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1922- Lucien Vogel éditeur, Paris 1922, 18x24cm, relié. - Set of eight original prints in color, drawn on laid paper. The XXXIII and XXXVI sketches are signed lower left and right boards. The boards are introduced by a text Joan Ramon Fernandez. Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and worldly aesthetes" (Françoise Tétart-Vittu "good Gazette of tone" in the fashion dictionary, 2016). Printed on fine laid paper, they use a typeface created specifically for the magazine by Georges Peignot, the Cochin character, taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil, enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel, man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff (John's sister, the father of Babar) Gazette good tone in which the subtitle is then "Art, fashions and frivolities." Georges Charensol quotes the editor: "In 1910, he observed, there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists [...] I was certain of success because for any fashion country can compete with France. "(" A great art editor. Lucien Vogel "in literary News, No. 133, May 1925). The success of the magazine is immediate, not only in France but also the US and South America. Originally, Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier, Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Halouze Alexander Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. These artists, mostly unknown when Lucien Vogel appealed to them, will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless, some of Illustrations contained no real model, but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit, it brings together for the first time the great talents of the world of arts, literature and fashion and imposed by this alchemy, a new image of women, slender, independent and bold, also driven by the new generation of designers Coco Chanel, Jean Patou, Rochas Marcel ... Recovery in 1920 by Condé Montrose Nast, Gazette fashionable modeled for the new composition and the aesthetic choices of the "little dying newspaper" that Nast had bought a few years ago: the Vogue magazine. [FRENCH VERSION FOLLOWS] Ensemble de huit estampes originales en couleur, tirées sur papier vergé. Les croquis XXXIII et XXXVI sont signés en bas à gauche et à droite des planches. Les planches sont introduites par un texte de Jeanne Ramon-Fernandez. Reliure à la bradel en plein papier à motif décoratif, do
réf. 509720 in 8 (22x13,5) Un cahier manuscrit de 194 pages renfermant 110 contes de sources diverses, avec le texte en langue arabe finement calligraphié à l'encre noire et la traduction française en regard (fine et très lisible écriture). Les 110 contes sont titrés, et il est aussi donné la précision du nom des auteurs arabes. Attibué au Général Oliva? (roussillonnais), réalisé en Syrie, vers 1930 ??
1979Fine Turkish Paperback. Pbo. Roy. 8vo. (24 x 17 cm). Reprint in Arabic; large introduction, and annotations in Turkish. [4], [xLvi], 236 p. El-Bark el-Sâmî. [= Kitab al-Barq al-Shami]. Abridged by Al-Bundârî. Published, prepared and introduction by Ramazan Sesen. Muhammad ibn Hamed Isfahan was a Persian historian, scholar, and rhetorician. He left a valuable anthology of Arabic poetry to accompany his many historical works and worked as a man of letters during the Zengid and Ayyubid period. He was born in Isfahan in the year 1125, and studied at the Nizamiyya school in Baghdad. He graduated into the bureaucracy, and held jurisdiction over Basra and Wasit. He then became a deputy of the vizier ibn Hubayra. After the death of ibn Hubayra, he went to Damascus in 1166 CE (562 Islamic Calendar) and entered the service of the qadi of Damascus, Kamal ad-Din. The qadi presented him to the Zengid Nur ad-Din, who appointed him a professor in the school he had established there, which then became known as the Imadiyya school in his honour. Nur ad-Din was later appointed to be his Chancellor. After the death of Nur ad-Din in 1174, Imad ad-Din was removed from all his bureaucratic duties, and was banished from the palace. He went to live in Mosul and later entered the service of Saladin, the Kurdish Sultan of Egypt during that time. When Saladin took control of Damascus, Saladin's vizier, al-Qadi al-Fadil, appointed him chancellor, and he also became al-Fadil's deputy. Saladin had been unsure of his talent because he was only a scribe, Imad ad-Din soon became one of the sultan's favourites. As chancellor he did not have to perform the everyday duties of the chancery scribes, and he had a lot of leisure time in Egypt. From then on he accompanied Saladin on all his campaigns. After a certain raid, he was chosen to kill one of the prisoners, but the prisoner was a child and was instead exchanged for a Muslim prisoner held by the Crusaders. Imad ad-Din was present at the Battle of Marj Uyun, the Battle of Hattin, and the subsequent campaign to expel the Crusaders from the Holy Land. At Acre, he criticized Saladin for giving away the city's treasure instead of spending it on the reconquest. At Beirut, he became ill, but was the only scribe capable of writing the terms of surrender. He had recuperated in time to see the aftermath of the Siege of Jerusalem (1187), where he again criticized Saladin's generosity; he was also disgusted by those in charge of the ransom who took bribes, and the rich Crusader nobles who took their treasures with them rather than ransoming the poor. He was present at Acre again during the Third Crusade when the Christians retook the city of Acre, and was among those who fled after the defeat. After Saladin's death in 1193, he began writing his biographies of the sultan. He wrote the Kitab al-Barq al-Shami, which is lost, but was abridged by al-Bundari. This study contains just 5th volume of manuscript abridged by Al-Bundârî.
1995Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish and facsimile in Ottoman script. [xvi], 25, [14], 48 p. Study on one of important books on 'kâfiye'. Kitâbu'l-Kavâfî. Prep. by Kenan Demirayak.
2006Octavo in while wraps illus. in color; 107 pages ; 21 cm In Arabic. Uncommon. Fiction, Novel. Palestine. Gaza. "Ghareeb Asqalani (whose real name is Ibrahim al-Zand) was born in the village al-Majdal Ashkelon in the south of Palestine in 1947. He has been living in the Gaza Strip with his family since 1948. He studied at the college of Agriculture in the University of Alexandria in Egypt, and received a degree in (Higher) Education in Islamic Studies in Cairo. He has worked as an agricultural engineer on the Euphrates Dam in Syria, as well as a teacher in the Gaza Strip. He also worked as a director in the Ministry of Culture and a Media spokesperson for the Palestine International Book Fair. He represented Palestine at the Spring Palestinian Culture Fair in 1997, and since 2010 has been Deputy Secretary General to the Palestinian Writersí Union and Chairman of the Gaza branch. He is the author of nine novels, six short story collections, three collections of essays, as well as three collections of stories online. His articles have been published widely across national print media. He was the winner of the short story prize from New Bethlehem University in 1976, and from the Palestinian Writersí Union in 1991. His short stories have been translated into English, French, Spanish and Russian." ó Publisher.
2004Octavo in white color illus wraps; 180p; 22cm, bibliographical references (pages 175-176). In Arabic. Uncommon. Muslim women -- History. Women in literature. Musulmanes -- Histoire. Femmes dans la littÈrature. Muslim women.
E. J. Brill, Leyden - Luzac & Co., London. 1916. In-8 Carré. Relié. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. Env. 400 pages. Illustré de quelques reproductions en noir et blanc hors texte. Texte en arabe, avec lecture de droite à gauche. Composed in A.H. 658 = A.D. 1260. Edited with an Introduction, Notes and Indices from several Old Mss., by MIRZA MUHAMMAD, Ibn 'Abdu'l-Wahhab-I-Qazwini. And printed for the Trustees of the 'E.J.W. Gibb Memorial', Vol. XVI, II.
1916réf. RO40171470E. J. Brill, Leyden - Luzac & Co., London. 1916. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Env. 400 pages. Illustré de quelques reproductions en noir et blanc hors texte. Texte en arabe, avec lecture de droite à gauche.. . . . Classification Dewey : 492.7-Arabe
réf. 34968Traduction intégrale sur les manuscrits originaux par René R. Khawam, 1979, 301 pp., broché, traces d'usage, quelques rousseurs sur la tranche supérieure, trace de mouillure sur la partie inférieure de la couverture, pages de garde partiellement brunies, état correct.
réf. ABE-15644698323138 CARTES POSTALES VERS 1900-6018: LA GRANDE PRIERE (NON VOYAGEE)-6297: MAURESQUE (NON VOYAGEE)-6607: JEUNE FILLE ARABE (NON VOYAGEE)-6612: JEUNE MAURESQUE (VOYAGEE)-6615: FILLETTES ARABES (NON VOYAGEE)-6617: OCCUPATIONS DOMESTIQUES FILLETTES ARABES (NON VOYAGEE)-6619: JEUX DE FILLETTES (NON VOYAGEE)-FEMMES MAURESQUES EN PROMENADE (NON VOYAGEE) (BCP6)
1711réf. 64014CBs.l., [um 1711]. 8°. 20 x 14 cm. [53] Blatt. Halblederband im Stile der Zeit mit marmoriertem Deckelbezug. [6 Warenabbildungen]
1990réf. 102885Bordas 1990 In-4 cartonné 29,8 cm sur 23. 144 pages. Bon état d’occasion.
1933réf. 28050Le Caire Imprimerie De L'institut Français 1933 202 pp
1964réf. 28051Damas Institut Français Se Damas 1964 In-4 298 pp
1952réf. 642PARIS. 1952. BROCHURE IN-8 DE 130 PAGES, COUVERTURE ILLUSTREE, TITRE IMPRIME EN ROUGE. ILLUSTRE DE DESSINS DANS LE TEXTE ET DE 4 PLANCHES HORS-TEXTE. BON EXEMPLAIRE.
réf. 90499aafGallimard, 2002, in-4to, 300 p. richement illustrée, cartonnage original ill..
2005réf. ABE-1533720343724164 PAGES-21,5 CM X 28,5 CM-PORTFOLIO L'AGE D'OR DES SCIENCES ARABES,10P-AUX MARCHES DU PETIT PALAIS, 10P-VISITE D'ATELIER DANS LE MONDE REVE DE XAVIER VEILHAN, 6P-COLLECTION PRIVEE SOUVENIRS DU DUC DE TALLEYRAND, 6P-LES DIALOGUES COLORES DE DUNCAN PHILLIPS, 8P-CHARLOTTE PERRIAND, LA PIONNIERE, 6P-L'ART EN CHAMPAGNE, 12P-LE MEILLEUR DE L'ARCHITECTURE 2005, 10P-LA MARQUETERIE DE PIERRES DURES, 6P-SEVRES CONTEMPORAIN, 4P-L'AUTRE OPERA GARNIER, 6P
1995réf. 29766Paris Institut Du Monde Arabe / Flammarion 1995 GRAND In-8 239 pp, nombreuses reproductions couleurs
1857réf. 105683Vagner Duprat 1857 Nancy, N. Vagner / Paris, B. Duprat, 1857, X-266 p., demi-chagrin, environ 23x16cm, manque sur la coiffe supérieur, un pli prononcé sur le coin inférieur du second plat, des frottements d'usage sur la reliure, un mors fragile, pages jaunies, bon état pour le reste.
réf. 055111Tripoli Centre Mondial d'Etudes et de Recherches du Livre Vert 1984 in 12 (17x12) 1 volume reliure toilée verte de l'éditeur, dos et plat supérieur titrés en lettres dorées, 283 pages. Tome 1 seul. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1915réf. ORIE0080Wien, Gerold's Sohn und Alfred Hölder 1886, 1896 und 1915. alle OBrosch., verstaubt, stockfleck., einige Knickspuren, Eselsohren, Randläsuren. Kremer, A. Freiherr von. Lexikographische Notizen nach neuen arabischen Quellen. 25 S./Karabacek, Joseph. Die Involutio im arabischen Schriftwesen. 26 S./Rhodokanakis, Nikolaus. Studien zur Lexikographie und Grammatik des Altsüdarabischen. 72 S., unaufgeschnitten.
1977réf. ABE-151387289422656 PAGES-21,5 CM X 30 CM-COUVERTURE ILLUSTREE-IL Y A MILLE ANS L'ESSOR DE LA CITE ARABE, PAR MOHAMMED ALLAL SINACEUR-FEZ UNE ANTIQUE MEDINA A PRESERVER-GUILDES ET METIERS UNE CONCEPTION HARMONIEUSE DE LA VIE PROFESSIONNELLE FONDEE SUR LA VIE COMMUNAUTAIRE, PAR YOUSSOUF IBISH-HORIZONS DE LA PENSEE ARABE CLASSIQUE, PAR MOHAMMED ARKOUN-LA MUSIQUE PRIERE DU COEIR ET DE L'ESPRIT, UN ART SENSIBLE ET SAVANT, PAR BERNARD MOUSSALI-HUIT PAGES EN COULEURS-APPRENDRE ET ENSEIGNER UN MEME DEVOIR RELIGIEUX, PAR HISHAM NASHABI-LA MEDERSA UNE INSTITUTION UNIVERSITAIRE MILLENAIRE, PAR BADR-EDDIN ARODAKY-LE PETIT ECOLIER DU CAIRE UN GRAND ECRIVAIN EGYPTIEN SE SOUVIENT., PAR TAHA HUSSEIN-LE MARIAGE DE L'ECRITURE ET DE L'ARCHITECTURE, PAR MUSTAPHA EL-HABIB-ARCHITECTURES YEMENITES-MEDECINS, INGENIEURS, INVENTEURS, SAVANTS QUAND L'ARABE ETAIT LA LANGUE DE LA SCIENCE, PAR SALAH GALAL-
réf. 37697Paris PIC 1954 in 12 (18x13,5) 1 volume broché, couverture illustrée en couleurs par Jihef, 271 pages. Le Livre de l'Amour de l'Orient. Bel exemplaire
1967réf. 15387Numéro 253bis de la revue Les Temps Modernes dirigée par Jean-Paul Sartre. 991 pages ! Broché Très bon Paris Les Temps Modernes 1967 1 très fort volume in-8°
1955réf. ABE-85584189088 PAGES FORMAT 42 CM X 60 CM-UN INEDIT DE NERVAL-MAUROIS SE FAIT AUJOURD'HUI LE BIOGRAPHE DE COCTEAU,PAR ANDRE BOURIN,DESSIN DE BEN-PREMIERE A MOSCOU,"LES GRANDES MANOEUVRES",PHOTO RENE CLAIR ET MICHELE MORGAN-AU LOUVRE LES ETRUSQUES CHASSENT LES ROMAINS,PAR JEAN CHARBONNEAUX-LA VIE DES LIVRES PAR ROBERT KEMP,VALERY LARBAUD,MINOU DROUET-LE LIVRE DE LA SEMAINE PAR RENE LALOU,"L'INVITATION CHEZ LES STIRL" PAR PAUL GADENNE,PHOTO-"NOUS AVONS DES YEUX, IL FAUT APPRENDRE A NOUS EN SERVIR." NOUS DIT RENE CLAIR,PHOTO "LA BEAUTE DU DIABLE"-L'ARABE LANGUE DE CONQUERANTS,PHOTO-DESSIN PLEINE LARGEUR DE BEN "ETRUSQUERIES",PAGNOL,MAURIAC,VALERY LARBAUD,RENE CLAIR,MARIE BELL-PHOTO UTRILLO ET SACHA GUITRY,"SI PARIS M'ETAIT CONTE"-CINEMA: "LES ARISTOCRATES" DE DENYS DE LA PATELLIERE-DISQUE,LA CIGALE,PAR GERMAINE BEAUMONT
