REVUELivre Rare Book
REVISTA.MareMagnum
ALMENARA. REVISTA SOBRE EL MUNDO ARABO - ISLAMICO. VOL. 7-8.
197521x14. 406p. Fotogr.
Libreria Fernandez Javier · Espagne18,00 €
4 197 résultats
1968réf. 83939Revue "Démocratie nouvelle" 1968 1 vol. broché gr. in-8, broché, 143 pp., 28 planches de photographies hors-texte sur papier couché. Mouillures marginales aux plats de la couverture avec petite tache d'humidité à la tranche inférieure, sinon assez bon état.
197521x14. 406p. Fotogr.
réf. SONG0823281833Used: Good unknown
1964réf. RO80162763CHEZ L'AUTEUR. 1964. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 261 + XXII pages. Nombreuses planches dont certaines dépliantes, illustrées en noir et blanc.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
réf. 10195broché - 14x20.5 - 447pp - 1976 - éditions PHEBUS
réf. 10295Broché - 13.5x20 - 290 pp - 1964 -édition ALBIN MICHEL
réf. 10294broché - 14x19 - 265 pp - 1960 - " lumière et nation " éditions de L'ORANTE
Librairie Namura, Tunis. Non daté. In-8 Carré. Broché. Etat d'usage. Couv. légèrement passée. Dos abîmé. Intérieur acceptable. 68 pages. Illustré de nombreux dessins en noir et blanc dans et hors texte. Etiquette de code sur le dos. Tampons de bibliothèque sur le 1er plat et en page de garde. Quelques annotations au crayon dans le texte. Collection 'Le Bled', n° 4. Psychologie et linguistique. La conversation. Folklore, Demande en mariage...
réf. 84488Paris/Bruxelles, Elsevier Séquoia, 1977. "15 x 22, 259 pp., 16 planches en N/B, 4 cartes inédites, broché, bon état (1 cachet et signature ex particulier; dos défraîchi)."
réf. 35039Paris, Alsatia, 1958. 14 x 20, 245 pp., 12 illustrations hors texte, broché, bon état (papier légèrement jauni).
1929- Edgar Malfère, Paris 1929, 15x19,5cm, broché. - Edition originale, un des 950 exemplaires numérotés sur Turner, le nôtre non justifié. Envoi autographe signé de Jean Renaud. [ENGLISH DESCRIPTION ON DEMAND]
1900- Imprimerie Cerf, Paris 1900, 15x21,5cm, broché. - Edition originale imprimée à petit nombre et illustrée de photographies in-texte. Plats marginalement salis comportant des pliures et des petites déchirures angulaires, agréable état intérieur. Rare. [ENGLISH DESCRIPTION ON DEMAND]
1925réf. 23193Paris Calmann-Lévy 1925 -in-8 demi-chagrin un volume, reliure demi-chagrin rouge in-octavo (binding brown half shagreen in-8) (23 x 14,7 cm), dos 5 nerfs ornés (spine with raised bands), décoré "or" et à froid (gilt and blind stamping decoration), titre frappé "or" (gilt title), un filet à froid noir de part et d'autre des nerfs, plats décorés à froid d'un filet à froid aux mors, papier marbré rouge, marron foncé et "or" aux plats (cover with marbled paper), tête lisse, gouttière et tranche de queue non-rognées, couverture jaune editeur conservée, sans illustrations, orné de 63 planches hors-texte dessinées par Tony Johannot et gravées sur bois par Brugnot, Dujardin, Rouget, Andrew, Best et Leloir ..., + vignettes dans le texte, XVI + 486 pages, 1925 à Paris : Calmann-Lévy Editeur,
réf. 33033Madrid Libros Hiperión 1992 in 8 (23,5x16) 1 volume broché, couverture illustrée à rabats, 350 pages. Texte en langue espagnole (Spanish text). Ernest Renan, 1823-1892. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Paris - Calmann Lévy - 1898 - In-8 - Relié - Dos cassé - Plats désolidarisés - Titre et filets dorés - Couverture conservée - Préface XIV & 527 p. - Très propre
1898réf. 37811898 Paris - Calmann Lévy - 1898 - In-8 - Relié - Dos cassé - Plats désolidarisés - Titre et filets dorés - Couverture conservée - Préface XIV & 527 p. - Très propre
réf. 66371Bruxelles, CBAI/EVO/Lyon, Chronique Sociale, 1997. 15 x 22, 175 pp., quelques illustrations en N/B, broché, très bon état.
réf. DADAX0521028876New unknown
réf. SONG0521327636Used: Good unknown
réf. 11852Paris, Buchet/Chastel, 2004 15 x 23, 447 pp., illustrations en N/B et en couleurs, broché, très bon état
1845- Imprimerie royale, Paris 1845, 9,5x15cm, 2 volumes reliés en 1. - Edition originale de la traduction française, des corrections, des additions et des éclaircissements, établis par Joseph Toussaint Reinaud en 1845, d'après le texte arabe imprimé en 1811 par les soins de Louis Langlès. Reliure à la bradel en plein papier marbré, plats de couverture conservés, reliure signée Thomas Boichot. Très rare exemplaire sans rousseur. [ENGLISH DESCRIPTION ON DEMAND]
réf. 054841Paris Larousse 1987 in 8 (20x14) 1 fort volume reliure cartonnée de l'éditeur. Collection Mars. Très bel exemplaire
1717In-8°, (30 cc) compreso ritratto, antiporta e frontespizio, pp. 272, 4 carte ripiegate, legatura in pelle con titolo al dorso. Prima edizione. La prima parte di questo lavoro, intitolata Compendium theologiae mohammedicae arabice et latine, è un'edizione in arabo, con traduzione, di una piccola opera simile al Mukhtasar di Abû Suj ed è probabilmente la prima edizione stampata di un'opera islamica così essenziale in Occidente . La seconda parte è il contributo più importante di Reelant per una migliore comprensione dell'Islam in cui si propone di correggere molte credenze popolari con citazioni dal Corano e da altre fonti arabe. In-8°, (30 cc) including portrait, frontispice and title page, pp. 272, 4 engraved folded plates, binding in calf with title at the spine. First edition.The first part of this work, entitled Compendium theologiae mohammedicae arabice et latine is an edition in Arabic, with translation, of a small work similar to Abû Sujâ s Mukhtasar and is probably the first printed edition of such an essential Islamic work in the West. The second part is Reelant’ s most important contribution towards a better understanding of Islam in which he sets out to rectify many popular misbeliefs with quotations from the Coran and other Arabic sources.
1809- Imprimerie Impériale, Paris 1809, 71x54cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant les cam
1809- Imprimerie Impériale, Paris 1809-1829, 53,5x70cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant
