235 résultats
1779réf. 104699A. Londres 1779. Hardcover. Good. Association copy. Inscribed by Henry Adams the grandson of John Quincy Adams in Paris 1891. Leather covers are worn and cracked along the outer hinges. With marbled endpapers and gilt edges. Heavily illustrated. A. Londres hardcover
1779réf. LRB021779 1779 LONGUS - Les Amours pastorales de Daphnis et Chloé. Escrites en grec par Longus et translatées en françois par Jacques Amyot. Londres s.e. 1779 . in-4 frontispice-182 pp. reliure plein veau marbré de l'époque dos lisse orné filets sur les plats. Un frontispice et 29 gravures. Exemplaire réimposé. Couverture rigide. Bon. Bon. hardcover
réf. 1023985217.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1919réf. 000387One of the most beautiful books illustrated by Carlègle. With 33 original woodcuts. With two extra suites of illustrations on Japon ancien and on Chine all signed by the artist. No. 2 of 20 numbered and signed copies of the special edition on Japon ancien à la forme. "C'est la meilleure illustration de l'artiste" Carteret. Description: Vellum spine and fore edge with wood veneer covered boards filleted in gilt; flat spine lettered and decorated in gilt. Housed in the original slipcase covered with wood veneer and black leather entry. Bound by Devauchelle signed. Quarto: 27 × 19 cm; pp. 144 1ll. 33 plates on Japan 33 plates on China. Top edge gilt. Ref.: Carteret: iv 242 Condition: Slipcase with slightly torn edges otherwise a near fine copy. Notes: Charles Émile Egli born in Aigle in 1877 was a Swiss illustrator and artist. Under the name Carlègle he worked in Paris from 1900 until his death in 1937 for numerous magazines such as Le Rire Gazette du Bon Ton and La Vie Parisienne. From 1908 he began to illustrate books working for publishers such as Georges Briffaut Calmann-Lévy collection "Pour nos enfants" Mornay the Société de Bibliophile the Société Littéraire de France and Léon Pichon. The edition of the "Amours Pastorales" is one of Carlègle's most elaborate works. The total edition consisted of 395 copies of which only copies 1-20 were signed. Léon Pinchon hardcover
réf. 0331746816.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1933réf. 087819N: The Ashendene Press 1933. Traduction de Messie J. Amyot editee et corrigee par Paul-Louis Courier. Text in French. Pp. iviv164last blank printed in red & black text illustrations 4 full page the decorative initials drawn in blue by Graily Hewitt and his assistants printer's mark C in red at colophon; narrow cr. 4to; qr. vellum lettered and ruled in gilt turquoise papered boards with vellum corner-tips circular gilt design by Gwen Raverat at centre of upper board the edges of the paper very slightly chipped; uncut; within patterned papered slipcase which is slightly worn; lower hinge tender a little light foxing; printed by C. H. St. John Hornby The Ashendene Press Chelsea 1933. Edition limited to 310 copies; this being one of 290 copies printed on paper. Franklin pages 242-3. The penultimate book from The Ashendene Press. The wood-engraved illustrations by Gwen Raverat are described by Colin Franklin The Ashendene Press page 243 as 'the only worthwhile original illustrations in an Ashendene book'. The Ashendene Daphnis et Chloe was intended for publication in 1931 but that edition was printed on Japanese vellum and because the sheets were packed before the slow-drying ink had sufficiently hardened all but 10 copies had to be destroyed. The Ashendene Press unknown
1779réf. 1323940Londres i.e. Paris 1779. Hardcover. Octavo 6 182 pages; VG; bound in period red morocco rebacked with paneled gilt spine preserved; some wear to boards; text bock gilt; marbled endpapers; front pastedown with two bookplates and an old catalogue description; With a half-title and an additional engraved titlepage; illustrated with 29 plates inset including the 'petits pieds' plate; The imprint is false; probably printed in Paris.; shelved case 3. ESTC: T149741/N42517. 1323940. Shelved Dupont Bookstore. hardcover
1919réf. 91045Paris : Société Littéraire de France 1919. broché. LONGUS.Les amours pastorales de Daphnis et Chloé. Ecrites en Grec par Longus & translatées en Français par Jacques Amyot et ornées par André Hofer. Tome premier et tome second. Paris Société Littéraire de France1919 145x110mm 119 109 pages broché. Couverture rempliée. Couvertures défraichies. Edition originale sur papier vélin blanc de Rives numérotée n.° 682 / 1000. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Société Littéraire de France unknown
1745réf. 13031745. Unknown. Longus. LES AMOURS PASTORALES DE DAPHNIS ET CHLOE. Paris 1745. 12mo calf Advertissement 6pp. Preface 2pp. 159pp. text of Amyot's translation and 20pp. of notes numbered i-xx title page with engraved vignette and 8 engraved plates four by Scotin and 4 engraved headpieces. Original calf boards modern gold-tooled reback; internals all very nice. hardcover
1779réf. 65287Londres London: S. n. 1779. Fine. S. n. Londres London 1779 16.50 x 21.50 cm relié Attractive edition of the French translation by Jacques Amyot illustrated with a frontispiece and 28 copperplate engravings. Contemporary full tortoiseshell calf binding smooth spine richly decorated with gilt rolls tools and fillets as well as a red morocco title label triple gilt fillet framing the boards gilt roll on the leading edges headcaps and framing the pastedowns all edges gilt. Joints rubbed with small cracks. S. n. hardcover
réf. 2723A Londres i.e. Paris: printed by Valade 1780. Hardcover. Fair. Duodecimo. ii 196pp. 2 A6-Q6 R2. Modern grey goatskin over marbled boards. With an engraved frontispiece and plates. ESTC T119935. Heavily stained. A very mediocre copy. 0 A Londres [i.e. Paris: printed by Valade], 1780. hardcover
1745réf. 009929no place : no name 1745 Book. Good. Half leather. x 159 1 xx pages additional engraved title page and 8 plates. Title page printed in red and black. In more recent half leather which has wear to the edges and corners. Ink ownership inscription to a front free end paper. Some light browning and light soiling. Page edges untrimmed top edge gilt. [ no name ] hardcover
1745réf. 018270Paris: Quillau 1745. Book. Very good condition. Hardcover. Early edition. Octavo 8vo. ii 150 pages of text. Contains an engraved title page by Coypel 28 engraved plates by Audran followed by one engraving by le Compte de Caylus. The Caylus engraving is titled "Conclusion du Roman" but is best known as the "petit pieds" plate. Translated by J. Amyot Bishop of Auxerre. The engravings by B. Audran are from designs by Philip Duke of Orleans. Full red morocco binding by Simier is heavily worn on the extremities and hinges where it has been inexperty recolored but this poor attempt at recoloring does not distract from the elegance and beauty of the elaborate gilt-stamped decorations. The front endpaper marbled is detached. The text is clean and unmarked. Early edition with different pagination that the editions that appear on the market. No publisher listed but published by Quillau. Quillau Hardcover
1967réf. 17-0221Paris: Les Peintres Du Livre 1967. 1967 96pp illus. slipcase No. 183 of 3000 text entirely in French trans. by Paul-Louis Courier light soiling to cover heavier to spine some soiling & slight shelfwear to slipcase contents clean. Cloth. Very Good/No Jacket. Illus. by Bonnard. Les Peintres Du Livre Hardcover
réf. ES-JFOQ-7ACMRelié. Un petit accroc sur le haut du dos de couvertureaffranchissement philatelique la plupart du tempsnombreux livres dans mon stockenvoi rapide et soigné unknown
1779réf. 44904à Londres London: S. n. 1779. Fine. S. n. à Londres London 1779 10 x 16.20 cm relié New reprint of the so-called Regent edition small quarto published in 1718. A frontispiece by Coypel and 29 figures of the Regent Philippe d'Orléans engraved by B. Audran. Some figures are folded. Translation by Amyot. This 1779 edition also appeared in quarto format with text pages in frames. The reprinted figures are before letters. Contemporary brown calf binding with scale pattern. Smooth spine decorated in grotesque style. Triple fillet frame on boards. Top headcap worn. Lower joint cracked at head. One corner bumped. Scattered foxing. S. n. hardcover
1800réf. KC7944Paris: Didot l'Aine 1800. Hardcover. Very Good. Mauve paper over boards printed paper labels on upper board and spine decorative endpapers; folio 249 x 317 mm; pp. iii-viij 1-200. No plates. Handwritten note on the rear free-endpaper reads: "Rebound on December 21 1953 by Vincent Torre New York City." Spine sunned and chipped at tips; boards very lightly rubbed; free endpapers a bit fragile with a few small chips or small closed tears; text a little foxed. Uncommon. Sold as is. Didot l'Aine hardcover
1731réf. 0428151731. First Edition. Hardcover Full Leather. Good Condition. Garard-Jean-Baptiste Scotin. Full contemporary calf front board detached with the gilt arms of Carre de Saumery on both boards. Scattered foxing. An attractive edition with an extra engraved title and 8 plates by Scotin. Marginal dampstain occasionally and to a number of plates bookplate to endpaper and old catalog entry laid onto rear endpaper. 12 159 xx pp Provenance: Douglas Maxwell Moffat bookplate. Size: Octavo 8vo. Illustrator: Garard-Jean-Baptiste Scotin. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 042815. hardcover
1745réf. 251513Paris: Coustilier 1745. Reprint of 1731 edition. Engraved title-page opposite title page printed in red and black. 8 engraved full-page plates. 4 signed J.B. Scotin and 3 headpieces x1591 xx pp. 8vo. Contemporary full polished calf gilt spine marbled endpapers. Fine. Reprint of 1731 edition. Engraved title-page opposite title page printed in red and black. 8 engraved full-page plates. 4 signed J.B. Scotin and 3 headpieces x1591 xx pp. 8vo. Coustilier] unknown
1731réf. 32030-30Paris Coustelier 1731. Title printed in red and black. With additional engr. pictorial title engr. vignette on printed title 8 plates engr. by Jean Baptiste Scotin and 4 engr. head-pieces. Title 4 leaves 158 1 XX pp. Small 8vo. Contemp. calf with red spine label rep. Paris Coustelier 1731. Nice edition of Longus' "Daphnis and Chloé" in the popular French translation of Jaques Amyot 1513-1593. It contains for the first time the copious philological annotations by Antoine Lancelot 1675-1740 in which he often corrects Amyot's text. Scotin's engravings congenially represent the time-typical impression of rural life. - Printed title rehinged some waterstaining to engr. title mainly on verso light browing throughout. - Quérard La France littéraire V 351; Cohen/De Ricci 651; Lewine 322; Sander 1222; Hoefer XXIX 327 Lancelot. LITERATURE: FRENCH ; ILLUSTRATED BOOKS BEFORE 1900 ; Paris, Coustelier unknown
1939réf. 262391939. Paris Le Vasseur et Cie 1939. Un vol. au format pt in-4 293 x 238 mm de 184 pp. en feuilles sous couvertures imprime rabats remplis chemise de demi-vlin ivoire dos lisse titre dor sous coffret de plein papier gauff crÂme. Tirage unique 425 exemplaires numrots ; celui-ci comptant parmi les 350 sur grand vlin d'Arches la forme. Il s'agrmente - ici en premier tirage - des dlicates compositions graves et en couleurs par Paul-Emile Bcat. ''Publication recherche surtout en grand papier''. in Carteret. ''ElÂve des peintres Gabriel Ferrier et FranÂois Flameng Bcat a expos aux Salons des Artistes franÂais partir de 1913 et obtint le Grand prix de Rome. En 1933 il commence une carriÂre d'illustrateur la pointe-sÂche et se spcialise dans les textes galants. Ses nus trÂs soigns sont recherchs''. in Osterwalder. Daphnis et Chlo roman grec est attribu Longus auteur dont on ne sait pour ainsi dire rien. Si ce n'est qu'il pourrait Âtre n Lesbos. Le sujet de Daphnis et Chlo - Influenc par les Idylles de Thocrite - se distingue pourtant des autres romans grecs de par son dcor bucolique et lÕironie constante qui prside au droulement de lÕaction. Ce roman pastoral - et chef dÕÃuvre de la posie classique - met en exergue le thÂme mythique de lÕexposition des enfants sous lÕantiquit. Carteret IV Le Trsor du bibliophile / Illustrs modernes p. 243 - Osterwalder II Dictionnaire des illustrateurs p. 84 - Bnzit I Dictionnaire des peintres p. 558. Coffret prsentant des marques d'eau. DiscrÂtes rousseurs affectant le dos de la chemise. DiscrÂtes piqres affectant le premier plat de la couverture papier. TrÂs rares rousseurs dans le texte. Du reste trÂs belle condition. b42961 unknown
1780réf. 256461780. A Londres s.. Cazin 1780. Un vol. au format in-16 127 x 78 mm de 1 f. bl. 1 frontispice grav n.fol. 196 pp. et 1 f. bl. Reliure de l'poque de plein veau marbr blond triple filet dor port sur les plats dos lisse orn d'un filet d'encadrement dor triples filets dors important dcor fleuronn dor piÂce de titre de maroquin miel titre dor armes dores surmontes d'une couronne ducale en queue filet dor sur les coupes tranches dores. Exemplaire sous reliure aux armes ducales non identifies portes en queue du dos. Il s'ouvre sur un joli frontispice grav non sign. Soigneuse impression - sur papier lgÂrement bleut - sortie des presses de Cazin. Les ditions Cazin taient trÂs rputes pour leur qualit mais aussi pour leur caractÂre licencieux ce qui valut lՎditeur la saisie de livres une amende ainsi que deux sjours la Bastille. Daphnis et Chlo roman grec est attribu Longus auteur dont on ne sait pour ainsi dire rien. Si ce n'est qu'il pourrait Âtre n Lesbos. Le sujet de Daphnis et Chlo - Influenc par les Idylles de Thocrite - se distingue pourtant des autres romans grecs de par son dcor bucolique et lÕironie constante qui prside au droulement de lÕaction. Ce roman pastoral - et chef dÕÃuvre de la posie classique - met en exergue le thÂme mythique de lÕexposition des enfants sous lÕantiquit. Manuel du Cazinophile p. 94. Angles mousss. Dos prsentant un clat lgÂrement altr. Petite coupe affectant la piÂce de titre. Quelques discrÂtes rousseurs ou tches dans le corps d'ouvrage. Du reste belle condition. b42961 unknown
réf. 9183Emile Chamontin éditeur 1934. In/8 broché couverture illustrée dune vignette en couleur et rempliée frontispice en couleur vignettes en rose 192 pages. Illustrations de A. E. MARTY. Un des 30 exemplaires sur vélin dAlfa non coupé. unknown
1931réf. 39584Paris: Chez l'artiste 1931. Jean Dulac. ONE OF A HANDFUL OF COPIES WITH ALL OF THE ENGRAVINGS BEAUTIFULLY COLORED BY HAND. A wonderful livre d'artiste with 26 ORIGINAL ENGRAVINGS most lightly erotic BY JEAN DULAC. From a total edition of 340 numbered copies this is ONE OF A FEW COPIES ON FINE RIVES LAID PAPER IN WHICH ALL OF THE ENGRAVINGS WERE BEAUTIFULLY COLORED BY HAND FOR A GROUP OF COLLECTORS. The colophon / limitation statement in these copies ends with a printed note not included in other copies: "Cet exemplaire est l'un de ceux qui ont été coloriés à la main spécialement pour un groupe d'amateurs." I have seen thousands of livres d'artiste but this is the only time I've ever seen a printed note like this one distinguishing it from virtually all of the other copies of the edition. Large 8vo. Loose as issued in original wraps. FINE AND BRIGHT in the original board chemise and slipcase lightly worn. OF THE GREATEST RARITY WITH THE ENGRAVINGS COLORED BY HAND. And very beautiful. Chez l'artiste paperback
1717réf. 92321Paris 1717. Fine. A classic of French publishing from the library of Mortimer L. Schiff Paris 1717 8.8 x 15 cm Relié New edition of this ancient pastoral romance illustrated with a frontispiece and eight full-page engravings. With several headpieces decorated initials and tailpieces. Dark yellow morocco spine with five raised bands author title and date lettered in gilt gilt fillets to board edges and headcaps gilt inner dentelle all edges gilt; tan morocco case by Riviere & Son spine with five raised bands author title and date lettered in gilt blind-tooled fillets. Raised bands lightly rubbed with a few scuffs to the slipcase otherwise a handsome copy. Mortimer L. Schiff's guilt red morocco bookplate on the front pastedown. Provenance: from the legendary library of banker and collector Mortimer L. Schiff owner of the New York Post and one of the founding members of the Boy Scouts of America with his bookplate pasted to the front pastedown. He assembled one of the foremost libraries of the interwar period. His collection began to take shape in 1911-1912 when he participated in the successive sales of the library of another great American collector Robert Hoe III 1839-1909 acquiring a remarkable group of French classics. Mortimer L. Schiff's library was particularly renowned for its outstanding French and English bindings the finest of which were described in two catalogues compiled by Seymour de Ricci in 1935. Mortimer L. Schiff's library was dispersed by his heirs in 1938 in three successive sales held in London. The present copy is listed as lot 277 in the catalogue of the first London sale held from 23 to 25 March 1938. hardcover