Longus,Biblio.com
835 resultados
ref. 45198775like new. unknown
ref. 27386Chez Alexandre Corréard Paris 1821. XII288p. Half leather. Front cover loosening. Head and tail spine worn. Leather scratched. Some foxing some pages water stained. Corners a bit bumped. A few pencil annotations not from WGA. With signature from Prof. W.G. Arnott on free endpaper. Rare thus. With: 'Avertissement du traducteur sur la lettre a M. Renouard' pp.V-LIV. From the library of the late Prof. W. Geoffrey Arnott. hardcover
1925ref. 70093London: Greffrey blies 1925. First with John Austen illustrations. Hardcover. near fine/very good. Quarto 10 1/4" x 8". Cream cloth withgilt lettering to spine and small design to front cover.In pictorial dust jacket. Some tanning with edge wear to jacket.Twelve color illustrations and decorations by John Austen. Greffrey blies hardcover
1977ref. 13795New York: Braziller 1977. First US Edition. Hardcover. Fine/Fine. 4to. Pp. 222. Color frontis. illustration. Illustrated with 41 full-color plates several spreading across two page. Bound in tan cloth with green lettering stamped on spine. In the pictorial dust jacket and the publisher's plain cardstock slipcase that has a small "x" on rear panel. Book and dust jacket are fine. A superb copy of this lavish production with no detracting qualities. First published Paris 1961 by Les Editions Verve. Braziller hardcover
1998ref. BN494101Düsseldorf ; Zürich : Artemis und Winkler 1998. 1998. Hirtengeschichten von Daphnis und Chloe : griechisch. deutsch / Longos. Hrsg. und übers. von Otto Schönberger / Sammlung Tusculum Hirtengeschichten von Daphnis und Chloe : griechisch. deutsch / Longos. Hrsg. und übers. von Otto Schönberger / Sammlung Tusculum Longus und Otto Herausgeber Schönberger Düsseldorf ; Zürich : Artemis und Winkler unknown
1987ref. BN727124Paris: Les Belles Lettres 1987. 1987. Pastorales : Daphnis et Chloé Pastorales : Daphnis et Chloé Longus und Jean-René Vieillefond Paris: Les Belles Lettres unknown
1945ref. 605941945 Paris, éditions du Bélier ,1945, Deux volumes in quarto ,117 pp, 110 pp, reliure en demi-maroquin bleu nuit,plats couleur crème, tête dorée,dos lisse, couverture et dos conservés,bon état, 1/700 exemplaires sur vélin teinté,85 illustrations de Touchagues tirées en bleu,dont 19 hors-texte
1925ref. 6158London: Geoffrey Bles 1925. First Edition Thus. First Edition Thus. Thick 4to. Original publisher's white cloth with gilt-stamped emblems on cover and spine. Beautifully illustrated with full-page color plates and decorations throughout by John Austen. A fine copy. Scarcely found thus. Geoffrey Bles unknown books
1925ref. 6158London: Geoffrey Bles 1925. First Edition Thus. First Edition Thus. Thick 4to. Original publisher's white cloth with gilt-stamped emblems on cover and spine. Beautifully illustrated with full-page color plates and decorations throughout by John Austen. A fine copy. Scarcely found thus. Geoffrey Bles unknown
1925ref. 182188London : Geoffrey Bles 1925. 1st Edition in this form. Hardback. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and dust-toned as with age. Corners sharp with an overall tight bright and clean impression. Marginal scattered foxing. ; 8vo 8"" - 9"" tall; 199 pages; Physical desc. : 199p. plates : illus. ; 33 cm. Subjects: Ancient Greek literature - translations into English. Classical literature. Daphnis Greek mythology - Fiction. Language: English. London : Geoffrey Bles hardcover
1829ref. 45448Parisiis: Firmin-Didot 1829. Cm. 225 pp. lxii 2 211 1. Ritratto inciso di Courier all'antiporta protetto da velina. Solida ed elegante legatura coeva in mezza pelle dorso a nervi con filetti e titoli in oro su tassello. Bell'esemplare con solo qualche minima brunitura. Si tratta della prima edizione qui con il testo greco di un codice recuperato alla Laurenziana che presenta l'integrale di Dafne e Cloe. La scoperta fu fatta da Paul-Louis Courier 1772-1825 ed ebbe il merito di offrirci per la prima volta un celebre testo che fin'allora era apparso solo in una versione censurata. Firmin-Didot, unknown
ref. 45570Paris A l'enseigne du Pot Cassé 1928 in 12 (18x11) 1 volume broché, couverture illustrée, 205 pages [2], avec des bois gravés de François-Martin Salvat, dont hors texte. . Traduit du grec par Jacques Amyot, revu, corrigé et complété par Paul-Louis Courier. Collection ''Antiqua'', V. Tirage limité numéroté, celui-ci un des exemplaires numérotés sur papier Papyrus de Tsahet. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
ref. 27070Paris Editions Athêna 1954 in 8 (19x14) 1 volume broché, couverture rempliée illustrée, 180 pages [2], avec des illustrations, bandeaux, lettrines, d'après les originaux de Maurice Pouzet. Préface de Paul-Louis. Courier. Collection " Athéna-Luxe ". Exemplaire numéroté sur sur vélin d'Avignon. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
ref. 28427Paris Emile Chamontin, Editeur 1934 in 8 (19x13) 1 volume reliure demi chagrin maroquiné rouge à coins de l'époque, dos à nerfs soulignés de filets dorés, tête dorée, couverture conservée, frontispice, 192 pages [1], avec des illustrations en couleurs de A.-E. Marty (frontispice et une vignette en couleurs par A.-E. Marty, et des culs-de-lampe tirés en rouge). Reliure signée de A. Valat. Tirage numéroté, celui-ci un des exemplaires numérotés sur vélin d'alfa. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
ref. 32454Paris La Tradition 1947 in 4 (26,5x21,5) 1 volume reliure demi chagrin rouge, dos à nerfs soulignés de filets à froid, couverture conservée, 132 pages [2], avec des illustrations en couleurs de Léonnec (16 hors-texte en couleurs et des bandeaux, lettrines et culs-de-lampe). Préface du traducteur. Tirage limité à 3500 exemplaires numérotés, celui-ci un des 812 exemplaires numérotés sur Vélin Lana crème. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
ref. 1331893461.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0428080154.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0267063210.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0259074152.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 048499008X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 028240449X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 165486Librairie A Estampes Paris 1873 In-4 ( 315 X 210 mm ) de 110 pages, demi chagrin vert d'eau à coins avec dos lisse ornés de fleurons et caissons dorés, tête dorée. Traduction de Jacques Amyot revue par Paul-Louis Courier. Introduction par Henry Houssaye. Six Figures de Prudhon sous serpentes hors-texte et Neuf vignettes d'Eisen. Un des 330 exemplaires sur vélin. Rousseurs passim, agréable exemplaire.
1934ref. 567701934 Paris, Librairie Floury , 1934, In quarto ,122 pp, broché, couverture rempliée, en très bon état, 16 illlustrations en couleurs, bandeaux ,lettrines ...
1893ref. 1276951893. LAWRENCE T.E. LONGUS. Daphnis and Chloe: A Most Sweet and Pleasant Pastoral Romance for Young Ladies. London: Vale Press 1893. Quarto contemporary full black crushed morocco elaborately gilt-decorated spine and covers raised bands top edge gilt uncut. $15000.An exceptional association copy: the finely printed and beautifully illustrated Vale Press Daphnis and ChloeÑone of only 210 copies 200 of which were for sale with 36 charming woodcuts in the Italian style by Charles Ricketts and Charles Shannon with ""T.E.L.""Ñlikely in T.E. Lawrence's handÑfaintly penciled in the upper right corner of the front free endpaper and a note from recipient Charles Francis Bell describing the circumstances in which Lawrence presented this copy to him. Beautifully bound in full morocco-gilt by C. & C. McLeish.""There are works which will never cease to be reprinted and which artists will ever love to illustrate according to their own individual fancies"" Jules Claretie Preface. This classical Greek work whose author Longus has not been fully identified has been dated to the 2nd or early 3rd century CE. Described by one scholar as ""an unknown best seller"" Giles Barber Daphnis and Chloe is considered ""the original or earliest survivor"" of the idyllic/pastoral romance Hardin Love in a Green Shade 1. This large-format illustrated edition is one of the Vale Press' most impressive books. It uses the quaint 17th-century translation of Thornley designed to convert the lascivious tale into reading matter for young ladies. One homosexual passage is left in the original Greek. In the Art Nouveau style the illustrations by Ricketts and Shannon effectively capture Longus' combination of decadence and sweet innocence.Born in 1859 binder Charles McLeish was apprenticed to Andrew Grieve in Edinburgh then came to London in 1890 to work for Riviere. When Cobden-Sanderson founded the Doves Bindery in 1893 he hired McLeish as the firm's finisher. McLeish held that estimable position until 1909 when he left to go into partnership with his son Charles who had apprenticed under Roger de Coverly. Although the senior McLeish was no longer in the employ of Cobden-Sanderson all of the bindings that were signed ""Doves Bindery"" between 1909 and 1921 were actually done in the McLeish workshop. The work produced by the McLeishes was beautifully designed and impeccably executed as evidenced in the present volume. With publisher's scarce four-page prospectus bound in at rear. Bookplate of recipient art historian Charles Francis Bell with his handwritten note regarding the circumstances of Lawrence presenting this copy to him tipped to the front free endpaper: ""This book was bound by McLeish for Colonel T.E. Lawrence whose initials in pencil in his own writing are in the top corner of the opposite endpaper. It was given by him to me at All Souls College Oxford on November 16 1920. C.F. Bell."" Bell 1871-1966 was curator of the Department of Fine Art in the Ashmolean Museum Oxford where he met Lawrence when the latter had brought fragments of pottery into the Ashmolean for identification. The two became friends and frequently discussed their shared enthusiasm for Medieval art and architecture. Although the brevity and faintness of the initials on the front free endpaper make it difficult to verify it as being in Lawrence's hand it is consistent with Lawrence's known practice of initialing his own books.Mild offsetting from woodcuts; offsetting from morocco turn-ins partially obscuring penciled initials in upper corner of front free endpaper binding beautiful and fine. An excellent association copy with distinguished provenance. hardcover books
1893ref. 1276951893. LAWRENCE T.E. LONGUS. Daphnis and Chloe: A Most Sweet and Pleasant Pastoral Romance for Young Ladies. London: Vale Press 1893. Quarto contemporary full black crushed morocco elaborately gilt-decorated spine and covers raised bands top edge gilt uncut. $15000.An exceptional association copy: the finely printed and beautifully illustrated Vale Press Daphnis and ChloeÑone of only 210 copies 200 of which were for sale with 36 charming woodcuts in the Italian style by Charles Ricketts and Charles Shannon with ""T.E.L.""Ñlikely in T.E. Lawrence's handÑfaintly penciled in the upper right corner of the front free endpaper and a note from recipient Charles Francis Bell describing the circumstances in which Lawrence presented this copy to him. Beautifully bound in full morocco-gilt by C. & C. McLeish.""There are works which will never cease to be reprinted and which artists will ever love to illustrate according to their own individual fancies"" Jules Claretie Preface. This classical Greek work whose author Longus has not been fully identified has been dated to the 2nd or early 3rd century CE. Described by one scholar as ""an unknown best seller"" Giles Barber Daphnis and Chloe is considered ""the original or earliest survivor"" of the idyllic/pastoral romance Hardin Love in a Green Shade 1. This large-format illustrated edition is one of the Vale Press' most impressive books. It uses the quaint 17th-century translation of Thornley designed to convert the lascivious tale into reading matter for young ladies. One homosexual passage is left in the original Greek. In the Art Nouveau style the illustrations by Ricketts and Shannon effectively capture Longus' combination of decadence and sweet innocence.Born in 1859 binder Charles McLeish was apprenticed to Andrew Grieve in Edinburgh then came to London in 1890 to work for Riviere. When Cobden-Sanderson founded the Doves Bindery in 1893 he hired McLeish as the firm's finisher. McLeish held that estimable position until 1909 when he left to go into partnership with his son Charles who had apprenticed under Roger de Coverly. Although the senior McLeish was no longer in the employ of Cobden-Sanderson all of the bindings that were signed ""Doves Bindery"" between 1909 and 1921 were actually done in the McLeish workshop. The work produced by the McLeishes was beautifully designed and impeccably executed as evidenced in the present volume. With publisher's scarce four-page prospectus bound in at rear. Bookplate of recipient art historian Charles Francis Bell with his handwritten note regarding the circumstances of Lawrence presenting this copy to him tipped to the front free endpaper: ""This book was bound by McLeish for Colonel T.E. Lawrence whose initials in pencil in his own writing are in the top corner of the opposite endpaper. It was given by him to me at All Souls College Oxford on November 16 1920. C.F. Bell."" Bell 1871-1966 was curator of the Department of Fine Art in the Ashmolean Museum Oxford where he met Lawrence when the latter had brought fragments of pottery into the Ashmolean for identification. The two became friends and frequently discussed their shared enthusiasm for Medieval art and architecture. Although the brevity and faintness of the initials on the front free endpaper make it difficult to verify it as being in Lawrence's hand it is consistent with Lawrence's known practice of initialing his own books.Mild offsetting from woodcuts; offsetting from morocco turn-ins partially obscuring penciled initials in upper corner of front free endpaper binding beautiful and fine. An excellent association copy with distinguished provenance. hardcover
