With Notes, And LexiconBiblio.com
769 risultati
rif. 1528502329.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1991rif. 9184Les Éditions Némésis 1991 220 pages in8. 1991. broché. 220 pages. Le 'Dictionnaire de la recherche scientifique' de Richard Lefrançois est un ouvrage de méthodologie publié en 1991 par les Éditions Némésis. Il s'adresse aux chercheurs en sciences sociales avec une application particulière en gérontologie et vise à définir les concepts clés de la recherche scientifique
rif. SONG0199102074Used: Good unknown
rif. 1248071808.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2005Fine Turkish Paperback. Demy 8vo. (22 x 15 cm). In Turkish. 380 p. Yazmalar arasinda. Eski Türk Edebiyati Arastirmalari 1.
1952Near Fine German 1/4 leather bdg. with five compartments at spine. Roy. 8vo. (23 x 17 cm). In German and Hittite language. 344 p. Hethitisches Wörterbuch. Kurzgefasste Kritische Samlung der deutungen hethistischer Wörter. Indogermanische Bibliothek. Herausgegeben von Hans Krahe. Zweite Reihe: Wörterbuch.
2017As New English Paperback. Demy 8vo. (21 x 14 cm). In English. 173 p., ills. Islamic art and modernism: Formal elements in painting, architecture and film. "Much has been written about the workshop structure and the role of the Sultan, Emperor or Emir in commissioning works of painting or architecture in the history of Islamic art and contradiction to the ideas of the last two centuries in the West, where the individual artist is credited with making a conceptual statement while working alone. The reality presented here is somewhere in the middle - individual poets, artists and architects play a prominent role historically in Islamic art while the position off the Ruler is also extremely valuable and stylistically relevant. The movement of artists and architects to cities that are centers of a particular style, movement or patronage was common throughout history and the interchange in Ottoman and Safavid-Persian and Mughal and Deccani India are examples of methods and techniques spreading, developing, influencing and changing regional trends. In this study, selected paintings, buildings andd films that cross genres, styles and dynastic periods are explored in both a socio-historical context and, more importantly, in terms of their striking formal innovations. It is a thematic new look at how we position Islamic art - how it in fact embodies, exemplifies and invents many aspects of Modernism in Painting and Architecture and Film.".
rif. 133386504X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. DADAX0806143088New unknown
rif. 1527888371.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. DADAX1598567012New unknown
1744rif. 032731Reinhard Eustaciuse Moeller, Frankfurt/ M. 1744. Hardcover Gut
1973rif. 27134Paris Les Mains Libres 1973 In-8 ( 8 Fascicules ) 8 numéros de Mai à Octobre 1973 dont 1 double, le 4-5 de 100 pp environ chaque
1962xix + 1127pp., 26cm., editor's hardcover in blue cloth with gilt lettering on spine (vague spot of removed label on upper board), text printed in two columns, small library stamp at verso of title page, good condition, text very clean and in very good condition, R93340
1962rif. R93340Oxford, Clarendon Press 1962 xix + 1127pp., 26cm., editor's hardcover in blue cloth with gilt lettering on spine (vague spot of removed label on upper board), text printed in two columns, small library stamp at verso of title page, good condition, text very clean and in very good condition, R93340
rif. 15293Paris, Encyclopédie Française de Poche, 1972. 11 x 18, 10 tomes en 3 volumes (environ 1800 pp.), très nombreuses illustrations N/B et quelques une en couleurs, cartonnage d'édition, bon état.
1954xix + 1013pp., 25cm., reprint of the 17th edition (Unveränderter Neudruck der 1915 erschienen 17. Auflage), editor's hardcover in black cloth with gilt lettering on spine, Hebrew/Aramean-German dictionary, very good condition, R68184
1954rif. R68184Berlin, Springer 1954 xix + 1013pp., 25cm., reprint of the 17th edition (Unveränderter Neudruck der 1915 erschienen 17. Auflage), editor's hardcover in black cloth with gilt lettering on spine, Hebrew/Aramean-German dictionary, very good condition, R68184
1956rif. 146291956. Paris Société d'Edition Les Belles Lettres 1956 - Broché 16 5 cm x 24 cm XIV+ 230 pages - Texte de Henri Baulig - Bon état
1901rif. 146731901. Paris Librairie Flammarion s.d. (1901 ?) 5ème ed. - Toilage moderne couv. conservée 9 cm x 15 cm 186 pages - Texte de Jean La Rue (faussement attribué à Vallès ; cf Denis Delaplace) précédé d'une histoire de l'argot par Clément Casciani- Toilage très propre mais ouvrage en état moyen
rif. 3254Belfond Mémoire du Livre, 2002. Broché, couverture contre pliée, 372 pages et un texte sur deux colonne émaillé d'illustrations en vignettes in text et en noir. Agréable exemplaire.
rif. 22092CBLeipzig, VEB Verlag Enzyklopädie, ohne Jahr. gr.8°, 864 S., zweispaltig gesetzt, mit Handregister, schwarzer Kunstledereinband mit original Schutzumschlag, Schutzumschlag an oberer und unterer Kante ein wenig angerändert (sauber mit säurefreiem Filmoplast hinterlegt), Schutzumschlag und Vorderdeckel minimal berieben, Kopfschnitt nahe Buchrücken und Vorsatzseite oben links leicht fleckspurig, sonst schönes, s
1824rif. 64883CBLondini [London], Priestley u.a., 1824. 8°. 20 x 13 cm. VI, 409 Seiten. Halblederband der Zeit mit marmoriertem Bezugspapier, goldgeprägtem Rückentitel auf Lederschildchen und rotem Schnitt. [3 Warenabbildungen]
rif. 12020Lexique et textes, préface d’André MARY. In 8 broché, faux-titre, titre, 131 pages, 1 page de table des matières, non coupé. Paris Librairie E. DRO 1932. (un petit manque angle inférieur droit au premier plat de couverture
1835rif. 2045FBParis, Belin-Mandar, Libraire [u.a.], o.J. [c. 1835]. 8°. 22 cm x 14 cm. 694 Seiten. Original-Ledereinband, marmoriert, mit goldgeprägtem Rückentitel sowie Rückenornamenten. Marmorschnitt.
