MARMONTELBiblio.com
1030 risultati
1763rif. 118824Paris : Lesclapart 1763. MARMONTEL.Poetique françoise. Tome premier et tome second. 2 Volumes. Paris Lesclapart1763 170x100mm 465 pages - 2 ff. 428 pages - 1 ff. veau marbré dos à 5 nerfs pièce de titre motifs filets et tomaisons dorés. Belle reliure. Bon état intérieur propre ex-libris moderne nom du possesseur sur le haut du coin de la page de titre. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Lesclapart unknown
rif. 200406283Liège, J.A. Latour, 1791 ; in-12, 307 pp., cartonnage de l'éditeur. Ed. or, demi veau à coins, queue abîmée, dos à nerfs.
1767rif. 17655Paris: Lesclapart. Very Good. 1767. Hardcover. Complete in 2 volumes ; contemporary brown speckled calf with ornately gilt decorated spine: red leather title label & dark brown volume label. Triple gilt ruled cover edges surrounding an imprinted gilt armorial emblem on each cover. Marbled endpapers. Page edges dyed red. xxxvi 442pp 1. 418pp 1. Text is tight clean & intact. Spine ends & edges lightly rubbed. Very old faded ink inscription on verso of title pages. Small booksellers plate on front endpaper. French text. Poetry. ; 16mo 6" - 7" tall; 860 pages . Lesclapart hardcover
1763rif. 30679Paris chez Lesclapart 1763
rif. 22154La Haye Chez Pierre Gosse 1767 in 12 (17x10) 1 volume reliure plein veau fauve de l'époque, dos lisse très orné, caissons dorés avec fleurons centraux, pièce de titre de maroquin rouge, 273 pages. Marmontel Jean François, 1723-1799, poète, romancier et critique français. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1767rif. 12974Leipzig L. Crusius 1767. Cont. full mottled calf. Gilt back. Back somewhat worn and small tears in top and bottom of spine. Engr. frontisp.8219 pp. and 3 engraved plates Gravelot. Slightly brownspotted. Issued in the same year as the original edition. unknown
1767rif. 12974Leipzig, L. Crusius, 1767. Cont. full mottled calf. Gilt back. Back somewhat worn and small tears in top and bottom of spine. Engr. frontisp.,(8),219 pp. and 3 engraved plates (Gravelot). Slightly brownspotted.
1767rif. 2911Sans lieu, sans nom, 1767. 1 vol. in-8 de VIII-180-[4]-7 p. Pleine basane marron, dos à nerfs orné, pièce de titre havane, tranches rouges. Dos et coiffes frottés, épidermures sur les plats.
rif. 105729Paris, Librairie des Biliophiles, Jouaust 1891, 180x115mm, XXV - 297 + 378 + 377pages, reliure demi-basane d’époque avec auteur, titre, tomaison et filets dorés au dos à cinq nerfs. Plats et garde marbré. Couvertures conservées. Exemplaire sur papier vergé, non justifié.
rif. 115550Paris, chez Lesclapart 1763, 205x125mm, reliure demi-basane. Pièce de titre au dos, plats papier marbré. Bel exemplaire.
1879rif. 1879LParis: A. Barraud Libraire-Editeur 1879. Ltd Edition of 325. 3/4 crushed morocco over marbled boards. Very Good/no dj as issued. Fesquet. Paris. A. Barraud Libraire-Editeur 1879 9½ x6 ¼" 24.2x15.7cm 158 pages. Limited Edition PREMIERE EDITION séparée: "Tire a 325 Exemplaires sur Papier Verge Raisin" this is no. 322. -- --------- ----------- Text in FRENCH. With engraved frontispiece portrait in two states and additional engravings throughout the text. Bound by L. Pouillet in three quarter crushed morocco over marbled boards ruled in gilt morocco spine label spine tooled in gilt; top edge gilt marbled endpapers. Licentious poetry in an attractive French binding. ----- ----- ----- Touch of scuffing and staining; light foxing to plates and text; very good. A. Barraud Libraire-Editeur unknown
rif. RH-JM3W-F1KLHardcover. Good. Paris: np 1810. Hardcovers issued without dust jackets. 2 volume set: vol. 1 xxiv-203 pages; vol. 2 246 pages. In half-leather and marbled paper boards leather spine labels lacking on vol. 2 Sound ex-religious library books with typical stamping rubbing/ wear to boards vol 2 binding starting at rear with paste-down detached some foxing etc. throughout. hardcover
1785rif. 98228Venezia : nella Stamperia di Francesco Santini a spese di Remondini 1785. In-16 gr. mm. 195x130 2 volumi cartonato rustico coevo lievi tracce d'uso pp. XV287; VIII316. "Prima edizione italiana". Lo scrittore francese Jean-François Marmontel 1723 - 1799 fu allievo dei gesuiti studiò filosofia a Clermont-Ferrand ma rinunciando alla carriera ecclesiastica per la letteratura si recò a Parigi dove fu protetto da Voltaire. Fu per un breve periodo direttore del Mercure de France; entrato poi all'Académie française ne divenne "segretario perpetuo" alla morte di d'Alembert 1783. Alc. lievi fioriture ma complessivamente in buono stato. nella Stamperia di Francesco Santini, a spese di Remondini, unknown
rif. 88489Paris Chez Mme Veuve Dabo 1824. 12mo. 4 218 pp. 4 engraved plates. Small stains. Stamp ”S. D.” on title leaf. Very nice black contemporary morocco with gilt spine boards and edges. Illegible signature on fly leaf. Front board with the gilt inscription ”Bélisaire. Modéle de vertu et de sagesse. Souvenir de C. v. D.” With the bookplate of Nils Fries. hardcover
1811rif. 907P26London: J. Walker; J. Johnson and Co; et al 1811. Leather. Very Good. 5" by 3". Not Stated. Two popular eighteenth century French novels bound in one volume English translations of the works of Marmontel and Florian. Two popular French works translated into English and bound in one volume.Illustrated with a frontispiece and an engraved title.'Belisarius' by Jean-Francois Marmontel. This novel popularised the fictitious tale of Belisarius being reduced to a beggar by Justinian I despite his great services to the Empire throughout his life.'Numa Pompilius' by Jean-Pierre Claris de Florian was written in imitation of Fenelon's 'Telemaque'. Including a biographical introduction to each author. In a half calf binding with marbled paper to the boards. Externally smart with a little light rubbing. Spine is a little faded. Minor age-toning to the boards. Prior owner's ink inscription to the front paste down. Internally firmly bound. Pages are lightly age-toned and generally clean with some scattered spots. Very Good J. Walker; J. Johnson and Co; et al hardcover
1879rif. 38134Paris: A. Barraud 1879. Fine. A. Barraud Paris 1879 16.50 x 25 cm relié Edition printed in 325 numbered copies on laid paper. Half hazelnut morocco binding spine with five raised bands slightly faded publisher's name and date gilt at foot minor rubbing to joints marbled paper boards slight superficial scuffs to boards without concern marbled endpapers and pastedowns. Work illustrated with a portrait of the author as frontispiece as well as 9 vignettes drawn by Fesquet. Edition enhanced with a notice on the author by Charles Monselet. Handsome copy with full margins. A. Barraud hardcover
1801rif. 38913A Paris: Gebbie and Company. Very Good with no dust jacket. 1801. Leather. engraved frontis'; OCLC Number: 968499950. French revolutionary calendar date is A N IX 1801. This calendar was restored after a brief period to the Gregorian calendar commonly in use. The Gregorian date is found by counting forward from the founding of the French Republisc in 1792- hence AN IX is 1801. In 1758 Marmontel gained the patronage of Madame de Pompadour who obtained for him a place as a civil servant and the management of the official journal Le Mercure in which he had already begun the famous series of Contes moraux. The merit of these tales lies partly in the delicate finish of the style but mainly in the graphic and charming pictures of French society under King Louis XV. Bound in full patterned calf leather with bright gilding on spines. . . Gebbie and Company hardcover
1801rif. 38912A Paris: Chez Mme. Veuve Richard Rue Hautfeuille Nâ° 11. Very Good with no dust jacket. 1801. Leather. engraved frontis'; OCLC Number: 968499950. French revolutionary calendar date is A N IX 1801. This calendar was restored after a brief period to the Gregorian calendar commonly in use In 1758 Marmontel gained the patronage of Madame de Pompadour who obtained for him a place as a civil servant and the management of the official journal Le Mercure in which he had already begun the famous series of Contes moraux. The merit of these tales lies partly in the delicate finish of the style but mainly in the graphic and charming pictures of French society under King Louis XV. Bound in full patterned calf leather with bright gilding on spines. . . Chez Mme. Veuve Richard, Rue Hautfeuille Nâ° 11 hardcover
1775rif. 025090Paris Chez Merlin 1775 Trois volumes in-12°, (8) XVI 345 pp., (6) 376 pp. et(6) 312 (1) pp. Reliures en veay fauve marbré, dos à faux nerfs ornés de piècesde titre et de tomaison, caissons fleuronnés dorés, filet sur les coupes, tranches rouges, gardes marbrées (reliure de l'époque). (dos et coins légèrement frottés, une coiffe arasée, petite restauration ancienne au feuillet 123-124 du tome I, présence d'une cerne claire sur le portrait et sur le titre du tome I, sur le titre du tome II et sur les derniers feuillets du même tome mais sans incidence sur le texte, petit manque au feuillet 135-136 du tome III, présence de rousseurs pâles). Édition ornée d'un portrait gravé par Saint-Aubin d'après Cochin, d'un titre gravé par Duclos d'après Gravelot (répété à chaque volume), et de 23 figures de Gravelot gravées par Baquoy, Legrand, Le Mire, Le Veau, de Longueil, Pasquier, Rousseau et Voyez.
1978rif. biblio1947Garland Publishing Inc.; 1 edition 1978. Hardcover Red cloth. Gilt spine title. Exlibrary copy. No wear. Clean unmarked. Looks as never used. VERYGOOD. 12.2"x9.25"X1.25". abe75312. For International and/or Expedited shipping contact seller. Garland Publishing, Inc. hardcover
1827rif. 277698Madrid.: Imp. que fué de Fuentenebro. 1827. Hardcover. Cubierta deslucida. Good. 15 cm. Varios tomos en un volumen. Encuadernación en tapa dura artesanal plena piel pasta española con lomo estampado. Marmontel Jean François 1723-1799. Imprenta que fue de Fuentenebro. Tomo I: El misantropo enmendado. El literato ridículo erudito a la violeta. La escuela de los Padres. La esclavitud llega al trono. El filósofo segun él. Amor fastidia a sí mismo. Tomo II: Lauso y Lidia. Las dos infelices. La mala madre. La buena madre. Laureta. Todo o nada. Conde César de Bouchet. Imp. De la viuda de Barco López Madrid 1882. Historia de John Moore regicida del Rey Carlos I de Inglaterra y del Conde de Derby. Traducida libremente al castellano por Don Santiago Hernández de texada¡. 307 pp y 315 pp. Cubierta deslucida. Imp. que fué de Fuentenebro. hardcover
1750rif. 105654Chez Sebastein Jorry 1750. Soft cover. Very good/No jacket. Pages are kept in folded paper with tanning on spine and pencil markings on back. Pages are worn on edges with aging but text is clear legible and unmarked. Text in French As is. Chez Sebastein Jorry unknown
rif. 29354Paris, Merlin, 1767. 1 vol. in-8°, veau écaille glacé, dos lisse orné de fleurons dorés, pièce de titre en maroquin La Vallière, encadrement d'un triple filet doré sur les plats, filet doré sur les coupes, tranches bleues jaspées de blanc. Reliure de l'époque, coiffe sup. endommagée et épidermée, coins émoussés. Frontispice h.-t. et 3 fig. de Gravelot gravées à l'eau-forte par Massard, Le Veau et Masquelier et Levasseur, (2) ff., x-340 pp., (5) pp.[D44]
rif. 11966Liége. Chez Bassompierre fils, libraire. 1777. 3 tomes en 3 volumes in-8°, reliure du temps en cartonnage dattente recouvert de papier dominoté. 369 & 387 & 253 pp. Le premier tome comporte 13 gravures à leauforte sur planches hors texte ; le deuxième tome en comporte 10 ; le troisième tome en comporte 4. Agréables exemplaires exempts de rousseurs.
1767rif. 114773merlin 1767 A Paris, Chez Merlin, 1767, 1 volume in-12 de 90 x 165 mm environ, (2) ff., X pages, 340 pages, (3) ff. (Privilège, Errata). Edition originale, complète du frontispice et des 3 gravures de Gravelot. Plein veau moucheté d'époque, dos à cinq nerfs portant titre doré sur pièce de cuir bordeaux, encadrement à froid sur les plats, filet doré sur les coupes, tranches rouges, gardes de papier marbré à la coquille. Bel et solide exemplaire malgré les défauts suivants : coiffe supérieure accidentée, craquelure du cuir sur un caisson, coins frottés, filet doré sur les coupes en partie effacé, un début de fente sur le mors interne supérieur, quelques rousseurs.
