1 014 résultats
1889réf. R160119613CLASSIQUE ARMAND COLIN ET CIE. 2eme EDITION. 1889. In-8. Cartonnage d'éditeurs. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. 143 pages. Page de titre déchirée. Ouvrage consolidée au dos. Morceaux de papier bleu collés sur la 3eme et 4eme de couverture.. . . . Classification Dewey : 780.26-Partitions
réf. RO60026170Armand Colin. Non daté. In-8. Relié. Bon état, Couv. défraîchie, Dos abîmé, Quelques rousseurs. 142 pages. Illustré de nombreuses partitions de musique.. . . . Classification Dewey : 780.26-Partitions
1900réf. 144560Couverture rigide. Cartonnage de l'éditeur. 144 pages. Rousseurs. Dos réparé.
1994réf. 2080502107002269Iwanamishoten 1994. Soft Cover. Fine. Number of pages: 395p Size: 15cm Iwanamishoten paperback
1817réf. 3616Paris: Guillaume et Companie Libraire rue Hautefeuille no. 14 1817. Good. 2 vols. small 12mo. 233 3; 250 4 pp. With 2 engraved frontispieces. Contemporary French mottled sheep extremities worn and bumped; back cover of vol. 2 abraided with loss leather on front hinge quite worn but the board is quite attached marbled pastedowns and endpapers all edges marbled. Text with minor foxing but completely unmarked and unspoiled. NOT ex-library! No copy of this edition has been located despite extensive searching. KVK and FirstSearch list a digital surrogate only but the link wrongly points to a completely different edition Ledentu which consists of 288 332 pages. The two frontispieces in our edition appear to be reverse copies of the illustrations executed by J.M. Moreau le jeune for Lacombe's 1777 edition the first illustrated. The political philosophical and theological significance of this novel is very considerable and Marmontel's text was quickly translated into German English Dutch Italian Russian Swedish and Spanish. Luciano Pellegrini explains its lasting importance and its relevance to modern readers: "'Les Incas' presents a moment of the Conquistadors. Using the knowledge on the subject accumulated over the years and numerous readings Marmontel traces an epic picture of the conquest of Peru by Pizarro and his companions. Not to praise it but to underline its violence and show the monitory end of the empire of 'the most human people in the universe.' . It is a plea against religious fanaticism understood as 'the spirit of intolerance and persecution the spirit of hatred and vengeance for the cause of a God whom one believes irritated and of whom one makes himself the Ministers. . Pizarro remains responsible for the atrocities committed by his men without really sharing them. . One could notice the presence of attitudes of colonial domination in Alonzo de Molina's love for the native Cora. These very real ambiguities are however inseparable from the philosophical commitment of 'Les Incas.' They even touch on the project of universal tolerance carried by Marmontel and largely contribute to the literary quality of a novel which had a success for more than a century." SOURCE: Luciano Pellegrini review of the 2016 critical edition Paris Garnier edited by Pierino Gallo in: Eighteenth-Century Fiction 32:1 Fall 2019 228-231. Not located in CCFR or COPAC in addition to KVK and FirstSearch. Guillaume et Companie, Libraire, rue Hautefeuille, no. 14 unknown
1817réf. 3616Paris: Guillaume et Companie Libraire rue Hautefeuille no. 14 1817. Good. 2 vols. small 12mo. 233 3; 250 4 pp. With 2 engraved frontispieces. Contemporary French mottled sheep extremities worn and bumped; back cover of vol. 2 abraided with loss leather on front hinge quite worn but the board is quite attached marbled pastedowns and endpapers all edges marbled. Text with minor foxing but completely unmarked and unspoiled. NOT ex-library! No copy of this edition has been located despite extensive searching. KVK and FirstSearch list a digital surrogate only but the link wrongly points to a completely different edition Ledentu which consists of 288 332 pages. The two frontispieces in our edition appear to be reverse copies of the illustrations executed by J.M. Moreau le jeune for Lacombe's 1777 edition the first illustrated. The political philosophical and theological significance of this novel is very considerable and Marmontel's text was quickly translated into German English Dutch Italian Russian Swedish and Spanish. Luciano Pellegrini explains its lasting importance and its relevance to modern readers: "'Les Incas' presents a moment of the Conquistadors. Using the knowledge on the subject accumulated over the years and numerous readings Marmontel traces an epic picture of the conquest of Peru by Pizarro and his companions. Not to praise it but to underline its violence and show the monitory end of the empire of 'the most human people in the universe.' . It is a plea against religious fanaticism understood as 'the spirit of intolerance and persecution the spirit of hatred and vengeance for the cause of a God whom one believes irritated and of whom one makes himself the Ministers. . Pizarro remains responsible for the atrocities committed by his men without really sharing them. . One could notice the presence of attitudes of colonial domination in Alonzo de Molina's love for the native Cora. These very real ambiguities are however inseparable from the philosophical commitment of 'Les Incas.' They even touch on the project of universal tolerance carried by Marmontel and largely contribute to the literary quality of a novel which had a success for more than a century." SOURCE: Luciano Pellegrini review of the 2016 critical edition Paris Garnier edited by Pierino Gallo in: Eighteenth-Century Fiction 32:1 Fall 2019 228-231. Not located in CCFR or COPAC in addition to KVK and FirstSearch. Guillaume et Companie, Libraire, rue Hautefeuille, no. 14 unknown books
réf. BB110235Paper binding in -8 175 x 11 cm. Text in french.Frontispice by L. Assner and three engravings. Complete copy printed on laid paper. Rare first edition printed in Vienne Wenen. On the titlepage a pruple stamp of former owner ""G.W.B.D."" probably Gräflich von Waldbott-Bassenheim'sche Domanialverwaltung.Belisaire is a banned French novel about the life of the Byzantine general Belisarius by Jean- Francois Marmontel.It popularised the apocryphal tale of his being reduced to beggary by Justinian I despite his great services to the empire citing it as an example of the ingratitude of those in power towards their faithful servants and indicting the French king Louis XV by proxy as another such ungrateful monarch.A plea for religious tolerance. Marmontel condemned the violence against the native Americans indigenous people. This plea was not suited in the time of the French monarchy during the ancien regime based on intolerance and intimidation. The archbishop of Paris Mgr. Chrisophe de Beaumont banned the work of Marmontel in 1767. Also in The Netherlands there was a vivid dispute this time on the idea that also non-christians heidenen could join in heaven. This is called the ""Socratische oorlog"".Jean Francois Marmontel 1723-1799 was a French historian writer and member of the Encyclopedistes movement. In 1772 he became the official historian of France historiographe de France. He worked with Alembert Helvétius d'Holbach Condillac Turgot Buffon Condorcet and Voltaire.The book was reprinted in 1787 by the Bibliotheque amusante.Boekverboden - forbidden books - banned book - omstreden schrijver - tegenstander van Rousseau - pleidooi voor religieuze tolerantie - plea for religious tolerance unknown
1808réf. 144276Edinburgh: Mundell Doig and Stevenson 1808. hardcover. fine. 4 volumes. Handsomely bound in contemporary straight grained green morocco with gilt designs on covers & spines a.e.g. Housed in a red cloth folding box. Edinburgh: Printed for Mundell Doig and Stevenson 1808. A fine set. Each volume has a detailed fore-edge painting of various London city scenes. Mundell, Doig and Stevenson unknown
1808réf. 144276Edinburgh: Mundell Doig and Stevenson 1808. hardcover. fine. 4 volumes. Handsomely bound in contemporary straight grained green morocco with gilt designs on covers & spines a.e.g. Housed in a red cloth folding box. Edinburgh: Printed for Mundell Doig and Stevenson 1808. A fine set. Each volume has a detailed fore-edge painting of various London city scenes. Mundell, Doig and Stevenson unknown books
1770réf. 618AGO.J. (um 1770). Kupferstich (Brustbild im Profil) von Aug. de St.-Aubin (1736-1807) nach C.N. Cochin (d.J. (1715-1790). Bildgrösse: 13 x 7 cm. Blattgrösse: 19 x 13 cm.
1770réf. 618AG1770. O.J. um 1770. Kupferstich Brustbild im Profil von Aug. de St.-Aubin 1736-1807 nach C.N. Cochin d.J. 1715-1790. Bildgrösse: 13 x 7 cm. Blattgrösse: 19 x 13 cm. Am Rand etwas fleckig. unknown
1815Stampa antica originale raffigurante il ritratto del romanziere, poeta e drammaturgo francese Jean-François Marmontel, in allegato pagina descrittiva. Piccole gore. Inserita nell'opera "Serie di vite e ritratti de Famosi Personaggi degli ultimi Tempi" edita da Bettalli e Fanfani a Milano dal 1815 al 1818
1785réf. 98228Venezia : nella Stamperia di Francesco Santini a spese di Remondini 1785. In-16 gr. mm. 195x130 2 volumi cartonato rustico coevo lievi tracce d'uso pp. XV287; VIII316. "Prima edizione italiana". Lo scrittore francese Jean-François Marmontel 1723 - 1799 fu allievo dei gesuiti studiò filosofia a Clermont-Ferrand ma rinunciando alla carriera ecclesiastica per la letteratura si recò a Parigi dove fu protetto da Voltaire. Fu per un breve periodo direttore del Mercure de France; entrato poi all'Académie française ne divenne "segretario perpetuo" alla morte di d'Alembert 1783. Alc. lievi fioriture ma complessivamente in buono stato. nella Stamperia di Francesco Santini, a spese di Remondini, unknown
réf. RO50053193AU MENESTREL / HEUGEL & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Livré sans Couverture, Dos frotté, Intérieur acceptable. 21 pages de partitions. Premier plat absent et déchirures aux extrémités du deuxième plat désolidarisé. Annotations au crayon à papier sur quelques phrases. Déchirure renforcée sur la page 3-4.. . . . Classification Dewey : 780.26-Partitions
1830réf. R320055661MAUMUS PIERRE. 1830. In-12. Relié. A restaurer, Coins frottés, Dos abîmé, Intérieur acceptable. 525 pages augmentées d'un frontispice - Contre-plats et tranches jaspés - 2 PHOTOS DISPONIBLES.. . . . Classification Dewey : 929.2-Histoire des familles célèbres
réf. 0331578980.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2026réf. LRB524407Paris: Editions Recreasoft 2026 Langue : Français. Environ 504 pages. Français : Réimpression à la demande. Édition originale : 1885. Étude historique et musicale consacrée au piano à ses origines et à l'évolution de sa facture avec une attention particulière portée à l'influence de l'instrument sur l'écriture des compositeurs et le jeu des virtuoses. Ouvrage de référence pour l'histoire de l'interprétation l'organologie et la culture pianistique du XIXe siècle. A historical and musical study devoted to the piano its origins and the development of its construction with particular attention to the instrument's influence on compositional style and virtuoso performance. A reference work for the history of interpretation organology and nineteenth-century piano culture. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1885. This modern reproduction of Histoire du piano et de ses origines influence de la facture sur le style des compositeurs et des virtuoses by Marmontel Antoine François 1816-1898 makes an old or rare text available for consultation bibliographic research and specialized collections. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
réf. 1334574979.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 2329439431.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1795réf. 7075Sth., 1795-96. Et senere hshirtbd. 256,300 pp. - Første svenske oversættelse.
1795réf. 7075Sth. 1795-96. Et senere hshirtbd. 256300 pp. - Første svenske oversættelse. unknown
1810réf. 1610200120Billois 1810-01-01. Hardcover. Good. 2 volume set. Contemporary leather bindings. Gilt spine stamping. All edges gilt. Some cover wear partial crack along spine edge. Clean unmarked pages. Illustrations ; 17 cm. No publisher listed. xxiv 202; 4 244 pp. Two folding maps in rear. Sabin 44652. Billois hardcover
1784réf. RO80053653BRUNET. 1784. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Pliures. 48 pages. Quelques traces d'humidité.. . . . Classification Dewey : 792-Théâtre
réf. 21792Paris Chez Vente 1772 in 8 (19x12,5) 1 fascicule broché, sous couverture muette de papier marbré ancien, faux-titre, titre orné d'un médaillon d'armoiries couronnées gravées sur bois, 48 pages, et 7 pages gravées de musique notée. La Musique est de Grétry. Marmontel Jean François, 1723-1799, poète, romancier et critique français. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
réf. 0260596582.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
