769 resultados
ref. 44629Tallandier.(s.d.)In-8 demi-relié à coins.Compositions de Raphaèl Collin.Eaux-fortes de Champollion.190 p. Parfait état.Reliure de l'éditeur avec pièce de titre noire,2 nerfs ornés,encadrant une naiade.Caractères,motifs et filets dorés.Tète dorée moirée.
ref. 2707bHorizons de France. 1947, gr.in-8 reliure demi chagrin rouge,coiffe sup.frottée. - .num.sur vélin ,44 ill. ht ?couvertures conservées
ref. 20320Paris, Alphonse Lemerre, "Collection Lemerre illustrée", 1895 1 volume In-32 (8,5 x 14,7cm) Reliure d'époque demi-basane chagrinée; dos à 4 faux nerfs ornés de pointillés dorés et soulignés de doubles filets dorés, auteur et titre dorés, doubles filets dorés aux coiffes; papier de couvrure des plats et gardes marbrés; plats de couverture conservés. 4 feuillets, 202p., 3 feuillets; illustrations en noir in texte, vignettes et pleines pages (au verso vierge mais comprises dans la pagination). Charnière supérieure en partie fendue (mais plat solidaire du volume), coiffes frottées avec petit manque en tête; traces blanchâtres sur les mors des plats; bien propre à l'intérieur.
1950ref. 59201BBLausanne André Gonin éditeur. 1950. 37x27,5 cm. 118 p., 3 f. En feuilles sous chemise, chemise demi-parchemin et emboîtage.
1895ref. R200086360ALPHONSE LEMERRE. 9 AVRIL 1895. In-18. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Intérieur frais. 202 pages. Achevé d'imprimer le 9 Avril 1895. Quelques gravures en noir et blanc, dans et hors texte. 1er plat et quelques feuillets désolidarisés. Manque au dos.. . . . Classification Dewey : 880-Littératures helléniques. Littérature grecque
ref. ORD-17886Paris. Lemerre. Collection Lemerre Illustrée. 1895. In-12 (94 x 150 mm) dos chagrin vert à 5 nerfs, pièces d'auteur et de titre maroquin brun, plats et gardes marbrés, tête dorée, couverture illustrée d'une vignette, conservée, 2ff., 202 pages, illustrations en noir dans et hors texte. Dos passé au brun sinon très bel exemplaire de ce doux curiosa.
ref. ST16989London: Willow Press 1982. No. 31 OF 55 COPIES SIGNED by artist and binder Susan Allix. 300 x 230 mm. 12 x 9". 4 p.l. 91 1 pp. 1 leaf colophon. Translated by A. M. Burnett. WHIMSICAL PICTORIAL MOROCCO BY SUSAN ALLIX stamp-signed on rear pastedown the wrap-around design showing Daphnis and Chloe in blind-tooled brown morocco silhouetted against a blue morocco sea and cream morocco sky beneath the lovers a blind-tooled vine with 11 inlaid or onlaid citron morocco leaves blind-stamped lettering to front cover turquoise blue pastedowns and white free endpapers painted with blue fore edge of front free endpaper cut into wave pattern showing a glimpse of the yellow handmade paper front flyleaf edges untrimmed and lightly brushed with blue paint. In the original felt-lined tan linen clamshell box blind-lettered cream and blue morocco label on back. With etched frontispiece and 20 etchings 14 in color and six in sepia by Allix. As new. This is a modern take on the most popular romance of ancient Greece from book artist Susan Allix who is responsible for the binding illustrations and the printing through her Willow Press imprint. The third century pastoral romance was newly translated from the Greek by Andrew M. Burnett and illustrated with etchings based on Allix's travels in Greece. The binding in Allix's words "creates an atmosphere of the sea landscape and figures in the story." Born in 1943 and educated at the Royal College of Art Allix began her career as a printmaker before creating her first hand-crafted book in 1973. Mark Dimunation Chief of the Rare Book Division at the Library of Congress wrote of Allix's work: "her books launch you on a visual journey. Each book is a voyage propelled by color texture image impression and material. . . . Because she insists on creating the entire book--from letterpress to illustration to binding--her work has a certain recognizable aesthetic; a malleable signature that responds to the particular character of a piece but is still unquestionably hers. Allix conceives each book visually. 'I am concerned with visual things so I see books as full of colour and form in a pictorial sense as well as through the images created in my mind by the words and through the sculptural qualities a book possesses.' The real narrative of her books is the flow of color and image as they move throughout the piece.". Willow Press unknown
1925ref. 55130London: Geoffrey Bles 1925. 4to. 199 1 pp. Woodcut-engraved decorated title colour frontisp. 11 colour plates 4 black & white plates numerous woodcut-engraved text illustrations. Cream-coloured publisher’s cloth gilt lozenge on front cover gilt lettering on spine w/ d.j. cover art illust. by Austen lettering in blue chipping head & foot of spine minor tears to couple corners creasing dustsoiling still NF/G copy from library of Carlyle F. Streit 1904-1977 noted Cleveland Ohio furniture manufacturer and designer featuring bookplate by John Austen. First Austen illustrated edition of this Greek pastoral romance featuring the Thornley English translation drawn more from a 1605 Latin translation than the Greek original. Austen 1886-1948 was a popular English book illustrator whose early works draw more from Beardley influence but then shifted in 1925 as evidenced by these illustrations to a decidedly Art Deco technique. Geoffrey Bles, hardcover
1934ref. 002243France 1934. First Edition presumed. Wraps made of 18th Century French Vellum Documents. Near Fine. No text with fifteen color lithographed plates of a softcore sensibility with nudity. The only words in the story proper is the title rendered in Cyrillic. The illustrations are far from lewd yet do have a delicious kitschy quality of the second-rate book illustration and they were in their time meant to give the viewer a frisson of excitement from partaking of something mildly naughty and taboo. The illustrations feel anachronistic fitting more squarely in the twentieth century than the classical world being portrayed but perhaps that is also their charm. No one could find the illustrations pretentious or overblown and if nothing else they do capture a simplicity and innocence that are at the core of the tale. Perhaps the most special aspect of the booklet is the wraps or outer wraps to be precise made up of two sheets of vellum documents from the mid-18th century that may have come from a Royal Archive. These sheets were clearly meant to conceal the erotic contents. One of the documents is signed Besnard P and is a letter dated 25 9bre 1734 with a seal of the city of Rouen. Back to the Daphis and Chloe a few of the plates bear a stylized device of what appears to be "LG" and above the date of 1934. unknown
1904ref. 10006Limited to 160 copies printed by Clarke Conwell. Full vellum with gilt lettering to spine with the remnants of the green ties. Some pages uncut. Illustrated with 4 woodcut illustrations by H. M. O'Kane. Interior remains nice and clean with no previous owners' names or other defacements. 8.25 x 11 in 20.5 x 28 cm The Elston Press hardcover
ref. 6829384Harvard University Press . Hardback. New. pp. xiv 370 Index Harvard University Press hardcover
ref. 667278Imprint Society. Limited Edition. Hardcover. Very Good. One of 1950 signed and numbered copies this copy is a "Special Presentation" copy to noted poet/academic Nell Altizer; signed by Felix Hoffmann. 6.5 x 10 in. 152pp. with 16 aquatints specially done for this publication and frontispiece struck directly from the copperplate. Quarter blue leather over brown paper covered boards with gilt titles on front and spine titles on black leather; housed in the publishers slipcase with mounted illustration on the front and mounted paper label on spine. Fading and wear to the spine interior clean and bright; slipcase has fading along the edges. Overall a Very Good copy. Imprint Society hardcover
1977ref. HC1145George Braziller 1977. hardcover. Very Good/Good. 10x1x13. Marc Chagall. Hardcover in jacket and slipcase. Clean unmarked tightly bound. Light wear. Jacket has some edgewear. Photos available. We ship daily. Expedited shipping available! George Braziller hardcover
1977ref. 3578519729George Braziller 1977. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket in good condition. Minor shelf and handling wear overall a clean solid copy with minimal signs of use. DJ shows smudging and paperloss on spine. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. George Braziller hardcover
ref. 0876360282New. New. Satisfaction Guaranteed or your money back. unknown
1977ref. mon0004036127George Braziller 1977-06. Hardcover. Very Good. 1.2000 12.7000 9.7000. dj shows minimal wear pages clean. George Braziller hardcover
1977ref. 2501270001George Braziller 1977. hardcover. Very Good. 10x1x13. Marc Chagall. Hardcover and dust jacket. Good binding and cover. Clean unmarked pages. 222 pages 1 unnumbered leaf of plates : 42 color illustrations ; 33 cm. Translation from Greek by George Moore. Chagall's illustrations adapted from the 1961 edition published by Les Editions Verve Paris; text drawn from the 1934 edition published by the Limited Editions Club New York George Braziller hardcover
ref. 1778784984.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0265701112.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0807608807.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0856685631.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 067499633X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0674990765.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1972ref. 022237Barre: Imprint Society 1972 Deluxe signed limited Edition 1 of 1950 copies 151pp. signed by the illustrator Felix Hoffmann. Book in fine condition slipcase with light wear else fine; no dust jacket as issued. Imprint Society hardcover
1931ref. 3890Paris: Se trouve ‡ Paris chez l'Artiste 8 Rue Lacretelle 1931. A superb production Limited to 250 numbered copies beige flexible wrappers with printed illustration and lettering on cover glassine wrapper contents entirely unbound and gathered in folded groups as issued. 192p. 3p. With 26 original etchings by Jean Dulac. 23 x 16 cm. In marbled cardboard cover and cardboard slipcase. Very fine. A wonderful production. Scarce. Se trouve ‡ Paris, chez l'Artiste, 8 Rue Lacretelle unknown
