A. ScharpéLivre Rare Book
693 résultats
1958réf. 027889Brugge 1958 Uitgeverij De Tempel Soft cover
réf. 26053N° spécial - mars-avril 1974 - Paraît tous les deux mois et est édité par Prim'Edit - Broché - 36 pages
1884Paris, Leroux 1884. In-8 broché. N°2 Février Mars1884.Etudes Bouddhiques, comment on devient Preta, Etude sur trois musiciennes arabes, Etudes sur le lexique du Rig Veda. Coup d'oeil sur l'alphabet Libyque. Dos cassé
1759réf. 63132CBRegenspurg/Wien, Verlag Emerich Felix Bader, 1759. 8°. 22,5 x 14 cm. 5 Blatt, 1280 Seiten, 36 Blatt. Frontispiz und 8 [von 10] Falttafeln. Pergamentband der Zeit mit goldgeprägtem Titel auf schwarzem, ledernem Rückenschild und Rundum-Rotschnitt. [5 Warenabbildungen]
1744réf. 10-0-22Leipzig und Helmstadt, Christian Friedrich Weygand, 1744. gr. 8°, mit gest. Frontispiz, 48(recte 46) S., 1 Bl., Sp. 6-1938, 70 Bll., Pgmt. d. Zt
19622 volumes (complete): together 1878 + 4 pp., publisher's hardcover bindings in red cloth, 27cm., very good condition, [Photomechanischer Nachdruk mit Berichtigungen und Ergänzungen, Paderborn 1934], R54588
Fine English Paperback., Very good., 23 x 16 cm, N.d., b/w ills., [6], 326 p. "Jeomorfoloji sözlügü. (Kismen diger yerbilimleri), MEHMET ARDOS - NILÜFER PEKCAN (YALÇINER), Çantay Kitabevi, Istanbul"
réf. 117337Editions Marabout, Collection "Flash" n°463 - 1983 - In-12, format carré, couverture illustrée - 160 p.
1996réf. 2080202104501789Astro Education System Astoro Publishing Department 1996. Soft Cover. Fine. Number of pages: 544p Size: 19cm Number of books: 1 Astro Education System Astoro Publishing Department paperback
réf. 2090202123000704Nichigai Associates N.A. Soft Cover. Fine. The book is in fine condition. Nichigai Associates paperback
1985réf. 2092902143400197Nichigai Associates 1985. Soft Cover. Fine. Size: B5 size Nichigai Associates paperback
1741réf. 7510EBLipsiae (Leipzig), Sumpt. Haered. Lanckisianorum., 1741. Klein-8°. 17,5 x 11,5 cm. Titelblatt, 2 Blatt, 1112 Seiten, Titelblatt, 206 Seiten, Titelblatt, 128 Seiten. Pergamentband mit blindgeprägtem Rückentitel und gemustertem Schnitt. [2 Warenabbildungen]
1996réf. 500330906Ellipses 1996 1996.
1920Very Good Turkish, Ottoman (1500-1928) Contemporary cloth bdg. Ottoman lettered gilt on spine. Cr. 8vo. (19 x 13 cm). In Ottoman script. 243 p. Karay was a Turkish writer and journalist. He was born in Istanbul on 15 June 1888. After studying at Galatasaray High School and Istanbul University Faculty of Law, he briefly served in the Ministry of Finance of the Ottoman Empire. During the Second Constitutional Era in 1908 he resigned from his post and published a short-living newspaper. He also wrote in literary periodicals. Being an opponent of the Committee of Union and Progress he was exiled to several cities in Anatolia. After returning to Istanbul he wrote mainly on Anatolian life style. He was a pioneer in Anatolian based literature. He attended the Freedom and Accord Party. During the reign of the Freedom and Accord Party he served as the teacher of Literature in Robert College and then the General Director of Turkish PTT. He opposed the Turkish War of Independence and at the end of the war he escaped to Beirut and Aleppo. In 1938 after the amnesty law he returned to Turkey. He resumed his writing career and wrote a number of novels. He died on 18 July 1965. He was buried at Zincirlikuyu Cemetery in Istanbul. (Source: Wikipedia). In his book, the author reveals the inner face of a minority living in Istanbul: The riches of the war, the traders, the highlighters, 'Türedi' family, and the members of Progress and Union Party (Ittihad ve Terakki). Roumi: 1336 = Gregorian: 1920. First Edition. Only one copy in OCLC: 754972002.; Özege 8325.; Çikla & Çetin: p. 110.
1994As New English Paperback. Pbo. Mint. Roy. 8vo. (24 x 17 cm). In English and Arabic. [4], [vi], 194, 41 p., b/w ills. Islamic art terms. (Lexicon; explained and illustrated).= Mustalahat al-fann al-Islami. Illustrated by Mahmoud Al-Toukhy, Preface by Ekmeleddin Ihsanoglu. An English-Arabic lexicon containing one thousand and four hundred terms of Islamic arts and architecture, including decorative arts. This is an enlarged arrd revised edition of the glossary of Islamic Art Terms which was published in 1988. The entiy words are in English. There is an index for Arabic terms.
2017As New English Paperback. Demy 8vo. (21 x 14 cm). In English. 173 p., ills. Islamic art and modernism: Formal elements in painting, architecture and film. "Much has been written about the workshop structure and the role of the Sultan, Emperor or Emir in commissioning works of painting or architecture in the history of Islamic art and contradiction to the ideas of the last two centuries in the West, where the individual artist is credited with making a conceptual statement while working alone. The reality presented here is somewhere in the middle - individual poets, artists and architects play a prominent role historically in Islamic art while the position off the Ruler is also extremely valuable and stylistically relevant. The movement of artists and architects to cities that are centers of a particular style, movement or patronage was common throughout history and the interchange in Ottoman and Safavid-Persian and Mughal and Deccani India are examples of methods and techniques spreading, developing, influencing and changing regional trends. In this study, selected paintings, buildings andd films that cross genres, styles and dynastic periods are explored in both a socio-historical context and, more importantly, in terms of their striking formal innovations. It is a thematic new look at how we position Islamic art - how it in fact embodies, exemplifies and invents many aspects of Modernism in Painting and Architecture and Film.".
2017New English Paperback. Demy 8vo. (21 x 14 cm). In English. 173 p., ills. Islamic art and modernism: Formal elements in painting, architecture and film. "Much has been written about the workshop structure and the role of the Sultan, Emperor or Emir in commissioning works of painting or architecture in the history of Islamic art and contradiction to the ideas of the last two centuries in the West, where the individual artist is credited with making a conceptual statement while working alone. The reality presented here is somewhere in the middle - individual poets, artists and architects play a prominent role historically in Islamic art while the position off the Ruler is also extremely valuable and stylistically relevant. The movement of artists and architects to cities that are centers of a particular style, movement or patronage was common throughout history and the interchange in Ottoman and Safavid-Persian and Mughal and Deccani India are examples of methods and techniques spreading, developing, influencing and changing regional trends. In this study, selected paintings, buildings andd films that cross genres, styles and dynastic periods are explored in both a socio-historical context and, more importantly, in terms of their striking formal innovations. It is a thematic new look at how we position Islamic art - how it in fact embodies, exemplifies and invents many aspects of Modernism in Painting and Architecture and Film.".
réf. 109999Halae, Typis et impensis Curti Hafred, 1793, 2 volumes in-8 de 210x130 mm environ, Tome I : 1f.blanc, un portrait-frontispice, xxii-1086pages, 2ff.blancs, - Tome II : 1f.blanc, p.1087 à 1766, 1f.blanc (pagination continue), reliures en demi basane cognac granitée, dos à 5 nerfs portant titres et tomaisons dorés sur pièce de titre havane et tomaisons vert sombre, gardes bleues illutrées, tranches rouges. Quelques rousseurs, notes anciennes sur les pages de garde, cuir très frotté avec épidermures et manque de cuir sur le dos du deuxième volume, mors internes fendus. Avec un portrait de l'auteur en frontispice dans le tome I.
réf. 109998Halae, Typis et Impensis Curti Haered., 1793, 1 volume in-8 de 210x128x92 mm environ, 1f.blanc, un portrait-frontispice, xxii-1766pages, 1f.blanc, demi basane à coins cognac, dos lisse portant titres sur pièce de titre fauve, orné de filets dorés horizontaux. Des rousseurs et pages brunies, mouillure claire en fin de volume, importants frottements sur le cartonnage, notes manuscrites sur la première garde blanche, dernière garde blanche renouvelée. Avec un portrait de l'auteur en frontispice.
1996réf. 6899EBMünchen/New Providence/London/Paris, K G Saur, 1996. 4°. 30 cm. xlviii, 1018 Seiten. Original-Leinenband. [2 Warenabbildungen]
réf. 17854618-6Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
réf. Q05P-00045Lexicon. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Lexicon unknown
réf. 126206aafHildburghausen, Bibliogr. Instituts, 1867, gr. in-8vo, reich illustriert mit 52 gest. Karten + Holzschnitt Tafeln (teilweise Verbunden), Original-Halb-Lederband.
2006réf. 10404BBIstanbul, Bordo Siyah, o.J. (um 2006). kl.8°, 512 S., zweifarbig gedruckt (blau, rot), farbig illustr. original Kartonage (Paperback), Erstausgabe sehr gutes, sauberes Exemplar (in türkischer Sprache) (a - hstb)
2006réf. 10405BBIstanbul, Bordo Siyah, 2006. kl.8°, 704 S., zweifarbig gedruckt (blau, rot), farbig illustr. original Kartonage (Paperback), Erstausgabe sehr gutes, sauberes Exemplar (in türkischer Sprache) (hstb)
