MAUPASSANT Guy de:Livre Rare Book
5 159 résultats
1879réf. 22135Paris, En vente chez Tresse, 1879. In-8 de 16 pages, demi-maroquin lavallière, dos lisse, titre doré en long, couvertures conservées.
1882réf. 17513Mlle Fifi - La Bûche - Le Lit - Un Réveillon - Mots d'Amour - Une aventure parisienne - Marroca.Eaux-fortes par Just (portrait-frontispice). L'un des rares portraits dont l'écrivain ait autorisé la publication. Vignettes de chapitre, bandeaux, lettrines et culs-de-lampe.Édition originale rare. Bruxelles, Henry Kistemaeckers, collection "Édition du Bibliophile" - 1882 - 172 pages. Tirage à petit nombre sur vergé. Joint un article de presse sur François Tassart.Reliure demi-maroquin bleu de l'époque. Dos à nerfs aux titre et auteur dorés. Tête dorée sur témoins, non rogné. Couverture chamois conservée. Pas de rousseur. Très bon état. Format in-12°(16x11).Mademoiselle Fifi est un recueil de nouvelles de Guy de Maupassant placé sous les thèmes du libertinage et de la guerre de 1870.
1926réf. 28281Paris: Javal Et Bourdeaux. Very Good with no dust jacket. 1926. First Edition. Paperback. French Language; We fit archival quality clear acrylic covers for additional protection whenever possible. ; 4to 11" - 13" tall; 88 plates in two states pages; LOBEL-RICHE ALMERY. DE MAUPASSANT GUY. La Maison Tellier. Illustre par Lobel-Riche. Paris: Javal et Bourdeaux 1926. First Edition with these illustrations Hors de Commerce copy separate from limited edition of 375 copies. Small 4to light green printed wraps text in loose signatures as issued 12 full-page and 3 smaller engraved reproductions of occasionally erotic drawings by Lobel-Riche extra loose set of the engraved illustrations printed in sepia with small remarque illustrations in margins plus one additional plate not called for in the book and single sheet of green paper with four 4 original pencil sketches by Lobel-Riche several heightened in red pencil signed at bottom right by the artist. Wraps sun-browned at spine minor wear at edges original glassine over wrapper chipped and torn at edges with early owner's hand-lettered title in ink at spine torn and partly lacking text quite good slight aging text and plates very clean sheet with original illustrations with some aging at edges offsetting to protective paper folder. The edition consisted of 75 copies on Japon Ancien with the plates in four or five states and 300 copies on Velin d'Arches with plates in two or three states; there were also 42 additional lettered or Roman-numbered copies on Japon Imperial or Arches. This copy is an Hors de Commerce copy similar to the 200 copies on Arches with plates in two states with the addition of the sheet with original drawings; the limitation leaf cites no other issue which also included an original drawing although there probably were some. One set is with and one without additional small drawings in the lower margin. A number of additional graphics are available. . Javal Et Bourdeaux paperback
1907réf. 220471907. Literature Art Chertkov Vladimir et al. 1907 represents one of the most visually forceful Tolstoyan critiques of militarism produced in the decade before World War I and reflects the transnational pacifist networks surrounding Leo Tolstoy during his final years. Edited by Tolstoy's close associate Vladimir Chertkov and illustrated by Czech artist Emile Holarek the volume integrates literary excerpts from Tolstoy Guy de Maupassant Charles Mackay and others with allegorical and documentary imagery condemning war religious nationalism and state violence. It supports research in peace movements Christian anarchism visual propaganda prewar European dissent and radical religious publishing. Chertkov Vladimir and Holarek Emile. War. Christchurch Hants: The Free Age Press 1907. First edition. Illustrated red wrappers. Folio. A stark and visceral anti-war publication composed of allegorical and documentary drawings by Czech artist Emile Holarek interwoven with selections from the writings of Leo Tolstoy Guy de Maupassant Charles Mackay and others. Edited by Tolstoy's disciple and English publisher Vladimir Chertkov this rare example of early twentieth-century pacifist propaganda was part of a broader Tolstoyan publishing initiative launched in exile. The book is accompanied by a loosely inserted handbill letter of endorsement from Tolstoy dated 24 December 1900 praising The Free Age Press's accessibility to working-class readers and emphasizing the moral necessity of copyright-free literature. Through uncompromising graphic allegory and scathing textual commentary War presents the horrors of militarism the spiritual hypocrisy of religious nationalism and the corrupt symbiosis between church and state. Holarek's etchings expose the machinery of violence in both sweeping and intimate terms-from the image of a demonic figure herding anonymous soldiers into the jaws of a beast titled The Victims of Moloch to scenes of devastated civilian families The Mobilization of the Reservists and emaciated corpses After the Battle. These are juxtaposed with images of societal sanctification of war The Commander's Reward The Christian Army critiques of militarized science Science for Science's Sake and depictions of unequal moral accountability The Murderer of Many vs. The Ordinary Murderer. One image entitled Christians portrays Jesus turning away as crusaders kings and soldiers offer their weapons in his name. The result is an indictment of nationalism cloaked in divine justification and a fervent call for Christian anarchism and pacifism reflecting the radical ideals that animated Tolstoy's final decades. Poems by Isabella Fyvie Mayo and Charles Mackay further elevate the volume's literary and emotional impact. Heavy chipping and closed tears along page edges and corners affecting margins but not illustrations or text. A 5" closed tear to the first leaf and partial separation of text block from wrappers. General soiling and toning throughout. Most pages disbound. With printed red wrappers intact but fragile featuring Holarek's signature illustration of Moloch. Includes rare laid-in printed letter from Tolstoy praising the press's mission. Overall a good only copy of a scarce politically urgent Tolstoyan production that remains one of the most graphic critiques of early twentieth-century Christian militarism in visual print. unknown
1907réf. 220471907. Literature Art Chertkov Vladimir et al. 1907 represents one of the most visually forceful Tolstoyan critiques of militarism produced in the decade before World War I and reflects the transnational pacifist networks surrounding Leo Tolstoy during his final years. Edited by Tolstoy's close associate Vladimir Chertkov and illustrated by Czech artist Emile Holarek the volume integrates literary excerpts from Tolstoy Guy de Maupassant Charles Mackay and others with allegorical and documentary imagery condemning war religious nationalism and state violence. It supports research in peace movements Christian anarchism visual propaganda prewar European dissent and radical religious publishing. Chertkov Vladimir and Holarek Emile. War. Christchurch Hants: The Free Age Press 1907. First edition. Illustrated red wrappers. Folio. A stark and visceral anti-war publication composed of allegorical and documentary drawings by Czech artist Emile Holarek interwoven with selections from the writings of Leo Tolstoy Guy de Maupassant Charles Mackay and others. Edited by Tolstoy's disciple and English publisher Vladimir Chertkov this rare example of early twentieth-century pacifist propaganda was part of a broader Tolstoyan publishing initiative launched in exile. The book is accompanied by a loosely inserted handbill letter of endorsement from Tolstoy dated 24 December 1900 praising The Free Age Press's accessibility to working-class readers and emphasizing the moral necessity of copyright-free literature. Through uncompromising graphic allegory and scathing textual commentary War presents the horrors of militarism the spiritual hypocrisy of religious nationalism and the corrupt symbiosis between church and state. Holarek's etchings expose the machinery of violence in both sweeping and intimate terms-from the image of a demonic figure herding anonymous soldiers into the jaws of a beast titled The Victims of Moloch to scenes of devastated civilian families The Mobilization of the Reservists and emaciated corpses After the Battle. These are juxtaposed with images of societal sanctification of war The Commander's Reward The Christian Army critiques of militarized science Science for Science's Sake and depictions of unequal moral accountability The Murderer of Many vs. The Ordinary Murderer. One image entitled Christians portrays Jesus turning away as crusaders kings and soldiers offer their weapons in his name. The result is an indictment of nationalism cloaked in divine justification and a fervent call for Christian anarchism and pacifism reflecting the radical ideals that animated Tolstoy's final decades. Poems by Isabella Fyvie Mayo and Charles Mackay further elevate the volume's literary and emotional impact. Heavy chipping and closed tears along page edges and corners affecting margins but not illustrations or text. A 5" closed tear to the first leaf and partial separation of text block from wrappers. General soiling and toning throughout. Most pages disbound. With printed red wrappers intact but fragile featuring Holarek's signature illustration of Moloch. Includes rare laid-in printed letter from Tolstoy praising the press's mission. Overall a good only copy of a scarce politically urgent Tolstoyan production that remains one of the most graphic critiques of early twentieth-century Christian militarism in visual print. unknown books
1883réf. 57666Préface par Guy de Maupassant, exemplaire numéroté (n° 42), 1 vol. grand in-12 br., C. Marpon & B. Flammarion, Paris, s.d. [ 1883 ]
1891réf. CLL-156Paris, Ollendorff, 1891 In-12 de (2) ff., 314 pp., (1) f. de table, broché, sous couverture rempliées d'édition.
1879réf. 86301Tresse | Paris 1879 | 14.50 x 22 cm | broché
1886réf. 86327Paul Ollendorff | Paris 1886 | 11.50 x 18.70 cm | relié
1953réf. 44346Paris Socit Normande du 1953 In-4, en feuilles, couverture imprime (embotage).Edition illustre par Michel Ciry de 33 eaux-fortes originales, dont un frontispice et 4 hors-texte. Tirage unique limit 140 exemplaires numrots sur vlin de Rives.
1966réf. 47861Paris Les Disciples d'Hipp 1966 In-4, en feuilles, couverture illustre (embotage de l'diteur).19 lithographies originales en couleurs de Gaston Barret, dont une sur la couverture, 10 sur double page et 8 hors-texte. Tirage limit 410 exemplaires numrots, signs par l'artiste. Un des 10 exemplaires sur japon nacr rservs aux amis de l'diteur. Exemplaire enrichi d'une grande aquarelle originale en couleurs ddicace et signe par Gaston Barret, et d'une suite sur japon de 4 planches refuses en couleurs (dont 3 sur double page).
1907réf. 52389Paris L. Carteret 1907 In-8, bradel demi-maroquin rouge coins, plats de papier marbr, dos orn de deux larges listels de maroquin brun encadrs de filets et fleurons dors; doublures et gardes de papier marbr, tte dore, non rogn, couverture imprime (Ch. Meunier).Premire dition spare, illustre de 23 eaux-fortes originales d'Alexandre Lunois, dont une sur le faux titre, une vignette de titre, 2 bandeaux avec lettrines et 19 in-texte. Tirage limit 150 exemplaires numrots. Un des 100 exemplaires sur vlin la forme. Exemplaire enrichi d'un portrait-frontispice tir sur soie et doubl sur papier de Chine, et du spcimen de l'diteur. De la bibliothque d'Albert Cornet-Epinat (ex-libris). 3 feuillets brunis.
1899réf. 1659Paris, aux dépens d'un ami des livres, Imprimerie Lemercier, 1899. 1 vol. in-8, (25,5 x 17,5 cm) ; [1] f., XXXI pp. En feuilles, sous couverture de papier à reflets argentés. Chemise cartonnée à dos toilé vert et lacets verts, plats couverts d'un papier imprimé d'un décor floral et premier plat imprimé. Bel exemplaire dans sa condition d'origine.
1966réf. 2678PARIS. PIERRE DE TARTAS. (POUR LE CERCLE BIBLIOPHILE «LES AMIS D'HIPPOCRATE»). 1966. IN-FOLIO EN FEUILLES DE 104 PAGES SOUS COUVERTURE CREME REMPLIEE ILLUSTREE D'UNE LITHOGRAPHIE EN COULEURS, CHEMISE ET ETUI CARTONNES ROUGES DE L'EDITEUR (30,5 X 40,5 X 5 CENTIMETRES ENVIRON). ILLUSTRE DE 19 LITHOGRAPHIES EN COULEURS : LA COUVERTURE ET 18 HORS TEXTE, DONT 10 A DOUBLE PAGE. PREMIER TIRAGE LIMITE A 410 EXEMPLAIRES NUMEROTES, DONT 10 HORS COMMERCE SUR JAPON. UN DES 10 DU TIRAGE DE TETE SUR JAPON NACRE RESERVES AUX AMIS DE PIERRE DE TARTAS ET NUMEROTES P.L.T. 1 A P.L.T. 10, ACCOMPAGNE D'UNE SUITE DE 4 PLANCHES REFUSEES : UNE SIMPLE EN COULEURS ET 3 A DOUBLE PAGE, DONT UNE EN DEUX TONS, CELUI-CI PORTANT LE NUMERO P.L.T. 9, AVEC LA SIGNATURE AUTOGRAPHE DE L’ARTISTE SOUS LA JUSTIFICATION. BEL EXEMPLAIRE ENRICHI D’UN GRAND DESSIN A PLEINE PAGE AU FUSAIN NOIR (PROFIL DE JEUNE FILLE) AVEC ENVOI DEDICACE SIGNE DE L’ARTISTE, GASTON BARRET.
réf. 132589aafLausanne, Gonin, 1972, in-8°, 71 p. illustrées de 25 compositions dessinées et peintes à la main par Jean-Pierre Rémon, (aquarelles) (+1 p. non chiffrée), tirage de 52 ex. dont 12 ex. sur Japon nacré + 12 ex. h.-c, de I à XII et 28 ex. sur vélin de Rives, num. de 1 à 28, notre ex. N° 13, signé par l’artiste et les éditeurs, en feuilles dans une chemise avec le titre impr. en bleu, reliure d.-parchemin, étui bordé.
1882réf. 114151882 Bruxelles, Kistemaeckers, 1882 ; in-16 de 172pp. ( dont le titre imprimé en noir et rouge) - (2) ff. (table et achevé d'imprimer).; plein maroquin violine janséniste, dos à nerfs, auteur et titre dorés, date en queue, dentelle intérieure, double filet doré sur les coupes, tête dorée, couverture chamois et dos conservés, étui bordé (Blanchetière rel.). La couverture porte "Edition de Bibliophile".Portrait de Maupassant à l'eau-forte par Just en frontispice. Bel exemplaire bien établi.
1880réf. 7861CBParis, G. Charpentier, 1880. 8°. (3) Bl., 209 S., (2) Bl. Neuer Pappband (Orig.-Umschlag miteingebunden).
1950réf. 390331950. AN APPARENTLY UNPUBLISHED AND UNRECORDED SET OF EIGHT LARGE FOLIO 42 x 30 cm PENCIL-SIGNED ORIGINAL LITHOGRAPHS BY ARTUR LIEBIG based on "Bel Ami" "Der Favorit" in German by Maupassant. The lithographs are printed on fine wove paper pink paper in one case and are in perfect condition housed in the original printed and illustrated paper folder also signed and dated by the artist. The absence of title-page and a justification / colophon / limitation statement as well as the impossibility of locating another copy indicates that this set was likely never published. Exceedingly rare and possibly unique. unknown
réf. Z1-M-014-01826RareBooksClub.com. Used - Good. Text in French. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. RareBooksClub.com unknown
1880réf. 7861CB1880. Paris G. Charpentier 1880. 8°. 3 Bl. 209 S. 2 Bl. Neuer Pappband Orig.-Umschlag miteingebunden. Erste Ausgabe. Mit handschr. Widmung vom Autor an Anatole Fontaine de Rambouillet. Das Papier durchgehend stärker stockfleckig. Die Ränder unbeschnitten. unknown
1920réf. 005780Paris: L. Carteret 1920. Limited Edition. Full Morocco. Cloth slipcase. Near Fine. No. 31 of 80 "exemplaires de grand choix sur Japon et Vélin du Marais and total limitation of 300 copies. 4to. 27 by 18 cm. 310 pp. Each of the illustrations is rendered thrice -- once in text and twice in two states as full page plates. Slight starting and rubbing by upper front joint about 3 cm long. Immaculate within. Gilt ornamented binding is very handsome with all edges gilt and silk doublures. L. Carteret unknown
1920réf. 005780Paris: L. Carteret 1920. Limited Edition. Full Morocco. Cloth slipcase. Near Fine. No. 31 of 80 "exemplaires de grand choix sur Japon et Vélin du Marais and total limitation of 300 copies. 4to. 27 by 18 cm. 310 pp. Each of the illustrations is rendered thrice -- once in text and twice in two states as full page plates. Slight starting and rubbing by upper front joint about 3 cm long. Immaculate within. Gilt ornamented binding is very handsome with all edges gilt and silk doublures. L. Carteret unknown books
1895réf. AQ33927Paris: Paul Ollendorff Editeur 1895. 4 233pp 3. Beautifully extra-illustrated with 13 vignette drawings variously in ink and wash and pencil and two further inserted plates each ink on paper all by J. Ernest Boilvin. Finely bound in contemporary gilt- tooled marbled blue 'Spanish Calf' gilt-tooled inner dentelles. Slightly rubbed corners a little bumped unobstrusive old scuff marks to lower board neatly refurbished. A finely presented copy of Maupassant's introspective novel of travel and the illusion of youth in Europe and North Africa uniquely adorned with fine illustrations by J. Ernest Boilvin of whom we have found no trace. First published in Paris by the same publisher as this 20th edition in 1890 this copy includes illustrations of typical views of France Tunis and Cairo alongside portraits of several individuals. . Vingtieme edition. Small quarto. Paul Ollendorff, Editeur unknown
1897réf. gdm06Paris: Armand Magnier. G : in Good condition. Slight foxing. Modern rebind with original paper cover bound in. 1897. Limited Edition 50. Brown hardback half-leather cover. 180mm x 110mm 7" x 4". 110pp plates. 116 tissue-guarded plates - 58 om vélin de cuve and 58 on japan vellum. Signed and dedicated by the illustrator Romagnol on half-title verso. . Armand Magnier hardcover
réf. 7258Paris, Paul Ollendorff, 1890. In-12 (117 x 181 mm). 2 ff., 300 pp. Demi-maroquin orangé janséniste à coins, dos à nerfs, tête dorée, couvertures et dos conservés (Hans Asper).
