1 391 résultats
réf. 1007A Lyon, Chez Henri Lardanchet, 1924. In-8°, br., couv. rempliées, non coupé.
réf. 1674Paris, Alpina, 1947 in-4, 154 pp., 6 planches, broché, couverture illustrée d'une aquarelle
réf. QWA-1730Garnier Frères, 1867, CXIX-422 p., in-8 cartonnage 1/2 toile, "Chefs-d'Œuvres de la littérature française 17", 1 portrait de Marot en front., cartonnage neuf, couvertures conservées, dos muet, rousseurs sur certaines pages, bon exemplaire
1941réf. QWA-592Jaques Petit - Angers 1941 XXXVIII-269 p. "in-8 cart. ed;, coll. ""Les Lettres & la Vie française"", ill. in-t., planches h.-t., charnière plat supérieur faible, manque papier couvrure sur plat supérieur"
1879réf. GITa127Paris Quantin 1879. In-16 135pp. Plein maroquin rouge, dos à nerfs rehaussés d'un filet perlé, compartiments finement dorés dans les entrenerfs, triple encadrement de filets dorés avec fleurettes d'angles sur les plats, coupes filetées, dentelle dorée sur bordure intérieure, tranches dorées, rel époque. Texte dans un bel encadrement chamois clair, orné de 6 délicates gravures de Méaulle en tête de chapitre. Bel exp bien relié.
2016réf. 1-3330721308Éditions Vie 2016. Paperback. New. 360 pages. French language. 8.66x5.91x0.82 inches. Éditions Vie paperback
2016réf. 1-3639540085Éditions universitaires européennes 2016. Paperback. New. 220 pages. French language. 8.66x5.91x0.50 inches. Éditions universitaires européennes paperback
1662réf. A53378Charenton: Anthoine Cellier 1662. 456 . . HB. 12mo 112x 60mm unpaginated 228 ll A-O�� : 2A-2D�� : 2E6 : 6 full chagrin aeg marbled endpapers lacking front free endpaper. Metal clasp and corners. Very good. Text French. Each Psalm is accompanied with musical score. Includes: 'La Forme des Prieres Ecclesiastiques' 'Le Catechisme' 'Confession de Foi'.Cl�ment Marot 1496-1544 was one of the greatest poets of the French Renaissance. He was influenced by Marguerite de Navarre and her interests in humanism and the Reformation. In around 1531 he began to versify psalms into French so that they could be easily memorised and organised them into stanzas so that they could be sung. They were set to music using popular or secular tunes and became popular both at court and throughout France. When Marot died in 1544 he had completed 49 Psalms. John Calvin gave Theodore de B�ze 1519-1605 the responsibility of continuing Marot�s work to complete the versification of all the Psalms of the Bible.In 1562 an official collection of the 150 Psalms was printed. This work had a very large circulation and contributed to the development of the Reformation. Anthoine Cellier unknown
1659réf. 11990Amsterdam Wed. P. Ravesteyn 1659. without numbering 12° H. 12 x W. 65 x D. 25 cm. Contemporary red Leather richly decorated with gilt on spine and covers gilt-edged. Last page of the Confession du Foi with loss of text clasps are missing. Fine binding lavishly gilt overall pattern on both covers mainly consisting of pointillé-stamps and drawer-handle tools richly gilt spine with 5 compartments with floral motif and raised bands. two copies WorldCat/NCC Amsterdam, Wed. P. Ravesteyn hardcover
réf. 91212Genf Matthieu Berjon 1605. 8° Teil 1: Titelbl. m. Vignette in Holzschnitt 3 Bl. «Epistre»/Namensregister 412 Bl. 96 Bl. «Les livres apocryphes» 130 Bl. «Le nouveau testament» 2 Bl. «Interpretation de quelques mots et noms .»; Teil 2: Titelbl. m. Vignette in Holzschnitt o. P.: 2 Bl. «Epistre» 77 Bl. Noten Priv.-Pgt. d. Zt. m. Rückentitel von alter Hand seitlichen Überstehkanten Etw. wellig u. geschwärzt Kopf etw. rissig. Marginalien von alter Hand a. Vs. Blattränder etw. gebräunt tlw. etw. stockfl. Meist zweispaltiger Druck. - Der 2. Teil «Les Cl. pseaumes de David .» enthält: «Epistre» 2 Bl. «Les pseaumes de David .» 53 Bl. «Table .» 3 S. «La forme des prières ecclesiastiques .» und «La forme d’aministrerle baptesme» 8 S. «La manière de célébrer la Sainte cene» 2 S. «La forme de célébrer le mariage» und «De la visitation des malades» 3 S. «Lecatéchisme c’est à dire leformulaire d’instruire les enfans en la Chréstienté .» 23 S. «Oraison pour dire au matin en se leuant» 2 S. «Confession de foy faite d’un commun accord par les françois .» 7 S. - «Clément Marot um 1496 Cahors Midi-Pyrénées - September 1544 Turin Franzose. Sohn des Jean Dichters. Kammerherr. 1533 begann M. die Psalmen in franz. Verse zu übertragen von denen er 1542 rund dreissig veröffentlichte. Die Sorbonne verbot diese jedoch. Im Dezember 1542 ging M. ins Exil nach Genf wo er an der Herausgabe seiner Psalmen und anderer Dichtungen arbeitete. Johannes Calvin beantragte im Oktober 1543 im Rat einen Geldbetrag für M. der diesem die Vollendung seiner Nachdichtung der 150 Psalmen erlaubt hätte doch wurde das Gesuch abgelehnt. Noch im selben Jahr publizierte M. die ersten 50 Psalmen. Im Dezember verliess er aber Genf nachdem die Behörden ihn wegen eines Würfelspiels mit François Bonivard schikaniert hatten. Die Übertragung der Psalmen schloss Theodor Beza ab. Der 1561 erschienene Psalter bildet bis heute eine der Grundlagen der ref. Dichtung und Musik»; «Theodor Beza 24.6.1519 Vézelay Burgund - 13.10.1605 Genf. . Sein herausragendstes Werk sind jedoch seine Annotationen zum Neuen Testament Ausgaben von 1558 1565 1582 1598 zahlreiche Neuauflagen nach seinem Tod: Während über 40 Jahren immer wieder neu überarbeitet stehen seine Bibelkommentare am Ursprung der ref. Dogmatik des 17. Jh. Sein starker Einfluss als führende Gestalt der Reformation wurde durch die Lehrtätigkeit an der Genfer Akademie unterstützt wo er bedeutende Professoren François Hotman Lambert Daneau anzog. .» HLS. 010 Genf, Matthieu Berjon, 1605 unknown
1675réf. 6415Paris Antoine Cellier 1675. frontispiece without numbering Rebound Leather with ribbed back 8° Paris, Antoine Cellier hardcover
2022réf. BN250530EPA 2022. 2022. Softcover. Photographie : Techniques Pratique Esthétique: Techniques - Pratique - Esthétique Photographie : Techniques Pratique Esthétique: Techniques - Pratique - Esthétique Brites Pascale; Hugues Sylvie; Marot Renaud EPA paperback
1977réf. x-2707804282Klincksieck 1977. Paperback. New. 312 pages. French language. 8.11x5.35x0.87 inches. Klincksieck paperback
2013réf. x-1608462765Haymarket Books 2013. Paperback. New. reprint edition. 273 pages. 9.00x6.00x0.60 inches. Haymarket Books paperback
réf. 1458A La Haie: chez Adrian Moetjens 1714. Hardcover. Good. Duodecimo. Two volumes. xiv 712 15pp. Continuously paginated. A12-Z12 Aa12-Gg12 Hh4. Contemporary calf repaired. Spines gilt. With the supralibros of the Camperdown Library on the upper covers. With the portrait frontispiece of Marot in volume I. From the Camperdown Library with the supralibros of the library on the upper covers. 0 A La Haie: chez Adrian Moetjens, 1714. hardcover
réf. 44412149like new. unknown
1698réf. P4770Paris c.1698. Very Good backed on acid free tissue paper for long term preservation. Image Size : 330x698 mm 12.99x27.48 Inches Platemark Size : Paper Size : 404x731 mm 15.91x28.78 Inches Coloring: Black & White Medium: Copper Engraving Categories: Views Europe Benelux; unknown
réf. SONG0226750523Used: Good unknown
1675réf. 86475A Charenton: Par Anthoine Cellier 1675. Fine. Par Anthoine Cellier A Charenton 1675 18.50 x 26.50 cm 3 volumes reliés Three quarto volumes in uniform contemporary full dark red morocco. Spines with raised bands richly decorated in gilt boards tooled in the Du Seuil manner with double gilt panels and floral cornerpieces around the central compartment gilt rolls to the board edges elaborate gilt turn-ins all edges gilt. Bindings rubbed with the corners slightly turned. Small loss of leather at the head of the New Testament volume and a loss at the foot of the lower joint of the first volume. The opening endleaf of volume I is becoming detached. The first six leaves of the New Testament show marginal browning from earlier damp exposure extending towards the inner margins and gradually diminishing. Further dampstaining to the final two leaves of volume I. Protestant edition of the Geneva Bible published under the Charenton imprint and sold by Antoine Cellier a bookseller established in Paris. The set displays the composite structure characteristic of the substantial Bibles offered by his establishment: the general title and the title to the second volume are dated 1675 while the New Testament has a separate title page dated 1674. The conjunction of parts bearing different dates demonstrates their assembly within a single publishing unit although it does not establish the precise sequence in which they were printed. Cellier's output includes a three-volume quarto Bible dated 1675-1674. The set comprises the Old and New Testaments the Apocrypha the Psalms of David in the French verse translations of Clément Marot and Théodore de Bèze with extensive musical notation and Eusebius Pagit's History of the Holy Scriptures of the Old and New Testaments in the Form of a Catechism translated from English and followed by the Abridgement of Sacred Chronology. This final work likewise published by Cellier in 1675 forms a separate section with its own title page. The third volume also contains the Form of Ecclesiastical Prayers and a series of fundamental texts of Reformed worship: On Baptism On the Lord's Supper On the Articles of Faith On the Ten Commandments On the Sacraments and the Confession of Faith. The set therefore extends far beyond the biblical text itself. It forms a domestic library of the Reformed faith intended to accompany the believer through prayer psalm singing catechetical instruction preparation for the sacraments and the study of doctrine. Four title pages articulate this extensive collection and bear three distinct devices. The general title to the first volume and that of the New Testament carry the same device depicting a printing workshop between two figures. The title to the second volume has a different and more elaborate design. That of the Psalter depicts the divine tetragrammaton within a glory surrounded by angels. Numerous typographical ornaments continue this decorative variety throughout the text. Two early manuscript provenances survive. The name ""Wilhelmine de Wrede"" appears on an endleaf and on the title page of the New Testament. The title page of the second volume bears the inscriptions ""de Beaulieu"" and ""Fr. de Beaulieu Marconnay"" the latter dated 1751. The name recalls the Protestant Beaulieu-Marconnay family which sought refuge in the German states following the Revocation although the owner of the present set has not yet been securely identified. The Geneva Bible was by this date the result of more than a century of translation and revision. Derived from Olivétan's French Bible established from the Hebrew and Greek texts it had been successively corrected by several generations of pastors and philologists. Théodore de Bèze directed one of its major revisions published in 1588 but the text transmitted under his influence remained the culmination of a collective tradition rather than the work of a single translator. The reading of Scripture was accompanied by song. The complete Genevan Psalter Par Anthoine Cellier hardcover
réf. 4300719Nieuwkoop De Graaf 1967 reprint de Paris 1878. Hardcover 2 vols. 1464 pagina's very good condition Nieuwkoop, De Graaf 1967, reprint de Paris 1878 hardcover
réf. 4300327Amsterdam G.P. et I.Blaeu 1684. Hardcover 20448 pagina's leather 10x15 cm Amsterdam, G.P. et I.Blaeu 1684 hardcover
1574réf. 75825à Paris: Chez Claude Micard 1574. Fine. Chez Claude Micard à Paris 1574 8.50 x 12.50 cm 2 parties reliées en un volume Very rare first edition of this collection which brings together translations that had appeared separately before: The Georgics translated by Richard Le Blanc 1554 The Eclogues translated by Clément Marot for the first and by Richard Le Blanc for the nine others in 1555 and The Aeneid by Louis Des Mazures first complete edition in 1560. This edition includes the verse translation printed in roman type facing the Latin text printed in italics. Manuscript ownership inscription on the title page. Contemporary full calf binding spine with four raised bands decorated with gilt typographical motifs and blind fillets covers decorated with multiple blind ruling frames gilt fleurons at corners and stamped with a large gilt typographical motif at their center. Binding very skillfully restored. Chez Claude Micard hardcover
1700réf. 71751à La Haye The Hague: Chez Adrian Moetjens 1700. Fine. Chez Adrian Moetjens à La Haye The Hague 1700 8.50 x 14.20 cm 2 volumes reliés First collected edition. First issue copy with the 2 identical title fleurons enriched with 2 frontispiece portraits by Holbent but engraved by 2 different artists. Furthermore no edition of Marot's poetry is recorded between 1615 and this one. Edition that joins the Elzevier collection. Handsome edition the most sought-after according to Brunet III 1458 who adds: ""It is difficult to procure well-preserved copies with good margins and whose leaves do not have a reddish tint."" Ours is of appreciable freshness with some very rare and very pale minimal foxing. English binding in full glazed red morocco doublure of lemon morocco and signed with a red morocco pastille: St. James. London ca 1840. Raised spine richly decorated with antique 18th-century fleurons roulettes on the bands. Gilt titles. Dates at tail. Triple frame on boards with dotted fillets and corner fleurons. Interior frieze. Lemon morocco pastedowns with red morocco pastille of the binder. Japan paper endpapers. Gilt edges. A slip pasted on one of the endpages: ""From Renouard's Library"". Renouard Library. Magnificent copy. Chez Adrian Moetjens hardcover
2003réf. 774612003. The Architectural Association. London. 2003. First Edition. Paperback with wrapps. Illustrated. Printed in red black and white. Covers are a little soiled and very slightly worn o/w an attractive tight copy. Contents very clean and fresh. SCARCE. paperback
1654réf. 51762No place No date Paris around 1654. 4to. 275 x 210 mm. Contemp. full mottled calf. Raised bands. Richly gilt spine. Titlelabel with gilt lettering. Corners neathly restored. 2 stamps on foot of titlepage ouside engraving. With engraved ornamental title-page and 113 engravings on 107 of 122 sheets. Most of the plates signed I. or J. or Ian or Jean Marot sculp. Wide-margined and internally clean. First edition of the so-called "Le Petit marot". There seems not to be any standard collation of the work as copies in libraries varies a lot in relation to the number of plates. Lewine's Bibliography lists engr. title and 106 sometimes 111 plates."Little has survived of his own architectural work but his engravings of the works of others primarily those published in the volumes referred to as the Petit Marot c. 1654 and the Grand Marot c. 1670 were highly esteemed by his contemporaries and remain among the most important sources concerning architecture in France up to the early part of the reign of Louis XIV. Wikipedia. hardcover
