MAROT Clément; BEZE Théodore:Livre Rare Book
1 339 résultats
1656réf. 8338Charenton, P. Des-Hayes et A. Cellier, 1656. 2 tomes en un volume in-16, une page de titre gravée, et [488] pages pour le nouveau testament : A-I6, K-T6,V6, X6-Z6, Aa-Ii6, Kk-Rr6, Ss4; et [292] pages pour les pseaumes: a2, A-I6, K-T6, V2, a-c6, d-e4, f2. Plein veau moucheté, dos muet à nerfs richement orné de filets et fleurons dorés, roulette à froid sur les coupes, tranches dorées. Mini manque au coin de la coiffe de queue, et un coin un soupçon frotté.
1731réf. 32037-2266La Haye P. Gosse & J. Néaulme 1731. With striking engr. frontispiece portrait by Gabriel François Louis Debrie dated 1729 4 engr. title vignettes by Adolf van der Laan repeated and 5 engr. head-pieces by Van de Laan and Pierre Filloeul 4. 4to. Contemp. calf spines gilt with 2 labels triple gilt fillets around sides small gilt armorial supralibros slightly rubbed some small defects. La Haye P. Gosse & J. Néaulme 1731. Fine edition of Clément Marot's 1495-1544 complete works published simultaneously with a 6 volume 12mo edition. The poet Marot was at one time almost forgotten overshadowed by Ronsard and his school; from 1615 until 1701 there were no editions of his works. He was rediscovered however by poets like La Fontaine and J. B. Rousseau there was even a style in his imitation called "marotique". - Light browning. - Quérard La France littéraire V 554; Cohen/de Ricci 691; Lewine 344; Brunet III 1458 "édition . assez bonne et beaucoup plus complète que les autres"; Thieme/Becker VIII 509 Debrie and XI 568 Filloeul this edition mentioned. LITERATURE: FRENCH ; La Haye, P. Gosse & J. Néaulme unknown
1731réf. 87771731 La Haye, chez P. Gosse & J. Neaulme, 1731. 6 volumes, in-12°, 9 x 15,2 cm. XXIV+[6]+[2 bl]+406+[2] / XVI+428 / XXIV+389 / VIII+387 / XXIV+392 / VIII+368 pp. Pages de titre en rouge et noir, chronologie des oeuvres de Clément Marot, index alphabétique des mots anciens et table générale alphabétique en fin du tome VI. Reliure d'époque, plein veau moucheté, dos lisses ornés de caissons et de fleurons dorés, pièces de titre en maroquin rouge, de tomaison en maroquin vert, tranches rouges. Mors anciennement restaurés et à nouveau fragilisés, usure aux angles. Au premier contreplat, ex-libris gravé du XIXe siècle: «Bibliothèque du comte François Potocki» (1788-1853), et sur le recto de la garde: ex-libris André Gutzwiller (1922-2014).
1675réf. 20796Se vend à Charenton, Par Estienne Lucas 1675 In-16 plein maroquin brun, dos à nerfs, caissons ornés, dentelles et filet d’encadrement des plats, décor aux petits fers à compartiments et volutes, roulettes sur les coupes, tranches dorées, 208 pp. Musique notée en plain-chant. Infimes rousseurs. Petit accroc en pied.et manque pages de garde.
1738réf. Flo425A very good copy of the Petit Marot first published around 1655. A classic of French baroque architecture published under the title Collection of Plans Profiles and Elevations of Palaces Castles Churches Tombs Grottos and Hotels With engraved frontis and 122 fine copperplates of architectural plans and views drawn and engraved by Marot on 114 leaves The subjects include many French buildings that still survive today such as the Palais du Luxembourg Hotel Colbert de Torcy Musee Carnavalet Hotel de Chimay Sorbonne University Chateau Meudon Chapelle de la Visitation Moulins etc. Also includes many grand houses and buildings that have been demolished such as the Hotel de Liancourt Hotel d'Aumont Hotel de Jars Hotel Jabach the Grotto at the Chateau de Noisy-le-Grand etc. Jean Marot 1619-1679 was a French architect and engraver of architectural views. Little has survived of his own architectural work but his engravings of the works of others primarily those published in the volumes referred to as the Petit Marot c. 1655 and the Grand Marot 1686 are among the most important sources concerning architecture in France up to the reign of King Louis XIV. With engraved bookplates of the Scottish Earls of Hopetoun 18th century coat of arms with crest and motto At Spes Non Fracta and John Harris English curator historian of architecture gardens and architectural drawings 1931-2022. Ex Libris blindstamp of Dr Derek Gair Gibson British cardiologist and architecture enthusiast 1936-2021. In full mottled calf spine with five raised bands gilt decoration leather title label with Oeuvr de Marot bumping to corners but binding solid. The 115 leaves of engravings in very good condition with good impressions of the copperplates some slight dust to top edges of pages but mostly bright. Title page with light foxing outside the plate. Chez Mariette hardcover
1731réf. 98231731. A la Haye chez P. Gosse & J. Neaulme 1731. 4 volumes in/4 reliure plein veau du temps dos à nerfs à décor doré pièces de titre havane plat avec décor à froid et blason central doré partiellement effacé tranches rouges illustrations gravées : frontispice Debrie vignettes A. Vander laan bandeaux Filloeul lettrines historiées texte entouré de frises ; tome 1 : 24 ff. 592 p. - tome 2 : 24 ff. 584 p. - tome 3 : 8 ff. 572 p. - tome 4 : 24 ff. 572 p. 1 f. Exemplaire en excellent état rares rousseurs et légère oxydation. 4 books 4 to in full contemporary calf ribbeds spine with labels & gilt fleuron two colours calf on boards with blind stamped decoration and central gilt arms partially erased red edges frontispiece by Debrie vignettes by A. Vander Laan head-pieces by Filloeul initial letters framed texts. Vol. 1 : 24 592 p. - vol.2 : 24 584 p. - vol. 3 : 8 572 p. - vol. 4 : 24 572 p. 1. Very fine copy with only one pagination error in vol. 4 111 instead of 211 ; rare foxing and slight browning. C'est sous l'égide de son père Jean Marot et de Lemaire de Belges que C. Marot fait ses débuts de poète avec "Le temple de Cupido" 1514 recueil dans le prolongement de la grande rhétorique et de la poésie médiévale. Entré au service de Marguerite d'Angoulême dès 1519 et ensuite acquis à l'évangélisme du groupe de Meaux. Dénoncé et emprisonné au Châtelet pour avoir mangé du lard en Carême il compose alors l'Epîste à son ami Lyon et une satire de la justice L'enfer qui rappelle Villon. Valet de chambre du roi chroniqueur brillant et insolent il donne en 1532 L'adolescence Clémentine ; Le livre auquel il a apporté un grand soin connaît un immense succès et fait de son auteur l'un des plus célèbres poètes de son temps. hardcover
1731réf. 9823A la Haye chez P. Gosse & J. Neaulme, 1731. 4 volumes in/4 reliure plein veau du temps, dos à nerfs à décor doré, pièces de titre havane, plat avec décor à froid et blason central doré (partiellement effacé), tranches rouges, illustrations gravées : frontispice (Debrie), vignettes (A. Vander laan), bandeaux (Filloeul), lettrines historiées, texte entouré de frises ; tome 1 : 24 ff., 592 p. - tome 2 : 24 ff., 584 p. - tome 3 : 8 ff., 572 p. - tome 4 : 24 ff., 572 p., 1 f. Exemplaire en excellent état, rares rousseurs et légère oxydation. 4 books 4 to in full contemporary calf, ribbeds spine with labels & gilt fleuron, two colours calf on boards with blind stamped decoration and central gilt arms (partially erased), red edges, frontispiece by Debrie, vignettes by A. Vander Laan, head-pieces by Filloeul, initial letters, framed texts. Vol. 1 : [24], 592 p. - vol.2 : [24], 584 p. - vol. 3 : [8], 572 p. - vol. 4 : [24], 572 p., [1]. Very fine copy with only one pagination error in vol. 4 (111 instead of 211) ; rare foxing and slight browning.
1568réf. 19224Opuscules - Élégie (60) - Epistres (122) - Ballades (284)- Chants divers (304) - Rondeaux 346) - Chansons (387) - Épigramme (410) - Épigramme et l’imitation de Martial (494) - Estrenes (510) - Epitafes (523) - Cimetière (534) - Complaintes (550).Paris, (Jean Ruelle pour) Gabriel Buon - 1568. RARE.Reliure plein maroquin rouge du XVIIIème. Dos à nerfs orné et doré. Tranches dorées sur marbrures. Roulette dorée intérieure. Pas de rousseur. Très bon état. Format in-16°(12x8).Clément Marot (1496-1544). A la fois héritier des auteurs de la fin du XVe siècle et précurseur de la Pléiade, il est sans conteste le poète le plus important de la cour de François Ier. Malgré la protection de Marguerite de Navarre, la propre soeur du roi, ses sympathies marquées pour la Réforme lui valent plusieurs emprisonnements et deux exils.
réf. APcoLE P27Paris: nd. oblong 4to. modern half vellum some marginal soiling & foxing. ex-libris Heinrich Röttiner with his handwritten table of contents tipped in on front fly-leaf. 1 LE PAUTRE J. Alcoves à la Romaine. Designez et gravez de nouveau par. 6 numbered plates including title. Paris: P.Mariette nd. 2 LE PAUTRE J. Alcoves àl'Italienne Nouvellement Inventées A gravées Par. 6 numbered plates including title. Paris: Jollain nd. cfBerlin Kat. 314.6.3 LE PAUTRE J. Alcoves à la Fran oise Nouvellement inventez et gravez par. 6 plates including title. inner margin of title renewed plates waterstained. Paris: N.Langlois 1678. Guilmard p. 72 no. 62. 4 LE PAUTRE J. Alcoves à la Romaine Nouvellement Inventez et Gravez par. 6 plates including title. Paris: N.Langlois nd. Guilmard p. 72 no. 61. 5 LE PAUTRE J. Alcoves. 6 plates. Paris: F.Poilly nd. 6 MAROT J. Alcoves. 6 plates. Paris: Le Blond nd. 7 MAROT J. Alcoves. 5 plates. Paris: F.Jollain nd. Hardcover. Paris: nd. Hardcover
réf. 51-5897Paris: Pierre Mariette 1647. In-8 191 x 130 mm ouvrage entièrement gravé texte et planches dans un double filet d'encadrement 2 parties à pagination continue et feuillets de titres propres collation identique à l'exemplaire de la collection Millard. Reliure d'époque vélin rigide reste d'étiquette au dos 3 coins ouverts nom et date au stylo à bille sur le premier contreplat rousseurs sur le premier feuillet de titre et quelques rousseurs dans les marges petites mouillures en pied des derniers feuillets. Seconde édition la première est de 1645.Réf. : The Mark J. Millard Architectural Collection. French books 128.veau dos à nerfs accidents rousseurs.OCLC Number / Unique Identifier:1449229709 digital only. Berlin Katalog 2595; Cicognara 573; Wiebenson Architectural Theory and Practice from Alberti to Ledoux III-A-13; Fowler #216; Millard architectural Collection French Books p. 375-377 for second edition of 1647. as is this one. Paris: Pierre Mariette, 1647 unknown
1659réf. 11990Amsterdam Wed. P. Ravesteyn 1659. without numbering 12° H. 12 x W. 65 x D. 25 cm. Contemporary red Leather richly decorated with gilt on spine and covers gilt-edged. Last page of the Confession du Foi with loss of text clasps are missing. Fine binding lavishly gilt overall pattern on both covers mainly consisting of pointillé-stamps and drawer-handle tools richly gilt spine with 5 compartments with floral motif and raised bands. two copies WorldCat/NCC Amsterdam, Wed. P. Ravesteyn hardcover
1582réf. LA - HAY149511582. Paris Philippe Brachonier éditeur. relié plein vélin postérieur 18e s. Page de titre absente ; petites restaurations "professionnelles" aux pages de table un manque de papier en marge inférieure d'une page de table sans manque de texte ; volume recoupé "court" au ras du texte en marge supérieure ; quelques très faibles auréoles éparses et tranches un peu brunies sinon excellente reliure intérieur très frais bel exemplaire. fort in-16 - format : 11/7 cm. avec quelques bandeaux et lettrines ; dos avec le titre et la date à l'encre brune. unknown
1700réf. 71751Chez Adrian Moetjens | à La Haye 1700 | 8.50 x 14.20 cm | 2 volumes reliés
1596réf. 156261Niort: Thomas Portau 1596. First Niort edition the first to include the poems of Marot's son. Eighteenth century full calf maroon morocco spine label spine decoratively stamped in gilt dentelles all edges stained red wide comb marbled end papers green ribbon marker. General moderate to heavy wear front joint cracked but still holding tide mark to bottom corner text block and pages trimmed close on upper edge but not obscuring any text several unobtrusive patches to pages still very good. Overall a square and serviceable copy. Black and white engraved frontis. Sixteenmo in 8s. 16 548; 1-148 4 149-248 32 tables. 4.5" x 3" EVERYONE HAS THEIR OWN QUIRKS AND I HAVE MINE FOR MY MAROT Sometimes history leaves a physical mark and this collection of Clément Marot's poems is a prime example. Full of handwritten French script marginalia this copy offers insight into the eighteenth-century historiography of Marot as the former owner bound fourteen pages of handwritten notes in the rear detailing the various editions of Les Ouvres with a biographical excerpt from Jean-Pierre Niceron's History of Illustrious Men 1727 and left meticulous annotations throughout. Well-versed in Marot the owner also included exhortations from Marot's contemporaries binding Joachim Du Bellay's lesser-known epitaph and an excerpt from Rabelais' Gargantua and His Son Pantagruel before the title page proclaiming over Marot's verse "Everyone has their own quirks / And I have mine for my Marot." And the praise is deserved. Marot 1496-1544 the court poet for King Francis I was one of the great poets of the French Renaissance and shook up medieval poetic form by infusing it with Latin symbolism and structure primarily informed by the time he spent in Italy in exile for his Reformation ties. Les Ouvres was first published in the 1540s and well-known provincial printer Thomas Portau took up Marot's publication mantel in 1596. He included the poems Thomas Mallard had added to the collection in his important publication earlier that year as well as poems by Marot's son. Its publication in Niort serves as a prime example of provincial book printing during the French Renaissance as local booksellers began printing their own editions of popular works as cheaper alternatives to transporting Parisian editions spreading court life and establishing a source of pride through the region. Portau would go on to publish multiple editions of Marot's Psalms translations with the French courtier's works marking the high points of his career. This edition and the touches left on it from the eighteenth-century craft a renowned version of Marot in his historical context surrounded by the poems of his son notes on hundreds of years of editions of his poetry and fellow poets admiring his work. Davies 2.355 & 365 for 1548 and Mallard's 1596 editions; Mortier 366 for 1549 edition. Thomas Portau unknown
1654réf. 51762No place, No date, (Paris around 1654). 4to. (275 x 210 mm). Contemp. full mottled calf. Raised bands. Richly gilt spine. Titlelabel with gilt lettering. Corners neathly restored. 2 stamps on foot of titlepage (ouside engraving). With engraved ornamental title-page and 113 engravings on 107 (of 122 ??) sheets. Most of the plates signed (I. or J. or Ian, or Jean) Marot sculp. Wide-margined and internally clean.
1654réf. 51762No place No date Paris around 1654. 4to. 275 x 210 mm. Contemp. full mottled calf. Raised bands. Richly gilt spine. Titlelabel with gilt lettering. Corners neathly restored. 2 stamps on foot of titlepage ouside engraving. With engraved ornamental title-page and 113 engravings on 107 of 122 sheets. Most of the plates signed I. or J. or Ian or Jean Marot sculp. Wide-margined and internally clean. First edition of the so-called "Le Petit marot". There seems not to be any standard collation of the work as copies in libraries varies a lot in relation to the number of plates. Lewine's Bibliography lists engr. title and 106 sometimes 111 plates."Little has survived of his own architectural work but his engravings of the works of others primarily those published in the volumes referred to as the Petit Marot c. 1654 and the Grand Marot c. 1670 were highly esteemed by his contemporaries and remain among the most important sources concerning architecture in France up to the early part of the reign of Louis XIV. Wikipedia. hardcover
1700réf. 27209La Haye Adrian Moetjens 1700 2 volumes in-12. xvi, 732 pp. 8 ff.n.ch.
1700réf. 71751à La Haye The Hague: Chez Adrian Moetjens 1700. Fine. Chez Adrian Moetjens à La Haye The Hague 1700 8.50 x 14.20 cm 2 volumes reliés First collected edition. First issue copy with the 2 identical title fleurons enriched with 2 frontispiece portraits by Holbent but engraved by 2 different artists. Furthermore no edition of Marot's poetry is recorded between 1615 and this one. Edition that joins the Elzevier collection. Handsome edition the most sought-after according to Brunet III 1458 who adds: ""It is difficult to procure well-preserved copies with good margins and whose leaves do not have a reddish tint."" Ours is of appreciable freshness with some very rare and very pale minimal foxing. English binding in full glazed red morocco doublure of lemon morocco and signed with a red morocco pastille: St. James. London ca 1840. Raised spine richly decorated with antique 18th-century fleurons roulettes on the bands. Gilt titles. Dates at tail. Triple frame on boards with dotted fillets and corner fleurons. Interior frieze. Lemon morocco pastedowns with red morocco pastille of the binder. Japan paper endpapers. Gilt edges. A slip pasted on one of the endpages: ""From Renouard's Library"". Renouard Library. Magnificent copy. Chez Adrian Moetjens hardcover
1551réf. 9911551 1 Reliure romantique en plein veau bleu, fleuron central losangé à froid, dos lisse orné de filets et fers dorés, roulette dorée sur les coupes, tranches dorées. Reliure frottée. Titre et premier feuillet restaurés, mouillures. Titre courant atteint par le couteau du relieur. In-16, 11,1 x 7,2 cm, 398-[8] feuillets, numérotation au recto. Paris, Vivant Gaulterot, 1551.
1551réf. 9911551 1 Reliure romantique en plein veau bleu, fleuron central losangé à froid, dos lisse orné de filets et fers dorés, roulette dorée sur les coupes, tranches dorées. Reliure frottée. Titre et premier feuillet restaurés, mouillures. Titre courant atteint par le couteau du relieur. In-16, 11,1 x 7,2 cm, 398-[8] feuillets, numérotation au recto. Paris, Vivant Gaulterot, 1551.
1574réf. 75825Chez Claude Micard | à Paris 1574 | 8.50 x 12.50 cm | 2 parties reliées en un volume
réf. 71935Amsterdam. J. Gole 1686. Very large broadside 69.0 x 100.0 cm consisting of two vertically combined sheets. Large very detailed engraving. Printed surface 65.0 x 93.0 cm. = Finely engraved and unusually accurate and detailed view of De Dam the Dam square in the heart of Amsterdam by the French-born Dutch architect designer and engraver Daniel de Marot 1661-1752. It depicts festivities related to a yearly fair centred on a parade by the city's civil guard. The names of the company captains are engraved in the inner side of a probably imaginary frieze or balcony on a building on the south side of the square east of Kalverstraat from where Marot must have witnessed the event. The title translates as "Amsterdams Fair showing the Civic Guard presenting to the great honourable Lord and Mayors". Quite probably the publisher J. Gole was related to Marot as the latter was a nephew of the Dutch later French cabinet maker Pierre Gole ca. 1620-1684. A few skilful repairs. An extraordinary clean complete copy with the two parts very well joined together. Hollstein 5; F.M. Supplement 2683A. unknown
1574réf. 75825à Paris: Chez Claude Micard 1574. Fine. Chez Claude Micard à Paris 1574 8.50 x 12.50 cm 2 parties reliées en un volume Very rare first edition of this collection which brings together translations that had appeared separately before: The Georgics translated by Richard Le Blanc 1554 The Eclogues translated by Clément Marot for the first and by Richard Le Blanc for the nine others in 1555 and The Aeneid by Louis Des Mazures first complete edition in 1560. This edition includes the verse translation printed in roman type facing the Latin text printed in italics. Manuscript ownership inscription on the title page. Contemporary full calf binding spine with four raised bands decorated with gilt typographical motifs and blind fillets covers decorated with multiple blind ruling frames gilt fleurons at corners and stamped with a large gilt typographical motif at their center. Binding very skillfully restored. Chez Claude Micard hardcover
réf. 6078Two folding engraved plates. xi 5 390 pp. Small 8vo cont. red morocco with the arms in gilt of either the Comtesse de Provence or the Comtesse d’Artois see below triple gilt fillet round sides spine nicely gilt a.e.g. Paris: J.B. Coignard 1745. First edition and a lovely copy in contemporary red morocco with arms see below. “La Garaye 1675-1755 a Breton nobleman and philanthropist was a diligent chemist who devised a novel method of preparing medicines from minerals by long maceration with neutral salt solutions. He also extracted a number of principles from plants as from Peruvian bark the extract of which became known as the ‘essential salt of Garaye’.”–Neville II p. 3. “He devised a rapid method of making black oxide of iron and prepared an ammoniacal chloride of mercury called ‘Tinctura mercurialis’.”–Ferguson II p. 78 under Marot. It is unusual to find a book of this kind so finely bound. Daughters of King Victor-Amédée III of Sardinia Marie Joséphine 1753-1810 and Marie Thérèse 1756-1805 married respectively the Comte de Provence the future Louis XVIII and the Comte d’Artois the future Charles X. The arms for their bindings are identical “le graveur ayant oublié de représenter la bordure crénelée ou dentelée qui seule permet la discrimination” OHR 2517. A very fine copy with the smallest defects to the binding. This is the first issue of the book with the title dated 1745. There is a second issue which appeared a year later with a new title-page and different publisher. ⧠Duveen p. 391. Hoover 500. Partington III pp. 88-89. Quentin-Bauchart II pp. 309-331. unknown
réf. 6078Two folding engraved plates. xi 5 390 pp. Small 8vo cont. red morocco with the arms in gilt of either the Comtesse de Provence or the Comtesse d’Artois see below triple gilt fillet round sides spine nicely gilt a.e.g. Paris: J.B. Coignard 1745. First edition and a lovely copy in contemporary red morocco with arms see below. “La Garaye 1675-1755 a Breton nobleman and philanthropist was a diligent chemist who devised a novel method of preparing medicines from minerals by long maceration with neutral salt solutions. He also extracted a number of principles from plants as from Peruvian bark the extract of which became known as the ‘essential salt of Garaye’.”–Neville II p. 3. “He devised a rapid method of making black oxide of iron and prepared an ammoniacal chloride of mercury called ‘Tinctura mercurialis’.”–Ferguson II p. 78 under Marot. It is unusual to find a book of this kind so finely bound. Daughters of King Victor-Amédée III of Sardinia Marie Joséphine 1753-1810 and Marie Thérèse 1756-1805 married respectively the Comte de Provence the future Louis XVIII and the Comte d’Artois the future Charles X. The arms for their bindings are identical “le graveur ayant oublié de représenter la bordure crénelée ou dentelée qui seule permet la discrimination” OHR 2517. A very fine copy with the smallest defects to the binding. This is the first issue of the book with the title dated 1745. There is a second issue which appeared a year later with a new title-page and different publisher. ⧠Duveen p. 391. Hoover 500. Partington III pp. 88-89. Quentin-Bauchart II pp. 309-331. unknown books
