Erbse, HartmutMareMagnum
1986Upper corners bumped with faint creasing to pages. ; Untersuchungen Zur Antiken Literatur Und Geschichte - Band 24; 9.2 X 6.3 X 0.9 inches; 315 pages
1986Endpapers tanned. Light soiling to boards. Scholar's bookplate to inner cover (G. P. Goold). ; A sturyd of certain kinds of artistic design shared by the ancient Greek and medieval European epic. Also looks at Chanson de Roland and Rolandslied. ; Martin Classical Lectures; 0.87 x 9.64 x 6.45 Inches; 230 pages
1968Many notes in ink and pencil (corrections, modifications) (likely by G. P. Goold) with typed list of corrections done pasted to rear board. Edgewear to boards. DJ is price-clipped. DJ spine browned. Light edgewear to DJ. ; Most important papers on Ennius written by Skutsch between 1944 and 1967 are published here. 14 papers deal with the historical, literary, and textual aspects of the Ennius fragments. Two new papers are here published for the first time and 3 other papers have been translated into English from German. ; 204 pages
1972Offprint. Wraps browned. Gift inscription from Jocelyn to G. P. Goold in pen to front wrap. ; Pp 41-95; Offprint from Entretiens Sur L'Antiquité Classique Tome XVII; 54 pages; Signed by Author
1972Offprint. Wraps browned. Gift inscription from Badian to G. P. Goold in pen to front wrap. ; Pp 151-208; Offprint from Entretiens Sur L'Antiquité Classique Tome XVII; 57 pages; Signed by Author
1968Scholar's name to ffep (Philippa Goold née Forder). Gift inscription from Segal to Goold on ffep. Creasing to spine. Foxing/dustsoiling to top of textblock. ; Collection of Critical Essays by Richmond Lattimore, Charles W. Eckert, W. B. Stanford, Cedric H. Whitman, Jasper Griffin, F. M. Combellack, Dorothea Wender. ; A Spectrum Book; 177 pages; Signed by Editor
1980Light edgewear. ; English commentary. ; Society For Classical Studies American Classical Studies; 8.8 X 6.0 X 0.4 inches; 117 pages
1968Pages browned. Spine a bit creased. Scholar's name to ffep (Philippa Goold née Forder). ; The myth and its adaptation / D. J. Conacher --Greek tragicomedy / Hazel E. Barnes --"Conversion" in Eurpidies / William Arrowsmith --The ironic structure in Alcestis / Wesley D. Smith --Euripides' Alcestis / D. M. Jones --The chorus and Admetus / Thomas G. Rosenmeyer --Heracles and Pheres / Thomas G. Rosenmeyer --The happy ending of Alcestis / Kurt von Fritz --The mute Alcestis / Erna P. Trammell --Alcestic and The cocktail party / Robert B. Heilman --The turbulence of Euripidean tragedy --An inverted tragedy / Richmond Lattimore --The importance of Admetus / Ivan M. Linforth --Rhetoric and characterization / A. M. Dale --The rose of the house / Hans Diller --Hospitality (Xenia) / Richmond Lattimore --A convention of Greek tragedy / Thomas G. Rosenmeyer --The Agon / William Arrowsmith --On beating death / Robert B. Heilman --Charis (Grace) in Eliot and Euripides / Kenneth J. Reckford. ; 122 pages
1970Foxing/dustsoiling to top of textblock. Light foxing to boards. Scholar's bookplate to inner cover (G. P. Goold). Dustjacket has a few small tears and chipping. Browning to DJ spine. ; 355 pages; Proclus wrote a very influential commentary on the first book of Euclid's Elements of Geometry. This commentary is one of the most valuable sources we have for the history of ancient mathematics, and its Platonic account of the status of mathematical objects was very influential.
1967Notes in ink and pencil by G. P. Goold (? ) to some pages. Light bumping to a couple of corners. ; Cambridge Classical Texts and Commentaries; 482 pages; The Tragedies of Ennius were theatrical adaptations of Attic originals. None has survived; but fragments of twenty-two of them can be found in the work of other writers. Dr Jocelyn prints all the identifiable fragments, substantial extracts from the works which quote them and, where necessary, a critical apparatus. The long introduction discusses the early history of Roman public spectacles; the physical conditions of the theatre in the third and second centuries; the effect these had on the poets who had to adapt the scripts of Attic tragedies; the general character of the Latin plays thus produced; and the fate of these scripts (particularly those of Ennius) in later antiquity. The commentary is both detailed and discursive. Besides glossing and interpreting in the usual way, it considers the problems of restoring individual fragments and of using these fragments to reconstruct both the plays from which they came and the Attic originals. It also elucidates the methods used by Ennius to reproduce the effects of language and style of the classical Athenian dramatists.
1962Front inner hinge strained, some smudges on endpapers, small tears at bottom of backstrip and lower edges of wraps. Edgewear with tears and chipping to DJ. ; 452 pages
1958Former owner's name in pencil to ffep. Bumping to lower corners with some creasing through lower corners of pages. ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; Vol. 1; 144 pages
1956Scholar's bookplate to inner covers (G. P. Goold). Vol 1 has pencil underlining and notes. Some fading to spine. Former owner's name to ffep. Endpapers browned. Front hinge starting to crack. Good. Volume 2 Very minor shelfwear VG+. DJ has some browning and chipping with a few small tears. Pen mark to front panel. Good; 2 Volume Set. Vol. 1: Text 1956 & Vol. 2: Notes: 1962. ; 2 Volume Set
1904Scholar's bookplate to inner covers (G. P. Goold). Some corners bumped. Volumes range from Good to VG. Vol. 2, 3, 4, & 6 spines are discolored. V1: front inner hinge repaired with tape. V3: 1 page loose. Front hinge starting to weaken. V4: front hinge starting to crack. ; English introduction and commentary with latin text. V1: (1904) 3rd ed. 465 pp V2: (1906) 2nd ed. 305 pp; V3: (1914) 2nd ed. 381 pp; V4: (1918) 2nd ed. 634 pp; V5: (1915) 2nd ed. 468 pp; V6: (1933) 2nd ed. 412 pp; Volume 7: (1969) reprint of 1901 edition. (published by Georg Olms) 167 pp. ; 7 Volume Set (Complete). Dublin University Press Series; Vol. 1/7/2022; 307 pages
1984Scholar's name (P. S. Derow) to inner cover. Some ink notes and marginalia by Derow. Corners a bit bumped. With a sun-faded dustjacket. Minor edgewear to DJ. ; 0.57 x 8.5 x 5.76 Inches; 232 pages; This book presents seven fresh and original views of Caesar Augustus by an international group of scholars. The papers collected here consider the image which he presented of himself, how historians and poets reacted to him, the nature of his rule, and the representation of the newly-established monarch among his subjects in the provinces. The contributors are well-known historians and scholars: Zvi Yavetz (Tel Aviv) , Fergus Millar (Oxford) , Claude Nicolet (Paris) , Emilio Gabba (Pavia) , Werner Eck (Cologne) , Glen Bowersock (Princeton) , and Jasper Griffin (Oxford).
1969Minor shelfwear. Scholar's name stamped to front wrap (E. J. Kenney). ; Contents: Landscape as Symbol; Symbolic Elements in Ovid's Landscapes: Caves, Water, Flowers; Symbolic Landscape and Tonal Unity; Ovidian Landscape and the Tradition: the Transformation of Pastoral; Metamorphosis and the Moral Order: Ovid's View of nature. ; Hermes; Zeitschrift Für Klassische Philologie. Einzelschriften 23; 109 pages
1963Wraps are brownewd. Chipping and a bit of creasing to spine. Tear to base of spine. Else VG. ; Parallel text in French and Latin. Xxx, 77 ; Collection Des Universités De France. Association Guillaume Budé; 77 pages
1963Foxing to wraps. Tear to top of spine (2 cm). Else VG. ; Érasme: Collection De Textes Latins Commentés; 115 pages
1993Foxing/dustsoiling to top of textblock. Minor shelfwear to book and DJ. ; 1 x 9.5 x 6.75 Inches; 396 pages; Heinze's study, originally published in German in 1903, remains a classic of Virgil scholarship. His pioneering work remains a basic text for students and scholars today, providing a study of the techniques by which Virgil composed his epic on Aeneas. This translation makes the book available in English for the first time. Translation by Hazel and David Harvey and Fred Robertson.
1965Foxing/dustsoiling to textblock. Gift inscription to G. P. Goold from author on ffep. DJ has a bit of edgewear. DJ spine lightly browned. ; Study of the Aeneid which first comes to grips with the text and then draws conclusions about Virgil's art. The first work to deal with the verbal construction of the Aeneid, its line-by-line analysis of four books of the epic reveals patterns of symbolic images which brilliantly express the poet's ideas. ; 238 pages; Signed by Author
1972Light shelfwear. Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to textblock. Minor edgewear to DJ. DJ spine sunned. ; Highet has classified the speeches; identified their models in earlier Greek and Latin Literature; and discussed their importance in the portrayal of character. ... This study shows Vergil to have been a master dramatist as well as an great epic poet. ; 380 pages
1970Minor Shelfwear to book. Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to textblock. DJ spine browned. Minor chipping. Large tear to front panel (repaired with tape). ; Study of the Aeneid which first comes to grips with the text and then draws conclusions about Virgil's art. The first work to deal with the verbal construction of the Aeneid, its line-by-line analysis of four books of the epic reveals patterns of symbolic images which brilliantly express the poet's ideas. ; 398 pages
1978Slight edgewear. Scholar's bookplate to inner cover (G. P. Goold). Faint foxing. ; Professor Thalmann researches Greek epic and drama. In particular, he studies how performances of ancient texts were the occasion for the convergence of class and gender discourses and the role of these texts within contemporary social and political processes. He is also interested in approaches to ancient cultures through anthropology and political theory. ; Yale Classical Monographs; 0.79 x 9.47 x 6.38 Inches; 193 pages
1977Foxing to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). Else very minor shelfwear to book. DJ has minor edgewear and light discoloration to spine. ; 518 pages; In this book, Taplin looks for clues to Aeschylus's stagecraft in the texts of the plays themselves, analyzing the exits and entrances that occur throughout his works.
1966Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. Minor shelfwear to DJ. ; The author examines the seven extant plays of Aeschylus against the political and military background of his time. As one who himself fought at the battle of Salamis, Aeschylus was profoundly concerned with military events (the messenger speech in Persians) and potitical changes (Eumenides). In this volume, Podlecki adopted a 'historicist' approach to tragedy, adding a new dimension to the understanding of Aeschylus' poetry. ; 188 pages