Maupassant Guy de

Maupassant Guy de. Bel-Ami Milyy drug. A Novel / original lithographs by K. I. Rudakov 1936. In Russian.

1936réf. 43963033780974ÐœÐ¾Ð¿Ð°ÑÑÐ°Ð½ Ги де 1850-1893. Милый друг : роман / перевод Ñ Ñ„Ñ€Ð°Ð½Ñ†ÑƒÐ·ÑÐºÐ¾Ð³Ð¾ ÐÐ½. Ð§ÐµÐ±Ð¾Ñ‚Ð°Ñ€ÐµÐ²ÑÐºÐ¾Ð¹ ; Ñ€ÐµÐ´Ð°ÐºÑ†Ð¸Ñ Ð. Ð. Смирнова ; автолитографии К. И. Рудакова ; переплет титул по макетам В. Д. Ð”Ð²Ð¾Ñ€Ð°ÐºÐ¾Ð²ÑÐºÐ¾Ð³Ð¾. Ленинград : Ð¥ÑƒÐ´Ð¾Ð¶ÐµÑÑ‚Ð²ÐµÐ½Ð½Ð°Ñ литература 1936. 274 ÑÑ‚Ñ€Ð°Ð½Ð¸Ñ†Ñ‹ Ñ Ð¸Ð»Ð»ÑŽÑÑ‚Ñ€Ð°Ñ†Ð¸ÑÐ¼Ð¸ 9 Ð»Ð¸ÑÑ‚Ð¾Ð² Ð¸Ð»Ð»ÑŽÑÑ‚Ñ€Ð°Ñ†Ð¸Ð¹ ; 31 x 23 ÑÐ°Ð½Ñ‚Ð¸Ð¼ÐµÑ‚Ñ€Ð°. Ð˜Ð·Ð´Ð°Ñ‚ÐµÐ»ÑŒÑÐºÐ¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶ÐµÑÑ‚Ð²ÐµÐ½Ð½Ñ‹Ð¹ коленкоровый переплет Ñ золотым и блинтовым Ñ‚Ð¸ÑÐ½ÐµÐ½Ð¸ÐµÐ¼ крупный формат. Тираж 15 300 ÑÐºÐ·ÐµÐ¼Ð¿Ð»ÑÑ€Ð¾Ð². ÐÐ° форзаце - две Ð²Ð»Ð°Ð´ÐµÐ»ÑŒÑ‡ÐµÑÐºÐ¸Ðµ Ñ€ÑƒÐºÐ¾Ð¿Ð¸ÑÐ½Ñ‹Ðµ Ð·Ð°Ð¿Ð¸ÑÐ¸ разных лиц и разного времени. Переплет хорошее: Ð¿Ð¾Ñ‚ÐµÑ€Ñ‚Ð¾ÑÑ‚ÑŒ и бахрома ткани у головки и Ñ…Ð²Ð¾ÑÑ‚Ð¸ÐºÐ° корешка. Блок очень хорошее: бумага ÑÐ»ÐµÐ³ÐºÐ° Ð¿Ð¾Ñ‚ÐµÐ¼Ð½ÐµÐ²ÑˆÐ°Ñ Ð¸Ð»Ð»ÑŽÑÑ‚Ñ€Ð°Ñ†Ð¸Ð¸ Ð¿Ð¾Ð»Ð½Ð¾ÑÑ‚ÑŒÑŽ ÑÐ¾Ñ…Ñ€Ð°Ð½ÐµÐ½Ñ‹ на форзаце легкий залом. Maupassant Guy de 1850-1893. Bel-Ami : a novel / translated from the French by An. Chebotarevskaya ; edited by A. A. Smirnov ; original lithographs by K. I. Rudakov ; binding and title page designed by V. D. Dvorakovsky. Leningrad : Khudozhestvennaya Literatura 1936. 274 pp. illustrated 9 leaves of plates ; 31 x 23 cm. Publisher's fine decorative bookcloth binding with gilt and blind stamping large format. Print run of 15300 copies. Front free endpaper bearing two former owners' handwritten inscriptions in different hands and at different dates. Binding good: wear and fraying of the cloth at the head and tail of the spine. Text block very good: paper lightly toned illustrations fully preserved light crease to the front endpaper. A handsomely produced large-format Soviet edition of Maupassant's "Bel-Ami" 1885 illustrated with original lithographs by Konstantin Ivanovich Rudakov 1891-1949 among the most accomplished Soviet book illustrators of French literature in the interwar period. Rudakov worked from an unusually internalized method: rather than relying on documentary research he drew chiefly on his own visual memory having the text read aloud to him by his wife and translated his sketches to the lithographic stone through the master printer O. E. Korotkov at the Academy of Arts' graphic workshop first as black-and-white trial proofs and then where warranted as multi-stone color compositions; his illustrations for this novel were considered authoritative enough to be reused in the Soviet Union's major "Library of World Literature" edition of Maupassant decades later in 1970. The translation is the work of Anastasia Nikolaevna Chebotarevskaya 1876-1921 a prominent Silver Age translator and essayist married to the Symbolist writer Fyodor Sologub whose renderings of Maupassant's fiction and short stories remained in wide use throughout the Soviet period. The binding and title page were designed by V. D. Dvorakovsky. The novel itself tracing the amoral rise of the journalist Georges Duroy through the drawing rooms and newsrooms of Third Republic Paris remains one of Maupassant's most widely read works and this illustrated large-format printing issued in a run of 15300 copies holds strong appeal for collectors of Soviet book illustration and of Rudakov's graphic work in particular. Khudozhestvennaya Literatura hardcover

Stanza Rare Books · Géorgie180,00 $US≈ 160,81 €

Maupassant Guy de

Maupassant Guy de

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