357 résultats
réf. 43935Amsterdam: En Casa de Joris Trigg/ D. Efraim Bueno y Jona Abravanel 5412. Hardcover. g- to vg-. Duoecimo. 7x4.5". 478pp. Original dark brown leather with blind-stamped ruling and tooling on the covers and spine. Raised bands on the spine. Metal clasps. Red-speckled edges of the book block. An early Spanish-language edition of the complete Jewish High Holiday prayer book Machzor based on the original translation by Abraham Usque originally printed in Ferarra Italy in 1553. This edition contains some added material not previously present including most prominently Solomon ibn Gabirol's famed philosophical poem "Keter Malkhut" Royal Crown which over the years has come to be read as part of the Yom Kippur service in some Jewish traditions. Published by Dr. Efraim Bueno and Jona Abravanel to serve members of the then sizable Sephardic Jewish community in Amsterdam. A significant portion of the community were former Conversos Jews who had outwardly converted to Catholicism during the inquisition in Spain who then emmigrated and were able to reestablish their Jewish identity and thus were unable to read Hebrew hence the text's publication in Spanish. As stated in the foreword this edition includes some additions to the text not included in previous versions and omits some material deemed to have been unnecessary. The prayer book starts with the penitential prayers Selichot p.3-47 which includes decorative head and endpeices. This section is followed by the Rosh Hashanah service p.48-195 and then the Yom Kippur service including the "Keter Malkhut" p.254-289. Title page is has a decorative vignette printed in woodblock and is printed with the Hebrew date "5412". Pages 305-352 are misprinted as "321-368" with their correct numbers handwritten above in ink. All text in Spanish. Binding with some rubbing and scratches to extremities and to the covers. Front hinge starting to split slightly at the head and tail of the spine. Missing one of the metal clasps on the back cover. Starting at interior covers. Some minor to light sporadic damp staining and foxing throughout the text. Period signature of the previous owner "Silva" in ink on on the title page and p.200. Name of another previous owner in ink on the interior back cover. Book block tight overall. Binding in good- interior in very good- condition overall. Quite scarce. Dr. Efraim Ephraim Bueno aka Martin Alvarez 1599-1665 was a Portuguese-born Jewish physician in Amsterdam of the famed Iberian-Jewish Bueno medical dynasty and prominent member of the city's Sephardic community. He served for many years as the personal physician to famed artist Rembrandt van Rijn who in fact depicted Bueno in two of his works one an etching and the other a painted portrait. He received his medical education and degree in Bordeaux and was known to have practiced medicine in Amsterdam until the time of his death. In addition to his medical practice Bueno was an accomplished biblical scholar who along with Jona Abravanel published numerous Jewish works the on the bible and Jewish Law. Jona Abravanel 1593-1667 was a Sephardic Jewish poet in Amsterdam from the prominent Abravanel family. He was the nephew of Famed Portueguse-Dutch Rabbi and printer Menasseh ben Israel. Together with his uncle and Dr. Efraim Bueno he was responsible for publishing numerous works of Judiaca in the 17th century. In this edition the title page was mistaken printed with the word "Kuyper" which was then correct via a scrap of paper pasted on top. References: KAYSERLING 1890 p. 7 31 61 under Abravanel Bueno and Liturgy PALAU 1923 under 202415 with an incorrect dat of 1662 PEETERS 1933 1037. This publication follows an edition with same title also from Amsterdam in 1630 but printed by David Pardo and Salom ben Yosseph Menasseh ben Israel with different pagination. En Casa de Joris Trigg/ D. Efraim Bueno y Jona Abravanel hardcover books
1968réf. 469905London: National Theatre Company / Printed by Franell Enterprises 1968. Softcover. Near Fine/Near Fine. First edition revised draft later working script unpublished. Quarto. 2 12 12 9 12 8pp. Bradbound light blue unprinted wrappers featuring a die-cut window on the front wrap with mimeographed interior pages printed on rectos only and a control number "32" on the first page. Near fine with a couple of stains at the bottom of the front wrap and light edgewear. Inscribed on the title page with an original 12-line poem by Ted Hughes to publisher Richard Gilbertson. A copy of the second revised script written by Turner for the National Theatre Company production in London during the winter of 1967-1968 and greatly revised by Hughes prompting him here to strike through Turner's contractually required credit line. The text differs in many respects from the first rehearsal script. OCLC locates three copies. A rare playscript accompanied by a wonderfully whimsical poem to Gilbertson his publisher and friend. Sagar and Tabor A16b. [National Theatre Company] / (Printed by Franell Enterprises unknown books
1946réf. 140944760Ft. Eustis VA: Ordnance Department Army Service Forces 1946. Complete in three volumes all "Reproduced by Technical Information Branch BUAER Navy Department" marked "Restricted.". 1 572; 1 573-1147; 2 1149-1762 pp. printed on rectos only in March 1946. Along with related documents Index to Volume I II II 1 98 pp; and Glossary of English Guided Missile Terms unconventionally paginated approx 100 pages. All five of these volumes are mimeographed typescript on rectos only. 10½" x 8" printed boards tied through punch holes in spines with shoestring. Very Good with light foxing and soiling. A sixth document is included from a rocketry project involving German scientists: Report No. 55289 "Project Hermes": Investigation of Unsymmetrical Forces Due to Jet-entrained Air Produced During Launching of the V-2. Aeronautics and Ordnance. General Electric. Prepared by A.B. Gregg Jr. 2 20 leaves. Mimeographed typescript figures & graphs 3 full page halftone photographs. Dampstaining along bottom edge. Project Hermes was a missile research program that ran from 1944 to 1954. Includes two original snapshot photographs of a V-2 rocket attached to wheels for transport U.S. military personnel standing by. A scarce and significant documentation of the United States' absorption German rocket technology at the dawning of the Cold War and also its enlistment of German scientists including Werner von Braun and Major General Dr. Walter Dornberger. The three large accession lists the Index and the Glossary were produced by the Foreign Document Evaluation Branch Development and Proof Services Aberdeen Proving Ground Maryland. The five volumes were produced to streamline access to the massive array of engineering documents taken out of Germany and to facilitate the work of German and American scientists in jump-starting the American missile program. We could locate only three institutions with a set of all five volumes the Smithsonian Libraries and Archives; Museum of Flight Seattle WA; and NASA Goddard Space Flight Center Library MD. These volumes document the orderly transfer of knowledge about rocketry weapons programs and the earliest stirrings of a space program from Nazi Germany to the United States. They are mostly bibliographies of technological literature in German with a focus on the V-2 rocket. Ordnance Department, Army Service Forces unknown books
réf. CNAP044aSan Francisco: The Arion Press 1994. Limited Edition. Hardcover. New. Thiebaud Wayne. Folio size 13 3/4" by 10 1/4" 356 pages plus 18 unnumbered pages for the prints 374 pages total. The text is Neo Didot in Monotype composition by Mackenzie & Harris. The display type is Bodoni Bold handset in foundry type. The drawings were printed by letterpress from photopolymer plates. The paper is French mould-made Lana Royale; a heavier weight of the same paper is used for the lithographs. The binding done in-house is hand-sewn in full blue-gray cloth with black titling on the front and spine and a drawing by Thiebaud across the bottom. The slipcase is covered in the same cloth with titling and a vignette on the spine. The color prints binding cloth and slipcase were printed lithographically. Edition of 200 copies plus 26 lettered copies hors de commerce signed by the artist. M.F.K. Fisher 1908-1992 contributed an introduction to the second Arion Press book "A Commonplace Book of Cookery" in 1975 but died before we were able to pay tribute to her by publishing her first major literary work a translation of Jean Anthelme Brillat-Savarin's 1755-1826 famous gastronomic essays. This book originally made for hire in 1948 for the Limited Editions Club formed her as an author on subjects relating to food wine dining and living well in the largest sense. She became a good friend of the Press extending invitations to "the crew" to come to her home in St. Helena for a hike and a swim followed by lunch where the conversation was always lively but never about food. The artist Wayne Thiebaud delivered to Hoyem a large pile of original ink drawings and told him to use what he wanted. Hoyem made photocopies of the drawings and sorted and combined them as he saw fit and Thiebaud immediately approved the selection. He also made the nine lithographs in color and drew a design for the cover of the binding that showed the skills he learned as a commercial graphic artist. A trade edition was published by Counterpoint in 1996. Note that while this copy is marked as a "Display" copy we do not believe it was actually used as such as both the book and slipcase are in fine condition. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover books
1903réf. ST19464Boston: Privately Printed by Nathan Haskell Dole 1903-05. No. 2 OF 26 COPIES OF THE HELLENIC EDITION printed on Royal Japanese vellum. 230 x 165 mm. 9 x 6 1/2". 10 volumes. SUPERB CONTEMPORARY INDIGO CRUSHED MOROCCO GILT AND INLAID covers with gilt rule border central panel framed by 20 inlaid lighter blue morocco tulips interspersed with tiny gilt stars raised bands spine with three panels inlaid with sprays of dark red and citron morocco tulips and lilies accented with small tools two panels with gilt titling SKY BLUE MOROCCO DOUBLURES featuring an indigo morocco frame inlaid with red morocco lilies at corners central panel inlaid with eight teal morocco tulips and a large red morocco lily on graceful gilt stems a sprinkling of gilt stars above them ivory watered silk free endleaves all edges gilt. LAVISHLY ILLUSTRATED by artists including A. G. Learned and E. F. Bems with decorative frame on limitations and title pages NINE FRONTISPIECES 97 HEADPIECE VIGNETTES 95 DECORATIVE TAILPIECES AND 269 THREE-QUARTER FRAMES ALL HAND COLORED and 675 black & white three-quarter frames. With engraved bookplate of George Clinton Ward on front flyleaf most now loose. Spines with just a hint of dulling a whisper of shelfwear to a couple of volumes isolated small marginal smudges from the printing process but A VERY FINE SET WITH VIRTUALLY NO SIGNS OF USE. This superb set features English translations of important Classical texts handsomely printed on Japanese vellum extravagantly illustrated and sumptuously bound. It contains "The Wisdom of Marcus Aurelius" "The Eclogues of Vergil" "Sayings of Epictetus" "Selections from Gesta Romanorum" "Odes of Anacreon Anacreontics and Other Selections from the Greek Anthology" "The Satires of Horace" "The Story of Odysseus in the Land of the Phacians Being the Sixth and a Part of the Seventh Book of the Odyssey" "Selections from Aristophanes and Lucian" "The Olympic and Pythian Odes of Pindar" and selections from the Koran translated by George Sale. The project was undertaken by writer translator and editor Nathan Haskell Dole a popular member of the Boston literary set. Educated at Philips Andover and Harvard he was much influenced by family friends like Henry Wadsworth Longfellow and Oliver Wendell Holmes Sr. He showed an early facility for languages teaching himself to read French German Greek and Latin. Our set was designed by Dole to be the crown jewel of a library combining beauty and luxury with Classical erudition. The bindings here are unsigned but are very similar to those on a copy of this work in the Phoebe Boyle sale bound by the Adams Bindery. Ralph Randolph Adams was along with Henry Stikeman and a handful or others one of the great American art bookbinders of his era. His workshop produced bindings of notable beauty and craftsmanship. The New York Times 11 October 1902 described an Adams binding as "so exquisite in design and execution that those long skeptical of the ability of Americans to bind artistically should now be convinced of their error. . . . It is to be hoped that all American binders will be encouraged to strive toward producing designs like Adams' that are in a measure original and which show more of the individual touch of the artist.". Privately Printed by Nathan Haskell Dole unknown books
1922réf. 204721922. Full Limp Red Calf. Slipcase -- marbled paper pastedown on all sides other than opening. Chemise or inner folder -- thick glossy card stock all sides other than that has red calf with title label. Emily Swinton. Magnificent illuminated manuscript version of the Rubaiyat or some verses from the Rubaiyat. The illuminated borders are singular -- their design is unlike that we are familiar with and not even vaguely similar to anything we have ever seen produced by a latter-day illuminator professional or amateur. Their tracery is of blues greens reds some yellow in a few instances and not least the all important gilt. The illuminator surely was paying homage to some Islamic and Persian illumination in her palette but overall these sources are but influences; the illuminations are far from merely imitative. The design pulls you in and as one gazes longer one will discover small figurative imagery woven into the lines and swirls of the larger ornamentation. Words are beyond us to come close to capturing their complexity and character -- our photos hopefully will impart something of that. Let us just say the colors are deep and bold. Within these extraordinary borders is the calligraphic text rendered in a stunning easily legible Gothic Fraktur script. And there are four dream-like miniature watercolors as well of scenic Persian villages. N.d. circa early 1920s. 4to. 28.5 by 19 cm. Unpaginated 14 leaves with illumination -- illumination on one side. The back side of the leaf then left blank. Tissue guards for each page with illumination. The first leaf has no text -- it is a rectangular abstract design suggestive perhaps of a spectacular rug and inspired by such illuminated painting as one finds in many an antiquarian Koran. The next leaf is the title page with the words appearing to float on the page. The lettering has a distinctive verticality and the gilt letters are both clearly the letters they are supposed to be but have an abstraction that one can imagine they are Arabic script as well. The last two leaves with a more restrained formalistic illumination has evenly spaced dome-shaped pointers as one finds in Koranic decoration to highlight important passages. The binding slipcase and chemise are functional but don't really do the contents justice. Other than some crease marks on the calf and light wear overall to these protective features the binding and slipcase present no issues. unknown books
1930réf. 140943679Paris: Chez F.L. Schmied 1930. Signed Limited Edition. Near Fine. Copy number 13 of 162 numbered copies from an edition of 172 total signed by Francois-Louis Schmied. Folio. A beautiful and lavish production with 28 wood engravings printed in colors each one signed by the artist; signed by Schmied on the colophon and with an additional presentation inscription from the artist on the blank front free endpaper. With an additional suite of plates printed in black being numbered 8 and signed by Schmied on the section's title page and with an additional suite of plates in color also numbered 8 and signed on the section title page and an additional suite of 20 pages showing the separation of the plates. Bound a beautiful art binding by the French master binder Madame Marot-Rodde in full golden morocco inlaid with a tan morocco panel and white vertical and horizontal striped. Inside boards with yellow watered silk pastedowns surrounded by gilt and white morocco inlay housed in a yellow marbled slipcase with morocco tips. Near Fine with rubbing to outer hinges. A stunning copy. Chez F.L. Schmied unknown books
