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297 résultats
1779réf. 65287Londres London: S. n. 1779. Fine. S. n. Londres London 1779 16.50 x 21.50 cm relié Attractive edition of the French translation by Jacques Amyot illustrated with a frontispiece and 28 copperplate engravings. Contemporary full tortoiseshell calf binding smooth spine richly decorated with gilt rolls tools and fillets as well as a red morocco title label triple gilt fillet framing the boards gilt roll on the leading edges headcaps and framing the pastedowns all edges gilt. Joints rubbed with small cracks. S. n. hardcover
1863réf. 49310Paris: Leclere 1863. Fine. Leclere Paris 1863 12.50 x 20.50 cm relié Revised corrected and expanded edition printed on laid paper and illustrated with 10 vignettes as well as 5 out-of-text figures. Half red morocco binding with corners lightened spine with five thin raised bands set with black fillets decorated with double black compartments embellished with gilt arabesques double gilt fillet frame on marbled paper boards two angular scratches at foot of front board marbled endpapers and pastedowns top edge gilt binding signed by Hering binder in Strasbourg. Some foxing mainly at beginning and end of volume. Leclere hardcover
réf. 16013Mainz 1958. 63 p. illustrations. Half cloth 27 cm Eintausend Ex. hardcover
réf. 22408Editions du Bélier Paris 1945. 2 volumes in/4 28 x 19 cm en feuilles sus couvertures rempliées et illustrées chemises et étui cartonnés 85 illustrations de Louis Touchagues dont certaines réhaussées en couleurs 116 & 109 pages. Exemplaire très frais numéroté n°443/700 sur vélin pur chiffon à la forme des papeteries de Lana. Traduction Amyot Monod 7255. unknown
1779réf. 44904à Londres London: S. n. 1779. Fine. S. n. à Londres London 1779 10 x 16.20 cm relié New reprint of the so-called Regent edition small quarto published in 1718. A frontispiece by Coypel and 29 figures of the Regent Philippe d'Orléans engraved by B. Audran. Some figures are folded. Translation by Amyot. This 1779 edition also appeared in quarto format with text pages in frames. The reprinted figures are before letters. Contemporary brown calf binding with scale pattern. Smooth spine decorated in grotesque style. Triple fillet frame on boards. Top headcap worn. Lower joint cracked at head. One corner bumped. Scattered foxing. S. n. hardcover
réf. 9183Emile Chamontin éditeur 1934. In/8 broché couverture illustrée dune vignette en couleur et rempliée frontispice en couleur vignettes en rose 192 pages. Illustrations de A. E. MARTY. Un des 30 exemplaires sur vélin dAlfa non coupé. unknown
1923réf. 37013Paris: Georg & Cie 1923. Fine. Georg & Cie Paris 1923 16.50 x 25.50 cm relié sous étui Illustrated edition with 13 original lithographs by Charles Guérin one of 10 numbered copies on old Japan paper deluxe issue. Full hazelnut morocco binding spine very slightly faded with four raised bands date at foot gilt rolls on caps frame of a gilt fillet on the mint morocco endpapers almond watered silk pastedowns following endpapers of handmade paper double gilt fillets on edges covers and spine preserved all edges gilt slipcase with hazelnut morocco entry handmade paper boards blue felt lining elegant binding signed by Klein. Our copy as stipulated in the print justification is indeed complete with its suite on China paper. Moreover our copy is expanded with an original drawing signed in pencil by Charles Guérin representing the composition illustrating page 13. Very handsome copy perfectly executed. Georg & Cie hardcover
1934réf. 015946New York: Limited Editions Club 1934. Hardcover. Some rubbing to the spine tips and book edges as often the case with this fragile binding. Very Good in a stained Good slipcase. Ruth Reeves. Quarto 8" x 11-1/4" bound in full natural lambskin goldstamped with a gold embossed medallion on the front cover. Translated and introduced by George Moore. Designed and printed on a hand-press by Porter Garnett in Pittsburgh. Copy #834 of 1500 illustrated with etchings by Ruth Reeves and SIGNED by the artist on the colophon page. Limited Editions Club hardcover
2001réf. 41142K. G. Saur. Near Fine. Softcover. Text in Ancient Greek; Preface in Latin. Xix 105 pp; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 12mo 7" - 7½" tall; 105 pages . 2001. 3598719329 . K. G. Saur paperback
réf. 61012273Aris & Phillips . Papeback. New. Aris & Phillips unknown
réf. 6829384Harvard University Press . Hardback. New. pp. xiv 370 Index Harvard University Press hardcover
1925réf. mon0000023607London: Geoffrey Bles 1925. Hardbound VERY GOOD illustrated in color by John Austen with the DJ GOOD and with the original glassine GOOD. London: Geoffrey Bles hardcover
1910réf. 18994AB1910. Darmstadt Ernst Ludwig Presse 1910. 27 : 18 cm. 167 Seiten 1 Blatt mit ornamentaler Titelseite und 4 goldgehöhten Initialen Grüner Original Lederband Vorderdeckel reich vergoldet Titel in Gold auf dem Rücken Kopfgoldschnitt. signiert Demeter Leizig. Eines von 250 Exemplaren auf Hadernpapier. Das 10. Buch der Ernst Ludwig Presse. - Vorderer Innendeckel mit kleinem Exlibris Titelblatt mit kleinem Sammlerstempel Rücken und teils seitlich ausgeblichen innen schönes Exemplar. - Stürz 10; Rodenberg 75. unknown
1893réf. 1276951893. LAWRENCE T.E. LONGUS. Daphnis and Chloe: A Most Sweet and Pleasant Pastoral Romance for Young Ladies. London: Vale Press 1893. Quarto contemporary full black crushed morocco elaborately gilt-decorated spine and covers raised bands top edge gilt uncut. $15000.An exceptional association copy: the finely printed and beautifully illustrated Vale Press Daphnis and ChloeÑone of only 210 copies 200 of which were for sale with 36 charming woodcuts in the Italian style by Charles Ricketts and Charles Shannon with ""T.E.L.""Ñlikely in T.E. Lawrence's handÑfaintly penciled in the upper right corner of the front free endpaper and a note from recipient Charles Francis Bell describing the circumstances in which Lawrence presented this copy to him. Beautifully bound in full morocco-gilt by C. & C. McLeish.""There are works which will never cease to be reprinted and which artists will ever love to illustrate according to their own individual fancies"" Jules Claretie Preface. This classical Greek work whose author Longus has not been fully identified has been dated to the 2nd or early 3rd century CE. Described by one scholar as ""an unknown best seller"" Giles Barber Daphnis and Chloe is considered ""the original or earliest survivor"" of the idyllic/pastoral romance Hardin Love in a Green Shade 1. This large-format illustrated edition is one of the Vale Press' most impressive books. It uses the quaint 17th-century translation of Thornley designed to convert the lascivious tale into reading matter for young ladies. One homosexual passage is left in the original Greek. In the Art Nouveau style the illustrations by Ricketts and Shannon effectively capture Longus' combination of decadence and sweet innocence.Born in 1859 binder Charles McLeish was apprenticed to Andrew Grieve in Edinburgh then came to London in 1890 to work for Riviere. When Cobden-Sanderson founded the Doves Bindery in 1893 he hired McLeish as the firm's finisher. McLeish held that estimable position until 1909 when he left to go into partnership with his son Charles who had apprenticed under Roger de Coverly. Although the senior McLeish was no longer in the employ of Cobden-Sanderson all of the bindings that were signed ""Doves Bindery"" between 1909 and 1921 were actually done in the McLeish workshop. The work produced by the McLeishes was beautifully designed and impeccably executed as evidenced in the present volume. With publisher's scarce four-page prospectus bound in at rear. Bookplate of recipient art historian Charles Francis Bell with his handwritten note regarding the circumstances of Lawrence presenting this copy to him tipped to the front free endpaper: ""This book was bound by McLeish for Colonel T.E. Lawrence whose initials in pencil in his own writing are in the top corner of the opposite endpaper. It was given by him to me at All Souls College Oxford on November 16 1920. C.F. Bell."" Bell 1871-1966 was curator of the Department of Fine Art in the Ashmolean Museum Oxford where he met Lawrence when the latter had brought fragments of pottery into the Ashmolean for identification. The two became friends and frequently discussed their shared enthusiasm for Medieval art and architecture. Although the brevity and faintness of the initials on the front free endpaper make it difficult to verify it as being in Lawrence's hand it is consistent with Lawrence's known practice of initialing his own books.Mild offsetting from woodcuts; offsetting from morocco turn-ins partially obscuring penciled initials in upper corner of front free endpaper binding beautiful and fine. An excellent association copy with distinguished provenance. hardcover
1937réf. 311575Paris: Les Frères Gonin 1937. One of 500 signed by Maillol. Translated by Jacques Amyot. 48 woodcuts by Aristide Maillol. 8vo. Original printed wrappers. Text and illustrations loose as issue in slipcase and chemise. Maillol Aristide. One of 500 signed by Maillol. Translated by Jacques Amyot. 48 woodcuts by Aristide Maillol. 8vo. "Perhaps the most harmonious of Maillol's illustrated books." Strachan. The Artist and the Book 174; Rauch p. 141; Guérin nos. 76-127; Monod 7261 Les Frères Gonin unknown
1890réf. 352173Paris: Librairie Artistique H. Launette et Cie Éditeurs-G. Boudet Succr 197 Boulevard Saint-Germain 1890. One of 1000 copies on papier vélin de cuve des papeteries du Marais numéroté n° 980. VIII 190PP. 8vo. Contemporary half brown morocco and marbled boards red and green leather spine labels original wrappers bound in. Very good some foxing. One of 1000 copies on papier vélin de cuve des papeteries du Marais numéroté n° 980. VIII 190PP. 8vo. Librairie Artistique H. Launette et Cie, Éditeurs-G. Boudet, Succr 197, Boulevard Saint-Germain unknown
1943réf. 10597AB1943. Zürich Stäheli 1943. 20 : 16 cm. 96 Seiten Mit 8 farbigen Tafeln von Karl Walser. Original Pappband mit farbig illustriertem Original-Umschlag von Karl Walser. Erste Ausgabe. - Eines von 500 numerierten Exemplaren. Privatdruck der Buchhandlung Kurt Stäheli. Das letzte von Karl Walser illustrierte Buch. - Dadorrek-Hoguth A 22. unknown
1878réf. 8148AB1878. Paris Lemerre 1878. 205 : 13 cm. XIII 200 Seiten 2 Blatt mit 12 davon 6 auf China Kupfern nach Proudhon und gestochenen Porträt. Roter geglätteter Halblederband auf 5 Bünden mit reicher Rückenvergoldung Rückenschild Kopfgoldschnitt sign. E. Pouget. Das vorliegende Exemplar mit den Kupfern in zweifacher Ausführung einmal auf papier de Chine und einmal auf papier Whatman. Titel in Rot und Schwarz gedruckt jede Seite von roter Einfassungslinie umrahmt. Schönes breitrandiges Exemplar in einem signierten Handeinband. unknown
1910réf. 14578AB1910. Darmstadt Ernst Ludwig Presse 1910. 27 : 18 cm. 167 Seiten 1 Blatt mit ornamentalen Titel und 4 gold-gehöhten Initialen. Original grüner Lederband Vorderdeckel reich vergoldet Kopfgoldschnitt Rückentitelin Gold signiert Demeter Leipzig. Eines von 250 Exemplaren. 10. Buch der Ernst Ludwig Preses.- Titel mit kleinem Sammler-Stempel Rücken etwas ausgeblichen. - Stürz 10; Rodenberg 75. unknown
1750réf. 260138Amsterdam 1750. Reprint of 1745 Coustelier edition. Engraved title 8 full page engraved plates by Jean Baptiste Scotin and 4 headpiece vignettes. xii 159 1 xx pp. 1 vols. 12mo. Late eighteenth century red morocco in the style of Roger Payne covers ruled in gilt to a simple panel design a.e.g. by Larkins. Joints rubbed. Booklabels of Eulie Morgan and Douglas Maxwell Moffat. Reprint of 1745 Coustelier edition. Engraved title 8 full page engraved plates by Jean Baptiste Scotin and 4 headpiece vignettes. xii 159 1 xx pp. 1 vols. 12mo. Cf. Brunet III p. 1157 et seq unknown
réf. 32774London: Vizetelly & Co. J. Miller and Sons Printers Edinburgh n.d. Extensively illustrated. 9 full-page engravings in two states one blue after designs by Prudhon Baron Gerard and Philippe D'Orleans frontispiece after P. Thomas portrait by Darval after Masson and Rouen title-page by P. Dien of Paris printed in blue many of vignettes and tail-pieces in two states with second state printed in blue several after Charles Eisen blue state generally on china. xi 155 pp. 1 vols. 8vo. Olive green morocco by M. Ritter Rel. with repeating floral diaper pattern of stylized flowers within gilt borders turn-ins elaborately tooled with silk doublures and free endpapers in ribbon pattern. Upper joint skilfully restored some darkening of green head of spine gently bumped else a very good copy. Extensively illustrated. 9 full-page engravings in two states one blue after designs by Prudhon Baron Gerard and Philippe D'Orleans frontispiece after P. Thomas portrait by Darval after Masson and Rouen title-page by P. Dien of Paris printed in blue many of vignettes and tail-pieces in two states with second state printed in blue several after Charles Eisen blue state generally on china. xi 155 pp. 1 vols. 8vo. Vizetelly & Co. [J. Miller and Sons, Printers, Edinburgh] unknown
1937réf. 121004Paris : Les Frères Gonin 1937. broché. LONGUS. - AMYOT. - COURRIER P.-L. - MAILLOL Aristide.Les pastorales de Longus ou Daphnis & Chloé. Version d’Amyot. Revue et complétée par P.L. Courier. Bois originaux d’Aristide Maillol. Paris Les Frères Gonin1937 235x150mm 217 pages illustré broché. En feuilles. Sous couveture. Chemise en demi-parchemin et emboitage plein parchemin. Quelques rares rousseurs seulement sur le revers de la chemise et les 3 premières feuilles tout le reste de l’ouvrage très propre. Edition réalisée avec la collaboration amicale de M. Gustave Edouard Gentil sur papier Maillol numéroté n° 104 / 500 signé par l’artiste en bas du colophon. Carteret IV-243. Monod 7261. Bel exemplaire. For shipments to the U.S.A. with a value exceeding 800 USD VAT is not included. Please contact us via our website if needed. Les Frères Gonin unknown
1934réf. 117528Paris : Librairie Floury 1934. LONGUS. - AMYOT Jacques. - COURIER Louis.Les pastorales de Longus ou Daphnis et Chloé. Traduction de Jacques Amyot revue corrigée complétée de nouveau refaite en grande partie par Paul-Louis Courier illustrations en couleurs de Leonnec. Paris Librairie Floury1934 265x210mm 121 pages 30 illustrations en couleurs reliure demi-maroquin rouge à bandes avec titre doré au dos lisse. Plat papier marbré. Couverture supérieure conservée. Belle reliure réalisée par R. Rouiller. Très bel exemplaire hors commerce numéroté n.° XLVI / C. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Librairie Floury unknown
1923réf. 117946Paris : Georg & Cie. 1923. LONGUS.Les Pastorales de Longus ou Daphnis et Chloé. Traduction de J. Amyot revue corrigée complétée de nouveau refaite en grand partie par P.-L. Courier. Compositions de Charles Guérin. Paris Georg & Cie.1923 240x170mm 182 pages reliure demi-chagrin avec titre auteur filets et encadrements dorés au dos à quatre faux-nerfs. Plat et garde papier marbré. Tranche supérieure dorée. Couvertures et dos conservés. Ex-libirs. Exmplaire numéroté n.° H. C. sur papier vélin d’Arches. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Georg & Cie. unknown
1863réf. 108366Paris : Leclere 1863. demi-chagrin. Longus. - Amyot J.Daphnis et Chloé ou les Pastorales de Longus. Traduites du grec par J. Amyot. Nouvelle édition revue corrigée et complétée. Paris Leclere1863 200x125mmXLVI - 205 pages frontispice et vignettes gravés reliure demi-chagrin. Dos à faux-nerfs titre et filets dorés reliure de l’époque cachet de possesseur. Impression sur papier vergé. Bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Leclere unknown
