678 risultati
1857Two volumes bound in one. pp. 806; 563. Double column. Text in Hebrew, Chaldaic, and German. Large 8vo. 165 x 240 mm. Nice contemporary full leather binding, by Hayday & Mansell, worn at extremities. Marbled edges and endpapers. Manuscript ownership of: E. Twisleton, 1860. Stamped ownership of Rev. Edward Arbea. A very decent copy of an important "Hebrew & Chaldaic Lexicon to the Old Testament, with an Introduction, Giving a Short History of Hebrew Lexicography." Scarce. MOUNT BX2
rif. 41295London, Samuel Bagster and Sons 1898, 175x105mm, VII - 287pages, cloth binding. Name of the previous owner. Book in good condition.
1952Near Fine German 1/4 leather bdg. with five compartments at spine. Roy. 8vo. (23 x 17 cm). In German and Hittite language. 344 p. Hethitisches Wörterbuch. Kurzgefasste Kritische Samlung der deutungen hethistischer Wörter. Indogermanische Bibliothek. Herausgegeben von Hans Krahe. Zweite Reihe: Wörterbuch.
2020New French Paperback. Roy. 8vo. (24 x 17 cm). In French. 85 p. Histoire de la Turquie. Traduit du haut-allemand précoce et présenté par Michael Karger. Introduction I. Jörg de Nuremberg et son temps. II. Les canonniers et l'artillerie ottoman III. Les motivations et les influences de l'auteur IV. La structure et les particularités du récit V. L'édition du récit et sa postérité VI. Conclusion VII. Documents iconographiques Avertissement [Histoire de la Turquie] [De l'origine des Turcs et ce que chaque empereur accomplit] Item, suit ci-dessous de leur loi ou croyance, de leur jeûne et prière Item, suit ci-dessous comment ils gardent les pauvres captifs, les achètent et les vendent. Chronologie des dynasties Index des noms de personnes et de peuples Index géographique des noms de lieux Cartes Références bibliographiques.
1823rif. 53569Graz, And. Kienreich, 1822-1823. 8°. Mit 2 lithogr. Titelbildern, 4 lithogr. Titeln u. zahlr. Ortswappen a. 3 lithogr. Tafeln. Zus. ca. 2400 S., HLdr.-Bde. d. Zt. m. etw. Rückenverg., den goldgepr. Initialen ?J. K.? sowie je 2 goldgepr. Rückenschildern.
2016New English Original bdg. HC. Roy. 8vo. (24 x 17 cm). In Turkish. 337 p., ills. Hititlerde ve Eski Anadolu toplumlarinda din, devlet, halk ve eglence. Religions, state, entertainment and society in the Hittites and ancient Anatolian civilizations.
2016New English Original bdg. HC. Roy. 8vo. (24 x 17 cm). In Turkish and Hittite language. [xvi], 1002 p. Hititçe-Türkçe / Türkçe-Hititçe büyük sözlük. Hattice, Hurrice, Hiyeroglif Luvicesi, Çivi Yazisi Luvicesi ve Palaca sözcük listeleriyle birlikte. Grand Dictionary of Hittite-Turkish, Turkish-Hittite alongside with Word Lists of Hattian, Hurrian, Hieroglyphic and Cuneiform Luwian and Palaic.
1992Very Good Azerbaijani Paperback. Cr. 8vo. (20 x 14 cm). In Azerbaijani (Arabic script). [100] p., color ills. Hophopnâme. The first artist whose book was published and whose statue was laid down by getting donations from the public is the national poet of Azarbaijan Mirze Elekber Sabir. This case is enough to clarify the effect that he struck on public as well. Sabir who was born in Samahi city of Azerbaijan in 1862 lived all his life in physical, economical and moral difficulties. In spide of he wrote his poems in classic form at first, he assimilated a modernist poem mentality with the help of " Molla Nasreddin" magazine published by Celil Memmedguluzade. He wrote up almost all social issues in judgmental an homour way. Although he died at his early ages and had a short literary life, he created a new poem mentality to Azerbaijan Turkish literature by bringing these innovations in substances and utterance. Additionally, these innovations weren't limited in Azerbaijan, they showed their effects on all Turkish world.
1668rif. 1432Leiden u. Rotterdam, Hack, 1668. 4to. Mit gest. Titelvignette. 1003 S., zweispaltig gedruckt. Pgt. d. Zeit. Blauschnitt.
rif. 67798Bordeaux, Féret éd;, septembre 2009, in-4 carré, cartonnage rigide, Couv; photo coul. éd., 160 pp., ENVOI DE L'AUTEUR, nb. photos coul., Avant-propos, Introduction, Recettes, Carnet d'adresses, Table des matières. Eric Vigean et Denis Hervier nous entraînent dans un monde oléogastronomique unique sortant des flaveurs convenues. Ce duo savoureux nous confie en préambule des conseils diététiques en même temps que pratiques pour différencier huile de première pression à froid et huile gourmande, tout en explorant les arômes, les textures, les goûts et les meilleurs modes de conservation... Autant de nouveautés qui poussent alors nos plus grands chefs à la création. Ouvrant « l'huilothèque », les deux compères nous apprennent à jongler avec les saveurs du quotidien autour de l'amande, l'argan, la bourrache, la cameline, le carthame, le chanvre, le colza, la noisette, la noix, l'oeillette, l'olive, les pépins de courge , le sésame ou le tournesol. Chaque huile y est décrite dans son utilisation pratique, ses qualités gustatives, son élaboration. Des astuces simples sont livrées grâce aux conseils avisés d'une cuisinière et les étoilés les plus réputés y dévoilent leurs utilisations. La fête continue avec les accords huiles et vins, suivie d'une palette de saveurs autour de la truffe, du homard , des Saint-Jacques ou du chocolat. L'ouvrage se termine par une cinquantaine de recettes de toqués et d'amateurs, avec des plats simples, élaborés, où huiles et saveurs se conjuguent pour le plus grand plaisir de tous. Une ère nouvelle s'ouvre à nous, celle de l'huilégrette ! TBE
rif. 105155Lugd. Batav. et Roterod, Ex Officina Hackiana, Ao. 1668, 1 volume in-8 de 245x180x60 mm environ, 1f.blanc, 5 ff. (titre avec large vignette, epistola dedicatoria, praefatio ad lectorem), 1003 pages, 1 f.blanc, reliure plein parchemin crème portant titres manuscrits sur le dos, imprimé sur 2 colonnes. Anciennes notes manuscrites, date et appartenance sur les pages de garde et dans les marges, rousseurs et pages brunies, restaurations anciennes sur la bordure supérieure des 4 premiers feuillets, coiffe supérieure ébréchée, bon état pour le reste. Texte en grec.
1988Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [iv], 105, [3], [1] p. Second Edition. Ibni-Mühennâ lûgati. (Istanbul nüshasinin Türkçe bölümünün endeksidir). Prep. by Aptullah Battal.
1998Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish and English. [8], 551, [1] p. Identical and similar Turkish - British / British - Turkish proverbs and idioms.= Tipki ve benzer Türk - Ingiliz / Ingiliz - Türk atasözleri ve deyimleri.
1993rif. 22386CBTokyo, Ikubundo, 1993. 8°, 1800 S., zweizeilig gesetzt, mit farbiger Karte, mit Lesebändchen, heller flexibler Kunststoffeinband (softcover) mit goldener Deckel- und Rückenbeschriftung in Schuber, schönes, sauberes Exemplar
2009rif. 22528CBBologna, Zanichelli Klett Pons, 2009. gr.8°, 2640 S., dreispaltig gesetzt, 32 Tafelseiten mit Farbabbildungen und farbigen Vorsätzen, orangener original Pappband (Hardcover) mit original Schutzumschlag im farbig illustr. Pappschuber, 2. Auflage sehr schönes, sauberes Exemplar ohne die CD-Rom
2006rif. 10405BBIstanbul, Bordo Siyah, 2006. kl.8°, 704 S., zweifarbig gedruckt (blau, rot), farbig illustr. original Kartonage (Paperback), Erstausgabe sehr gutes, sauberes Exemplar (in türkischer Sprache) (hstb)
2006rif. 10404BBIstanbul, Bordo Siyah, o.J. (um 2006). kl.8°, 512 S., zweifarbig gedruckt (blau, rot), farbig illustr. original Kartonage (Paperback), Erstausgabe sehr gutes, sauberes Exemplar (in türkischer Sprache) (a - hstb)
rif. 126206aafHildburghausen, Bibliogr. Instituts, 1867, gr. in-8vo, reich illustriert mit 52 gest. Karten + Holzschnitt Tafeln (teilweise Verbunden), Original-Halb-Lederband.
rif. 17854618-6Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
rif. Q05P-00045Lexicon. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Lexicon unknown
1996rif. 6899EBMünchen/New Providence/London/Paris, K G Saur, 1996. 4°. 30 cm. xlviii, 1018 Seiten. Original-Leinenband. [2 Warenabbildungen]
rif. 109998Halae, Typis et Impensis Curti Haered., 1793, 1 volume in-8 de 210x128x92 mm environ, 1f.blanc, un portrait-frontispice, xxii-1766pages, 1f.blanc, demi basane à coins cognac, dos lisse portant titres sur pièce de titre fauve, orné de filets dorés horizontaux. Des rousseurs et pages brunies, mouillure claire en fin de volume, importants frottements sur le cartonnage, notes manuscrites sur la première garde blanche, dernière garde blanche renouvelée. Avec un portrait de l'auteur en frontispice.
rif. 109999Halae, Typis et impensis Curti Hafred, 1793, 2 volumes in-8 de 210x130 mm environ, Tome I : 1f.blanc, un portrait-frontispice, xxii-1086pages, 2ff.blancs, - Tome II : 1f.blanc, p.1087 à 1766, 1f.blanc (pagination continue), reliures en demi basane cognac granitée, dos à 5 nerfs portant titres et tomaisons dorés sur pièce de titre havane et tomaisons vert sombre, gardes bleues illutrées, tranches rouges. Quelques rousseurs, notes anciennes sur les pages de garde, cuir très frotté avec épidermures et manque de cuir sur le dos du deuxième volume, mors internes fendus. Avec un portrait de l'auteur en frontispice dans le tome I.
2017As New English Paperback. Demy 8vo. (21 x 14 cm). In English. 173 p., ills. Islamic art and modernism: Formal elements in painting, architecture and film. "Much has been written about the workshop structure and the role of the Sultan, Emperor or Emir in commissioning works of painting or architecture in the history of Islamic art and contradiction to the ideas of the last two centuries in the West, where the individual artist is credited with making a conceptual statement while working alone. The reality presented here is somewhere in the middle - individual poets, artists and architects play a prominent role historically in Islamic art while the position off the Ruler is also extremely valuable and stylistically relevant. The movement of artists and architects to cities that are centers of a particular style, movement or patronage was common throughout history and the interchange in Ottoman and Safavid-Persian and Mughal and Deccani India are examples of methods and techniques spreading, developing, influencing and changing regional trends. In this study, selected paintings, buildings andd films that cross genres, styles and dynastic periods are explored in both a socio-historical context and, more importantly, in terms of their striking formal innovations. It is a thematic new look at how we position Islamic art - how it in fact embodies, exemplifies and invents many aspects of Modernism in Painting and Architecture and Film.".
2017New English Paperback. Demy 8vo. (21 x 14 cm). In English. 173 p., ills. Islamic art and modernism: Formal elements in painting, architecture and film. "Much has been written about the workshop structure and the role of the Sultan, Emperor or Emir in commissioning works of painting or architecture in the history of Islamic art and contradiction to the ideas of the last two centuries in the West, where the individual artist is credited with making a conceptual statement while working alone. The reality presented here is somewhere in the middle - individual poets, artists and architects play a prominent role historically in Islamic art while the position off the Ruler is also extremely valuable and stylistically relevant. The movement of artists and architects to cities that are centers of a particular style, movement or patronage was common throughout history and the interchange in Ottoman and Safavid-Persian and Mughal and Deccani India are examples of methods and techniques spreading, developing, influencing and changing regional trends. In this study, selected paintings, buildings andd films that cross genres, styles and dynastic periods are explored in both a socio-historical context and, more importantly, in terms of their striking formal innovations. It is a thematic new look at how we position Islamic art - how it in fact embodies, exemplifies and invents many aspects of Modernism in Painting and Architecture and Film.".
