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rif. 0366425501.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0366425455.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 114315892X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1020723114.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. B9781165950409New. unknown
rif. 1104650312.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1142157059.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1165950405.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1754rif. 1322129Lutetiae Parisiorum i.e. Amsterdam 1754. Hardcover. Small Quarto 175 pages. In Very Good condition. Bound in period red morocco with triple gilt rule to board edges and brown label with gilt lettering to elaborate gilt spine. Boards show mild rubbing and slight cracking to upper rear hinge. Large bookplate removed from front pastedown replaced with small bookplate. Top edge of text block gilt. Gilt rolls to doublure edges. Marbled endpapers. Bilingual with Greek on the verso and Latin on the recto; illustrated with 28 of the 29 plates plus a frontispiece lacking plate 20 with signs it was cut out Titled 'Liccenion écoute Daphnis et Chloé qui cherchent remede d'Amour' elaborate vignettes and headpieces. MW Consignment. Shelved in Case 3. Daphnis and Chloe is an ancient Greek novel written in the Roman Empire the only known work of the second-century AD Greek novelist and romance writer Longus. 1322129. Shelved Dupont Bookstore. hardcover
1829rif. 45448Parisiis: Firmin-Didot 1829. Cm. 225 pp. lxii 2 211 1. Ritratto inciso di Courier all'antiporta protetto da velina. Solida ed elegante legatura coeva in mezza pelle dorso a nervi con filetti e titoli in oro su tassello. Bell'esemplare con solo qualche minima brunitura. Si tratta della prima edizione qui con il testo greco di un codice recuperato alla Laurenziana che presenta l'integrale di Dafne e Cloe. La scoperta fu fatta da Paul-Louis Courier 1772-1825 ed ebbe il merito di offrirci per la prima volta un celebre testo che fin'allora era apparso solo in una versione censurata. Firmin-Didot, unknown
rif. lom-MS000155In French. Short description: Longus. Les amours pastorales de Daphnis et de Chloe. - Paris: 1808. - VIII-200 p.-[9] l. of ill. A beautifully illustrated edition of Daphnis and Chloe, a predecessor to the Renaissance pastoral romance. Please feel free to contact us for a detailed description of the copies available. SKUMS000155
rif. 67982Den Haag, Boucher, (1960).
rif. 116024Paris, Société d’édition Les Belles Lettres 1934, 200x130mm, LV - 114pages, broché. Bel exemplaire.
rif. AM8860BROCHE. 186 PAGES. PHOTOS SUR DEMANDE
rif. 14216ÉDITIONS JULES TALLANDIER 191 pages in8. Sans date. broché. 191 pages. Daphnis et Chloé est un roman pastoral grec de Longus probablement écrit au IIe ou IIIe siècle. Il raconte l'histoire de deux enfants abandonnés recueillis par des bergers sur l'île de Lesbos qui grandissent en découvrant l'amour au sein d'un décor champêtre
rif. 400052200Librio Sans date. Longus - Daphnis et Chloé / Librio
1605rif. 14065Hanoviae, typis Wechelianis, apud Claudium Marnium, & haeredes Iohannis Aubrii, 1605. In-12 de [16]-247-[3] pages, plein vélin blanc, dos lisse avec titre manuscrit. Annotation ancienne à l'encre sur la page de garde.
1778rif. 16611Paris, François Ambroise Didot et Guillaume De Bure, 1778. In-8 de [8]-XCII-135 et 135- [1]; 312-[3] pages, plein maroquin vert menthe, dos à nerfs orné au fer à l'oiseau et petits fers dorés, triple filet doré en encadrement des plats, double filet doré aux coupes et roulette dorée aux chasses, tranches dorées sur marbrure.
1937rif. ST11995Paris: Les Frères Gonin 1937. No. CXXV OF 500 COPIES SIGNED BY THE ARTIST this is one of the hors commerce copies with an additional suite of plates. 219 x 149 mm. 8 5/8 x 5 7/8". 2 217 5 pp. One volume and one portfolio. Translated by Jacques Amyot. MOST ATTRACTIVE BEIGE CRUSHED MOROCCO BY IRMGARD HACCIUS stamp-signed "I. H." in gilt on rear cover front cover with gilt titling arranged in 10 short descending rows surrounded by blind-tooled leaves and grasses rear cover with three-inch column of blind-tooled leaves bearing gilt berries and the binder's initials flat spine with titling in blind top edge gilt. Housed with the portfolio of plates in its original printed paper wrapper in a matching marbled paper folding box with beige morocco spine and edges no doubt done by Haccius as well. WITH 47 WOODCUTS BY ARISTIDE MAILLOL depicting scenes from the text AND WITH AN EXTRA SUITE OF 48 PLATES printed in sanguine the additional plate bearing the 15 woodcut initials used in the text. Front pastedown with armorial bookplate of German bibliophile and music publisher Ludwig Strecker. The Artist and the Book 174. ◆A SPLENDID COPY clean and bright in a luxurious unworn binding. This version of Longus' charming Greek pastoral novel of awakening love long retained its popularity and was published frequently often with illustrations. And perhaps the chief virtue of the present edition is the unaffected sometimes mischievous woodcuts of nymphs and lovers by the French-Catalan artist Aristide Maillol 1861-1944 best known for his sculpture. His engravings here have the same classical lines that typify his three-dimensional works. According to "The Artist and the Book" the work is "perhaps the most harmonious of Maillol's illustrated books." The very attractive and intelligent binding is by Mainz master bookbinder Irmgard Haccius 1916-2003 whose work here is entirely in keeping with the illustrator's graceful simplicity. Haccius studied at the art academies in Munich and Berlin in addition to completing advanced training in book binding at the Academy of Fine Arts at Castle Giebenstein Hall. She was one of the first faculty members at the State University Institute for Art and Handicraft in Mainz before joining Johannes Gutenberg University in 1973 as a professor in the Department of Visual Arts. Les Frères Gonin unknown
1937rif. 37010Paris: Les frères Gonin 1937. Fine. Les frères Gonin Paris 1937 14 x 21 cm en feuilles sous chemises et étui With 48 original woodcuts by Aristide Maillol printed in 500 numbered copies on Maillol paper. Autograph signature of Aristide Maillol to justification. This copy is complete with its separate suite of 21 original woodcuts. Les frères Gonin unknown
1902rif. 48813Paris.: Ambroise Vollard Editeur. 1902. Full aubergine crushed morocco by Noulhac with his signature gilt for each vol. banded spines with gilt titles in six compartments turn-ins ruled in gilt with decorative Greek key roll-tool border and floral ornaments at corners green silk doublures and endleaves marbled endpapers original publisher's printed wrappers with titles and Bonnard's vignette in black to front cover and and backstrip for each vol. preserved a.e.g. . Small folio. 334 x 268 mm. Half-title with justification verso printed title with vignette by Bonnard 3 leaves with 'Préface du Traducteur' and Longus' text illustrated with 156 original lithographs by Bonnard printed in black leaf with 'Table des Matières' final leaf with achevé d'imprimer; also included in a separate volume with a separate wrapper is the complete series - three leaves with a lithograph recto and verso and one leaf with the two final lithographs recto - of lithographs printed in 'ton rose'. A very rare example of Bonnard's superb second book with Vollard one of ten from the édition de tête on Japon ancien with the additional suite and in a contemporary binding by Noulhac.From the edition limited to 250 numbered copies with this one of 10 copies on japon ancien à la forme from the édition de tête with the additional suite of the lithographs printed without text in 'ton rose'.The édition de tête of ten copies of 'Daphnis et Chloé' is extremely rare: we know only of one other copy that formerly in a Swiss private collection cited in 'De Parallèlement à Chanson Complète'. That catalogue cites a further copy: 'Un autre exemplaire du rarissime tirage sur japon était le livre le plus précieux du célèbre catalogue de Nicolas Rauch sur les livres de peintres en 1957'. We locate no other examples at auction or in public or private collections.The only known work of the Greek Longus Daphnis and Chloe has appealed to numerous artists and illustrators: Pierre Bonnard 1902 Sylvain Sauvage 1925 Aristide Maillol 1937 and Marc Chagall 1961 all produced illustrated editions. The tale - one of the least tragic of the Greek canon - tells of the love of two foundlings raised together the eponymous hero and heroine who each harbour an unsuspected love for the other suffer various reverses of fortune including Chloe's kidnap by pirates before a happy resolution for all parties.'The lithographs of an unprecedented lightness of touch have been printed with such subtlety and skill that you seem to see the original crayon and they like the text have that marvellous spontaneity that will remain forever one of Bonnard's greatest gifts.' J. Guignard Le Livre 1942.'Chaque composition de Bonnard sur 'belle page' tient dans un rectangle vertical de proportion quasi identique 'soulignée' de quelques lignes de texte donnant au livre une homogénéité de présentation fascinante. La typographie de l'Imprimerie nationale fut entièrement réalisée en fonte neuve de 'Grandjean du Roi'. La traduction du texte de Longus sophiste de Lesbos au IIe siècel fut effectuée par Amyot vers 1558 et révisée par P.-L. Courier au XIXe siècle. Deux ans après 'Parallèlement' cette nouvelle collaboration Vollard-Bonnard n'eut pas non plus grand succès à sa parution avant de devenir un des symboles du 'livre de peintre' au XXe siècle.' de Parallèlement à Chanson Complète.see Guignard's 'Le Livre' Paris 1942; see 'de Parallèlement à Chanson Complète' pp. 23 - 26. Ambroise Vollard, Editeur. unknown
rif. 51-6792Paris: Ambroise Vollard 31 octobre 1902. 4to. 24.5 x 30cm. 10. 294 4pp.Original wraps in a contemporary half calf chemise with marbled boards in a matching slipcase repaired. One of 250 numbered copies.Francis Bouvet The Complete Graphic Work no. 75; Luc Monod Manuel. no. 7262; François Chapon Le Peintre et le livre pp. 67-68 -- The Artist & the Book 28 -- Rauch 22; OCLC Number / Unique Identifier:54167315.One of the most famous modern illustrated books – copy on hollande paper. Seduced by his first collaboration with Pierre Bonnard on Parallel by Verlaine 1900 Ambroise Vollard commissioned a second one from him these Pastorales. Where Parallel with its daring layout and the choice of printing the lithographs in pink had been disconcerting the layout of this second book is more classical the illustration being clearly separated from the text. However at the time of its publication it remained "shunned by bibliophiles who for a long time refused to see it as an appropriate illustration technique for luxury books because it was considered too commercial even vulgar" Limited edition. Vollard Petiet et l'estampe de maîtres pp. 44-45. .This judgment has largely been revised by their successors and the work is today considered one of the greatest successes of the illustrated book. Carteret Illustrés IV p. 242: a beautiful work highly sought after and highly rated. One of the greatest stars of modern books. ; « Like Bonnard’s earlier lithographs for Parallèlement and Manet’s for Le Corbeau these subtle plates had little appeal in 1902 for a public that preferred the sharply defined realism of the professional engraver.The book is today considered one of the finest of its period”. The Artist and the Book n°28 ; Mahé II col. 695 ; Mornand Vingt-deux artistes du livre pp. 45-46 “Daphnis et Chloé fut pour Bonnard l’occasion de montrer toute la souplesse de son talent non seulement par la pureté du style bien antique des personnages mais par le caractère des paysages essentiellement grecs”. Paris: Ambroise Vollard, 31 octobre 1902. paperback
1934rif. 85346Paris: Librairie Floury 1934. Fine. Librairie Floury Paris 1934 21 x 26.50 cm broché Edition illustrated with 16 original illustrations in and out of text by Georges Leonnec as well as head- and tailpieces initial letters and culs-de-lampe one of the numbered copies. Handsome copy despite the spine and boards being slightly and marginally sunned. The translation was done by Jacques Amyot and largely revised by Paul-Louis Courier. Librairie Floury hardcover
1923rif. 117946Paris : Georg & Cie. 1923. LONGUS.Les Pastorales de Longus ou Daphnis et Chloé. Traduction de J. Amyot revue corrigée complétée de nouveau refaite en grand partie par P.-L. Courier. Compositions de Charles Guérin. Paris Georg & Cie.1923 240x170mm 182 pages reliure demi-chagrin avec titre auteur filets et encadrements dorés au dos à quatre faux-nerfs. Plat et garde papier marbré. Tranche supérieure dorée. Couvertures et dos conservés. Ex-libirs. Exmplaire numéroté n.° H. C. sur papier vélin d’Arches. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Georg & Cie. unknown
