikanischen Expedition im Jahre 1862 und von C. Cooke auf der Insel Sansibar im Jahre 1864 gesammelten Material bearbeitet von A. Gerstaecker. Mit 10 colorirten Kupfertafeln (und nicht 18 wie gesagt), eine von dem mit einem fehlenden Stück). Etabli par A. Gerstaecker d'après les observations recueillies par le Dr. O. Kersten durant l'expédition en Afrique de l'est en 1862 et par C. Cooke sur l'île de Zanzibar en 1864. Comprend 10 planches au lieu de 18, dont une en partie découpée. [ENGLISH DESCRIPTION ON DEMAND]
1809- Imprimerie Impériale, Paris 1809-1829, 70x51,5cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant
1983- Librairie de Guillaumin, Paris 1983, 13x21,5cm, relié. - Edition originale. Reliure de l'éditeur en plein cartonnage noir, dos lisse orné de filets et de caissons à froid, encadrement de filets à froid sur les plats, gardes et contreplats de papier jaune, toutes tranches dorées. Quelques rousseurs, il semblerait que le cartonnage était initialement prévu pour un autre ouvrage dont le nom a été proprement gratté, avant réemploi pour notre exemplaire, au milieu du premier plat. [ENGLISH DESCRIPTION ON DEMAND]
1840- Louis Desessart, Paris 1840, 13,5x22cm, 2 volumes reliés. - Edition originale. Reliures en plein chagrin aubergine, dos lisses décolorés et éclaircis ornés d'arabesques romantiques dorées, filets dorés en têtes et en queues des dos, roulettes dorées sur les coiffes, encadrement d'un filet doré sur les plats ornementés d'arabesques romantiques estampées à froid, premiers plats frappés en leurs centres de feuilles de laurier dorées entourant la mention dorée "Pension Membré à Versailles", gardes et contreplats de papier à la cuve, tranches marbrées, liserés dorés en tête et en pieds des coupes, trois coins émoussés, élégantes reliures romantiques de l'époque. Quelques rousseurs, mention manuscrite à l'encre par un ancien propriétaire en tête d'une garde. Notre exemplaire est incomplet de sa carte. [ENGLISH DESCRIPTION ON DEMAND]
1896- Alfred Mame & fils, Tours 1896, In-4 (26x35,5cm), 288pp., relié. - Edition originale illustrée de 4 aquarelles, 19 photographies et 70 bois gravés dont 17 à pleines pages. Reliure en cartonnage de l'éditeur. Demi veau maroquiné crème. Plats de papier à décor orientalisant or et crème. Les 2 coins du haut émoussés. Très bel exemplaire, au papier immaculé d'une lumineuse blancheur, sur papier couché épais. Récit de voyage du dessinateur, voyageur et ethnographe Gaston Vuillier. [ENGLISH DESCRIPTION ON DEMAND]
1984503 columns. Latin text, translation and editorial matter in English. ; Asfar, Deel 2; 503 pages
1833ref. 88625Dondey-Dupré | Paris 1833 | 15.5 x 23.4 cm | Broché
1835ref. 32923Firmin Didot | Paris 1835 | 14 x 21 cm | 2 volumes reliés
1903ref. 74905Paris, Librairie Charpentier et Fasquelle. Eugène Fasquelle Editeur, 1903-1910, in-8, élégant demi-chagrin rouge, dos décoré à la colonnade, tête dorée, gardes peignées, Bel ensemble. Texte frais, sans rousseurs.
1915ref. 90403Imprimerie de l'Institut français d'archéologie orientale | Le Caire 1915 | 16.5 x 25 cm | Broché
1830ref. 89751Truchy | Paris 1830 | 13.7 x 21.7 cm | Broché
ref. PHO-2150Sd, sl, se. In-8 (20 × 14,5 cm), demi-basane du XIXe siècle, dos lisse orné de pièces de titre et d’auteur rouges, frottements, mouillures marginales sur quelques feuillets, ancien travail de vers, un feuillet replié.
ref. 23023In8 broché,sans couvertures,texte bicolore; quelques mouillures, dans l'état
1802ref. 029633Londres 1802 Chez A. Dulau et Co Full-Leather (Hardcover) 1st Edition
1958ref. 0044351958 Paris, 1958. Petit in-folio (256 X 335 mm) en feuilles, sous couverture rempliée imprimée en rouge, chemise et étui de l'éditeur ; (1) f. blanc, (2) ff. de faux-titre et titre imprimé en deux couleurs, 183 pages, (1) page, (2) ff. de table et justification du tirage, (1) f. blanc. Quelques rousseurs sur la couverture, sans gravité, petite tache brune en tête du dos de la chemise.
1948Very Good Arabic Original chromo-lithograph map in brown tones. On a special paper with an ongoing blindstamped "Regestre Robur" during the borders. Folded. 70x100 cm. In Arabic. Scale: 1 /1.000.000. Chipped on margins, split on folded traces. Slight discoloration and one stain on lower margin. Otherwise a good copy. An attractive and detailed map of Syria shows the capital (as Aleppo n that map), other cities like Damascus, Raqqa, Homs, Latakia, Ayn al-Arab, Idlib, Hama, Deir Ez-Zor, Jarabulus, et alli. And it shows Turkey on the north (as Turkey containing Hatay and Alexandrette), The Mediterranean shores of the land as well as Lebanon and Palestine (and Jerusalem) on the west, Sharq al-Urdun (Jordan) and Iraq on the south and east. It's very detailed on showing the roads spread throughout the land like railways and ancient roads from the Roman period. Additionally this roads can be followed to the other Arabic countries and regions on the map. This map was calligraphed by Kamel Al-Baba, (1905-1991), who was a Lebanese contemporary / modern calligrapher. He is the son of famous calligrapher Mokhtar Al-Baba. Cannot be found in WorldCat.; Not in Library of Congress Map Collection. Very scarce.
1970Very Good Arabic Original pamphlet. Large roy. 8vo. (25 x 17,5 cm). Texts in completely Arabic. [4] pp., ills. An extremely rare propaganda and political proclamation in Arabian related to Jerusalem and Palestine question. It has a "call to arms" for the struggle. A unique brochure. Not in OCLC.; Not in IISG.
1868- Librairie de Hachette, Paris 1868, Grd. in-8 (16,5x24,5cm), 693pp., relié. - Edition originale illustrée de 6 cartes (2 dépliantes et 4 sur double page) et 2 plans, ainsi que de 81 figures sur bois in-texte et hors-texte. Reliure en demi chagrin bordeaux d'époque. Dos à nerfs orné. Les plats ont été retendus d'un papier marbré ainsi que les gardes intérieures. Traces brunes sur les premiers feuillets, ensuite quelques brunissures sur certains feuillets. Bon exemplaire. Un des meilleurs livres illustrés sur l'Afrique de l'ouest. En 1863, le général Faidherbe, gouverneur du Soudan, missionna le lieutenant Mage pour une expédition d'exploration le long du Niger en Afrique de L'ouest, et au Sénégal. Ce voyage d'exploration, destinée également à installer des routes commerciales dura trois années. Mage pénétra dans des régions jamais encore explorées, et donna la première description de l'empire Toucouleur de Ségou. [ENGLISH DESCRIPTION ON DEMAND]
1844Very Good Turkish, Ottoman (1500-1928) In contemporary cloth bdg. Roy. 8vo. (24 x 17 cm). In Ottoman script. 43, 59 p. Divan literature is described as "a certain tradition literature with its rules and boundaries" in the most general form. These rules and boundaries have enabled the formation of common expressions in religion and in Sufi intellection in particular and in poetry by the influence of Persian literature, and they have made it traditional in time. In this context, in classical Turkish poetry, whose male poets are predominant in quality and quantity, patriarchal rhetoric presents an outlook that its frame has been established by common tropes, metaphors, poetic themes and in short by similar imaginations and ideas. The divans of Lady Mihri (died after 1512), Lady Leyla (died in 1848) and Lady Seref (1809-1861) have different aesthetic understandings in that context. Laylâ Hanim was one of the few Turkish women poets who made a collection of her poems. Lived in Istanbul and died in 1848. Her family was close to the Ottoman Sultanate and Leylâ Hanim, witnessed the reign of Mahmud II (1808-1839) and Abdülmecid I (1839-1861). She is the daughter of Moralizâde Hâmid Efendi. Her mother Hadîce Hanim is the sister of Keçecizâde Izzet Molla, a notable bureucrat and poet of the times. She has three brothers, Atâullah Mehmed Efendi, Nurullah Mehmed Efendi and Hâlid Efendi, who died at a young age. She had financial problems after her father's death and she expressed those in her poems. Some of her poems in the divan mention that her father and brother Hâlid Efendi have lived in Bursa for a while. She is educated by Keçecizâde Izzet Molla, she is quick-witted. She experienced a short marriage, which lasted about a week; after the divorce she devoted herself to poetry. Her grave is in Galata Mevlevîhanesi. Following books include information of her life, characteristics and poetry: Fatin Tezkiresi (363), Ahmet Rif'at's Lugat-i Târîhiyye ve Cogrâfiyye (154), Tuhfe-i Nâ'ilî (895), Sicill-i Osmânî (93), Bursali Mehmet Tahir's Osmanli Müellifleri (406), Haci Begzâde Ahmet Muhtar's Sâir Hanimlarimiz (51-2), Mehmed Zihnî Efendi's Mesâhir'ün-Nisâ (195), and Semseddin Sâmî's Kâmusü'l-A'lâm (4060). These resources indicate that Leylâ Hanim is from a noble family and the links of the family to the high cadres of Ottoman bureaucracy and their intellectual property have left traces in her poetry. AH 1299 = AD 1882. Fourth Edition. (Source: All poetry). OCLC 163633996.; Özege 4177 / 2. First Bulaq Edition. Litho. Rare.
18201st edition. Later boards. 8vo. 543 pages, 21 cm. In French. Title translates to From the Urban and Rural Economy of the Arabs and Jews. A monumental history of Arabian economy drawn from Greco-Roman sources. Reynier (1762-1824) was an notable Swiss-French scholar of ancient and modern economic history who accompanied Napoleon on his expedition to Egypt, where he served as High Superintendent of Revenues and Finances. SUBJECTS: Arabs. Jews -- Politics and government. Jews -- Social conditions. Jews -- Agriculture. OCLC lists 10 copies worldwide, but only 2 copies in North America (Penn and Harvard) (OCLC: 698357953) . A colleague offers a copy for sale for USD 2500. Ex-library with usual markings. Pages are ridged and wavy, but Very Good Condition. (YID-41-9-PE)
1890ref. 69382Maison Quantin | Paris 1890 | 24.50 x 31.50 cm | relié
1831ref. 61718Théophile Barrois et Benjamin Duprat | Paris 1831 | 13 x 21 cm | relié
1971ref. 171721al-Khobar: The International Publications Industries 1971. Keep the following in mind and everything will be easy Fourth printing of this institutionally rare phrasebook which adopts "a short cut method simple and easy enough for a businessman to teach himself the spoken Arabic while relaxing in the Aircraft or in his Hotel room. Many of the oil industry people in Arabia owe their local friendship to this book". Arranged by topic the book has sections on greetings shopping food and drink and other practicalities such as taking one's car to a mechanic. The unnamed author places a premium on language as a key to understanding local culture: "you will find the Gulf Arabs intensely loyal to their friends as well as to their families. Most of them are blessed with a keen sense of humor. For these and other reasons such as their hospitality and courtesy you will enjoy getting acquainted with them". Further sections discuss the etiquette of being a guest at a traditional wedding and how to behave if invited to a private house as a guest. WorldCat lists only four copies in institutions Oxford National Library of Wales National Library of Israel Bilkent University. Small octavo 115 x 117 mm. Wire stitched in the original printed wrappers spine lettered in black. Minor wear to wrappers contents lightly toned not affecting text. A very good copy. unknown
1961ref. 78570Les Editions de Minuit | Paris 1961 | 14 x 22.50 cm | broché
1922- Lucien Vogel éditeur, Paris 1922, 18x24cm, relié. - Set of eight original prints in color, drawn on laid paper. The XXXIII and XXXVI sketches are signed lower left and right boards. The boards are introduced by a text Joan Ramon Fernandez. Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and worldly aesthetes" (Françoise Tétart-Vittu "good Gazette of tone" in the fashion dictionary, 2016). Printed on fine laid paper, they use a typeface created specifically for the magazine by Georges Peignot, the Cochin character, taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil, enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel, man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff (John's sister, the father of Babar) Gazette good tone in which the subtitle is then "Art, fashions and frivolities." Georges Charensol quotes the editor: "In 1910, he observed, there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists [...] I was certain of success because for any fashion country can compete with France. "(" A great art editor. Lucien Vogel "in literary News, No. 133, May 1925). The success of the magazine is immediate, not only in France but also the US and South America. Originally, Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier, Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Halouze Alexander Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. These artists, mostly unknown when Lucien Vogel appealed to them, will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless, some of Illustrations contained no real model, but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit, it brings together for the first time the great talents of the world of arts, literature and fashion and imposed by this alchemy, a new image of women, slender, independent and bold, also driven by the new generation of designers Coco Chanel, Jean Patou, Rochas Marcel ... Recovery in 1920 by Condé Montrose Nast, Gazette fashionable modeled for the new composition and the aesthetic choices of the "little dying newspaper" that Nast had bought a few years ago: the Vogue magazine. [FRENCH VERSION FOLLOWS] Ensemble de huit estampes originales en couleur, tirées sur papier vergé. Les croquis XXXIII et XXXVI sont signés en bas à gauche et à droite des planches. Les planches sont introduites par un texte de Jeanne Ramon-Fernandez. Reliure à la bradel en plein papier à motif décoratif, do